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The Latest in ShowBiz News

Alex Florez

By

2008/12/09 at 12:00am

The Dark Knight

12.9.2008 | By |

Rating: 4.5

Rated: PG-13 for intense sequences of violence and some menace.
Release Date: 2009-01-23
Starring: Bob Kane, Christopher Nolan
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://thedarkknight.warnerbros.com/

 Go to our film page

At two and one half hours, “The Dark Knight” is a great muddle of equivocal morality masquerading as a superhero skein.  Helmer Christopher Nolan’s sequel to “Batman Begins” falls victim to a curse common to attempts to build a franchise:  It has no compelling story.
 
Instead, it throws a filmmaker’s bag of tricks at a screenplay that is too long by an hour.  The tricks come in the form of plot twists, largely incomprehensible because their visual clues are buried under special effects and their dialogue clues are buried under a pumped up soundtrack.  That is too bad, because stripped of its silly subplots, “The Dark Knight” has the germ of a satisfying comic book flick.
 
The first rule of superheroes is that the superhero is the guy with the super powers.  Civilians do not have super powers.  If they did, there would be no need for a superhero.  This is where “The Dark Knight” falls down.  Too many civilians survive explosions, car accidents, and assassination attempts that should have killed them because they don’t have super powers.
 
The plot is roughly this:  After cleaning up Gotham Batman (Christian Bale) is having second thoughts.  Using criminal tactics to catch criminals may turn him into one.  He also wants to marry his love interest, Rachel Dawes (Maggie Gyllenhaal, terribly miscast).  She won’t have him until he gives up the cape and mask.  Into this frittata toss The Joker (the late Heath Ledger) with a scheme to take over what is left of Gotham’s mob headed by Salvatore Maroni (convincingly played by Eric Roberts).  Add handsome crusading DA Harvey Dent (Aaron Eckhart) who gains the confidence of Batman and alter ego Bruce Wayne, and you have the recipe for the end of the Batman saga.  Predictably The Joker is the fly in Batman’s retirement ointment.  Without Batman’s help, cops can’t prevent the agent of chaos from turning Gotham into a war zone – and from keeping Batman in costume.
 
Ledger’s Joker is totally competent, but in Jack Nicholson he has a tough act to follow.  He comes across more like Christian Slater in “Heathers” than the cinematic master of madness.  With the exceptions of veterans Michael Caine and Morgan Freeman, performances fall victim to special effects, some of which are cheesy.  Even the once sleek Batmobile now looks like Hummer that has been sat on by an elephant.
 
With a PG-13 rating, nothing in “The Dark Knight” is objectionable to children, but it could bore them to death.

Mack Chico

By

2008/12/08 at 12:00am

‘Nothing For The Holidays’ Is Not A Latino Film

12.8.2008 | By |

There is a right way and a wrong way to describe the new feature film Nothing For The Holidays. The wrong way is to call it a Hispanic holiday film. The cast and crew of the film stress that the right way to describe their movie is that it is a holiday film that just happens to have a Hispanic family at its core.

It might sound like semantics. But it makes a world of difference to those involved with the family comedy that opens Friday.

The first description means the movie is aimed directly at a certain ethnic movie-going audience. The other description is more in line with what star and executive producer Freddy Rodriguez wants to get across with the movie. The Chicago native, of Puerto Rican descent, wanted this movie to have a Hispanic spirit, but a universal feel.

“We wanted anyone – of any ethnicity – to watch this movie and go ‘That’s my family. My uncle. My cousin. We yell like that at the dinner table.’ We want everybody to be able to relate to it. At the same time, we wanted to keep a level of authenticity so it does not feel manufactured or whitewashed,” Rodriguez says during an interview at the Beverly Wilshire Hotel.

Film history is not on Rodriguez’s side. The majority of films released in United States theaters that focus on characters of Hispanic, Latino or Spanish heritage – such as “My Family,” “Under the Same Moon” or “Real Women Have Curves” – have dealt with specific ethnic themes and situations. That has resulted in a narrowing of the moviegoing base.

Rodriguez wants everyone to see his film. He knows they will relate to the themes regardless of their ethnicity.

