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Mario Torres

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2011/05/31 at 12:00am

X-Men: First Class (Movie Review)

05.31.2011 | By |

X-Men: First Class

I like comic book movies. I don’t read comics, but as far as movies go, there is always something entertaining about one character, or a group, going through or adapting to an unimaginable change.

X Men: First Class is an excellent comic book movie, for those expecting nothing more. Great action sequences, interesting character chemistry and hints of humor make the Professor X’s clan (or shall I say Magneto?) a very enjoyable 130 minutes.

Let me not give you the wrong impression, this is Magneto’s movie… The rest of the characters live in the world, but in a way, they seem to revolve around him, whether right from the beginning or towards the end.

As we start the movie, it feels like we are watching two movies intersecting one another, and it works beautifully thanks to director Matthew Vaughn (Kick Ass, Layer Cake), who like Bryan Singer (the original director for this and now producer), has developed a very keen sense of showing parallel stories that later convene. 

It’s Poland, 1944, and the scene is practically the same as the one we saw in the first X-Men movie. Kid gets separated from his parents, bends fence, gets knocked down… but, what happens next? What follows clearly states what will happen during the rest of the movie, along with witnessing how Erik/Magneto’s evil psyche is born right in front of us because of Kevin Bacon’s character Sebastian Shaw.

Kevin Bacon… he really does his best to be an evil villain, but I liked him as a villain more in the movie “Superâ€.

On the other side of the world, Westchester, New York, we simply see how Charles Xavier, as a young man, discovers an intruder that looks like his mom, but it’s really Raven/Mystique. And… yes, that is his introduction and Raven’s as well. How Raven ended up in his kitchen, in the middle of the night, in that same house that is in the middle of a forest, is beyond me, but let’s move along.

 

James McAvoy is charming as Charles Xavier. In the following scenes about 20 years later, his innocence, which will eventually be a character trait that will separate him from Magneto, is clearly established as he tries to chat up a girl at a bar in Oxford using his powers. While this happens, Erik, with a very dark, but bland portrayal by Michael Fassbender, is trying to hunt down the person that created and destroyed him, Sebastian Shaw. This takes him to France and Argentina, where he finds out more information about his nemesis.

 

As if this were not enough, Rose Byrne (who seems to be in every movie lately), is a “sexy†CIA agent tracking down Sebastian Shaw, and while she gets close, she witnesses Shaw and his crew of mutants displaying her powers. Where did Sebastian find this crew of mutants? Again, we don’t know. He seems to have a pretty close relationship with them, but let’s move along.

After seeing this, Byrne’s character, Agent MacTaggert, literally says she needs an “expert in genetic mutationâ€, and who you gonna call? Charles Xavier. She follows Charles to the same bar, and he uses the same line he used previously to pick up MacTaggert. It doesn’t work, she goes straight to business. Charles willingly joins her team, along with Raven. In the CIA’s operation to catch Sebastian Shaw with the mutants help, they meet Erik as he tries to stop Shaw as well, but fails and Charles saves his life.

The movie takes a comedic turn after their meeting as they formalize the mutant team and Oliver Platt, in a very minor character, helps them settle into a research base. The recruiting sequence is a highlight and Wolverine makes an expected cameo with what is probably the best line of the movie, which I can’t say here (he was being rude).

The last unexpected turn of the movie is Sebastian Shaw’s visit to the research base where the young mutants are, which feels like a bit too long of an action sequence. I found interesting that he does not want to kidnap them, or tries to hurt them, he simply gives them a choice to choose sides, much like Magneto’s character. Some go, some stay, but since it is Magneto’s movie, these choices at the end seem irrelevant.

From here on forward, it is a simple evil vs. good training and fight sequences while establishing the crucial role Charles Xavier has in developing and caring for his “studentsâ€.

The relationship between Erik and Charles takes a hit at the very end, and while Charles tries to maintain the peace, it is too late for Erik to go back and not hate the humans (although his nemesis, Shaw, was a mutant too… but let’s move along), so they split sides.

Matthew Vaughn is a good storyteller, and while the second half of the movie lacks the same interest than the beginning, he knows how to handle it. The movie is consistent, and if I were a comic book fan, I am pretty sure I would have liked it even more. Two things before I leave you: look out for a Rebecca Romjin cameo, it’s quick, but amusing; and there is no additional scene after the credits roll, so you get to leave to the bathroom early. I only tell you because I wish I had known…

SBC Staff

By

2011/05/26 at 12:00am

SBC Staff

By

2011/05/24 at 12:00am

Presenters announced for 2011 Tony Awards

05.24.2011 | By |

Presenters announced for 2011 Tony Awards

New York, NY (May 24, 2011) – The Tony Awards today announced presenters for the 65th Annual Tony Awards at the Beacon Theatre in New York City.  The 2011 Tony Awards will air live on CBS, on Sunday, June 12th 8:00 – 11:00 p.m. (ET/PT time delay) and are presented by the Broadway League and the American Theatre Wing.
 
