Latino movie news, reviews, trailers, and festival coverage

SBC Staff

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2010/09/24 at 12:00am

Buried (Movie Review)

09.24.2010 | By |

Buried

Buried’ is perhaps one of the most emotionally uncomfortable films you will see this year. The idea of walking out of the theater due to its inherent claustrophobic visuals might cross your mind, but try to stay to the end because it will extract an abstruse, if not, enraged reaction from you. You won’t recognize yourself after seeing the final scenes of this movie. You will be an emotionally wreck!

The premise is extremely intriguing. The very first frame has American truck driver, Paul Conroy (Ryan Reynolds), waking up in a coffin six feet underground in Irak. He’s in utter blackness, silence and barely able to breath, but he isn’t ready to die. But with no idea of who put him there or why, life for the family man instantly becomes a hellish struggle for survival.  Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited.  Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time. Fighting panic, despair and delirium, Paul Conroy has only ninety minutes to be rescued before his worst nightmare comes true.

It is rare in today’s Hollywood spectrum to see a film acted by only one person and Ryan Reynolds pulls it of brilliantly. He had a lot of help from Spanish director Rodrigo Cortés who provides constricted, suffocating shots that’ll make you cringe several times.

If Cortés and Reynolds set out to achieve a film that will stir up your emotions, then I must admit they did a masterful job. I left the screening speechless and unable to formulate or utter an immediate opinion on the film for days. The subtextual, inherently moral and political conflicts the film brings forth questions your very outlook of the world today. Buried is a visceral and powerful film that you will not be able to shake off long after you leave the theater. If that’s not the principal reason you go to the movies, then I don’t know what is.

The one moment where the credibility of the movie suffers is a snake scene that just seemed too random to take seriously. It was obviously inserted to prevent any monotony the pacing could have encountered.

Nevertheless, if Hitchcock were alive today, I truly do believe, he would have indulged in directing this film. I think Cortés and Reynolds pulled off a difficult film to entertain people with. Let’s now see if Danny Boyle’s version with James Franco, ‘127 Hours,’ is better!

Jack Rico

By

2010/09/21 at 12:00am

Robin Hood

09.21.2010 | By |

Rating: 3.0

Rated: PG-13 for violence including intense sequences of warfare, and some sexual content.
Release Date: 2010-05-14
Starring: Brian Helgeland
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.robinhoodthemovie.com/

 Go to our film page

The new adaptation of Robin Hood, directed by Ridley Scott (Alien, Blade Runner, Gladiator) and starring Russell Crowe and Cate Blanchett hits the big screen after much anticipation and hype. Is this the definitive version to ever be done by Hollywood? Not by far, but it is a noble intent. This adaptation is a prequel, that is, an account of the origins of the green hero before he stole from the rich and helped the poor. The film has some fine moments but also lacks of a fresh new approach to an old story.

The plot begins with the death of King Richard of England (Danny Huston) and Robin Longstride (Crowe) traveling to Nottingham, a city that suffers from corruption and oppressive taxes from the sheriff, to start a new life. There, Robin falls in love with the widow Lady Marion (Blanchette), meets Friar Tuck (Mark Addy) and fights in the war against the French.

To be fair, I found the film to be entertaining and visually absorbing, but due to weak development of the story and shortcomings of some secondary characters, there were moments of confusion in several of its sequences. For example, for most of the film, I could not distinguish who were the British or the French, I couldn’t understand the dialogue very well at first due to the rough and the villains motives weren’t fleshed out properly.

However, if you’re looking to entertain yourself, any imperfections the film might have are put aside for the high level entertainment value. I particularly left satisfied enough to recommend it for a few reasons: one because Crowe and Blanchette are tremendous actors, second because the director Ridley Scott captured beautiful scenes, and third, the locations and details of the movie transport you to back to that period. Robin Hood is worth the watch.

SBC Staff

By

2010/09/21 at 12:00am

El Secreto De Sus Ojos

09.21.2010 | By |

Rating: 4.5

Rated: R for a rape scene, violent images, some graphic nudity and language.
Release Date: 2010-04-16
Starring: Juan José Campanella
Director(s):
Distributor:
Film Genre:
Country:Argentina
Official Website: http://www.elsecretodesusojos.com/

 Go to our film page

Jack Rico

By

2010/09/21 at 12:00am

Exclusive! Oliver Stone hints at a possible ‘Wall Street 3’

09.21.2010 | By |

Exclusive! Oliver Stone hints at a possible 'Wall Street 3'

New York (USA), September 21 (ShowBizCafe.com) – Styling a Clark Gable like mustache on the red carpet of his new film ‘Wall Street: Money Never Sleeps‘, director Oliver Stone, who has won three Oscar awards (Midnight Express, Platoon, Born on the Fourth of July), did not deny the possibilities of making a trilogy out of Wall Street.

