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The Latest in ShowBiz News

Mike Pierce

By

2009/01/23 at 12:00am

Underworld: Rise of the Lycans

01.23.2009 | By |

Rated: R for bloody violence and some sexuality.
Release Date: 2009-01-23
Starring: Danny McBride, Dirk Blackman
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.entertheunderworld.com/

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Underworld: Rise of the Lycans

Ohh Yeahh….I have been waiting for this one…UNDERWORLD: RISE OF THE LYCANS…it’s actually the prequel to the other two films, Underworld (2003) and Underworld: Evolution (2006). If you are like a few of my friends…living under a few rocks…and haven’t seen the others….then your just fine…start here and rent the others!! (lol)
 
The movie’s about the century-old feud between the vampires and werewolves. One day the king vampire (Viktor) finds out that one of his werewolves (slaves) gives birth to a baby…but this baby is ½ werewolf and ½ human. Instead of killing it – he decides to make it his “SUPER” slave and uses him for whatever. Well…you can say that some serious drama goes down and Lucian (super baby lol) decides to rebel and rise up against the vampires. (It’s dope how it goes down!)
 
This movie is hella dope – if you liked the other 2 movies – you’ll love this one!! If you haven’t SEEN the others…you’ll love this one! (lol) Where Rise of the Lycans ends…Underworld starts.
 
Niceeeeeeee…

Jack Rico

By

2009/01/23 at 12:00am

ShowBizCafe on the radio: ‘Inkheart’, ‘Underworld’

01.23.2009 | By |

ShowBizCafe on the radio: 'Inkheart', 'Underworld'

We’ve never done this before, but we’re going to try something new and crossover some Spanish content for some of you who understand Spanish. It’s a weekly radio segment we do every Friday, en español of course, on the ‘Luis Jimenez Radio Show’, one of the top FM morning shows in New York City. We’re sort of pioneers as this is the only Spanish language movie radio segment in the US.

So to give you a brief recap of what we spoke about today, we reviewed Inkheart, Underworld: Rise of the Lycans and the re-release of The Dark Knight.

On the DVD front, Saw 5 and Max Payne were trashed ad nauseam.

If you’re interested in listening to the show live, you can log on every Friday at 10:50am to get the movie download via: http://www.luisjimenezradio.com/

Give us your feedback, we would love to hear from you!

Jack Rico

By

2009/01/22 at 12:00am

The 2009 Oscar Nominations: ‘Slumdog,’ ‘Button,’ ‘Penelope,’ ‘Rourke’

01.22.2009 | By |

The 2009 Oscar Nominations: 'Slumdog,' 'Button,' 'Penelope,' 'Rourke'

No major surprises at the 81st annual Academy Awards announcements. Some of the highlights were Spanish actress Penelope Cruz’s second nomination in her career, this time for Vicky Cristina Barcelona, a post-humous nod for Heath Ledger for his work in The Dark Knight, Slumdog Millionaire’s 10 nominatios and The Curious Case of Benjamin Button leading the way with 13 nominations.

Its competition in the best picture race includes the political dramas “Frost/Nixon” and “Milk,” the post-Holocaust tale “The Reader” and the Mumbai-set rags-to-riches story “Slumdog Millionaire.”

The best actor nominees include Richard Jenkins for “The Visitor,” Frank Langella for “Frost/Nixon,” Sean Penn for “Milk,” Brad Pitt for “Button” and Mickey Rourke for “The Wrestler.”

Best actress nominees are Anne Hathaway for “Rachel Getting Married,” Angelina Jolie for “Changeling,” Melissa Leo for “Frozen River,” Meryl Streep for “Doubt” and Kate Winslet for “The Reader.”

Winslet’s nomination for playing a former concentration camp guard in “The Reader” proved to be a particular surprise since the actress had been promoted for the lead actress slot for her performance in “Revolutionary Road,” while it had been suggested to the Academy that she be nominated for a supporting role “The Reader.”

This year, all the best picture nominees also earned their respective directors best director noms. Making the list are David Fincher for “Button,” Ron Howard for “Frost/Nixon,” Gus Van Sant for “Milk,” Stephen Daldry for “The Reader” and Danny Boyle for “Slumdog Millionaire.”

