Latino movie news, reviews, trailers, and festival coverage

Karen Posada

By

2010/10/01 at 12:00am

4 Questions With Garrett Hedlund From ‘Tron: Legacy’

10.1.2010 | By |

*Updated December 2025

I got an EXCLUSIVE behind the scenes look at the upcoming movie from Disney’s Tron: Legacy, the sequel of the very successful movie Tron in the early 80s. This one is said to be just as big as Avatar! Read More

Jack Rico

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2010/10/01 at 12:00am

Let Me In (Movie Review)

10.1.2010 | By |

For those who have not seen ‘Let the Right One In,’ you’ll like it’s Hollywood remake – ‘Let Me In.’ If you’ve already seen the Swedish original, this new version will feel choppy and uninteresting, only until the second half where it really picks up. Read More

Jack Rico

By

2010/09/29 at 12:00am

The Social Network (Movie Review)

09.29.2010 | By |

*Updated January 2026

Although The Social Network isn’t a masterpiece, this film will undoubtedly be the film that defines our generation. Each decade had a film that captured the zeitgeist of the times such as Saturday Night Fever in the 70s, The Breakfast Club in the 80s and Reality Bites in the 90s. Read More

SBC Staff

By

2010/09/24 at 12:00am

Buried (Movie Review)

09.24.2010 | By |

Buried

Buried’ is perhaps one of the most emotionally uncomfortable films you will see this year. The idea of walking out of the theater due to its inherent claustrophobic visuals might cross your mind, but try to stay to the end because it will extract an abstruse, if not, enraged reaction from you. You won’t recognize yourself after seeing the final scenes of this movie. You will be an emotionally wreck!

The premise is extremely intriguing. The very first frame has American truck driver, Paul Conroy (Ryan Reynolds), waking up in a coffin six feet underground in Irak. He’s in utter blackness, silence and barely able to breath, but he isn’t ready to die. But with no idea of who put him there or why, life for the family man instantly becomes a hellish struggle for survival.  Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited.  Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time. Fighting panic, despair and delirium, Paul Conroy has only ninety minutes to be rescued before his worst nightmare comes true.

It is rare in today’s Hollywood spectrum to see a film acted by only one person and Ryan Reynolds pulls it of brilliantly. He had a lot of help from Spanish director Rodrigo Cortés who provides constricted, suffocating shots that’ll make you cringe several times.

If Cortés and Reynolds set out to achieve a film that will stir up your emotions, then I must admit they did a masterful job. I left the screening speechless and unable to formulate or utter an immediate opinion on the film for days. The subtextual, inherently moral and political conflicts the film brings forth questions your very outlook of the world today. Buried is a visceral and powerful film that you will not be able to shake off long after you leave the theater. If that’s not the principal reason you go to the movies, then I don’t know what is.

The one moment where the credibility of the movie suffers is a snake scene that just seemed too random to take seriously. It was obviously inserted to prevent any monotony the pacing could have encountered.

Nevertheless, if Hitchcock were alive today, I truly do believe, he would have indulged in directing this film. I think Cortés and Reynolds pulled off a difficult film to entertain people with. Let’s now see if Danny Boyle’s version with James Franco, ‘127 Hours,’ is better!

Jack Rico

By

2010/09/21 at 12:00am

Exclusive! Oliver Stone hints at a possible ‘Wall Street 3’

09.21.2010 | By |

Exclusive! Oliver Stone hints at a possible 'Wall Street 3'

New York (USA), September 21 (ShowBizCafe.com) – Styling a Clark Gable like mustache on the red carpet of his new film ‘Wall Street: Money Never Sleeps‘, director Oliver Stone, who has won three Oscar awards (Midnight Express, Platoon, Born on the Fourth of July), did not deny the possibilities of making a trilogy out of Wall Street.

Surrounded by a cornucopia of overzealous and zestful reporters, ShowBizCafe.com was on hand to ask the filmmaker, given the film’s final scenes, if it was possible to see the return of Gordon Gekko for a third time. “Well, let’s open it on Friday and hope so. I don’t know, we’ll see where we are with Michael and all that,” said Stone. He was referring to the health of actor Michael Douglas who is currently suffering from throat cancer and undergoing chemotherapy and radiotherapy. According to the co-stars of the film, Douglas never showed signs of weakness during the filming of the sequel.

However, if Douglas recovers and the film does well at the box office, Stone would have no reason not to make a third chapter in the life of Gekko. We are living in an age where many Hollywood movie studios and directors like to squeeze the very last drop any franchise has to offer an Wall Street shouldn’t be any different. If the ideal scenarios go right the way, a Wall Street trilogy would be too appetizing to pass up, even for Stone.

