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The King's Speech Archives - ShowBizCafe.com

The King's Speech Archives - ShowBizCafe.com

Jack Rico

By

2011/02/28 at 12:00am

Complete list of the Oscars 2011 winners

02.28.2011 | By |

Complete list of the Oscars 2011 winners

The big night for cinema, The 83rd edition of the Oscars, was a big bore with even more boring hosts – James Franco and Anne Hathaway. The show was very predictable and perhaps Tom Hooper’s win was as shocking as it got. The jokes were bad and Billy Crysrtal‘s appearance made it the more drastic because one could compare how disastrous this Oscar telecast was.

Nevertheless, here are the complete winners of the night wit the winners in bold:

BEST PICTURE:
* The King’s Speech
* Black Swan
* The Fighter
* Inception
* The Kids Are All Right
* 127 Hours
* The Social Network
* Toy Story 3
* True Grit
* Winter’s Bone

DIRECTING:
* The King’s Speech (Tom Hooper)
* Black Swan (Darren Aronofsky)
* The Fighter (David O. Russell)
* The Social Network (David Fincher)
* True Grit (Joel Coen and Ethan Coen)

ACTOR IN A LEADING ROLE:
* Colin Firth (The King’s Speech)
* Javier Bardem (Biutiful)
* Jeff Bridges (True Grit)
* Jesse Eisenberg (The Social Network)
* James Franco (127 Hours)

ACTRESS IN A LEADING ROLE:
* Natalie Portman (Black Swan)
* Annette Bening (The Kids Are All Right)
* Nicole Kidman (Rabbit Hole)
* Jennifer Lawrence (Winter’s Bone)
* Michelle Williams (Blue Valentine)

ACTOR IN A SUPPORTING ROLE:
* Christian Bale (The Fighter)
* John Hawkes (Winter’s Bone)
* Jeremy Renner (The Town)
* Mark Ruffalo (The Kids Are All Right)
* Geoffrey Rush (The King’s Speech)

ACTRESS IN A SUPPORTING ROLE:
* Melissa Leo (The Fighter)
* Amy Adams (The Fighter)
* Helena Bonham Carter (The King’s Speech)
* Hailee Steinfeld (True Grit)
* Jacki Weaver (Animal Kingdom)

ADAPTED SCREENPLAY:
* The Social Network (Aaron Sorkin)
* 127 Hours (Danny Boyle and Simon Beaufoy)
* Toy Story 3 (Michael Arndt, John Lasseter, Andrew Stanton and Lee Unkrich)
* True Grit (Joel Coen and Ethan Coen)
* Winter’s Bone (Debra Granik and Anne Rosellini)

ORIGINAL SCREENPLAY:
* The King’s Speech (David Seidler)
* Another Year (Mike Leigh)
* The Fighter (Scott Silver, Paul Tamasy, Eric Johnson, Keith Dorrington, Paul Tamasy and Eric Johnson)
* Inception (Christopher Nolan)
* The Kids Are All Right (Lisa Cholodenko and Stuart Blumberg)

FOREIGN LANGUAGE FILM:
* In a Better World (Denmark)
* Biutiful (Mexico)
* Dogtooth (Greece)
* Incendies (Canada)
* Outside the Law (Hors-la-loi) (Algeria)

ANIMATED FEATURE FILM:
* Toy Story 3
* How to Train Your Dragon
* The Illusionist

ART DIRECTION:
* Alice in Wonderland
* Harry Potter and the Deathly Hallows: Part 1
* Inception
* The King’s Speech
* True Grit

CINEMATOGRAPHY:
* Inception (Wally Pfister)
* Black Swan (Matthew Libatique)
* The King’s Speech (Danny Cohen)
* The Social Network (Jeff Cronenweth)
* True Grit (Roger Deakins)

COSTUME DESIGN:
* Alice in Wonderland
* I Am Love
* The King’s Speech
* The Tempest
* True Grit