Best picture
The Curious Case of Benjamin Button
The Reader
Milk
Slumdog Millionaire
Frost/Nixon

Director
David Fincher, The Curious Case of Benjamin Button
Ron Howard, Frost/Nixon
Gus Van Sant, Milk
Stephen Daldry, The Reader
Danny Boyle, Slumdog Millionaire

Actress
Anne Hathaway, Rachel Getting Married
Angelina Jolie, Changeling
Melissa Leo, Frozen River
Meryl Streep, Doubt
Kate Winslet, The Reader

Actor
Richard Jenkins, The Visitor
Frank Langella, Frost/Nixon
Sean Penn, Milk
Brad Pitt, The Curious Case of Benjamin Button
Mickey Rourke, The Wrestler

Supporting actress
Amy Adams, Doubt
Penelope Cruz, Vicky Cristina Barcelona
Viola Davis, Doubt
Taraji P. Henson, The Curious Case of Benjamin Button
Marisa Tomei, The Wrestler

Supporting actor
Josh Brolin, Milk
Robert Downey Jr., Tropic Thunder
Philip Seymour Hoffman, Doubt
Heath Ledger, Dark Knight
Shannon, Revolutionary Road

Original screenplay

Courtney Hunt, Frozen River
Mike Leigh, Happy-Go-Lucky
Martin McDonough, In Bruges
Dustin Lance Black, Milk
Andrew Stanton, WALL-E

Adapted screenplay
Eric Roth, The Curious Case of Benjamin Button
John Patrick Shanley, Doubt
Peter Morgan, Frost/Nixon
David Hare, The Reader
Simon Beaufoy, Slumdog Millionaire

Foreign-language film
Baader Meinhof Complex, Germany
The Class, France
Departures, Japan
Revanche, Austria
Waltz With Bashir, Israel

Animated film
Bolt
Kung Fu Panda
WALL-E

Jack Rico

By

2009/01/21 at 12:00am

‘2012’ gets hit with a major delay

01.21.2009 | By |

'2012' gets hit with a major delay

In a move designed to maximize playability, Sony is delaying the release of Roland Emmerich‘s sci-fi action pic “2012” from July 10 to Nov. 13, two weekends before the lucrative Thanksgiving session.

“We’ve had such success with the James Bond films in November that we wanted a big tentpole film in that slot this year,” Sony distribution president Rory Bruer said Tuesday. “We’ve got so many films in the summer that this is the perfect answer to that.”

The 007 film “Quantum of Solace” unspooled amid light competition over the comparable frame last year to gross $67.5 million, en route to a franchise-topping $167 million domestically.

This time around, the studio has slotted its tentpole against two wide openers — Warner Bros.’ caper pic “Sherlock Holmes,” starring Robert Downey Jr. and Jude Law, and Fox’s Dwayne Johnson comedy “The Tooth Fairy.” It wasn’t clear whether the arrival of “2012” would prompt the departure of either of those pics for clearer pastures.

Sony execs said “2012” could have been completed by its summer date, though the new date will add some extra time for the effects-laden production. The studio’s remaining films set for release this summer include “The Taking of Pelham 123,” an action pic starring Denzel Washington and John Travolta; “The Year One,” a comedy toplined by Jack Black and Michael Cera; “Julie and Julia,” a drama featuring Meryl Streep and Amy Adams; “District 9,” a sci-fi movie with Jason Cope and Sharlto Copley; and “Mardi Gras,” a comedy starring Nicholas D’Agosto and Josh Gad.

Jack Rico

By

2009/01/20 at 12:00am

Inkheart

01.20.2009 | By |

Rated: PG for fantasy adventure action, some scary moments and brief language.
Release Date: 2009-01-23
Starring: David Lindsay-Abaire
Director(s):
Distributor:
Film Genre:
Country: UK, Germany, USA
Official Website: http://www.inkheartmovie.com/

Go to our film page

Inkheart

Brendan Fraser’s new family adventure film ‘Inkheart’ has no heart at all, just ink on 120 pages of a script. The concept and premise are alluring, but it never delivers more than a basic and elemental movie experience. Instead of engaging the senses, the film only provides apathy. In addition, the film targets infant and juvenile audiences, but makes no excuses in its exclusion of adults. Parents beware, you are going to have a hard time maintaining any interest after the first 15 minutes.