Surrounded by a cornucopia of overzealous and zestful reporters, ShowBizCafe.com was on hand to ask the filmmaker, given the film’s final scenes, if it was possible to see the return of Gordon Gekko for a third time. “Well, let’s open it on Friday and hope so. I don’t know, we’ll see where we are with Michael and all that,” said Stone. He was referring to the health of actor Michael Douglas who is currently suffering from throat cancer and undergoing chemotherapy and radiotherapy. According to the co-stars of the film, Douglas never showed signs of weakness during the filming of the sequel.

However, if Douglas recovers and the film does well at the box office, Stone would have no reason not to make a third chapter in the life of Gekko. We are living in an age where many Hollywood movie studios and directors like to squeeze the very last drop any franchise has to offer an Wall Street shouldn’t be any different. If the ideal scenarios go right the way, a Wall Street trilogy would be too appetizing to pass up, even for Stone.

In “Wall Street: Money Never Sleeps,” Michael Douglas plays a reformed Gekko. The film takes place 23 years after the events of the original film. The award-winning performance from Douglas as Gordon Gekko in the original Wall Street won the actor an Oscar for Best Actor in 1988 and has eventually become a pop icon for uttering the famous line – “Greed is good”. ‘Wall Street: Money Never Sleeps’ opens in theaters September 24.

Oliver Stone surrounded by paparazzi

Mack Chico

By

2010/09/20 at 12:00am

Ben Affleck’s ‘The Town’ is #1 at the box office!

09.20.2010 | By |

Ben Affleck's 'The Town' is #1 at the box office!
The latest film directed and starring Ben Affleck, The Town, which takes place in his hometown of Boston, led the weekend box office in the U.S. and Canada, according preliminary figures Sunday’s tracker Exhibitor Relations.

The Town, the second film directed by Affleck, generated $23.8 million taking down the fourth installment of the Resident Evil series from the top of the box office.

In second place stood the smart teen flick, ‘Easy A’ in which a student lies about losing her virginity to increase her popularity. It made $18.2 million dollars.

Devil, a supernatural thriller in which Satan holds a group of people in the elevator of a building in Philadelphia did $12.6 million for third place, followed by Resident Evil: Afterlife, which passes the $ 26.7 million raised the last weekend (released), only 10.1 million this weekend.
Here are the top 10 for the weekend:
1. The Town, $23.8 million
2. Easy A, $18.2 million
3. Devil, $12.6 million
4. Resident Evil: Afterlife, $10.1 million; $44 million
5. Alpha and Omega, $9.2 million
6. Takers, $3 million; $52.3 million
7. The American, $2.8 million; $32.9 million
8. Inception, $2.015 million; $285.2 million
9. The Other Guys, $2 million; $115.4 million
10. Eat Pray Love, $1.7 million; $77.7 million – tied with Machete, $1.7 million; $24.3 million
Jack Rico

By

2010/09/19 at 12:00am

Catfish (Movie Review)

09.19.2010 | By |

*Updated 2026

In 2026, when online identity is inseparable from dating, friendship and scams, Catfish feels less like a novelty and more like the beginning of a language everyone now understands.

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Jack Rico

By

2010/09/17 at 12:00am

Devil (Movie Review)

09.17.2010 | By |

*Updated 2026

In 2026, when contained horror still thrives on one clean idea, Devil remains easy to revisit as a small thriller that knows the value of a tight premise.

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Jack Rico

By

2010/09/16 at 12:00am

The Town (Movie Review)

09.16.2010 | By |

The Town

In his second effort as a director, actor Ben Affleck tackles another Boston theme film in ‘The Town,’ about a romance that stems from a bank heist. This sophomore project is not as enthralling as his first film ‘Gone Baby Gone,’ yet, it is perhaps one of the better films of the 2010. Come Oscar time, it wouldn’t surprise me if it is elected to the ten best films of the year. The acting is wonderful yet again, the story is as interesting as any other this year and its entertaining enough to keep you from ever thinking of ‘Gigli’.

On the surface, ‘The Town’ is a bank heist film and a darn good one too, but at its core, it is about a guy who’s trying to get out of the slum, and more importantly, the life of crime he’s inherited from his father. The premise follows Doug MacRay (Ben Affleck), a ‘good guy’ bank robber who is the leader of a crew of ruthless bank robbers, who pride themselves on taking what they want and getting out clean. However, everything changed on the gang’s last job when Jem (Jeremy Renner) briefly took a hostage: bank manager Claire Keesey (Rebecca Hall). Doug unfortunately crosses the line and becomes romantically involved with the hostage. Yes, he’s crazy, but it’s part of the thrill of the tension-filled film. Don Draper (cough), I mean Jon Hamm, decides he’s Melvin Purvis and Eliot Ness combined and is on a mission to get Doug and Jem. So what’s it going to be Doug? Betray your friends or lose the woman you love?