DOCUMENTARY FEATURE:
* Inside Job
* Exit Through the Gift Shop
* Gasland
* Restrepo
* Waste Land

FILM EDITING:
* The Social Network
* Black Swan
* The Fighter
* The King’s Speech
* 127 Hours

MAKEUP:
* The Wolfman
* Barney’s Version
* The Way Back

ORIGINAL SCORE:
* The Social Network (Trent Reznor and Atticus Ross)
* How to Train Your Dragon (John Powell)
* Inception (Hans Zimmer)
* The King’s Speech (Alexandre Desplat)
* 127 Hours (A.R. Rahman)

ORIGINAL SONG:
* We Belong Together (Toy Story 3)
* Coming Home (Country Strong)
* I See the Light (Tangled)
* If I Rise (127 Hours)

SOUND MIXING:
* Inception
* The King’s Speech
* Salt
* The Social Network
* True Grit

SOUND EDITING:
* Inception
* Toy Story 3
* Tron: Legacy
* True Grit
* Unstoppable

VISUAL EFFECTS:
* Inception
* Alice in Wonderland
* Harry Potter and the Deathly Hallows: Part 1
* Hereafter
* Iron Man 2

DOCUMENTARY SHORT SUBJECT:
* Strangers No More
* Killing in the Name
* Poster Girl
* Sun Come Up
* The Warriors of Qiugang

ANIMATED SHORT FILM:
* The Lost Thing
* Day and Night
* The Gruffalo
* Let’s Pollute
* Madagascar, carnet de voyage (Madagascar, a Journey Diary)

LIVE ACTION SHORT FILM:
* God of Love
* The Confession
* The Crush
* Na Wewe
* Wish 143

Jack Rico

By

2011/01/25 at 12:00am

Complete list of nominations Oscar 2011

01.25.2011 | By |

Complete list of nominations Oscar 2011

The Academy Award nominations, announced this morning in Los Angeles, mostly stuck to the script that Oscar-season observers expected. “The King’s Speech” led the field with 12 nominations, including nods for best picture and director, while “True Grit” galloped close behind with a healthy 10 nominations. “The Social Network” also landed its expected best picture nomination, along with seven other nods.

The official list of 2011 Oscar nominations indicate who will attend the 83rd annual awards of the Academy of Motion Picture Arts and Sciences in Hollywood, to be held on February 27, 2011.

 

 

 

 

Best Picture

• “Black Swan”

• “The Fighter”

• “Inception”

• “The Kids Are All Right”

• “The King’s Speech”

• “127 Hours”

• “The Social Network”

• “Toy Story 3”

• “True Grit”

• “Winter’s Bone”

 

Directing

• “Black Swan” Darren Aronofsky

• “The Fighter” David O. Russell

• “The King’s Speech” Tom Hooper

• “The Social Network” David Fincher

• “True Grit” Joel Coen and Ethan Coen

 

Actor in a Leading Role

• Javier Bardem in “Biutiful”

• Jeff Bridges in “True Grit”

• Jesse Eisenberg in “The Social Network”

• Colin Firth in “The King’s Speech”

• James Franco in “127 Hours”

 

Actor in a Supporting Role

• Christian Bale in “The Fighter”

• John Hawkes in “Winter’s Bone”

• Jeremy Renner in “The Town”

• Mark Ruffalo in “The Kids Are All Right”

• Geoffrey Rush in “The King’s Speech”

 

Actress in a Leading Role

• Annette Bening in “The Kids Are All Right”

• Nicole Kidman in “Rabbit Hole”

• Jennifer Lawrence in “Winter’s Bone”

• Natalie Portman in “Black Swan”

• Michelle Williams in “Blue Valentine”

 

Actress in a Supporting Role

• Amy Adams in “The Fighter”

• Helena Bonham Carter in “The King’s Speech”

• Melissa Leo in “The Fighter”

• Hailee Steinfeld in “True Grit”

• Jacki Weaver in “Animal Kingdom”