The story focuses on a young girl (Eliza Hope Bennett) who discovers that her father (Brendan Fraser) has an amazing talent to bring literature characters to life and must try to stop a freed villain from destroying them all, with the help of her father, her aunt (Helen Mirren), and a storybook’s hero (Paul Bettany).

The acting is neither uproarious nor dreadful, just bland. Fraser gives you the ol’ nice guy acting he consistently does well, young newcomer Bennett shows potential and Mirren and Bettany are too good for the film – and it is noticeable.

The demise of ‘Inkheart’ comes at the misuse of its premise, the director Iain Softley could have trounced us with creativity, it also manipulated the laws of storytelling to suit the story’s shortcomings and the it had the inconsistencies of a stale and uninspired script.

It’s interesting to note, the movie’s message is to have us indulge in the journey of our imagination, but all it achieves is to be lifeless and forgettable.

Jack Rico

By

2009/01/20 at 12:00am

Early Review: ‘Inkheart’

01.20.2009 | By |

Early Review: 'Inkheart'

Brendan Fraser’s new family adventure film ‘Inkheart’ has no heart at all, just ink on 120 pages of a script. The concept and premise are alluring, but it never delivers more than a basic and elemental movie experience. Instead of engaging the senses, the film only provides apathy. In addition, the film targets infant and juvenile audiences, but makes no excuses of including adults. Parents beware, you are going to have a hard time maintaining any interest after the first 15 minutes.

The story focuses on a young girl (Eliza Hope Bennett) who discovers that her father (Brendan Fraser) has an amazing talent to bring literature characters to life and must try to stop a freed villain from destroying them all, with the help of her father, her aunt (Helen Mirren), and a storybook’s hero (Paul Bettany).

The acting is neither uproarious nor dreadful, just bland. Fraser gives you the ol’ nice guy acting he consistently does well, young newcomer Bennett shows potential and Mirren and Bettany are too good for the film – and it is noticeable.

The demise of ‘Inkheart’ comes at the misuse of its premise – the director Iain Softley could have trounced us with creativity – the deliberate manipulation of the laws of storytelling to suit the story’s shortcomings and the inconsistencies of a stale and uninspired script.

It’s interesting to note, the movie’s message is to have us indulge in the journey of our imagination, but all it achieves is to be lifeless and forgettable.

Jack Rico

By

2009/01/19 at 12:00am

Saw V

01.19.2009 | By |

Rating: 2.0

Rated: R for sequences of grisly bloody violence and torture, language and brief nudity.
Release Date: 2008-10-24
Starring: Patrick Melton, Marcus Dunstan
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.saw5.com/site/index.html

 Go to our film page

 

SAW V is the worst film in the franchise’s history, yet it’s disturbing, gory, parody of itself maintains an appeal like no other in its ilk. Bad acting, a ‘horror’ of a script dialogue, all add to the mystique of why we as a collective mass of movie goers flock to films of this nature.

Jigsaw is dead and Detective Strahm is trying to get to the bottom of who is continuing his deranged games.

SAW movies are no longer frightening, they are just living off of their reputation from the first two. Director David Hackl reduces the bloodshed compared to it’s previous incarnations and in this fifth installment he delivers more of a character driven feature, leaving us more time to be engaged by the actor’s skills – why would you put us through such a thing!?

Nevertheless, the inventiveness of how to kill people is amped in this sequel; from homemade nail bombs to guillotine contraptions.

If you’re looking for a fright, save your money on SAW 5 and rent The Strangers on DVD. That has more of what you’re looking for. It was created to scare the skin off of you through a slow build of suspense that keeps you screaming to the very end.

