Please enable javascript to view this site.

Image Image Image Image Image Image Image Image Image

Movie Reviews and Ratings

Jack Rico

By

2009/08/04 at 12:00am

Race to Witch Mountain

08.4.2009 | By |

Rating: 3.5

Rated: PG for sequences of action and violence, frightening and dangerous situations, and some thematic elements.
Release Date: 2009-03-13
Starring: Matt Lopez, Mark Bomback, Andy Fickman
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.disneylatino.com/FilmesDisney/La_montania_embrujada/index.html

 Go to our film page

What an entertaining movie! I would dare say ‘Race to Witch Mountain’ will be one of the breakout hits of the young year. The story, the fast-action-packed sequences, the charming performances, all add to a fun time with the family at the movies this weekend.

In this new re-imagining of Disney’s “Escape to Witch Mountain” (1975) and its sequel “Return from Witch Mountain” (1978), a UFO expert enlists the help of a cabbie (Dwayne Johnson) to protect two siblings (AnnaSophia Robb, Alexander Ludwig) with paranormal powers from the clutches of an organization that wants to use the kids for their nefarious plans.

Disney, known for its animation, surprisingly presents an amusing live-action sci-fi flick that provides escapism for today’s troubled times. The film immediately begins with a suspenseful, special effects driven scenery that sets a swift pace for the rest of the film. Dwayne Johnson once again does a fantastic job of adding humorous and credible layers to his performance. This script fits him like a glove and I wouldn’t be surprised to see him do more roles like this (The Game Plan) in the next few years. The rest of the cast are appealing without being histrionic with the alien script.

‘Race to Witch Mountain’ feels like a Disney theme ride (I wouldn’t be surprised if one is in the works) extracting elements from E.T. and the Terminator while adding the Disney touch to make it viewable for kids and comfortable enough for parents to enjoy. There are some moments that are incoherent and random, but I say, so what? It’s a Disney film with all the bells and whistles made to be an enjoyable experience for the whole family.

Jack Rico

By

2009/07/31 at 12:00am

Funny People

07.31.2009 | By |

Rated: R for language and crude sexual humor throughout, and some sexuality.
Release Date: 2009-07-31
Starring: Judd Apatow
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.funnypeoplemovie.com/

Go to our film page

Funny People

‘Funny People’ does not live up to the Apatow hype. It never even gets close to what his two previous fantastic films achieved in the genre of comedy. Much of its demise is attributed to its story which is told in a choppy and uneven manner. There’s some good material here, but the movie rambles more than the human attention span can tolerate.

The premise is succint. It’s about a famous comedian (Adam Sandler) who has a near-death experience and then goes through a self exploration phase which will make him see the world in a whole different light. Seth Rogen, Leslie Mann, Jonah Hill and newcomer Aubrey Plaza, of Puerto Rican decent, also star.

I have to admit, by looking at the trailer, I thought ‘Funny People’ was going to be a critically acclaimed film worthy of an Oscar, if it was executed correctly. Regrettably, it never quenched my personal expectations. Is it all bad? Absolutely not. There are some very funny moments, but they are dispersed all over the story like broken glass. It’s refreshing to see Apatow branching out and trying something off the beaten path but, in this case, his sense of ambition may have caused him to lose his way. It’s a brave move that is partially undone by pacing problems and a lack of focus. ‘Funny People’ clocks in at nearly 2 1/2 hours, and that’s too long for any comedy.

 

Most of you might not know of Puerto Rican comedian Aubrey Plaza, but you will after this movie. In her short and underdeveloped role, Aubrey’s shy, witty demeanor made her on-screen presence a memorable one.

If you’re a fan of Adam Sandler and Judd Apatow’s sexually charged joke marathons, there is some of it here for you to enjoy, but overall, the film is no doubt a drama that might turn off hardcore loyalists.

Alex Florez

By

2009/07/30 at 12:00am

Thirst

07.30.2009 | By |

Rated: R for graphic bloody violence, disturbing images, strong sexual content, nudity and language.
Release Date: 2009-07-31
Starring: Seo-Gyeong Jeong, Chan-wook Park
Director(s):
Distributor:
Film Genre:
Country: South Korea
Official Website: http://www.filminfocus.com/focusfeatures/film/thirst/

Go to our film page

Thirst

Those of you familiar with South Korean filmmaker Park Chan-wook know exactly what to expect from his latest film, Thirst.  For those of you that aren’t, allow me to introduce you to one of the more fearless storytellers around. 