 

Animated Feature Film

• “How to Train Your Dragon” Chris Sanders and Dean DeBlois

• “The Illusionist” Sylvain Chomet

• “Toy Story 3” Lee Unkrich

 

Art Direction

• “Alice in Wonderland” Production Design: Robert Stromberg;

Set Decoration: Karen O’Hara

• “Harry Potter and the Deathly Hallows Part 1” Production Design: Stuart Craig;

Set Decoration: Stephenie McMillan

• “Inception” Production Design: Guy Hendrix Dyas;

Set Decoration: Larry Dias and Doug Mowat

• “The King’s Speech” Production Design: Eve Stewart;

Set Decoration: Judy Farr

• “True Grit” Production Design: Jess Gonchor;

Set Decoration: Nancy Haigh

 

Cinematography

• “Black Swan” Matthew Libatique

• “Inception” Wally Pfister

• “The King’s Speech” Danny Cohen

• “The Social Network” Jeff Cronenweth

• “True Grit” Roger Deakins

 

Costume Design

• “Alice in Wonderland” Colleen Atwood

• “I Am Love” Antonella Cannarozzi

• “The King’s Speech” Jenny Beavan

• “The Tempest” Sandy Powell

• “True Grit” Mary Zophres

 

Documentary (Feature)

• “Exit through the Gift Shop” Banksy and Jaimie D’Cruz

• “Gasland” Josh Fox and Trish Adlesic

• “Inside Job” Charles Ferguson and Audrey Marrs

• “Restrepo” Tim Hetherington and Sebastian Junger

• “Waste Land” Lucy Walker and Angus Aynsley

 

Documentary (Short Subject)

• “Killing in the Name” Nominees to be determined

• “Poster Girl” Nominees to be determined

• “Strangers No More” Karen Goodman and Kirk Simon

• “Sun Come Up” Jennifer Redfearn and Tim Metzger

• “The Warriors of Qiugang” Ruby Yang and Thomas Lennon

 

Film Editing

• “Black Swan” Andrew Weisblum

• “The Fighter” Pamela Martin

• “The King’s Speech” Tariq Anwar

• “127 Hours” Jon Harris

• “The Social Network” Angus Wall and Kirk Baxter

 

Foreign Language Film

• “Biutiful” Mexico

• “Dogtooth” Greece

• “In a Better World” Denmark

• “Incendies” Canada

• “Outside the Law (Hors-la-loi)” Algeria

 

Makeup

• “Barney’s Version” Adrien Morot

• “The Way Back” Edouard F. Henriques,

Gregory Funk and Yolanda Toussieng

• “The Wolfman” Rick Baker and Dave Elsey

 

Music (Original Score)

• “How to Train Your Dragon” John Powell

• “Inception” Hans Zimmer

• “The King’s Speech” Alexandre Desplat

• “127 Hours” A.R. Rahman

• “The Social Network” Trent Reznor and Atticus Ross

 

Music (Original Song)

• “Coming Home” from “Country Strong”

Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey

• “I See the Light”

from “Tangled” Music by Alan Menken Lyric by Glenn Slater

• “If I Rise”

from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong

• “We Belong Together”

from “Toy Story 3″ Music and Lyric by Randy Newman

 

Short Film (Animated)

• “Day & Night” Teddy Newton

• “The Gruffalo” Jakob Schuh and Max Lang

• “Let’s Pollute” Geefwee Boedoe

• “The Lost Thing” Shaun Tan and Andrew Ruhemann

• “Madagascar, carnet de voyage (Madagascar, a Journey Diary)”

Bastien Dubois

 

Short Film (Live Action)

• “The Confession” Tanel Toom

• “The Crush” Michael Creagh

• “God of Love” Luke Matheny

• “Na Wewe” Ivan Goldschmidt

• “Wish 143” Ian Barnes and Samantha Waite

 

