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Mack Chico

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2009/04/20 at 12:00am

Jessica Alba to co-star in “The Killer Inside Me”

04.20.2009 | By |

Jessica Alba to co-star in “The Killer Inside Me”

A state official in Oklahoma has confirmed that part of a film starring Casey Affleck, Jessica Alba and Kate Hudson will be shot on location at various towns.

Jill Simpson, the director of the Oklahoma Film and Music Office, said that principal photography for the film “The Killer Inside Me” will start in New Mexico before moving to Oklahoma. Scenes will be shot on location in Guthrie, Oklahoma City, Tulsa, Enid and Cordell.

She said it will be the largest film produced in Oklahoma since the box-office hit “Twister” in 1996.

Preproduction for the Guthrie portion of the shoot for “The Killer Inside Me” will resume on Monday. One of the film’s producers, Michael Eaton of London-based Revolution Films, will arrive in Oklahoma the same day.

Conflicting schedules for the actors and lack of full financing for the film delayed the start of filming, which had been scheduled for March 24. Chad Burris, the owner of Tulsa-based Indion Entertainment Group, said the necessary funding has been secured.

“That, coupled with, I think, they finally got the actors’ schedules lined out and the stars aligned and all the other great things that have to happen before a movie can actually get going,” Burris said.

Affleck’s availability for his scenes in the film is still in flux, Simpson said, although preparations are moving forward.

“The good news is, it’s back on and they’re going to be filming here,” Simpson said.

The movie will be a crime thriller based on a 1952 novel by Jim Thompson, who was born in Anadarko in 1906. The storyline involves a likable rural deputy sheriff, portrayed by Affleck, who has the mind of a murderous psychopath.

Thompson also co-wrote the screenplays for two films by Stanley Kubrick, “The Killing” in 1956 and “Paths of Glory” in 1957. He died in 1977.

Oklahoma’s incentive of offering up to a 17 percent rebate on production expenditures for companies filming in the state proved to be a strong lure for Muse Productions of Los Angeles and Revolution, Simpson said, along with the work of Indion Entertainment.

“I’m certainly happy the film’s going to happen and, you know, I never really thought it wasn’t going to,” Burris said. “I think there are people that got a little more nervous about it than I did. I think it’s a great boon for Oklahoma. I think it’s going to do a lot for us having this production here.”

Mack Chico

By

2009/04/15 at 12:00am

Sacha Baron Cohen’s "Bruno" gets NC-17 rating

04.15.2009 | By |

Sacha Baron Cohen's "Bruno" gets NC-17 rating

Universal’s “Bruno,” the widely anticipated Sacha Baron Cohen docu-comedy opening in July, has been slapped with an NC-17 rating on its first submission to the Motion Picture Association of America because of numerous sexual scenes that the ratings board considers over the line, according to the studio releasing the film.

Among the objectionable scenes is one in which two naked men attempt oral sex in a hot tub, while one of them holds a baby. In another, Bruno — a gay Austrian fashionista played by Baron Cohen — appears to have anal sex with a man on camera.

Mack Chico

By

2009/04/14 at 12:00am

‘H2: Halloween 2’ reveals Michael Myers!

04.14.2009 | By |

'H2: Halloween 2' reveals Michael Myers!

For those of you who are still interested in H2, Rob Zombie’s follow-up to his execrable remake of Halloween, Comingsoon.net have bagged the first look at one of Michael Myers’ many looks in the upcoming film.

‘One of…?’ We hear you cry. ‘Many looks…?’, we hear others yell. And the answer is, ‘yes!’ Apparently this time Myers (the returning Tyler Mane) will be sporting some different looks throughout the film – including a maskless little number which we hear he pulls off beautifully – as he hunts down his sister, Laurie Strode.

For now, though, today’s first look sees Myers sporting his classic Bill Shatner mask – albeit a more bloodied, torn and burned version than we’re used to, which indicates that a)things aren’t going too well for the slash-happy psycho, and b) he’ll probably ditch that thing at some point.

Rob Zombie has called it a wrap on H2 and is celebrating the occasion by releasing your official first look at Michael Myers in the film. The writer/director stresses this is “one of the many faces Michael 2009.” This comes shortly after fans learned this week that Myers will be shown in various guises (sometimes maskless).

H2 is set for an August 28, 2009 release.

 

Jack Rico

By

2009/04/14 at 12:00am

The Reader

04.14.2009 | By |

Rating: 4.0

Rated: R for some scenes of sexuality and nudity.
Release Date: 2008-12-10
Starring: Bernhard Schlink, David Hare
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thereader-movie.com/

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Jack Rico

By

2009/04/14 at 12:00am

The Spirit

04.14.2009 | By |

Rating: 2.0

Rated: PG-13 for intense sequences of stylized violence and action, some sexual content and brief nudity.
Release Date: 2008-12-25
Starring: Frank Miller, Will Eisner (Comic)
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.mycityscreams.com/

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SBC Staff

By

2009/04/14 at 12:00am

State of Play (Movie Review)

04.14.2009 | By |

Rated: PG-13 for some violence, language including sexual references, and brief drug content.
Release Date: 2009-04-17
Starring: Matthew Michael Carnahan, Tony Gilroy
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.stateofplaymovie.net/

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State of Play

There is something about seeing a bloated overweight, unkempt Russell Crowe that makes one cringe – and put down that black and white cookie.  He’d have done well to follow Shelley Winters’ famous advice about playing fat roles.  However, Crowe’s weight is not what goes awry in “State of Play,†a crime thriller from helmer Kevin Macdonald (“The Last King of Scotlandâ€), although being fat does not add much to his character as Cal McAffrey, a reporter at the “Washington Globeâ€.
 