Mike Pierce

By

2009/01/19 at 12:00am

Max Payne

01.19.2009 | By |

Rating: 2.5

Rated: PG-13 for violence including intense shooting sequences, drug content, some sexuality and brief strong language.
Release Date: 2008-10-17
Starring: Sam Lake, Shawn Ryan
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.maxpaynethemovie.com

 Go to our film page

Well, I went to the movies over the weekend. Hmmmm, what can I say about Max Payne?
 
It was a PAINNNN to watch!
 
Don’t get me wrong…I am a huge fan of Mark Wahlberg…I see everything he is in…I think Mila Kunis is hot…but…come on now…when I saw the preview…I was so pumped…I was like, “Oh yeah – Marky Mark’s going to kick some demon angel ass!!!”
 
I WAS WRONG!!!
 
Hmmm…it started off slow…then you think it’s going to get going…then it slows down…it did that a lot. I hated the fact that I saw all the good parts on the TV commercials. I hate when movie’s do that. (Total bummer!) Bastards! I thought it was going to be like Constantine…now that was a kick butt flick! I mean, didn’t it seem like there was going to be some kick ass angels in it? Yessssss…but….noooooooooo…that’s not what you get!!
 
Another thing that killed it for me was…Ludacris. I don’t think he belonged in that role. I didn’t believe his acting. It was actually kind of cheesy. Would anyone agree?
 
There were a few things I liked about it. Miss Mila – she’s hot – I know I said it before…but, she kept me watching the movie. I wish she would have kicked a little more butt though. The special EFX were dope. But, that’s about it.
 
If you haven’t seen it yet – just wait to Netflix it. Don’t bother wasting your cash.

Jack Rico

By

2009/01/19 at 12:00am

Exclusive! ‘Cantinflas’ producer Jay Weisleder talks cast, premise and a 2010 release

01.19.2009 | By |

Exclusive! 'Cantinflas’ producer Jay Weisleder talks cast, premise and a 2010 release

Just last week, Variety announced that NBC Chairman and President Ben Silverman was going to executive produce the biopic of ‘Cantinflas,’ the most famous comedian in Mexico’s history. Since not much was said, we had to get in contact with Jay Weisleder, a 34 year old Costa Rican Jewish producer and brainchild behind bringing the comedian’s life to the big screen, to expand on the details of the project.

We called him on his cell phone while he was in Los Angeles and here’s what we were able to obtain and print on record:

– The lead for the film is unknown and they will not be looking for potential lead actors until Alejandro Monteverde, the co-writer and director, finishes developing the script. Four years ago they had in mind Diego Luna, Wilmer Valderrama, John Leguizamo and Gael Garcia Bernal to play the role. When we probed Weisleder about Leguizamo, he said he saw ‘Paraiso Travel’ and enjoyed his performance in it and that he would love to sit with him and other potential candidates in the near future. His criteria, though not strict, has him nailing down a Mexican actor which is why we think he is leaning towards Gael Garcia Bernal and Diego Luna. Since Gael is the stronger actor of the two, we’ll assume he’s their #1 desired candidate. On the female front, Natalie Portman, Rachel McAdams, Scarlett Johansson are being thought of as possible co-stars.

 

– The synopsis has been a kept secret from the press due to the delicate, sensitive nature of the script. We were conveyed the whole plot line, but were asked, off the record, to not print any verbiage of it. What we can tell you is that most of the story will be focused around two characters and a possible third one, a female. It will also explore self discovery, responsibility, a coming of age theme and an intense family transgression. As soon as we get the ok, we will posting up more info about the film in the upcoming weeks.

– The movie will be spoken in Spanish with some scenes in English and they’ll be shooting for a 2010 Mexican/US production release under, perhaps, a Universal Pictures distribution.

For those of you unfamiliar with Cantinflas’ work, here’s a snippet of his acting from ‘Around the World in 80 Days’

We want to get more of your feedback on the casting process and see if you have better ideas on who should be playing Cantinflas. Stay webbed!

Pau Brunet

By

2009/01/19 at 12:00am

‘Paul Blart’ tops at box office!

01.19.2009 | By |

'Paul Blart' tops at box office!

Sony’s Kevin James laffer “Paul Blart Mall Cop” debuted to an estimated $33.8 million from 3,144 runs in another boom session at the domestic B.O. that saw unexpectedly strong results across the board.