In “Wall Street: Money Never Sleeps,” Michael Douglas plays a reformed Gekko. The film takes place 23 years after the events of the original film. The award-winning performance from Douglas as Gordon Gekko in the original Wall Street won the actor an Oscar for Best Actor in 1988 and has eventually become a pop icon for uttering the famous line – “Greed is good”. ‘Wall Street: Money Never Sleeps’ opens in theaters September 24.

Oliver Stone surrounded by paparazzi

Jack Rico

By

2010/09/21 at 12:00am

Robin Hood

09.21.2010 | By |

Rating: 3.0

Rated: PG-13 for violence including intense sequences of warfare, and some sexual content.
Release Date: 2010-05-14
Starring: Brian Helgeland
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.robinhoodthemovie.com/

 Go to our film page

The new adaptation of Robin Hood, directed by Ridley Scott (Alien, Blade Runner, Gladiator) and starring Russell Crowe and Cate Blanchett hits the big screen after much anticipation and hype. Is this the definitive version to ever be done by Hollywood? Not by far, but it is a noble intent. This adaptation is a prequel, that is, an account of the origins of the green hero before he stole from the rich and helped the poor. The film has some fine moments but also lacks of a fresh new approach to an old story.

The plot begins with the death of King Richard of England (Danny Huston) and Robin Longstride (Crowe) traveling to Nottingham, a city that suffers from corruption and oppressive taxes from the sheriff, to start a new life. There, Robin falls in love with the widow Lady Marion (Blanchette), meets Friar Tuck (Mark Addy) and fights in the war against the French.

To be fair, I found the film to be entertaining and visually absorbing, but due to weak development of the story and shortcomings of some secondary characters, there were moments of confusion in several of its sequences. For example, for most of the film, I could not distinguish who were the British or the French, I couldn’t understand the dialogue very well at first due to the rough and the villains motives weren’t fleshed out properly.

However, if you’re looking to entertain yourself, any imperfections the film might have are put aside for the high level entertainment value. I particularly left satisfied enough to recommend it for a few reasons: one because Crowe and Blanchette are tremendous actors, second because the director Ridley Scott captured beautiful scenes, and third, the locations and details of the movie transport you to back to that period. Robin Hood is worth the watch.

SBC Staff

By

2010/09/21 at 12:00am

El Secreto De Sus Ojos

09.21.2010 | By |

Rating: 4.5

Rated: R for a rape scene, violent images, some graphic nudity and language.
Release Date: 2010-04-16
Starring: Juan José Campanella
Director(s):
Distributor:
Film Genre:
Country:Argentina
Official Website: http://www.elsecretodesusojos.com/

 Go to our film page

Mack Chico

By

2010/09/20 at 12:00am

Ben Affleck’s ‘The Town’ is #1 at the box office!

09.20.2010 | By |

Ben Affleck's 'The Town' is #1 at the box office!
The latest film directed and starring Ben Affleck, The Town, which takes place in his hometown of Boston, led the weekend box office in the U.S. and Canada, according preliminary figures Sunday’s tracker Exhibitor Relations.

The Town, the second film directed by Affleck, generated $23.8 million taking down the fourth installment of the Resident Evil series from the top of the box office.

In second place stood the smart teen flick, ‘Easy A’ in which a student lies about losing her virginity to increase her popularity. It made $18.2 million dollars.

Devil, a supernatural thriller in which Satan holds a group of people in the elevator of a building in Philadelphia did $12.6 million for third place, followed by Resident Evil: Afterlife, which passes the $ 26.7 million raised the last weekend (released), only 10.1 million this weekend.
Here are the top 10 for the weekend:
1. The Town, $23.8 million
2. Easy A, $18.2 million
3. Devil, $12.6 million
4. Resident Evil: Afterlife, $10.1 million; $44 million
5. Alpha and Omega, $9.2 million
6. Takers, $3 million; $52.3 million
7. The American, $2.8 million; $32.9 million
8. Inception, $2.015 million; $285.2 million
9. The Other Guys, $2 million; $115.4 million
10. Eat Pray Love, $1.7 million; $77.7 million – tied with Machete, $1.7 million; $24.3 million
Jack Rico

By

2010/09/19 at 12:00am

Catfish (Movie Review)

09.19.2010 | By |

*Updated 2026

In 2026, when online identity is inseparable from dating, friendship and scams, Catfish feels less like a novelty and more like the beginning of a language everyone now understands.

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Jack Rico

By

2010/09/17 at 12:00am

Devil (Movie Review)

09.17.2010 | By |

*Updated 2026

In 2026, when contained horror still thrives on one clean idea, Devil remains easy to revisit as a small thriller that knows the value of a tight premise.

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