Until the final reel, “State of Play†(based on an eponymous BBC Television series), has all the makings of a well made film noire:  Bad weather, dark lighting, ominous music, more plot twists than a back road in Connecticut, and corruption in places high and low.  Why, there are even three murder attempts in the first reel, two of them successful.  Until the final reel the storyline fits together like a well crafted jigsaw puzzle.  It has an excellent cast:  Helen Mirren as foul-mouthed newspaper editor Cameron Lynne, Ben Affleck as philandering congressman Stephen Collins, Robin Wright Penn as his wife, Jeff Daniels as the House Majority Whip, and Jason Bateman as a sleazy, not too bright PR man, each playing his part to perfection. Rachel McAdams is convincing as a newspaper blogger who earns her reporting stripes solving a string of four seemingly unrelated murders in a buddy-film subplot opposite Crowe.
 
Pic opens with a drug addict running from a gunman (Michael Berresse) who catches and kills him.  He also shoots a pizza delivery man who was in the wrong place at the wrong time.  Then the mistress of Congressman Collins, whose committee is investigating the “mercenary†private army on duty in Iraq and Afghanistan, dies mysteriously underneath the wheels of the Washington Metro.  All roads lead to a vast conspiracy with 30 or 40 billion Dollars at stake for the company hoping to profit from the privatization of homeland security at its center.  Crowe’s McAffrey is hot on the trail as dead bodies pile up.  He is also dispensing PR advice to his college roommate, Affleck’s Collins.  Subplots appear to spin out of control but each peels a layer from pic’s onion – until the final reel, that is, when a surprise ending both confuses audiences and leaves unresolved the biggest plot element, the conspiracy and the company at its center – is it real or a red herring?
 
Blame in this case has to be shared.  Screenwriters Matthew Michael Carnahan, Tony Gilroy, and Billy Ray deserve a major chunk.  But many a bad screenplay has been fixed in the edit room.  Take that, Justine Wright.  And one has to ask just how much control Macdonald had over the final cut.  At 127 minutes, it’s not as if the picture had to be fleshed out to feature length.  It coulda been a contender….
 
“State of Play,†distributed in the US by Universal, carries a PG-13 rating, largely due to Mirren’s lines.  Other than that there is little objectionable for children.  But not even adults have a chance of making sense out of it.

Jack Rico

By

2009/04/14 at 12:00am

17 Again (Movie Review)

04.14.2009 | By |

*Updated 2026

In 2026, when nostalgia keeps turning teen movies into adult comfort food, 17 Again reads like a reminder that charm can only carry a body-swap fantasy so far.

Read More

Mack Chico

By

2009/04/12 at 12:00am

The Bronx is getting a film school!

04.12.2009 | By |

The Bronx is getting a film school!

The South Bronx is getting ready to raise the curtain on a first-of-its-kind public high school dedicated to film studies.

The Cinema School is set to open its doors in a new building on the grounds of Monroe High School in September.

The program, which will follow a conservatory-style curriculum, has drawn funding from JPMorgan Chase Foundation and has the support of industryites including Spike Jonze, Catherine Hardwicke, Spike Lee, David O. Russell and Whit Stillman, who have been involved in shaping the program. Gotham Mayor Michael Bloomberg is not surprisingly a big supporter of the school, whose inaugural class will consist of 80 freshman students.

The school was founded by former social worker Joe Hall and indie producer Rachael Horovitz (HBO’s “Grey Gardens,” “About Schmidt”).

“It’s the perfect extension of my day job,” Horovitz said. “It can take years to develop a script, and the filmmakers I’m working with can come in and teach at the school.”

The Cinema School is in part an outgrowth of the nonprofit Ghetto Film School org, a film training program Hall founded in the Bronx in 2000. Hall’s program and students attracted industry attention, including Horovitz, who wanted to see the program expand into an accredited, year-round high school. Evan Shapiro, prexy of the IFC and Sundance Channel cablers, serves as chairman of Ghetto Film School’s board and is also involved in the Cinema School.

Horovitz recruited a deep-pocketed benefactor for the school in JPMorgan Chase Foundation veep Gayle Jennings-O’Byrne, who deals with the bank’s arts and culture portfolio. Jennings-O’Byrne persuaded the Foundation to donate $110,000 to the Ghetto Film School. Of that donation, $35,000 went to fund the planning of the high school, and $75,000 bankrolled the Ghetto Film School’s final project, shot by students on location in Uganda.