Rodriguez saw how taking what could be a specific subject and giving it universal appeal could work through his guest-star turn on the ABC series “Ugly Betty.” The television series is based on the Colombian telenovela “Betty la Fea.”

“How come there has never been a commercial movie that revolves around a Latin family? It is kind of what (executive producer) Salma (Hayek) did with “Ugly Betty.” She did an American television show that happens to revolve around this Latin girl and this Latin family,” Rodriguez says. “She made it universal for everybody. I always admired what her and (executive producers) Silvio Horta and Jose Tamez did with that show and wondered why it hasn’t been done in the film world.

“And so I just felt like it was my job to do it.”

The result is a movie about a Chicago family that comes together to celebrate Christmas. It stars Rodriguez, Elizabeth Pena, Melonie Diaz, Luis Guzman, Jay Hernandez, Vanessa Ferlito, John Leguizamo, Alfred Molina and Debra Messing.

“Nothing Like the Holidays” shows how each family member brings his or her own problems to the annual reunion. And these problems – medical issues, starting a family, duty to country, etc. – are not specific to any ethnic group.

Pena, whose father is Cuban, plays the mother in the film. When Pena saw the script, her reaction was, “I could see it as a Jewish family or an Italian family.”

The universal themes aren’t just a way to open up the movie to a larger audience. It gives the cast a way to play a role that is more about people than their ethnic backgrounds.

Jay Hernandez, a fourth-generation Mexican-American, is happy to be in “Nothing Like the Holidays” because he has faced typecasting throughout his career.

“For me, that was like the first five years of my career. Always the same sorts of things, the same kind of roles, same kind of characters. A lot of them were gang members. I avoided that for so long,” Hernandez says.

Mack Chico

By

2008/12/08 at 12:00am

‘Four Christmases’ – second week at #1!

12.8.2008 | By |

'Four Christmases' - second week at #1!

With the annual post-Thanksgiving multiplex malaise setting in and just one big new movie (Punisher: War Zone, which I’ll get to later…uh, much later) in theaters, the box office results remarkably resembled those of a week ago.

So, yep, you guessed it: Four Christmases was No. 1 with $18.2 million, according to Sunday’s estimates. That brings the holiday comedy’s two-week sum to a sweet $70.8 mil–and it restores my confidence in Vince Vaughn and Reese Witherspoon as box office draws. For now, at least.

The rest of the top five was comprised of the same movies we’ve been seeing for a while now. Twilight moved back up to the No. 2 spot with a tidy $13.2 mil haul; its three-week sum is $138.6 mil. Bolt (No. 3) followed with $9.7 mil, a huge and surprising 64 percent decline from its impressive Thanksgiving weekend sum. Australia declined 53 percent to bank $7 mil at No. 4. And Quantum of Solace (No. 5) grossed $6.6 mil and crossed the $500 mil mark worldwide.

Among major new releases, the biggest was hardly the baddest: Punisher: War Zone (No. 8) grossed a mere $4 mil in 2,508 theaters, a tally that’s way off from the $13.8 mil that The Punisher premiered with in 2004. More punishment: The Marvel franchise reboot failed to defeat even last week’s action disappointment, Transporter 3 (which was No. 7 with $4.5 mil). Ouch! Meanwhile, the other sorta-substantial new movie, Cadillac Records (No. 9), fared a bit better, bringing in a decent $3.5 mil in 686 locations. But the indie drama Nobel Son failed to take any prize (except, perhaps, that of Box Office Flop of the Week), grossing just $370,575 in 893 venues–a redonkulously low average of $415 per theater.

Nay, the only real news of note came in the ultra-limited-release sphere, where the buzzy drama Frost/Nixon debuted with a tremendous $60,049 average in three theaters in New York, L.A., and Toronto. The Oscar contender will roll out wider in the coming weeks.

Overall, the slow box office was actually up more than 6 percent from the same (even slower) frame a year ago, when The Golden Compass bowed to disappointing returns. That makes this the fifth straight “up” weekend of the fall season, and all things considered, it should be enough to spread some holiday cheer in Hollywood.

