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Christopher Nolan Archives - Page 2 of 2 - ShowBizCafe.com

Christopher Nolan Archives - Page 2 of 2 - ShowBizCafe.com

Mack Chico

By

2010/07/26 at 12:00am

Inception: #1 at the box office!

07.26.2010 | By |

Inception: #1 at the box office!

It was close, but not close enough. Leonardo Dicaprio established who the true superstar is against Angelina Jolie’s ‘Salt’.

“Inception” remained the No. 1 movie for the second-straight weekend with $43.5 million, according to studio estimates Sunday. Sony’s spy caper “Salt” premiered a solid No. 2 with $36.5 million. The movie stars Jolie as a CIA operative who goes rogue after she’s accused of being a Russian sleeper agent.

Coming in at No. 3 with $24.1 million was Steve Carell’s family hit “Despicable Me.” The animated comedy raised its domestic total to $161.7 million.

The weekend’s other new wide release, 20th Century Fox’s family comedy “Ramona and Beezus,” took in $8 million to finish at No. 6. The movie is based on Beverly Cleary’s children’s books about a teenage girl and her accident-prone little sister.

“Inception” hung in strongly in its second weekend, its total down just 31 percent from its $62.8 million opening. During the busy summer, top hits often drop 50 percent or more in the second weekend and rarely repeat as the No. 1 movie.

The film will quickly shoot past the $200 million mark at the domestic box office and has a good shot at topping $300 million, said Dan Fellman, head of distribution at Warner Bros.

The ticket sales are estimates for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released today.

Jack Rico

By

2010/07/16 at 12:00am

Inception (Movie Review)

07.16.2010 | By |

Inception

What is undoubtedly one of the top 3 films of the year, Inception is a visual and production achievement infused with entertaining CGI and action sequences all while engaging you intellectually… characteristics that I wish every movie would set out to do. The premise is not a simple one to follow and it demands more focused attention from you than 90% of the films out there, but the payoff will be one of the great cinematic experiences of 2010 and perhaps the past decade.

Inception, in dictionary terms, means the beginning of something. In Christopher Nolan’s new film it is defined as the implanting of an idea through the dreams of a subject. That is what Dom Cobb (Leonardo DiCaprio) sets out to do for the very first time in this story. He is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible–inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one.

You’d have to go back to the The Matrix movies to even remotely experience anything like ‘Inception’. Director Christopher Nolan has perfected the craft of the cavernously dark, cerebral, tension filled films which have now become his stylistic stamp. His films such as The Following, Memento, The Prestige, amongst others, all carry the singularities and traits that have build up to ‘Inception’.

The assembled cast (Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Marion Cotillard, Pete Posthethwaite, Michael Caine), many from The Dark Knight project, is top notch. Dicaprio, the star of the film, is intense, affecting, and captivating. I do think though, his best performance was captured by Martin Scorsese in this year’s Shutter Island. In regards to the CGI, it functions as a compliment to the plotline instead of overwhelming it. Make sure you await with anticipation the hallway fight scene which seemed extremely hard to shoot and produce. That scene alone is worth the price of admission.

If you are looking for an action/adventure film that is layered with puzzles and mysteries, then you are going to love Inception, but remember, in order to fully enjoy it, your trip to the concession stand or the bathroom will have to wait. Don’t look at that text or that guy that’s gasping too loud in amazement. Just focus, just enjoy.

Jack Rico

By

2010/05/03 at 12:00am

‘Inception’: New Poster!

05.3.2010 | By |

'Inception': New Poster!

We just got the new poster for INCEPTION, the new film by Christopher Nolan starring Leonardo DiCaprio.

The plot takes place in a modern world of science fiction within the architecture of the mind. Cobb tells the story of an agent who has a team of people who have access to the technology that allows them to enter the minds of people through their dreams.

According to what we see on the poster, the city is folding back with Leo and the cast waiting for something, but some were armed.

See it for yourself and let us know what you think:

 

 

Inception

Mack Chico

By

2009/03/04 at 12:00am

DiCaprio & Nolan to work on "Inception"

03.4.2009 | By |

DiCaprio & Nolan to work on "Inception"

Leonardo DiCaprio will star in “Inception,” the science-fiction film that Christopher Nolan (“The Dark Knight”) wrote and will direct as his next pic at Warner Bros.

The project shoots this year and is slated to be released in summer 2010, with Nolan and Emma Thomas producing. DiCaprio’s deal is in final negotiations.

Script has been kept under wraps but the studio calls it a contemporary sci-fi actioner set within the architecture of the mind.

DiCaprio, coming off “Revolutionary Road” and “Body of Lies,” will next be seen starring in the Martin Scorsese-directed “Shutter Island” at Paramount.