The Martin Luther King. Jr. holiday weekend was up a whopping 31% over last year, and that was only for Friday through Sunday. Studios can look forward to more good business on Monday.

Like “Mall Cop,” Lionsgate’s horror pic “My Bloody Valentine 3-D” and Fox release “Notorious” overperformed in their openings

“Valentine” — the widest 3-D release to date — grossed an estimated $21.9 million from 1,033 3-D locations and 1,501 conventional runs to narrowly beat “Notorious” for third place, according to Rentrak.

“Notorious,” a biopic of slain rap artist Christopher Wallace, aka Notorious B.I.G., grossed an estimated $21.5 million from 1,638 theaters to post the best per-location average — $13,126 — of the weekend. Film was distributed by Fox but produced and marketed by Fox Searchlight. Opening is the biggest ever for the specialty unit.

Warner Bros.’ holdover sleeper hit “Gran Torino,” directed by and starring Clint Eastwood, gunned past “Valentine” and “Notorious” to come in second. Film declined a mere 25% to an estimated $22.2 million in its second weekend in wide release for a cume of $73.2 million.

The other new wide release was Paramount’s family comedy “Hotel for Dogs,” which also came in ahead of expectations with an estimated $17.7 million from 3,271 to place No. 5. Pic was produced by DreamWorks.

Paramount prexy of distribution Jim Tharp said “Hotel for Dogs” could ultimately do three or four times its opening number thanks to the long holiday weekend. Same applies to the other new releases.

“Certainly, ‘Hotel for Dogs’ came in at the top end of anyone’s expectations,” Tharp said.

On the specialty side, Searchlight’s “Slumdog Millionaire” enjoyed a noticeable bump from its Golden Globe wins.

The year-earlier sesh wasn’t weak: Par’s high-profile “Cloverfield” debuted to $40.1 million for the three days and Fox’s “27 Dresses” opened at $23 million. Rather, more films this year did more biz.

Even titles with overlapping auds managed to find their groove. “Mall Cop” and “Hotel for Dogs” both vied for families, although “Mall Cop” generally played to older kids.

“Ultimately, we got everybody,” Sony worldwide prexy of distribution Rory Bruer said.

“Mall Cop” is a victory for James, as it’s the first feature he’s toplined. Comedy was produced by Adam Sandler’s production shingle Happy Madison and cost $26 million to produce. Sony believes the film could hit $40 million by midnight on Monday.

Produced for under $15 million, “Valentine” should bring strong returns for Lionsgate. Most 3-D fare has been family or teen fare, such as “Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour.”

Lionsgate said 3-D runs turned in revenues four times greater than conventional runs, thanks to higher ticket prices.

“This is the first time horror fans have gotten something in 3-D,” Lionsgate prexy of distribution Steve Rothenberg said, speaking of the digital iteration of the format. “Notorious,” produced for under $20 million and starring Jamal Woolard as Wallace, crossed over beyond its key demo, according to Fox. Film played slightly more to men.

Fox said the big surprise was that 40% of the audience was under age 25, even though Wallace — also known as Biggie Smalls — was killed more than a decade ago.

“He is a cultural icon that has touched a nerve and resonated with younger auds, proving the impact he’s had on the landscape,” Chris Aronson said.

Among the producers of “Notorious” is Sean Combs.

Elsewhere on the top 10 chart, Fox’s femme comedy “Bride Wars” declined only 44% in its second frame to an estimated $11.8 million from 3,228. Cume is $37.6 million in the pic’s 10th day in release.

Universal/Rogue Picture’s horror title “The Unborn” dipped a respectable 50% in its second weekend to an estimated $9.8 million from 2,359 for a cume of $33.1 million.

Ed Zwick’s drama “Defiance,” a Paramount Vantage release, placed No. 8 as it went wide. Film grossed an estimated $9.2 million from 1,789; cume is $9.5 million.

Christmas hit “Marley and Me,” from Fox, grossed an estimated $6.3 million from 2,952 runs for a cume of $132.7 million in its fourth sesh.

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