Compared to other recent crime dramas, like Brooklyn’s Finest or Pride and Glory, this one stands higher because the characters feel more real, like they could exist in real life, except of course, Don Draper who is a walking comic book.

Affleck co-wrote, directed and acted in this film, which is not an easy task for anyone, just ask Woody Allen and Quentin Tarantino. He is establishing he has a skilled and adroit hand at the camera, emotional depth as an actor with each passing film and a keen and intuitive sense for story selections.

The film has very good entertaining value. It has sequences full action and suspense worthy of knots in your stomach. If you like bank heist films this will definitely be on the top of your list along with ‘Inside Man,’ but without the rapid cutting, loud thumping explosions helicopter scenes. This is slower paced, the characters are more thoroughly developed, almost methodically. The Town is a fantastic selection for this weekend and any other time you want to see a film that is a bit better than the rest.

Karen Posada

By

2010/09/15 at 12:00am

Never Let Me Go (Movie Review)

09.15.2010 | By |

Never Let Me Go

Never Let  Me Go‘ is based on a novel by Kazuo Ishiguro, the drama is followed by a sci-fi twist that can be perceived as realistic. It is developed over three different chapters narrated by Kathy (Carey Mulligan), who tells the story retrospectively, which should give you a better sense of the story but still leaves some gaps in it. The film has a nostalgic feel all throughout, the characters are seen smiling on screen briefly; the pained feeling is always floating in the atmosphere. This thriller/drama is well done, but if it wasn’t for the ambiguity of key points to the movie it could have been better.You will be left with a hollow feeling after watching it and after being hit with a very strong closing line.

The story is set in England, it revolves around Kathy and her two childhood friends Ruth (Keira Knightley) and Tommy (Andrew Garfield), who grew up in a boarding school for special children called Hailsham. The school seems to be an orphanage as the only adults are the teachers better known as ‘guardians’, here the children are taught to take care of their bodies and obey all rules without questioning them. The children’s faith is revealed pretty early in the story and that is what sets the mood for the rest of the film. The love triangle that is formed and continues to follow the children into their adulthood is meant to be a strong aspect of the movie and although it is easy to sympathize with it, their naivety and innocence which brings them together takes away from the strength of this bond.

These three children are forced into companionship by their own loneliness and fear of a world that they don’t know. When at 18 they leave the premises of Hailsham knowing the purpose for their existence they try to explore the world around them and figure out where they came from. Kathy becomes isolated by the relationship between her friends and she suffers silently until she makes the decision to change her life, even if it is still within the realm of what she is allowed in the few opportunities they are given. When they reach adulthood they try to fix mistakes made in the past and try to change the path they were given.

Knightley’s casting as a secondary character was surprising, but by the nature of the character it is understood, she gives a good performance and even makes us pity her. Mulligan’s innocence is really convincing and her sweet and obedient attitude keep the mood of the movie steady and at some points you just want to shake her to give her some confidence. Garfield is just there, but he does play one of the strongest moments of the movie remarkably. For director Mark Romanek this is definitely a step up from One hour photo.

The movie questions ethics, humanity, relationships and how much we really understand about our own lives and our purpose on earth as well as our time in it. The story line is good but it is not strong enough to be convincing. It is worth a watch specially for the hopeless romantics, but it is also worth the wait on the DVD.

Mack Chico

By

2010/09/13 at 12:00am

"Resident Evil: Afterlife" is #1 at the Box Office!

09.13.2010 | By |

"Resident Evil: Afterlife" is #1 at the Box Office!

The video game you used to play back in the day is #1 at the box office this week.

Resident Evil: Afterlife” was the only movie to show any real signs of life, opening at No. 1 in 3,202 theaters with $27.7 million, according to early estimates.

“Afterlife” generated a record for the franchise. The 3-D film benefited from higher 3-D ticket prices.

In second place was the heist thriller “Takers” with $6.1 million dollars.

Last weekend’s winner, “The American,” came in third place

And still don’t understand why, but “Machete” suffered an even worse decline, falling 63 percent to fourth place, with just $4.2 million for the weekend and $20.8 million total.

In 10th, “Eat Pray Love” cooked up $2.9 million, a 40 percent drop.

Here is the complete top 10 films this week:

1. ”Resident Evil: Afterlife 3D”, $27.7 millon dollars
2. ”Takers”, 6.1
3. ”The American”, 5.9
4. ”Machete”, 4.2
5. ”Going the Distance”, 3.8
6. ”The Other Guys”, 3.6
7. ”The Last Exorcism”, 3.5
8. ”The Expendables”, 3.3
9. ”Inception”, 3
10. ”Eat Pray Love”, 2.9

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