Hosted by Emmy winner Neil Patrick Harris, the evening will feature appearances by: Daniel Radcliffe, Catherine Zeta-Jones, Whoopi Goldberg, Chris Rock, Alec Baldwin, Samuel L. Jackson, Kelsey Grammer, Viola Davis, Vanessa Redgrave, James Earl Jones, Harry Connick, Jr., Christie Brinkley, David Hyde Pierce, Marg Helgenberger, Matthew Broderick, Angela Lansbury, Jim Parsons, Joel Grey, Patrick Wilson, Robert Morse and many others.
 
The Antoinette Perry “Tony” Awards are bestowed annually on theatre professionals for distinguished achievement. The Tony is one of the most coveted awards in the entertainment industry and the annual telecast is considered one of the most prestigious programs on television.
 
For more information on the Tony Awards, please visit www.TonyAwards.com. Follow us on Facebook.com/TheTonyAwards & Twitter.com/TheTonyAwards.

SBC Staff

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2011/05/22 at 12:00am

Pirates of the Caribbean 4 is #1 at the box office!

05.22.2011 | By |

Pirates of the Caribbean 4 is #1 at the box office!

The thrid sequel to Pirates of the Caribbean: On Stranger Tides had their best results abroad, which broke box office records with $256.3 million dollars, and $90.1 million in North America which gave it first place at the box office this weekend.

The new film, shot in 3D, do not have co-stars Keira Knightley and Orlando Bloom, but retain Johnny Depp as Captain Sparrow. Rob Marshall takes the reins from Gore Verbinsky, who led the original trilogy. Penélope Cruz and Ian McShane were introduced as new characters.

The film leader from last week, Thor, fell to third place in its third week with $15.5 million and now totals $145.4 million.

The estimates of ticket sales for Friday through Sunday at theaters in the U.S. and Canada are:

 

1. Pirates of the Caribbean: On Stranger Tides, $90.1 millon.
2. Bridesmaids, $21 millon.
3. Thor, $15.5 millon.
4. Fast Five, $10.6 millon.
5. Rio, $4.7 millon.
6. Priest, 4.6 millon.
7. Jumping the Broom, $3.7 millon.
8. Something Borrowed, $3.4 millon.
9. Water For Elephants, $2.2 millon.
10. Tyler Perry’s Madea’s Big Happy Family, $990,000 million.

Jack Rico

By

2011/05/21 at 12:00am

SBC Staff

By

2011/05/19 at 12:00am

James Cameron to re-release ‘Titanic’ in 3D

05.19.2011 | By |

James Cameron to re-release 'Titanic' in 3D

HOLLYWOOD, CA (May 19, 2011) – Paramount Pictures, Twentieth Century Fox and Lightstorm Entertainment jointly announced today that James Cameron’s “TITANIC” will be re-released worldwide on April 6, 2012.
 
The release, which marks the 100th anniversary of the Titanic setting sail (April 10th), will present the film in 3D for the first time ever.
 
Written, directed and produced by Cameron, “TITANIC” is the second highest grossing movie of all time. It is one of only three films to have received a record 11 Academy AwardsÒ including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.
 
Called “A spectacular demonstration of what modern technology can contribute to dramatic storytelling” by Variety upon its release in 1997, the long in the works 3D conversion is being overseen by Cameron and his Lightstorm producing partner Jon Landau who produced the hit movie.
 
Said Cameron, “There’s a whole generation that’s never seen ‘TITANIC’ as it was meant to be seen, on the big screen.  And this will be ‘TITANIC’ as you’ve never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D.  With the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike.”
 
“This new presentation of Paramount’s top-grossing film is particularly special because 2012 is the 100th anniversary of our studio. Paramount has had the pleasure of introducing audiences to some of the all-time classics of cinema during that century of moviemaking and we cannot think of a better way to mark the occasion than with this re-release of ‘TITANIC’,” said Brad Grey, Chairman and CEO of Paramount Pictures.
 
Commented Fox Filmed Entertainment Chairmen and CEOs, Jim Gianopulos and Tom Rothman: “Our 30-plus year relationship with Jim Cameron and Lightstorm has been enormously rewarding, from ‘Aliens’ to ‘Avatar’, and the global phenomenon of ‘TITANIC’ remains one of the greatest sources of pride in our history.  We are pleased to allow a new generation of audiences to experience the film in its brilliant digital restoration in 3D.”