Alex Florez

By

2008/12/09 at 12:00am

The Dark Knight

12.9.2008 | By |

Rating: 4.5

Rated: PG-13 for intense sequences of violence and some menace.
Release Date: 2009-01-23
Starring: Bob Kane, Christopher Nolan
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://thedarkknight.warnerbros.com/

 Go to our film page

At two and one half hours, “The Dark Knight” is a great muddle of equivocal morality masquerading as a superhero skein.  Helmer Christopher Nolan’s sequel to “Batman Begins” falls victim to a curse common to attempts to build a franchise:  It has no compelling story.
 
Instead, it throws a filmmaker’s bag of tricks at a screenplay that is too long by an hour.  The tricks come in the form of plot twists, largely incomprehensible because their visual clues are buried under special effects and their dialogue clues are buried under a pumped up soundtrack.  That is too bad, because stripped of its silly subplots, “The Dark Knight” has the germ of a satisfying comic book flick.
 
The first rule of superheroes is that the superhero is the guy with the super powers.  Civilians do not have super powers.  If they did, there would be no need for a superhero.  This is where “The Dark Knight” falls down.  Too many civilians survive explosions, car accidents, and assassination attempts that should have killed them because they don’t have super powers.
 
The plot is roughly this:  After cleaning up Gotham Batman (Christian Bale) is having second thoughts.  Using criminal tactics to catch criminals may turn him into one.  He also wants to marry his love interest, Rachel Dawes (Maggie Gyllenhaal, terribly miscast).  She won’t have him until he gives up the cape and mask.  Into this frittata toss The Joker (the late Heath Ledger) with a scheme to take over what is left of Gotham’s mob headed by Salvatore Maroni (convincingly played by Eric Roberts).  Add handsome crusading DA Harvey Dent (Aaron Eckhart) who gains the confidence of Batman and alter ego Bruce Wayne, and you have the recipe for the end of the Batman saga.  Predictably The Joker is the fly in Batman’s retirement ointment.  Without Batman’s help, cops can’t prevent the agent of chaos from turning Gotham into a war zone – and from keeping Batman in costume.
 
Ledger’s Joker is totally competent, but in Jack Nicholson he has a tough act to follow.  He comes across more like Christian Slater in “Heathers” than the cinematic master of madness.  With the exceptions of veterans Michael Caine and Morgan Freeman, performances fall victim to special effects, some of which are cheesy.  Even the once sleek Batmobile now looks like Hummer that has been sat on by an elephant.
 
With a PG-13 rating, nothing in “The Dark Knight” is objectionable to children, but it could bore them to death.

Alex Florez

By

2008/07/17 at 12:00am

The Dark Knight

07.17.2008 | By |

Rated: PG-13 for intense sequences of violence and some menace.
Release Date: 2009-01-23
Starring: Bob Kane, Christopher Nolan
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://thedarkknight.warnerbros.com/

Go to our film page

The Dark Knight

WHERE IS THE OLD BATMOBILE WHEN YOU NEED IT?
 
At two and one half hours, “The Dark Knight” is a great muddle of equivocal morality masquerading as a superhero skein.  Helmer Christopher Nolan’s sequel to “Batman Begins” falls victim to a curse common to attempts to build a franchise:  It has no compelling story.
 
Instead, it throws a filmmaker’s bag of tricks at a screenplay that is too long by an hour.  The tricks come in the form of plot twists, largely incomprehensible because their visual clues are buried under special effects and their dialogue clues are buried under a pumped up soundtrack.  That is too bad, because stripped of its silly subplots, “The Dark Knight” has the germ of a satisfying comic book flick.
 
The first rule of superheroes is that the superhero is the guy with the super powers.  Civilians do not have super powers.  If they did, there would be no need for a superhero.  This is where “The Dark Knight” falls down.  Too many civilians survive explosions, car accidents, and assassination attempts that should have killed them because they don’t have super powers.
 
The plot is roughly this:  After cleaning up Gotham Batman (Christian Bale) is having second thoughts.  Using criminal tactics to catch criminals may turn him into one.  He also wants to marry his love interest, Rachel Dawes (Maggie Gyllenhaal, terribly miscast).  She won’t have him until he gives up the cape and mask.  Into this frittata toss The Joker (the late Heath Ledger) with a scheme to take over what is left of Gotham’s mob headed by Salvatore Maroni (convincingly played by Eric Roberts).  Add handsome crusading DA Harvey Dent (Aaron Eckhart) who gains the confidence of Batman and alter ego Bruce Wayne, and you have the recipe for the end of the Batman saga.  Predictably The Joker is the fly in Batman’s retirement ointment.  Without Batman’s help, cops can’t prevent the agent of chaos from turning Gotham into a war zone – and from keeping Batman in costume.
 
Ledger’s Joker is totally competent, but in Jack Nicholson he has a tough act to follow.  He comes across more like Christian Slater in “Heathers” than the cinematic master of madness.  With the exceptions of veterans Michael Caine and Morgan Freeman, performances fall victim to special effects, some of which are cheesy.  Even the once sleek Batmobile now looks like Hummer that has been sat on by an elephant.
 
With a PG-13 rating, nothing in “The Dark Knight” is objectionable to children, but it could bore them to death.

 

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