Mack Chico

By

2008/12/06 at 12:00am

Exclusive! First Pics Of ‘Madea Goes to Jail’ With Sofia Vergara

12.6.2008 | By |

For all you fans of Tyler Perry and the sultry Colombian actress Sofia Vergara, we just got these 2 exclusive movie stills of “Madea Goes to Jail” to be released February 20th, 2009. If you haven’t found out what the movie is about, here is the official synopsis:

At long last, Madea returns to the big screen in TYLER PERRY’S MADEA GOES TO JAIL.  This time America’s favorite irreverent, pistol-packin’ grandmomma is raising hell behind bars and lobbying for her freedom…Hallelujer!

After a high-speed freeway chase puts Madea (TYLER PERRY) in front of the judge, her reprieve is short-lived as anger management issues get the best of her and land her in jail.  A gleeful Joe (TYLER PERRY) couldn’t be happier at Madea’s misfortune.  But Madea’s eccentric family members the Browns (DAVID and TAMALA MANN) rally behind her, lending their special “country” brand of support.

Meanwhile, Assistant District Attorney Joshua Hardaway (DEREK LUKE) is on the fast track to career success. But Hardaway lands a case too personal to handle – defending young prostitute and former drug addict Candace Washington (KEISHA KNIGHT PULLIAM) – and asks his fiancée and fellow ADA Linda Holmes (ION OVERMAN) to fill in on his behalf.  When Candace ends up in jail, Madea befriends the young woman, protecting her in a “motherly” way as only Madea can.

Based on Perry’s successful stage play, TYLER PERRY’S MADEA GOES TO JAIL is written, and directed by Tyler Perry.  The film is produced by Reuben Cannon.  TYLER PERRY’S MADEA GOES TO JAIL also stars RONREACO LEE, VANESSA FERLITO, VIOLA DAVIS, ROBIN COLEMAN, SOFIA VERGARA, and BOBBI BAKER.

Mike Pierce

By

2008/12/05 at 12:00am

Four Christmases

12.5.2008 | By |

Rated: PG-13 for some sexual humor and language.
Release Date: 2008-11-26
Starring: Matt Allen, Caleb Wilson
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.fourchristmasesmovie.com/

Go to our film page

Four Christmases

It’s still the #1 movie at the box office. What movie am I talking about you may ask?? Four Christmases, starring Vince Vaughn and “Sexy Cute” Reese Witherspoon. It has a great cast such as Robert Duvall, Sissy Spacek, John Voight, Tim McGraw, Jon Favreau, and more!

The movie starts off with a couple who are totally in love, but soon find out  that they REALLY don’t KNOW each other. The Christmas holidays roll around…instead of hanging with their family, they decide to lie…once again…to plan a trip to Fiji…but the weather messes everything up so they are forced to visit their 4 seperate families…and these families are nuts.

If you happen to “family hop” during the holidays – you’ll definately can relate. (lol)

You sure laugh a lot and during these hard times – we all could use it.

Mack Chico

By

2008/12/05 at 12:00am

Cadillac Records

12.5.2008 | By |

Rated: R for pervasive language and some sexuality.
Release Date: 2008-12-05
Starring: Darnell Martin
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.cadillacrecordsmovie.com/

Go to our film page

Cadillac Records
Mack Chico

By

2008/12/05 at 12:00am

Frost/Nixon

12.5.2008 | By |

Rated: R for some language.
Release Date: 2008-12-05
Starring: Peter Morgan
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.frostnixon.com/

Go to our film page

Frost/Nixon

David Frost, a british entertainment interviewer obtains a confession that no one else can from President Richard Nixon on prime-time TV in the 1970’s. That is the plot line from ‘Frost/Nixon’, a compelling retelling of that story and the consequences it had on each one of them after that historic broadcast.

The film, in essence, is a direct shot by shot remake of the London and Broadway versions of the play. The Broadway version I saw in 2007 was powerful and dramatic and showcased the acting mastery of one Frank Langella (Nixon), who went on to win a Tony award for his portrayal of the late President. Langella didn’t then, nor now, look or sound much like the late 37th President, yet, through sheer force of performance, he embodies Nixon. Logically speaking, given the theater award, there is no reason why he shouldn’t be among the candidates for an Oscar award as well. Michael Sheen (Frost) was definitely the supporting actor here playing off the instincts and skill of Langella.

