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The Latest in ShowBiz News

Mack Chico

By

2009/02/25 at 12:00am

Spanish directors to see more directing time

02.25.2009 | By |

Spanish directors to see more directing time

Spain’s Telecinco Cinema, producer of “Che,” “The Orphanage” and “Pan’s Labyrinth,” has boarded projects by Juan Carlos Fresnadillo (“28 Days Later”), Juan Antonio Bayona (“Orphanage”) and Nacho Vigalondo (“Timecrimes”).

All will be co-produced by Telecinco and new Spanish shingle Apaches, headed by Enrique Lopez Lavigne and former Telecinco Cinema exec Belen Atienza.

Fresnadillo and Bayona have two projects a piece, all at script stage. Three pics are likely to be English-language, while the more modest of Bayona’s projects would be made in Spanish, said Ghislain Barrois, TC’s CEO.

The involvement of TC, the pic production division of broadcast network Telecinco, is crucial for these projects to get made.

Telecinco is required by government regulations to invest 5% of its annual revenue in Spanish and European fiction. Its minimum commitment for 2008, which it fulfilled, was e53.9 million ($68.7 million).

TC is one of the only production houses in Europe with the muscle to bankroll every year a clutch of mid- to low-budgeted English-language movies, a budget-range some U.S. studios have been abandoning.

TC put up 88% of financing for Alejandro Amenabar’s Rachel Weisz starrer “Agora,” said Telecinco CEO Paolo Vasile Tuesday at a presentation of Telecinco Cinema’s 2008-09 slate.

Sold internationally by Focus Features, “Agora” has been presented for consideration by the Cannes and Venice film festivals, Vasile added.

“Agora” is co-produced by Fernando Bovaira Mod Prods. and Amenabar’s Himenoptero. TC has also teamed with both shingles to produce Oskar Santos’ hospital thriller “El Mal ajeno.”

Starring Eduardo Noriega (“Vantage Point”) and Belen Rueda (“Orphanage”), the hospital-set thriller is written by Daniel Sanchez Arevalo, the director-writer of 2006’s seminal debut “DarkBlueAlmostBlack,” which heralded a new generation of Spanish filmmakers.

TC does not have an output deal with either Apaches or Mod, said Barrois.

“We have project-by-project deals with these producers. But they have privileged relationships with talent,” he added.

Bayona has “Hater” set up at Universal, produced by Guillermo del Toro and Mark Johnson; United Artists has acquired remake rights to Vigalondo’s “Timecrimes.”

Mack Chico

By

2009/02/25 at 12:00am

Michel Gondry to direct ‘The Green Hornet’

02.25.2009 | By |

Michel Gondry to direct 'The Green Hornet'

Columbia has set Michel Gondry to direct “The Green Hornet,” and the studio has set a June 25, 2010, release date for the film.

Seth Rogen plays the title character, and Stephen Chow will play his sidekick, Kato.

Rogen wrote the script with Evan Goldberg. Neal Moritz is producing through is Original Film banner.

Gondry, best known for far-out fare like “Eternal Sunshine of the Spotless Mind,” “The Science of Sleep” and “Human Nature,” brings an unusual sensibility to what will be the most overtly commercial film of his career.

He got the job after presenting a vision that wowed production presidents Doug Belgrad and Matt Tolmach. They had been looking for a director since late last year, when Chow (“Kung Fu Hustle”) bowed out over creative differences (Daily Variety, Dec. 19).

Chow decided at that time to remain in the picture playing the Kato role (made famous by Bruce Lee), and that remains the case despite rampant Internet speculation that he ankled completely.

“The Green Hornet,” which began on the radio in the 1930s and is best remembered for an incarnation as a ’60s TV show, has had a long, tortured track to the bigscreen.

At one time, George Clooney was pay or play at Universal to star as the masked hero, only to have Steven Spielberg pry him loose so that Clooney could star in DreamWorks’ first live-action feature, the 1997 drama “The Peacemaker.”

Rogen and Goldberg are executive producers.

Gondry most recently helmed “Be Kind Rewind” and his next film, “Tokyo!” will be released March 6.

Jack Rico

By

2009/02/24 at 12:00am

What Just Happened?

02.24.2009 | By |

Rating: 2.5

Rated: R for language, some violent images, sexual content and some drug material.
Release Date: 2008-10-17
Starring: Art Linson
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.whatjusthappenedfilm.com/

 Go to our film page

Mack Chico

By

2009/02/23 at 12:00am

Plot Synopsis For "Shrek Goes Fourth" Revealed!