In his previous work (Old Boy, Sympathy for Mr. Vengeance, Sympathy for Lady Vengeance), Chan-wook has taken on those ethical dilemmas and taboos that most are unwilling to confront head on.  Obsessed with how we as humans behave under the most extreme circumstances, Chan-wook has put together stories that are unsettling, visceral, and unapologetic.  But his films aren’t simply ‘shock & awe’.  Beneath it all, are complex and tragic love stories that are surprisingly compelling.  When asked about his major influences, Chan-wook’s response was: Sophocles and Shakespeare.  No wonder.

Thirst however is a little different.  It is about a failed medical experiment that turns a priest into a vampire – but Chan-wook is quick to note that this isn’t just any ol’ vampire movie.  “There are no bats, no stake through the heart, no fear of garlic and the cross”.  For the most part, he’s absolutely right. However, somehow the film doesn’t feel as fresh or as daring as his previous movies.  There just isn’t as much envelope pushing here.  Nevertheless, Korean stars Song Kang-ho and Kim Ok-vin turn in outstanding performances in a well put together film. 

Thirst is not everyone’s cup of tea, but for those of you that still can’t quench your blood sucking desires, here’s a fresh take from a film that can be incredibly fun.   

Pau Brunet

By

2009/07/27 at 12:00am

Monday Box Office – Disney’s "G-Force" is #1!

07.27.2009 | By |

Monday Box Office - Disney's "G-Force" is #1!

Neither the magic of Harry Potter nor the combined star power of Katherine Heigl and Gerard Butler was enough to keep a crew of wise-cracking guinea pigs from scurrying to the top of the box office this weekend. Disney’s family comedy G-Force, produced by Jerry Bruckheimer and featuring the voices of Nicolas Cage, Will Arnett, and Penelope Cruz as a team of world-saving rodents, made an estimated $32.2 million in its debut. Despite opening hot on the heels of the one-week old Harry Potter and the Half-Blood Prince, the animation/live action hybrid pic was a hit with young audiences, pulling 55 percent of its viewers from the under-18 crowd.

But Potter’s box office magic hasn’t worn off just yet: The series’ sixth installment landed in the number two spot its second weekend with $30 million, bringing its total to $221.8 million. After just 12 days in theaters, Half-Blood is already the fifth biggest hit of the year domestically, not to mention overseas, where the powerhouse has raked in an additional $236 million.

There was plenty for adults to enjoy at the box office, too. The Ugly Truth, a raunchy R-rated rom-com that pits Katherine Heigl and Gerard Butler in a battle of the sexes, scored an impressive $27 million bow, a career best for both Heigl and director Robert Luketic (Legally Blonde).

The weekend’s other wide release, Warner Bros’ creepy Orphan — starring Peter Sarsgaard and Vera Farmiga — pulled in $12.8 million from an audience that was 55 percent female.

Lower down on the chart, Fox Searchlight’s (500) Days of Summer (at number 11 with $3 million) is still building momentum. The quirky rom-com posted a hefty $19,176 per-site average and a 95 percent increase over its debut last weekend.

Jack Rico

By

2009/07/23 at 12:00am

Orphan

07.23.2009 | By |

Rated: R for disturbing violent content, some sexuality and language.
Release Date: 2009-07-24
Starring: David Johnson, Alex Mace
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://orphan-movie.warnerbros.com/

Go to our film page

Orphan

Spanish helmer Jaume Collet-Serra begins ‘Orphan’ like your usual thriller, with scare alerts and false alarms, but it then becomes savagely violent and because it’s source is an innocent child, that savagery is heightened to a surreal peak that makes one twitch and uncomfortable. The first hour is a pure frightful delight, but it’s second half discombobulates into a typical, laughable yet unpredictable Hollywood fare.

So you have an idea of the story, some have compared this film to ‘The Good Son’ starring Macaulay Culkin, but the similarities stop at the first half. ‘Orphan’ is the mother load of all evil child movies. It’s sick and beyond anything you’d expect.  The script has parts where it is absurd and ridiculous, but what about ‘Friday the 13th’ and ‘Nightmare on Elm Street’ movies and we all love it, don’t we? Orphan is actually better than those films. The first half is as good as any suspense movie as I’ve seen since The Strangers, regrettably the rest of the film cannot be defended. What it could have been.

In this premise, the tragic loss of a couples’ (Vera Farmiga, Peter Sarsgaard) unborn child has devastated them. It has taken a toll on both their marriage and Kate’s fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt young 10 year old girl. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther. Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there’s something wrong with Esther – this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther’s sweet facade.