In essence, the movie is a about two people who are losing their social and market value in society and their need to regain it. That plot pales in comparison to the true centerpiece mano a mano interview both men have. The stage and film version invest all their time and effort into making this, “the clash of the century”, “the dual of death”, into the definitive verbal battle in political and media history.

Even though liberties are taken with the facts to create moments of dramatic tension throughout the film, Frost/Nixon manages to capture a glimpse into the life of one of the most controversial figures in the history of American politics.

The acting performances is what director Ron Howard (The DaVinci Code, Apollo 13) bets the house on. He managed to obtain convincing and captivating performances, yet everything else was secondary for him and it showed.

If you’re not into politics nor the media industry, then Frost/Nixon won’t titillate you that much. If the contrary applies, especially after experiencing the energy and results of our recent presidential campaign, this film is just the right dose of politics you’re looking for.

Mack Chico

By

2008/12/05 at 12:00am

Penelope Cruz, ‘Slumdog’, win big from ‘National Board of Review’

12.5.2008 | By |

Penelope Cruz, 'Slumdog', win big from 'National Board of Review'

If “Slumdog Millionaire” is really the new “Chariots of Fire” — a little indie flick about champion underdogs that wins best picture at the Oscars — then it just hit a kudos jackpot by being named best picture of 2008 by the National Board of Review. In 1981, the National Board of Review was the first and only major U.S. awards group to give its top prize to the small film about runners with big dreams of breaking into the Olympics before it went the distance in the Oscars derby. Now the little movie about a ghetto boy who wins India’s version of “Who Wants to Be a Millionaire” has emerged as a top dog in this year’s Oscars race.

This is the second year in a row that National Board of Review issued its top 10 list of best films separately from the winner of best picture. This year’s entries: “Burn After Reading,” “Changeling,” “The Curious Case of Benjamin Button,” “The Dark Knight,” “Defiance,” “Frost/Nixon,” “Gran Torino,” “Milk,” “Wall-E,” “The Wrestler.” Notable snubs: “Doubt,” “Revolutionary Road,” “The Reader,” “Australia” and — considering the awards love it received in other NBR categories — “Frozen River.”

All major movies were seen by National Board of Review members this year with one exception: United Artists did not screen “Valkyrie” before voting but will show it to members before it’s released to theaters this month. In past years, NBR’s awards came out so early in December that its voters missed seeing such Oscar best picture winners as “Gone with the Wind” (1939), “Rain Man” (1988), “A Beautiful Mind” (2001) and “Lord of the Rings: Return of the King” (2003).

Other winners of 2008 NBR Awards:

Best director: David Fincher, “The Curious Case of Benjamin Button”
Best actor: Clint Eastwood, “Gran Torino”
Best actress: Anne Hathaway, “Rachel Getting Married”
Best supporting actor: Josh Brolin, “Milk”
Best supporting actress: Penelope Cruz, “Vicky Cristina Barcelona”
Best foreign-language filim: “Mongol”
Best documentary: “Man on Wire”
Best animated feature: “Wall-E”
Best ensemble cast: “Doubt”
Best breakthrough actor: Dev Patel, “Slumdog Millionaire”
Best breakthrough actress: Viola Davis, “Doubt”
Best directorial debut: Courtney Hunt, “Frozen River”
Best original screenplay: Nick Schenk, “Gran Torino”
Best adapted screenplay (tie): Simon Beaufoy, “Slumdog Millionaire”; Eric Roth, “The Curious Case of Benjamin Button”
Spotlight Award: Melissa Leo, “Frozen River”; Richard Jenkins, “The Visitor”
Freedom of Expression: “Trumbo”
William K. Everson Film History Award: Molly Haskell, Andrew Sarris

Top five best foreign-language films, listed alphabetically: “Edge of Heaven,” “Let the Right One In,” “Roman de Guerre,” “A Secret,” “Waltz with Bashir”

Top five documentary films, listed alphabetically: “American Teen,” “The Betrayal (Nerakhoon),” “Dear Zachary,” “Encounters at the End of the World,” “Roman Polanski: Wanted and Desired”.

