Latino movie reviews

Jack Rico

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2013/03/22 at 12:00am

Peliculeando: "Olympus Has Fallen," "Admission"

03.22.2013 | By |

Peliculeando: "Olympus Has Fallen," "Admission"

 

Este viernes en Peliculeando por el Luis Jimenez Show, X96.3FM, Univision Radio, Jack Rico entrega sus críticas de la violenta cinta de acción OLYMPUS HAS FALLEN, la nueva de Tina Fey ADMISSION y el filme animado THE CROODS. Escuche ahora mismo!

Además, hablamos sobre los nuevos estrenos en BluRay: THE HOBBIT, ZERO DARK THIRTYLES MISERABLES.

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de críticas de cine. Peliculeando será transmitido cada viernes a las 9:50AM dando las críticas y recomendaciones y más recientes estrenos cinematográficos EN ESPAÑOL! Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell Haz cliq al vídeo para escuchar el más reciente segmento.

 

Karen Posada

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2013/03/18 at 12:00am

Come Out and Play (Movie Review)

03.18.2013 | By |

Estaba emocionada de ver una película de terror producida por Canana Films, la compañía de Gael Garcia Bernal y Diego Luna, ya que el avance de ‘Come Out and Play’ o ‘Juego de Niños’ se ve interesante; pero desafortunadamente la verdad es que no lo es. Quede decepcionada por completo, por que la película crea un ambiente misterioso que fácilmente se destruye en su desarrollo y termina siendo risible y ridícula. Sinceramente esta cinta no tiene aspectos que merezcan verla por que te tendrá moviendo la cabeza por su concepto vacío y absurdo. Read More

Jack Rico

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2013/03/15 at 12:00am

Peliculeando: K-11, Burt Wonderstone, The Call

03.15.2013 | By |

Peliculeando: K-11, Burt Wonderstone, The Call

Este viernes en Peliculeando por el Luis Jimenez Show, X96.3FM, Univision Radio, Jack Rico entrega sus críticas de THE INCREDIBLE BURT WONDERSTONE, THE CALL y la nueva película K-11 con Kate del Castillo. Escuche ahora mismo!

Además, hablamos sobre los nuevos estrenos en BluRay: LIFE OF PI, HITCHCOCK y RISE OF THE GUARDIANS

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de críticas de cine. Peliculeando será transmitido cada viernes a las 9:50AM dando las críticas y recomendaciones y más recientes estrenos cinematográficos EN ESPAÑOL! Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell Haz cliq al vídeo para escuchar el más reciente segmento.

Jack Rico

By

2013/03/08 at 12:00am

Radio Reviews: Oz the Great, Dead Man Down

03.8.2013 | By |

Radio Reviews: Oz the Great, Dead Man Down

This week from Miami, on the Enrique Santos Morning Radio Show, Latino film crtiic Jack Rico reviews this week’s new film releases: the much anticipated OZ THE GREAT AND POWERFUL and the limited released film DEAD MAN DOWN with Colin Farrell. 

You can hear our movie review segment in Miami on the ‘Enrique Santos Morning Show‘ every Friday at 7:25 AM and 9:25 AM by Univision Radio ‘MIX98.3FM’ in Miami or the global network by visiting: http://www.enriquesantos.com/

Karen Posada

By

2013/03/07 at 12:00am

Oz the Great and Powerful (Movie Review)

03.7.2013 | By |

*Updated February 2026

In 1939, audiences experienced The Wizard of Oz, a film based on L. Frank Baum’s books that became an instant classic. Seventy-four years later comes the prequel Oz the Great and Powerful. The biggest fear of touching a classic involves ruining it, but viewers can fear no more. Read More

Karen Posada

By

2013/02/28 at 12:00am

Jack the Giant Slayer (Movie Review)

02.28.2013 | By |

Hollywood has decided to recreate a number different tales from centuries ago, now is the turn of ‘Jack the Giant Slayer’, a mix of ‘Jack and the Beanstalk’ and ‘Jack the Giant Killer’; which means a little bit of innocence, adventure and violence. The film will do best with its intended audience of 13 and up; the first half is slow paced and a little dull, but finally the action picks up on the second half and that’s the kicker that makes the film fun. Watching the movie in IMAX 3D is a real treat, because it truly enhances the experience, although you have to wait for the effects to really begin after we get past the “meeting†the characters part of the movie.