02.23.2009 | By |

Plot Synopsis For "Shrek Goes Fourth" Revealed!

An alleged plot synopsis for “Shrek Goes Fourth” has been leaked online. The website Alex Litel’s Lackluster Emporium claims it has stumbled upon a copyright pre-registration for the film.

According to the leaked story, the fourth installment of the successful DreamWorks Animation franchise will see the main protagonist, Shrek, duped into agreeing to an alternate world, wherein he never meets his wife Fiona.

The synopsis reads: “After challenging an evil dragon, rescuing a beautiful princess and saving your in-laws’ kingdom, what’s an ogre to do? Well, if you’re Shrek, you suddenly wind up a domesticated family man.”

“Instead of scaring villagers away like he used to, a reluctant Shrek now agrees to autograph pitch forks. What’s happened to this ogre’s roar? Longing for the days when he felt like a ‘real ogre,’ Shrek is duped into signing a pact with the smooth-talking dealmaker, Rumplestiltskin.”

“Shrek suddenly finds himself in a twisted, alternate version of Far Far Away, where ogres are hunted, Rumplestiltskin is king and Shrek and Fiona have never met. Now, it’s up to Shrek to undo all he’s done in the hopes of saving his friends, restoring his world and reclaiming his on True Love.”

The authenticity of the supposedly leaked plot is yet to be proven.

“Shrek Goes Fourth” is slated to be released on May 21, 2010 in conventional and IMAX theaters. Mike Myers, Cameron Diaz, Eddie Murphy, and Antonio Banderas are all expected to reprise their roles.

Mack Chico

By

2009/02/23 at 12:00am

Oscar 2009 complete list of winners

02.23.2009 | By |

Oscar 2009 complete list of winners

BEST MOTION PICTURE OF THE YEAR
“The Curious Case of Benjamin Button”
(Paramount and Warner Bros.) A Kennedy/Marshall Production; Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers
“Frost/Nixon”
(Universal) A Universal Pictures, Imagine Entertainment
and Working Title Production; Brian Grazer, Ron Howard and Eric Fellner, Producers
“Milk”
(Focus Features) A Groundswell and Jinks/Cohen Company Production; Dan Jinks and Bruce Cohen, Producers
“The Reader”
(The Weinstein Company) A Mirage Enterprises and Neunte Babelsberg Film GmbH Production; Nominees to be determined
Winner: “Slumdog Millionaire”
(Fox Searchlight) A Celador Films Production; Christian Colson, Producer

PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Richard Jenkins in “The Visitor” (Overture Films)
Frank Langella in “Frost/Nixon” (Universal)
Winner: Sean Penn in “Milk” (Focus Features)
Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
Mickey Rourke in “The Wrestler” (Fox Searchlight)

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics)
Angelina Jolie in “Changeling” (Universal)
Melissa Leo in “Frozen River” (Sony Pictures Classics)
Meryl Streep in “Doubt” (Miramax)
Winner: Kate Winslet in “The Reader” (The Weinstein Company)

ACHIEVEMENT IN DIRECTING
Winner: Danny Boyle for “Slumdog Millionaire”

(Fox Searchlight)
Stephen Daldry for “The Reader” (The Weinstein Company)
David Fincher for “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
Ron Howard for “Frost/Nixon” (Universal)
Gus Van Sant for “Milk” (Focus Features)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Amy Adams in “Doubt” (Miramax)
Winner: Penelope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
Viola Davis in “Doubt” (Miramax)
Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
Marisa Tomei in “The Wrestler” (Fox Searchlight)

ORIGINAL SCREENPLAY
“Frozen River” (Sony Pictures Classics); Written by Courtney Hunt
“Happy-Go-Lucky” (Miramax); Written by Mike Leigh
“In Bruges” (Focus Features); Written by Martin McDonagh
Winner: “Milk” (Focus Features); Written by Dustin Lance Black
“WALL-E” (Walt Disney); Screenplay by Andrew Stanton, Jim Reardon; Original story by Andrew Stanton, Pete Docter

ADAPTED SCREENPLAY
“The Curious Case of Benjamin Button”
(Paramount and Warner Bros.) Screenplay by Eric Roth; Screen story by Eric Roth and Robin Swicord
“Doubt” (Miramax) Written by John Patrick Shanley
“Frost/Nixon” (Universal) Screenplay by Peter Morgan
“The Reader” (The Weinstein Company) Screenplay by David Hare
Winner: “Slumdog Millionaire” (Fox Searchlight) Screenplay by Simon Beaufoy