Of the 100 films nominated for best picture at the Oscars over the last two decades, the NBR named 72 of them on their annual lists. The comparison is a bit skewed since National Board of Review picks 10 or 11 films per year instead of five, but it’s still worthy of note. Three times in those 20 years all five Oscar nominees made the NBR top list and the winners agreed: 1989 (“Driving Miss Daisy”), 1994 (“Forrest Gump”) and 2002 (“Chicago”). The two awards also chose the same best pictures five other times in those two decades: 1990 (“Dances With Wolves”), 1991 (“Silence of the Lambs”), 1993 (“Schindler’s List”), 1999 (“American Beauty”) and 2007 (“No Country for Old Men”).

Mack Chico

By

2008/12/04 at 12:00am

Punisher: War Zone

12.4.2008 | By |

Rated: R for pervasive strong brutal violence, language and some drug use.
Release Date: 2008-12-05
Starring: Nick Santora, Art Marcum, Matt Holloway
Director(s):
Distributor:
Film Genre:
Country: USA, Canada
Official Website: http://www.punishermovie.com/

Go to our film page

Punisher: War Zone

 

 

 

 

This film is so bad, it’s not worth our time writing a review for it.

 

 

 

 

 

Mack Chico

By

2008/12/04 at 12:00am

Pedro Almodovar films to be showcased on new Latino film channel

12.4.2008 | By |

Pedro Almodovar films to be showcased  on new Latino film channel

In an unprecedented move by a Spanish-language pay-television channel, Cine Latino has finalized deals with five of the world’s leading film distributors, acquiring more than 90 new titles that include some of the most critically-acclaimed and biggest box office hits of recent years from across the U.S., Latin America, Mexico, and Spain.

Cine Latino has acquired major film packages from Sony, Disney, MGM, Lionsgate, and Gussi — the largest movie distributor in Mexico.

In another unparalleled move, Cine Latino has assembled the largest showcase of Pedro Almodovar films ever to be presented on a Spanish-language service. Titles include ‘Volver’, a Golden Globe nominee and winner of Best Actress and Best Screenplay at the 2006 Cannes Film Festival starring Penelope Cruz; ‘La Mala Educacion’ (“Bad Education”), one of Almodovar’s most serious works starring Gael Garcia Bernal; ‘Todo Sobre Mi Madre’ (“All About My Mother”), an Oscar-winning film starring Penelope Cruz; ‘Matador’ (“The Bullfighter”), an award-winning film with Antonio Banderas and Assumpta Serna; and ‘Atame!’ (“Tie Me Up! Tie Me Down!”), a love drama starring Antonio Banderas and Victoria Abril. The Almodovar films will be available exclusively on Cine Latino.

Sample newly-acquired titles include:

— ‘El Crimen Del Padre Amaro’ (“The Crime of Father Amaro”), the Oscar-nominated, highest-grossing film in the history of Mexican cinema, starring Gael Garcia Bernal and Ana Claudia Talancon.

— ‘American Visa’, based on the best-selling book in Bolivia, starring Damian Bichir and Kate Del Castillo (from “La Misma Luna”). Winner of Best Adapted Screenplay at the 2006 Ariel Awards in Mexico.

— ‘Ninas Mal’ (“Charm School”), one of the most popular Mexican movies of 2007 starring four of Mexico’s favorite young actresses: Camila Sodi, Martha Higareda, Ximena Sarinana, and Maria Aura.

— ‘Secuestro Express’ (“Express Kidnapping”), the critically-acclaimed, box office hit from Venezuela, starring Mia Maestro and Ruben Blades.

— ‘Bluff’, a comedic thriller from Colombia that was presented at the 2007 Cannes Film Festival, starring Victor Mallarino, Veronica Orozco and Carolina Gomez. Bluff was the highest-grossing Columbian movie of 2007.

— ‘Cansada de Besar Sapos’ (“Tired of Kissing Frogs”), one of the highest-grossing Mexican films of all time starring Juan Manuel Bernal, Itati Cantoral and Pedro Damian.

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