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The classic story begins with a poor farm boy named Jack (Nicholas Hoult) who is trying to get some money by selling his horse; the boy gets easily tricked into taking magic beans as payment. Back at home he laments his innocence, but when the beanstalk grows he finds himself in an adventure where he’ll fight giants that live in the sky, meet princess Isabelle (Eleanor Tomlinson), her most noble men among them Elmont (Ewan McGregor) and together they’ll try to save the world.

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We get two similar stories between Jack and Isabelle that have their keen differences but unite into one thanks to their love for adventure. The story doesn’t become interesting until we reach the world of giants, which are fantastically gruesome, idiotic, and somewhat cavemen like and we want to know how these humans fight for their survival there. There’s conniving between the humans and giants and this part although predictable helps the story.

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Hoult and Tomlinson play their parts fine enough, but there’s nothing that really stands out here; Hoult was much better in ‘Warm Bodies’. Stanley Tucci as the villain is instantly dislikable, but lacks mystery. McGregor is usually on point with his roles, but here his script calls for corny jokes although despite that he’s one of the most interesting characters. Of course the giants steal a lot of the focus, specially their two-headed leader Fallon (Bill Nighy). The CGI of these creatures and their world is for the most part well done and are the biggest part of the tale driving the movie forward.

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The story saves itself because just when it starts dragging the action really picks up and here is where your money goes. The movie mainly suffers from a very weak script that is full of corny jokes, lines and predictability; all of which would deem it to fail were it not for the great CIG effects and battle in the second half of the film. There’s an unexpected interesting twist at the end, where the story tries to connect fantasy to reality and it’s a nice closing touch.

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Here’s another classic fairytale 21st century style which though it complements the original stories, by no means is it a cinematographic wonder, but it is still a good enough film to enjoy with the family. Director Bryan Singer uses his knowledge in superhero action films and incorporates a pinch of it here, but a little more could have gone a long way. It might put younger children and adults to sleep at some point, but will eventually wake everybody up on the second half till the end.

Jack Rico

By

2013/02/13 at 12:00am

Beautiful Creatures (Movie Review)

02.13.2013 | By |

*Updated 2026

In 2026, after the YA fantasy wave has settled into nostalgia, Beautiful Creatures reads like a reminder of how hard it was to escape the shadow of Twilight.

Read More

Karen Posada

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2013/02/13 at 12:00am

Escape From Planet Earth (Movie Review)

02.13.2013 | By |

*Updated December 2025

Escape From Planet Earth is a great experience for both parents and children alike. It delivers a strong message of teamwork and family unity all wrapped in an adorable, funny and cool package. Read More

SBC Staff

By

2013/02/01 at 12:00am

Stand Up Guys (Movie Review)

02.1.2013 | By |

Stand Up Guys

‘Stand Up Guys’ directed by Fisher Stevens is an old man’s buddy movie. It’s premise is engaging and its acting is as good as it gets. The issue here is that the script of the film delves into over-character development. When that happens, the film can drag and the proceedings can get boring. In its favor though, it’s tough to not be engrossed when Al Pacino and Christopher Walken are the actors. But even they have limits. 

 

The story begins with Valentine, a.k.a Val (Al Pacino), being released from prison after serving twenty-eight years for refusing to give up one of his close criminal associates. His best friend Doc (Christopher Walken) is there to pick him up, and the two soon re-team with another old pal, Hirsch (Alan Arkin). Their bond is as strong as ever, and the three reflect on freedom lost and gained, loyalties ebbed and flowed, and days of glory gone by. But one of the friends is keeping a dangerous secret- he’s been put in an impossible quandary by a former mob boss, and his time to find an acceptable alternative is running out. As the sun rises on the guys’ legendary reunion, their position becomes more and more desperate and they finally confront their past once and for all.

 

For Fisher Stevens, the task of directing this film was as close as to just letting the camera run. When you have a trio of actors who have 14 acting nominations and 3 Oscar wins between them, the job is straightforward. Consequently, the script by Noah Haidle should have been where most of the creative investment took place. It didn’t feel like it. It caves to a limp pace and some formulaic storytelling. What could have been a special project in modern movie history, turned out to be a side note in the calendar year. Marketing also has played a role in it, but that is a whole other conversation.