Sound Editing

• “Inception” Richard King

• “Toy Story 3” Tom Myers and Michael Silvers

• “Tron: Legacy” Gwendolyn Yates Whittle and Addison Teague

• “True Grit” Skip Lievsay and Craig Berkey

• “Unstoppable” Mark P. Stoeckinger

 

Sound Mixing

• “Inception” Lora Hirschberg, Gary A. Rizzo and Ed Novick

• “The King’s Speech” Paul Hamblin, Martin Jensen and John Midgley

• “Salt” Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin

• “The Social Network” Ren Klyce, David Parker, Michael Semanick and Mark Weingarten

• “True Grit” Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

 

Visual Effects

• “Alice in Wonderland” Ken Ralston, David Schaub, Carey Villegas and Sean Phillips

• “Harry Potter and the Deathly Hallows Part 1”

Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi

• “Hereafter” Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell

• “Inception” Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb

• “Iron Man 2” Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

 

Writing (Adapted Screenplay)

• “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy

• “The Social Network” Screenplay by Aaron Sorkin

• “Toy Story 3” Screenplay by Michael Arndt;

Story by John Lasseter, Andrew Stanton and Lee Unkrich

• “True Grit” Written for the screen by Joel Coen & Ethan Coen

• “Winter’s Bone” Adapted for the screen by Debra Granik & Anne Rosellini

 

Writing (Original Screenplay)

• “Another Year” Written by Mike Leigh

• “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;

Story by Keith Dorrington & Paul Tamasy & Eric Johnson

• “Inception” Written by Christopher Nolan

• “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg

• “The King’s Speech” Screenplay by David Seidler

Ted Faraone

By

2010/11/10 at 12:00am

The King’s Speech

11.10.2010 | By |

The King's Speech

There are several delicious ironies about “The King’s Speech,” billed as an historical drama and directed by Tom Hooper from a screenplay by David Seidler.  The first is the title.  The King’s Speech is given at the opening of the British Parliament.  To your critic’s knowledge, it has been The Queen’s Speech since 1952, when Elizabeth II ascended the throne following the untimely death from lung cancer of her father, King George VI, one of pic’s principals ably played by Colin Firth.  Since the next three in line for the throne today are men, the Speech is likely to be the King’s again.  George VI had a terrible stammer, which made it difficult for him to perform many of his public duties as Duke of York, younger brother of David, the Prince of Wales, who would later become Edward VIII, Duke of Windsor.  The latter is played by Guy Pearce in a rather one-dimensional portrayal of a self-indulgent royal.  George VI, who had a more down-to-earth understanding of his duty, was known as Bertie to his family.  His wife is a legend of 20th Century Britain, Lady Elizabeth Bowes-Lyon (Helena Bonham Carter), who, when she was still the Duchess of York, set out on her own to find a speech therapist for her husband.  This brings up pic’s second delicious irony:  Helena Bonham Carter is the great-granddaughter of Herbert Henry Asquith, English Prime Minister from 1908 to 1916, the first prime minister to serve under George V (played here by Michael Gambon), father of pic’s subject, and great niece of Violet Asquith, a Liberal member of Parliament for many years and close friend of Winston Churchill, who is played by Timothy Spall in a less than ideal bit of casting.  The goings on in this pic had to be gossip at her family’s dinner table.  For those who care, the shapely Carter was most certainly padded to play the matronly Elizabeth, who, during pic’s action, never passes her 40th birthday.

 

The Duke of York put little stock in speech therapy.  Treatments of the day (Pic’s action covers the period from the mid 1920s to the outbreak of war in September 1939) were both appalling and humiliating.  One doctor even advised the Duke that smoking cigarettes relaxed the throat and calmed the nerves.  It was no surprise that when the Duchess finally encountered Australian ex-pat speech therapist Lionel Logue (Geoffrey Rush, who also gets executive producer credit) that the Duke offered resistance.  Logue’s methods were unorthodox to say the least.  He is self-taught, a former actor, who got into speech therapy helping traumatized Australian soldiers returned from the First World War.  There was no textbook.  He had to make it up as he went along. 