Jennings-O’Byrne sees the outlay as the beginning, not the end. “We have plans to donate more,” she said. “We now have a new proposal in from them. We haven’t decisioned it, but we want to stay in the game.”

The Cinema School, in new buildings on the campus of Monroe High, is also part of a push by the New York City schools to open more facilities with special curriculum focusing on specific disciplines. Katherine Oliver, head of the Mayor’s Film Office, noted that the Cinema School would feed one of New York’s growth industries, film and TV production, and would help open doors for students who might otherwise struggle to break into the film biz.

“It gives a lot of inner-city kids a chance,” Oliver said.

The city has helped Hall and Horovitz secure funding for amenities like extra editing equipment that a standard public-school budget doesn’t provide. Horovitz says she wants the school to be able to afford better film screening equipment by the time classes start in September.

“We’re sharing the building with another school, and our goal is to have a stand-alone school — to really be able to have production facilities.”

As for the filmmakers themselves, most won’t be teaching full course loads, but many have donated time and resources to the school simply because they like the idea.

Peter Becker, prexy of cineaste homevid distrib Criterion Collection, is helping the school’s teachers design the curriculum. Becker said they’re wrestling with how to “create a film literacy program that doesn’t feel like homework.”

Hall and Ghetto Film School attracted the attention of helmer Russell, and his support became a gateway to other high-profile supporters.

“David said, ‘Come by and see me when you’re in L.A.,’ ” Hall said. “So we went to L.A. pretending we had other people to see. As we were showing him a short our students had done, he said, ‘I should be on your board.’ “

Stillman said the Cinema School program would go a long way toward ensuring that younger generations have an understanding of filmdom’s history.

“There’s a generation growing up that has never seen a Preston Sturges film,” Stillman said, with alarm in his voice.

SBC Staff

By

2009/04/12 at 12:00am

‘Fast & Furious 5’ is a go in Brazil!

04.12.2009 | By |

'Fast & Furious 5' is a go in Brazil!

Those old parts Universal threw into the Fast & Furious machine churned out new cash and lots of it. Though you might expect the studio to be sitting back and counting their increasingly growing pile of loot, the gears are in motion to ride the franchise into another installment.

Universal confirmed today to E! News that a sequel to Fast & Furious is already in works. That could mean two studio execs shooting the breeze at the urinals or intense boardroom discussions. Either way there’s no doubt Universal wants to extend their winning streak while the going’s good.

The studio was forced into addressing the sequel after Paul Walker proclaimed during an interview this morning to MYfm’s Valentine that he and Vin Diesel are “without question” coming back for more.

Walker even went as far as to throw out a location, “This was supposed to be it (re: Fast & Furious) There wasn’t supposed to be the open-ended closing like there was. When I first read the screenplay, I was like, ‘Man, look what they’re doing.’ But without question, with the way things opened up, Vin and I will be coming back, we’re making a fifth one, and we’re going to Brazil, that’s it.”

With the studio’s bulging economy-defying checking account lets see those streets lined with Brazilian supermodels. There’s an extra $5 million at the box office alone.

SBC Staff

By

2009/04/10 at 12:00am

Observe and Report (Movie Review)

04.10.2009 | By |

Rated: R for pervasive language, graphic nudity, drug use, sexual content and violence.
Release Date: 2009-04-10
Starring: Jody Hill
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://observe-and-report.warnerbros.com/

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Observe and Report

Observe and Report is a bizarre film whose laughs are rooted in shock comedy. This is highlighted by the last 5 minutes which will either culminate with your fascination by the scene or by you heaving at the person next to you. The choice will be yours. I’m curious to know which one you will pick. Nevertheless, the laughs aren’t as frequent and the storytelling process is nowhere in sight.

This movie comes at the heels of January’s surprise hit “Paul Blart: Mall Cop” – coincidence? It was written and directed by Jody Hill, whose underground hit “The Foot Fist Way” who brought an exploration of a main character who is reprehensible, delusional, and foolish.

Seth Rogen stars as a bi-polar mall security guard Ronnie Barnhardt who is called into action to stop a flasher from molesting his “mall crush†(Anna Faris) and turning shopper’s paradise into his personal peep show. But when Barnhardt can’t bring the culprit to justice, a surly police detective (Ray Liotta) is recruited to close the case.

The cast is top notch, but perhaps the one who stands out most is comedy princess Anna Faris (Scary Movie, The House Bunny). Getting laughs is hard to do and she manages to make me laugh out loud in every scene she is in. Mexican-American actor Michael Peña, known for his dramatic performances, is another one who provided perhaps me with the loudest laughs halfway through the film. His character, Dennis, was undeniably underused. His screen time barely hits ten minutes, but he was a scene stealer from the very moment he was on.

What I can promise you is that you will laugh at this film, it is just a matter of whether you will feel right doing it. The director, Hill, takes perverse pleasure in getting laughs at whatever costs as he pushes the boundaries of what is funny and what isn’t.

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