Director Jaume Collet-Serra is known in the circles for making the horror remake ‘House of Wax’ co-starring one rich and young Paris Hilton. This is by far a better offering than the aforementioned. The protagonists Peter Sarsgaard and Vera Farmiga are well-cast in the role, however,  the manner in which the movie handles the other children, Daniel and Max, are perturbing. The film uses them as pawns in a demented game of danger and peril.

The climax is rather startling, combining the logic of the situation with audacity in exploiting its terror. Yet you have to hand it to ‘Orphan.’ You want a good horror film about a child from hell, you got one. This film is not for minors and I say this with all frankness, do not take children to see it. You’ll thank me for it later.

Jack Rico

By

2009/07/23 at 12:00am

The Ugly Truth

07.23.2009 | By |

Rated: R for sexual content and language.
Release Date: 2009-07-24
Starring: Nicole Eastman, Karen McCullah Lutz, Kirsten Smith
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.theuglytruth-movie.com/

Go to our film page

The Ugly Truth

The Ugly Truth sells a fantasy about placing together two attractive individuals and telling the audience they are falling in love rather than taking the time to develop interesting characters and building up the romance. The only thing that differentiates it from far too many other uninspired rom-coms is that some of the material is funny and there is an occasional edge to the repartee. Beyond that, however, it’s a cookie-cutter movie, and the cookies are pretty stale.

A romantically challenged morning show producer (Heigl) is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent (Butler) to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

The two stars, Katherine Heigl and Gerard Butler, are the next coming of Kate Hudson and Matthew McConaughey. They’re both photogenic and their chemistry is hit-and-miss, but I can’t help wonder if this is more symptomatic of problems with the direction of Robert Luketic (Legally Blonde) and the weaknesses in the screenplay. When they’re given a full scene in which to interact, there’s something there, but those moments are few and far between.

 

The Ugly Truth is a neatly packaged product that comes with all the consumer friendly safety labels. The comedy, as sophomoric as it often is, relieves some of the boredom of the generic love story. The movie is more like a re-make than something new, but many viewers find comfort in the familiar, and this might be for them. In my opinion, it is a letdown except for a few laugh out loud racy scenes that salvage fromabsolute mediocrity. If I want to re-visit this formula, I’ll head for the DVD shelf, where better interpretations of the same basic story exist. And that my friends is ‘The Ugly Truth.’

Jack Rico

By

2009/07/22 at 12:00am

‘The Addams Family’ is headed to Broadway

07.22.2009 | By |

'The Addams Family' is headed to Broadway

The new musical THE ADDAMS FAMILY, based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams, will open Thursday, April 8, 2010 at Broadway’s Lunt-Fontanne Theatre (205 West 46th Street).  Previews begin Thursday, March 4, 2010 following a pre-Broadway engagement at the Ford Center for the Performing Arts, Oriental Theatre in Chicago that begins Friday, November 13, 2009. 
 
THE ADDAMS FAMILY is produced by Stuart Oken, Roy Furman, Michael Leavitt and Five Cent Productions, by special arrangement with Elephant Eye Theatrical.
 
Starring two-time Tony Award winners Nathan Lane and Bebe Neuwirth as Gomez and Morticia, THE ADDAMS FAMILY features two-time Tony Award nominee Terrence Mann as Mal Beineke, two-time Tony Award nominee Carolee Carmello as Alice Beineke, two-time Tony Award nominee Kevin Chamberlin as Uncle Fester, Jackie Hoffman as Grandmama, Zachary James as Lurch, Adam Riegler as Pugsley, Wesley Taylor as Lucas Beineke and Krysta Rodriguez as Wednesday.
 
THE ADDAMS FAMILY features a book by Marshall Brickman and Rick Elice (librettists of the 2006 Tony Award-winning Best Musical, Jersey Boys), music and lyrics by Drama Desk Award-winner Andrew Lippa (The Wild Party), direction and design by Phelim McDermott and Julian Crouch (Shockheaded Peter, The Metropolitan Opera’s Satyagraha) and choreography by Sergio Trujillo (Next to Normal, Jersey Boys).
 
In this original story, the famously macabre Addams Family is put to the test when outsiders come to dinner, hurling Gomez, Morticia, Wednesday, Pugsley, Fester, Grandmama and Lurch headlong into a night that will change the family forever.
 
In a prolific career spanning six decades, Charles Addams created several thousand cartoons, sketches and drawings, many of which were published in The New Yorker. But it was his creation of characters that came to be known as The Addams Family that brought Addams his greatest acclaim. With a unique style that combined the twisted, macabre and just plain weird with charm, wit and enchantment, Addams’ drawings have entertained millions worldwide and served as the inspiration for multiple television series and motion pictures.