 

Now enters the buddy-film aspect of this period piece.  Logue won’t treat the Duke unless the His Royal Highness submits to his rules on his turf.  He insists that the Duke call him Lionel and that he will call the Duke “Bertie.”  The Duke grudgingly submits to acting as the social equal of his speech coach.  Unwilling to divulge much private information, the Duke does admit that his stammer began around age four or five and that his father, the King, encouraged his brother David to tease him about it.  Michael Gambon’s George V is the gruff, remote father and family man of the history books.  But as King, he has learned one important modern lesson:  Radio has turned royalty into actors.  His annual Christmas broadcast to the Empire drives the point home.  His advice to Bertie is like a Nike slogan barked by a drill sergeant.

 

A friendship between King and subject can never be normal, no matter how high the regard each holds for the other.  The dynamic between Rush and Firth captures this delicate balance.  In matters of speech, Logue is in charge.  His methods include exercises, encouragement, and provocation.  Provocation proves to the pupil that the stammer has a non-physical component:  When his temper is aroused the Duke spits out words in continuous flow.  But when Logue steps over the line, more out of enthusiasm for his pupil’s ability than anything else, the Duke accuses him of treason and cuts him off.  His offense?  With George V having passed, David has become King, and he is making a mess of the job.  The abdication crisis of 1936 looms, and Bertie is next in line.  David has already teased him about wanting to usurp the throne, an idea that Bertie abhors.   The last thing he wants to be is chief of state in an era when the chief of state has to speak in public.  Logue’s enthusiasm (“You can outshine David”) in that instant is impertinent and incisive — too incisive.  Logue’s attempt to apologize is rebuffed.  Give helmer Hooper credit for knowing how to use the close-up to good effect with pros like Rush and Firth. 

Eventually, with a coronation to perform, Bertie (now George VI), recalls Logue to his service.  A scene in Westminster Abbey with Derek Jacobi as a presumptuous Archbishop of Canterbury reveals the esteem in which Bertie is held by the British establishment.  Zero.  He is accorded deference because of his position.  His years of stammering and failed public appearances have cost him respect.  His courtiers think they can manipulate him.  Thanks to Logue’s help in mustering the courage he had as a naval officer in the First World War, George VI overcame what studies say is the greatest fear people in civilized nations face:  the fear of public speaking.  In overcoming that fear he became the King whose grace under pressure during the bombing of London inspired a quarter of the world’s population to resist the Axis.  Logue would continue to assist the new King in rehearsing all his wartime broadcasts, and he was rewarded in 1944 with an honor for service to the monarch.  The King, who most certainly was unaware of it, also inspired a young Australian boy who also had a stammer.  The boy listened to the King on the radio and thought, if the King can beat his stammer, so can I.  After almost 50 years writing for film and TV, David Seidler would write pic’s screenplay.  He was fortunate to have the cooperation of Logue’s descendants, who kept many of his period diaries.  He was also fortunate to have the cooperation of King George VI’s widow, by then the Queen Mother Elizabeth, who asked only that the film not be made until after her death — the memories were too painful.  It was a long wait.  She lived to be 101.  The rest is history.

 

It is impossible to delve into the entire nuance “The King’s Speech” packs into 118 minutes.  Pic is rated R due to language.  It seems that profanity trips off the tongue of the stutterer with ease.  But it would be a mistake for readers to think that “The King’s Speech” is entirely without comic relief.  Logue repeatedly snatches cigarettes from his star pupil as the latter is about to light them.  It would have been to George VI’s advantage to heed him and kick the habit.  A scene in which Myrtle Logue (Jennifer Ehle) arrives home unexpectedly early only to find the Queen taking tea in her dining room is priceless.  It is at pic’s ending that its neatest irony unfolds.  It follows George’s radio broadcast to the Empire at the outset of war.  It may be a tad difficult to believe, but it is true.

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