BEST ANIMATED FEATURE FILM OF THE YEAR
“Bolt” (Walt Disney) Chris Williams and Byron Howard
“Kung Fu Panda” (DreamWorks Animation, Distributed by Paramount) John Stevenson and Mark Osborne
Winner: “WALL-E” (Walt Disney) Andrew Stanton

BEST ANIMATED SHORT FILM
Winner: “La Maison en Petits Cubes” A Robot Communications Production; Kunio Kato
“Lavatory – Lovestory” A Melnitsa Animation Studio and CTB Film Company Production; Konstantin Bronzit
“Oktapodi”(Talantis Films) A Gobelins, L’école de l’image Production; Emud Mokhberi and Thierry Marchand
“Presto” (Walt Disney) A Pixar Animation Studios Production; Doug Sweetland
“This Way Up” A Nexus Production; Alan Smith and Adam Foulkes

ACHIEVEMENT IN ART DIRECTION
“Changeling” (Universal) Art Direction: James J. Murakami, Set Decoration: Gary Fettis
Winner: “The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
“The Dark Knight” (Warner Bros.) Art Direction: Nathan Crowley, Set Decoration: Peter Lando
“The Duchess” (Paramount Vantage, Pathé and BBC Films) Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway
“Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage) Art Direction: Kristi Zea, Set Decoration: Debra Schutt

ACHIEVEMENT IN COSTUME DESIGN
“Australia” (20th Century Fox) Catherine Martin
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Jacqueline West
Winner: “The Duchess” (Paramount Vantage, Pathe; and BBC Films) Michael O’Connor
“Milk” (Focus Features) Danny Glicker
“Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage) Albert Wolsky

ACHIEVEMENT IN MAKEUP
Winner:”The Curious Case of Benjamin Button”
Paramount and Warner Bros.) Greg Cannom
“The Dark Knight” (Warner Bros.) John Caglione, Jr. and Conor O’Sullivan
“Hellboy II: The Golden Army” (Universal) Mike Elizalde and Thom Floutz

ACHIEVEMENT IN CINEMATOGRAPHY
“Changeling” (Universal) Tom Stern
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Claudio Miranda
“The Dark Knight” (Warner Bros.) Wally Pfister
“The Reader” (The Weinstein Company) Chris Menges and Roger Deakins
Winner: “Slumdog Millionaire” (Fox Searchlight) Anthony Dod Mantle

BEST LIVE ACTION SHORT FILM
“Auf der Strecke (On the Line)” (Hamburg Shortfilmagency); An Academy of Media Arts Cologne Production; Reto Caffi
“Manon on the Asphalt” (La Luna Productions) A La Luna Production; Elizabeth Marre and Olivier Pont
“New Boy” (Network Ireland Television) A Zanzibar Films Production; Steph Green and Tamara Anghie
“The Pig”An M & M Production; Tivi Magnusson and Dorte Hoslashgh
Winner: “Spielzeugland (Toyland)”A Mephisto Film Production; Jochen Alexander Freydank

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Josh Brolin in “Milk” (Focus Features)
Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount)
Philip Seymour Hoffman in “Doubt” (Miramax)
Winner: Heath Ledger in “The Dark Knight” (Warner Bros.)
Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage)

BEST DOCUMENTARY FEATURE
“The Betrayal (Nerakhoon)” (Cinema Guild) A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
“Encounters at the End of the World” (THINKFilm and Image Entertainment) A Creative Differences Production, Werner Herzog and Henry Kaiser
“The Garden” A Black Valley Films Production, Scott Hamilton Kennedy
Winner: “Man on Wire” (Magnolia Pictures) A Wall to Wall Production, James Marsh and Simon Chinn
“Trouble the Water” (Zeitgeist Films) An Elsewhere Films Production, Tia Lessin and Carl Deal

BEST DOCUMENTARY SHORT SUBJECT
“The Conscience of Nhem En” A Farallon Films Production Steven Okazaki
“The Final Inch” A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant
Winner: “Smile Pinki” A Principe Production, Megan Mylan
“The Witness – From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde

ACHIEVEMENT IN VISUAL EFFECTS
Winner: “The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
“The Dark Knight” (Warner Bros.) Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
“Iron Man” (Paramount and Marvel Entertainment) John Nelson, Ben Snow, Dan Sudick and Shane Mahan

ACHIEVEMENT IN SOUND EDITING
Winner: “The Dark Knight” (Warner Bros.) Richard King
“Iron Man” (Paramount and Marvel Entertainment) Frank Eulner and Christopher Boyes
“Slumdog Millionaire” (Fox Searchlight) Tom Sayers
“WALL-E” (Walt Disney) Ben Burtt and Matthew Wood
“Wanted” (Universal) Wylie Stateman

