The Latest in Latino Entertainment News

SBC Staff

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2012/10/22 at 12:00am

‘Paranormal Activity 4’ spooks at the box office

10.22.2012 | By |

'Paranormal Activity 4' spooks at the box office

Paranormal Activity 4’ premiered at number one with $30.2 million dollars, which for a film that only cost $5 million dollars to create is a high profit. Despite of the figure it is the film in the whole franchise to earn the least, either way Paramount has announced we will have a ‘Paranormal Activity 5’ around this same time next year.

Ben Affleck’s ‘Argo’ held on tight to the second spot with $16.6 million dollars, certainly the buzz its earned has helped it remain here. The film is close to reaching its budget cost, so this sophomore project needs that extra international box office boost.

Surprisingly ‘Hotel Transylvania’ was bumped up one spot to number three earning $13.5 million dollars. Perhaps since we are approaching the end of the month, many decided to be a part of this Halloween party.

The Top 10 in the Box Office are:

1. Paranormal Activity 4 – $30.2 mil

2. Argo – $16.6 mil

3. Hotel Transylvania – $13.5 mil

4. Taken 2 – $13.4 mil

5. Alex Cross – $11.7 mil

6. Sinister – $9 mil

7. Here Comes the Boom – $8.5 mil

8. Pitch Perfect – $7 mil

9. Frankenweenie – $4.4 mil

10. Looper – $4.2 mil

Jack Rico

By

2012/10/19 at 12:00am

Alex Cross (Movie Review)

10.19.2012 | By |

*Updated 2026

In 2026, when every studio wants familiar IP to become a franchise, Alex Cross is a reminder that recognizable material still needs the movie around it to work.

Read More

Jack Rico

By

2012/10/17 at 12:00am

Javier Bardem Skyfall Interview: The First Hispanic Bond Villain

10.17.2012 | By |

*Updated March 2026

The twenty-third James Bond film celebrating its 50 years of existence, Columbia Pictures began their promotional tour in New York City. I sat down with the lead cast, including Spanish actor and Oscar winner Javier Bardem, to discuss the film. Read More

Pau Brunet

By

2012/10/16 at 12:00am

Avatar 3D

10.16.2012 | By |

 

Hace once años, el Titanic de James Cameron zarpó diciendo adiós al gran espectáculo de Hollywood. La epopeya de aquel barco fue como una despedida del cartón y piedra. En unos años, Peter Jackson unió por un momento el cartón de los decorados de antaño con la era digital. Las prótesis se mezclaban con las telas azules. Este universo, ha seguido mezclándose aunque cada vez con menos brillo – Robert Zemeckis ha ido dándose con la misma piedra desde hace seis años-, dejándose seducir más por lo azul que por lo real. Pero once años después de este barco, Cameron da por fin la gran bienvenida a esta era digital y del 3D. Avatar es un avatar del Hollywood de antes con el de ahora. El director le ha dado al cine de los grandes espectáculos pirotécnicos, un traje nuevo, hecho a medida y donde convergen estilos, ideas y nuevas tecnologías, todo ello envuelto en un tono muy cerca de ‘Dances with Wolves‘.

 

Avatar cuenta una historia clásica de un soldado en tierras extrañas y como por accidente termina involucrándose en la vida de los habitantes de ese lugar. Como en Dances with Wolves o The New World (la historia de Pocahontas contada por Terrence Malick), Avatar es un relato sobre las culturas extranjeras y desconocidas por el mundo occidental. Sabiendo esto, Cameron no trata de dar a la historia ningún matiz novedoso –algo que es criticable, y por el que lo criticará más de uno-, sino que centra su atención en el nuevo mundo que descubre su personaje principal. Es en este punto donde la película funciona a toda máquina, la curiosidad del personaje de Sam Worthington es el motor de la historia, y Cameron logra que sintamos lo que siente él. Los hermosos lugares, los matices de los personajes y la lograda ambientación son todo un triunfo en mayúsculas para su director. Lo que no ha logrado Zemeckis en tres películas, Cameron lo logra en una. Por primera vez, la tecnología 3D se justifica para entender todo lo que sucede a nuestro alrededor.

 

En estos dos años de intentos tridimensionales, Avatar es la reina absoluta al lograr imprimir imágenes inolvidables, con texturas impresionantes, y llena el vacío que hay entre la pantalla y los ojos del espectador. Cameron construye un nuevo mundo entero y ese es su acierto, sobrepasando los defectos de un film algo largo y pesado en su primer acto, y falto de originalidad. De estos defectos también destaca una música de James Horner que no acaba entrar en el oído como hacia en Titanic o Legends of the Fall, y la canción final es casi un despropósito artístico. Una pecata minuta que se olvida rápido gracias a la presencia de Sigourney Weaver y todos los guiños a Aliens.

 

A modo personal, Avatar me recuerda a esas películas de antes – y que ahora sólo saben hacer los señores de Pixar – que te invitaban a soñar y entender que Hollywood es la fábrica de sueños.

 

Jack Rico

By

2012/10/16 at 12:00am

Lengua, Cámara y Acción: 16 de octubre

10.16.2012 | By |

Lengua, Cámara y Acción: 16 de octubre

Esta semana en el segmento de noticias de cine, “Lengua, Cámara y Acción” en el Luis Jimenez Show por X96.3FM, Univision Radio, Jack Rico habla sobre: el divorcio de Russell Crowe, la despedida de un empleado de un hotel por hablar de Jennifer Aniston, DeNiro y Stallone boxearan en una película y TED es la comedia #1 de la historia!

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de noticias de cine. El crítico de cine, Jack Rico, estará reportando las más importantes noticias de Hollywood de una manera conversada, entretenida e informativa, junto a la estrella de la radio, Luis Jimenez. De esta forma, usted se puede mantener al tanto de lo que pasa en Hollywood con una sonrisa en cara. Lengua, Camara y Acción será transmitido cada martes a las 9:50AM.