 

In the acting department, Pacino leaves behind the “woo-ha!†parody of himself from ‘Scent of a Woman’ and gives us one of his most honest performances since Michael Mann’s ‘The Insider’ from 1999. That’s a whopping 14 years without wowing his audience. How could he when he’s appeared in two of the worst movies in history – ‘Gigli’ and ‘Jack & Jill’. Whether he became a mercenary or deluded into thinking these projects were “funâ€, there is no denying that in ‘Stand Up Guys’ he departs from the reckless decisions that led him down the path of negligence. Here he reminds critics and audiences alike of his natural talents of who he was and what he can still be at 73. Robert De Niro is proving it with ‘Silver Linings Playbook’. I think Pacino has 1 or 2 Oscar nominations still left in him, let’s see if he chooses wisely in the time ahead. 

 

Walken is the scene-stealer here though, seemingly not saying or doing much at all. Pacino carries the heft of the dialogue while Walken mostly reacts, and he still shines, perhaps even more than Pacino himself. Walken is a strange and unique looking individual with a demeanor that is distinctive and memorable. He lays it all in the film and it is impressive. For Arkin, his screen time was epigrammatic – concise, clever, and amusing. 

 

Overall, ‘Stand Up Guys’ is an actors film for people who like acting. The entertainment value is mediocre and Stevens could have done so much more with the script. I wouldn’t pay money to see this in the theaters, but a view on Bluray wouldn’t hurt just for the acting. Released for Oscar consideration in December of 2012, it is being rolled out now in February on a national release with the objective of perhaps finding a new audience. Hopefully we can see an improved sequel of sorts when the other hitmen - Gene Hackman, Jack Nicholson and Sean Connery – join in on the fun!

Karen Posada

By

2013/01/30 at 12:00am

Warm Bodies (Movie Review)

01.30.2013 | By |

Warm Bodies

Look at pictures and read our coverage of the Red Carpet Premiere of ‘Warm Bodies’.  

 

Originality is something that Hollywood lacks a lot of, that’s why when something somewhat refreshing like ‘Warm Bodies’ comes around it creates a lot of buzz. The film will be more rewarding as a DVD watch, but if you want to see it enough in the theater you won’t be disappointed. The main thing here is more so the love story, hence why its release is so close to Valentine’s day; that in itself is predictable to the point of making us think it might be mocking ‘Twilight’, although we were assured it doesn’t. I praise the movie for not taking itself too seriously, since that clearly would have made it ridiculous instead of enjoyable.

 

Warm Bodies’ from director Jonathan Levine is about a Zombie named R (Nicholas Hoult) who falls in love with a human, Julie (Teresa Palmer), which changes the rules in both of their worlds and might help calm the chaos of the apocalypse.

 

The love story has similarities to the Romeo and Juliet story, note the main characters names, but of course it is quite unconventional. We have become obsessed with zombies and that’s where this film brings in originality and has sparked the crowds’ attention. The fact that a zombie is who narrates the story and pokes fun at his own state of being is entertaining, there’s some bending of zombie rules (ok quite a lot of bending) and that might annoy or delight some people. I’m into ‘The Walking Dead’ – as is more than half of the world, but I like that this movie forces you to have an open mind to a different kind of zombie world and see it in more of a comedic sense than a chaotic apocalyptic scenario. The key things to remember are that irony and sarcasm are two of the most important ingredients here.

 

The movie also scores with the soundtrack; it plays a great role in both the comedic and romantic senses of the movie giving it a complete feel. Hoult and Palmer are easy to like and their relationship develops flawlessly, although at the beginning we are not quite sure why Palmer doesn’t just run away. The storyline does have some gaps that contradict the main plot, but letting go allows you to take the film for what it is.

 

If you’ve seen a preview for this film and are interested you get exactly what you see: a lighthearted comedy along with romance, no more no less. It will give you just enough chuckles and insight into an interesting world enough to entertain you instead of boring you. Levine combines just the right amount of everything to give us a feel good movie, with an original twist in this much appreciated breath of fresh air.

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