ACHIEVEMENT IN SOUND MIXING
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.) David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
“The Dark Knight” (Warner Bros.) Lora Hirschberg, Gary Rizzo and Ed Novick
Winner: “Slumdog Millionaire” (Fox Searchlight) Ian Tapp, Richard Pryke and Resul Pookutty
“WALL-E” (Walt Disney) Tom Myers, Michael Semanick and Ben Burtt
“Wanted” (Universal) Chris Jenkins, Frank A. Montaño and Petr Forejt

ACHIEVEMENT IN FILM EDITING
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Kirk Baxter and Angus Wall
“The Dark Knight” (Warner Bros.) Lee Smith
“Frost/Nixon” (Universal) Mike Hill and Dan Hanley
“Milk” (Focus Features) Elliot Graham
Winner: “Slumdog Millionaire” (Fox Searchlight) Chris Dickens

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.) Alexandre Desplat
“Defiance” (Paramount Vantage) James Newton Howard
“Milk” (Focus Features) Danny Elfman
Winner: “Slumdog Millionaire” (Fox Searchlight) A.R. Rahman
“WALL-E” (Walt Disney) Thomas Newman

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Down to Earth” from “WALL-E” (Walt Disney) Music by Peter Gabriel and Thomas Newman; Lyrics by Peter Gabriel
Winner: “Jai Ho” from “Slumdog Millionaire” (Fox Searchlight) Music by A.R. Rahman; Lyrics by Gulzar
“O Saya” from “Slumdog Millionaire” (Fox Searchlight) Music and Lyrics by A.R. Rahman and Maya Arulpragasam

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Baader Meinhof Complex” A Constantin Film Production; Germany
“The Class” (Sony Pictures Classics) A Haut et Court Production; France
Winner: “Departures” (Regent Releasing) A Departures Film Partners Production; Japan
“Revanche” (Janus Films) A Prisma Film/Fernseh Production; Austria
“Waltz with Bashir” (Sony Pictures Classics) A Bridgit Folman Film Gang Production; Israel

Mack Chico

By

2009/02/22 at 12:00am

Penelope Cruz wins the Oscar!

02.22.2009 | By |

Penelope Cruz wins the Oscar!

Penelope Cruz won the first Academy Award of the night Sunday, claiming the supporting-actress honor as a tempestuous artist in Woody Allen’s Spanish romance “Vicky Cristina Barcelona.”

The win capped a big weekend for Cruz, fresh off her win Saturday for the same prize at the Spirit Awards honoring independent film. “Vicky Cristina Barcelona” features Cruz as an unstable Spaniard in a steamy three-way affair with her ex-husband and an American woman.

“Has anybody ever fainted here? Because I might be the first one,” Cruz said, who went on with warm thanks to Allen. “Thank you, Woody, for trusting me with this beautiful character. Thank you for having written all these years some of the greatest characters for women.”

It’s the fifth time an Allen film has earned a performer a supporting-acting honor. Cruz joins past Allen collaborators Dianne Wiest, a dual Oscar winner for “Hannah and Her Sisters” and “Bullets Over Broadway”; Michael Caine for “Hannah and Her Sisters”; and Mira Sorvino for “Mighty Aphrodite.”

The award was presented by five past supporting-actress winners, including last year’s, Tilda Swinton, plus Eva Marie Saint, Anjelica Huston, Whoopi Goldberg and Goldie Hawn.

Mack Chico

By

2009/02/22 at 12:00am

Sofia Vergara speaks on ‘Madea Goes to Jail’

02.22.2009 | By |

Sofia Vergara speaks on 'Madea Goes to Jail'

Colombian actress Sofia Vergara is popularly known in the Spanish language television market for her commercials and variety shows on the Univision network. She began to crossover a decade ago with a film called ‘Chasing Papi’ and a few ABC tv shows, unfortunately to no success. Afterwards, urban film directors began to cast her in small roles and that’s what she’s doing now. She’s still pretty, though.

Here she is in her latest urban movie speaking about her role as ‘T.T’

 

 

Mack Chico

By

2009/02/17 at 12:00am

Body of Lies

02.17.2009 | By |

Rating: 3.0

Rated: R for strong violence including some torture, and for language throughout.
Release Date: 2008-10-10
Starring: William Monahan, David Ignatius (novela)
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://bodyoflies.warnerbros.com/

 Go to our film page

Three years ago, Ridley Scott‘s ill-conceived epic Kingdom of Heaven implicitly asked the question, “What would a movie about the Crusades look like if everyone in it had a 21st-century ideological outlook?” (The unsurprising answer: It would look nothing at all like the Crusades.) With Body of Lies, Scott once again turns his eye to conflict in the Middle East, though this time he wisely keeps his moral and historical frames in present-day alignment. The result is a film that, while far less muddled, still doesn’t have much new to say.