For more information on THE ADDAMS FAMILY, visit www.theaddamsfamilymusical.com.

Alex Florez

By

2009/07/21 at 12:00am

Watchmen (Movie Review)

07.21.2009 | By |

Film goers, be warned. Watchmen is no ordinary superhero movie, but it’s also not an extraordinary one. Read More

Jack Rico

By

2009/07/20 at 12:00am

G-Force

07.20.2009 | By |

Rated: PG for some mild action and rude humor.
Release Date: 2009-07-24
Starring: Cormac Wibberley, Marianne Wibberley
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://disney.go.com/disneypictures/gforce/

Go to our film page

G-Force

I have to hand it Jerry Bruckheimer, is there anything this man can’t do? I never thought he could pull off a family animation film and he has without a flaw. ‘G-Force,’ Disney’s new animated 3-D movie experience is a wonderful and fun film that kids as well as parents can enjoy. My wife who is in her 40’s loved it and laughed intensely throughout the film, particularly, at Tracey Morgan’s guinea pig character ‘Blaster’.

The story is about a team of specially  trained secret agent guinea pigs that take on a mission for the US government. They’re dispatched to stop a diabolical billionaire, who plans to taking over the world with household appliances. A bit ridiculous, right? Yes, but it’s made for infantiles.

The voices here are top notch, except for Penélope Cruz who seemed uncomfortable voicing animation. I always have thought that is a talent very different from being in front of a camera and not everyone will equate their on-screen performances with their off-screen performances. Tracey Morgan was the highlight, but it was Nicolas Cage who surprised everyone by changing his voice for the mole character ‘Speckles’. The voice was unrecognizable. On a interesting note, at a press conference, Cage spoke about how his kids didn’t know he voiced the character, and the same goes for all his work, because he wants to shield them from his celebrity. Essentially, he implied that his children have no idea he’s a big time Hollywood superstar and will do everything from them ever knowing. Interesting, huh?

The 3-D experience was the best I’ve ever seen, and I’m not just saying that. Kids are so lucky that this film was made for them and not adults. The director Hoyt Yeatman, a visual effects guru, personally told me that he finished rendering the film just last week. Are you kidding me?! Not to get too technical, but the reason for such an onerous task is the attention to detail. According to Yeatman, the rendering took years with several hundred people working on it. If this isn’t a labour of love than I don’t know what is, but it shows and we’re all lucky for it.

Overall, I thought the film was funny, visually pleasing, and the pacing was never dull or incongruent. ‘G-Force’ is made for kids, but parents are going to be pleased applauding right into first place at the box office. Funny enough, I asked Jerry Bruckheimer if there was a sequel in the works and he said, “If we fill the seats with happy customers, we’ll do another one”. That’s not going to be a problem.

Mack Chico

By

2009/07/14 at 12:00am

The Haunting in Connecticut

07.14.2009 | By |

Rating: 1.5

Rated: PG-13 for some intense sequences of terror and disturbing images.
Release Date: 2009-03-27
Starring: Adam Simon, Tim Metcalfe
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.hauntinginconnecticut.com/

 Go to our film page

The Haunting in Connecticut is a tedious and pedestrian film that gives ghost stories a bad name. Director Peter Cornwell‘s film is so bereft of substance that when it comes to generating atmosphere and scares, an inordinate abundance of “frightful” moments are needed to keep viewers attentive. Assessing the film’s capacity for entertainment,  ‘The Haunting in Connecticut’ is a tough task to like.

The film relies on the “based on a true story” crutch, which is a good indication that the movie is in trouble. This story focuses on a family forced to relocate near a clinic where their teenage son was being treated for cancer. The family begins experiencing violent, supernatural events that the parents first blame on stress from the illness, but they later discover that their new home is a former mortuary with a dark past.

Perhaps most vexing is the script’s directives of having the protagonists go back to their separate beds and try to sleep amongst all the specters and spooky occurrences that are happening in their new quarters. Have any of the filmmakers ever heard of rational when it comes to writing these horror movies? Besides that, the ‘mystery’ is void of mystery, flashback sequences are laughable and the special effects for the ectoplasm are sad. Follow that with some over-the-top acting and unintentionally hilarious dialogue and you have yourself a monumental failure.

It’s hard to imagine horror fans will like this. It’s poorly made and badly written. Nevertheless, it does offer some suspenseful moments, but never enough to justify the price of admission. The PG-13 rating assures that nothing overtly gruesome or shocking is shown. Everything is sanitized so younger viewers can gaze upon it without going blind.

Select a Page