SBC Staff

By

2011/05/16 at 12:00am

‘Thor’ is # 1 at the box office again

05.16.2011 | By |

'Thor' is # 1 at the box office again

The film about the comic Norse god “Thor” continued to top the box office in its second weekend, followed by the comedy “Bridesmaids”.

The adventures of the son of King Odin, from the Marvel comics, raised $34.5 million in theaters in the United States and Canada and has a cumulative total of $120 million and counting.

Bridesmaids“, which features a battle between two women to arrange the marriage of their friend, comes in second with $24.4 million.

Fast and Furious 5“, starring Vin Diesel and Dwayne Johnson, was in third place with $19.5 million in its third week at the box office.

The horror movie of a priest hunting vampires, “Priest“, came in fourth, with 14.5 million in its first week in theaters.

The familiar “Rio” maintained its number five after five weeks in theaters, with $ 8 million RECAD this weekend and 125 million dollars since its release.

“Jumpig the Broom” about two African American families who are for a wedding, came in sixth place with $ 7.3 million.

Another romantic comedy, “Something Borrowed”, came in seventh place with $ 7 million, followed by “Water for Elephants” with 4.1 million dollars.

Close the box office this week, “Madea’s Big Happy Family”, with 2.2 million, and “Soul Surfer” with $ 1.8 million.

Jack Rico

By

2011/05/16 at 12:00am

First Image Of Cameron Díaz In ‘Gambit’

05.16.2011 | By |

Principal photography has officially commenced on the comedy Gambit. The production launched in London on May 5. This project features a high-profile cast led by Cameron Díaz and Academy Award winner Colin Firth. Read More

Jack Rico

By

2011/05/13 at 12:00am

Jack Rico

By

2011/05/12 at 12:00am

No Strings Attached

05.12.2011 | By |

 

The modern romantic comedy ‘No Strings Attached‘ starring Ashton Kutcher and Natalie Portman is surprisingly not as bad as I expected. The film benefits from an interesting premise, good chemistry between the stars and appealing situations that will easily engage romantic couples looking for a fun time at theater.

The plot centers on Adam and Emma (Ashton Kutcher and Natalie Portman), childhood friends who try to maintain a strictly sexual relationship, but it’s not long before they both discover that love is impossible to resist.

The romantic comedies of today, a.k.a rom-coms, tend to be very formulaic, predictable and unoriginal, but this one, because of its R rating, takes advantage of it by being mischievous. Of course, you’ll experience all the typical ploy devices inserted into these movies such as the irritating best friends, the poppy soundtrack, and of course, the ultimate declarations of love at the end of the movie. Nevertheless, the film aims to reach adults, in particular those who have been through experiences like this at some point in their lives. The movie has shades of the recent ‘Love and Other Drugs’ (Jake Gyllenhaal and Anne Hathaway), whose plot also involved a woman who just wanted a purely sexual relationship. Her reasons were different and legitimate as opposed to Portman’s character. The tone was also more dramatic and not as playful as this.

Much of the upbeat tone of ‘Attached’ comes from the cerebral dallyings of screenwriter Elizabeth Meriwether, who has built a real and authentic narrative that reflects the times we live in today – an ode to a sexual revolution that has become part of the natural order of things. The dialogue is another matter. Phrases like, “I’m warning you… if you come closer one more step, I might never let you go”, sound like scratching nails on a chalkboard. To be frank, no right-minded man would dare say something like that in real life because he runs the risk that the woman who hears it will throw up on him. Defects like these run rampant in every rom-com, but here you get over it because Portman’s and Kutcher’s charm is irresistible.

Portman, a soon to be Best Actress winner at this year’s Oscar for Black Swan, is exploring a new genre with great results. She plays a sexy, beautiful, confident woman who is not shy in proving she has a fun side to her. Mix that in with her dramatic strengths and you have an actress who won’t keep on embarrassing the genre any further. Do not be surprised if we see her in more romantic comedies in the not too distant future. Kutcher on the other hand, is overshadowed by Portman’s screen presence and skill. Even though he looks the part perfectly, his limited acting range fails him time and time again in the climactic moments of the finale.

The director Ivan Reitman, creator of such classic films as Ghostbusters, Stripes, and Twins, in this instance chooses to leave vulgar comedy to the side and focus on the psychology of the principle relationship. As a result, the film feels adult and less silly.

‘No Strings Attached’ is not compelling as ‘When Harry Met Sally‘ or as savvy as ‘500 Days of Summer,’ but it achieves its objective of being a pleasant diversion for a couples night out at the movies.

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