 

A former journalist Roger Ferris (Leonardo DiCaprio) injured in the Iraq war is hired by the CIA Ed Hoffman (Russell Crowe) to track down an Al Qaeda leader in Jordan. The movie jumps from London to Iraq to Washington to Amsterdam to Jordan, Dubai, Turkey, and Syria with box-checking diligence. There are betrayals and kidnappings and rogue operations and collateral damage. Things are not infrequently blown up. The elements of the film, in other words, will be reasonably familiar to anyone who saw Syriana or The Kingdom or Traitor or Spy Game.

 

The script, adapted by William Monaghan from a novel by Washington Post columnist David Ignatius, shrewdly sticks to shades of gray; those waiting for a stark double cross that will reveal the movie’s true villain will wait in vain. DiCaprio and Crowe deliver their customary quality, even if neither shows us anything terribly fresh. (I, for one, look forward to the next role in which DiCaprio doesn’t feel a scruffy goatee is needed to confirm his postpubescence.) But the movie’s true revelation is Syriana vet Strong, who plays head of Jordanian intelligence Hani Salaam. Trim and elegant in narrow pinstripes, Salaam is crafty, charismatic, and sophisticated, with an odd but charming insistence on referring to male colleagues as “my dear.” He is a man capable of brutality when it is required, but glad to avoid it when it is not. A scene in which he administers a carrot to an al Qaeda suspect in place of the anticipated stick is perhaps the best in the film.

 

Scott directs with characteristic panache–the rapid editing and varied camera speeds, a delight in aerial surveillance shots evidently inherited from brother Tony’s Enemy of the State— but as in Kingdom of Heaven his aesthetic and political purposes are in tension: How upset can we be about a deadly explosion when Scott has labored so mightily to make it look cool? Though evidently intended to straddle the divide between action thriller and geopolitical fable, when pushed, Body of Lies tumbles into the former genre. (Its chief bid at seriousness, a confrontational colloquy with the top terrorist near the end of the film, comes across as the awkward regurgitation of a hastily swallowed subscription to The Economist.) In the end, it is an above-average entertainment, though not a terribly memorable one. By contrast, a sequel following the exploits of spymaster Hani Salaam, the George Smiley of Jordan–now that, my dear, would be something to see.

Mike Pierce

By

2009/02/17 at 12:00am

Quarantine

02.17.2009 | By |

Rating: 3.0

Rated: R for bloody violent and disturbing content, terror and language.
Release Date: 2008-10-10
Starring: John Erick Dowdle, Drew Dowdle
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.containthetruth.com/

 Go to our film page

Here’s what I thought about the horror film Quarantine, but first off, here’s a little plot summary:

Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, Internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

NOW…what did I think about it you ask…it was ok. I thought it was going to be better. I mean, the “zombie like people” (I’ll keep it like that so I don’t give away the TRUE story) were dope…but, that’s about it. The whole movie is played back by the camera guy – the camera jerks, moves in all directions! That was pretty annoying. Ladies, you’ll be happy – Jay Hernandez is in the movie. He was cool. Guys, if your looking for a good “date movie in October.” – – go check it out.

I give Quarantine…3 out of 5 Popcorns!

SBC Staff

By

2009/02/17 at 12:00am

12 never before seen images from ‘Watchmen’!

02.17.2009 | By |

12 never before seen images from 'Watchmen'!

We just got our hands on 12 images from the new ‘Watchmen Portrait’ book that was released a week ago. The movie’s official photographer, Clay Enos took these black-and-white portraits of the individuals working on the production. From the lead heroes to supporting characters, extras in the crowd and the crew who put the film together.

We bought the book and it makes for a pretty good collector’s item and film memorabilia. From what we hear, Enos, combined the aesthetic gravitas of Richard Avedon’s In The American West series with the unsung heroics of Michael Disfarmer’s work, to subtly pair the images across double page spreads like Rorschach ink blots and providing a unique look into the world of Watchmen.

The movie ‘Watchmen’ will be in theaters and IMAX 03.06.09, and just in case you want to check out Clay’s website click here: www.clayenos.com.

The pics are below. Enjoy them and check out our Watchmen film page which has SO MUCH MORE images on ‘Watchmen’.

 

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