Además, no se pierda de PELICULEANDO, cada viernes a las 9:50am para escuchar las críticas y recomendaciones de los más recientes estrenos cinematográficos y EN ESPAÑOL! Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell Haz cliq al vídeo para escuchar el más reciente segmento radial.

Karen Posada

By

2012/10/15 at 12:00am

NY Comic Con Coverage: ‘Beautiful Creatures’

10.15.2012 | By |

*Updated January 2026

Director Richard LaGravenese, known for The Fisher King and P.S. I Love You, brings the supernatural romance Beautiful Creatures to the screen. Based on the bestselling novel by Kami Garcia and Margaret Stohl, the film launches the Caster Chronicles series. Warner Bros. Pictures distributes this adaptation, which mixes magic with a distinctly human drama. Read More

Karen Posada

By

2012/10/15 at 12:00am

‘Taken 2’ #1 for second week

10.15.2012 | By |

'Taken 2' #1 for second week

Taken 2’ is number one for the second weekend in a row with $22.5 million dollars, definitely inciting the studio for a third installment. Liam Neeson is pure gold and without a doubt recruited many followers not only for himself but for the franchise with ‘Taken’.

Ben Affleck’s political thriller ‘Argo’ premiered at number two with $20.1 million dollars. This movie has earned plenty of great reviews because of its perfect execution, regardless its R rating limits it but then again it’s mainly aimed at adults and Affleck showed his great directing skills once more.

One of the best scary films of this month if not this year ‘Sinister’ took the third spot with $18.2 million dollars. The movie did very well when it premiered Friday, as it was the leader of the box office, but quickly began falling from the top.

The Top 10 Movies in the Box Office are:

1.Taken 2 – $22.5 mil

2. Argo – $20.1 mil

3. Sinister – $18.2 mil

4. Hotel Transylvania – $17.3

5. Here Comes the Boom – $12 mi

6. Pitch Perfect – $9.3 mil

7. Frankenweenie – $7 mil

8. Looper – $6.3 mil

9. Seven Psychopaths – $4.3 mil

10. The Perks of Being a Wallflower – $2.2 mil

Jack Rico

By

2012/10/13 at 12:00am

Sinister (Movie Review)

10.13.2012 | By |

Sinister

With fists clenched from the very creepy first frame of the movie, ‘Sinister’ delivers a frightening and horrific cinematic experience that will leave you shaken to the core. It’s a demented movie with a truly deranged killer at its nucleus. To say it’s disturbing or perturbing is right along with what director Scott Derrickson wants you to feel and boy does he achieve it. There are the obvious dumb decision-making by our lead character Ethan Hawke, but between the eery music, the cold and dark cinematography, and the well directed suspenseful pace, Sinister is the best horror movie of 2012. 

 

An original story, the fictitious plot takes place ten years ago, when true crime writer Ellison Oswald (Ethan Hawke) made his reputation with a best-selling account of a notorious murder. Now, desperate to replicate the critical and financial success of his first book, he moves his loyal wife (Juliet Rylance), over-anxious son (Mark Hall D’Addario) and artistic daughter (Clare Foley) into a home where a suburban family was brutally executed and a child disappeared, hoping to find inspiration in the crime scene. Instead he discovers a mysterious box containing Super 8 footage of the murders—plus several more equally gruesome homicides. As he watches the carnage unfold on film, Ellison realizes he has stumbled onto evidence of a decades-long killing spree. But rather than going to the local authorities, he keeps the movies to himself, hoping to publish another acclaimed book based on the crimes. As Ellison starts to piece together the mind-bending truth about the crimes and the murderer, unseen intruders and inexplicable goings-on disrupt his once peaceful household. Slowly, he begins to realize that his ambition has placed him and his family in the path of an ancient and bloodthirsty adversary who has marked them as his next victims.

 

The reason this movie works compared to missed opportunities like ‘Intruders’ from Juan Carlos Fresnadillo or ‘House at the End of the Street,’ is because it doesn’t live in an inauthentic world. Director Scott Derrickson dropped us in a truly sinister universe that looks genuinely real. The pace is slow allowing us to peel of the layers of horror scene by scene, which only makes our experience more miserable, to the point of exhaustion. The murder sequences Derrickson displays are played out in long, extensive and excruciating fashion. It feels like we are actually watching real murders transpire in real-time (trust me, it isn’t a pleasant way to spend 110 minutes).

 

Ethan Hawke is magnificent in this movie and has been delivering some gripping performances as of late (Daybreakers, Brooklyn’s Finest). His character is obsessed with fame and down right disregards his family altogether. His motivation for success makes you dislike him as much as the chilling murderer. Oddly enough, there is no one to really root for in the film and that in itself gives off a claustrophobic feel. 

 

If you’re expecting funny killings like the ones Freddy Krueger had us laughing at in ‘Nightmare on Elm Street,’ then you’re going to the wrong movie. ‘Sinister’ is for men, not boys. You have to bring your cojones to this one to sustain the endurance of tension-filled suffering. 

Karen Posada

By

2012/10/12 at 12:00am

Here Comes the Boom (Movie Review)

10.12.2012 | By |

Here Comes the Boom

Surprisingly ‘Here Comes the Boom‘ has a solid enough storyline to keep you entertained with laughs and tough fight scenes that will make you cringe. Slapstick humor really is what drives the film, but the combination of that with the fights gives it enough balance to make it fun. There are plenty of typical comedy movie skits and characters we’ve seen in other films, so there are some predictable situations, which doesn’t separate it from the rest. The thing that pushed me to like this movie besides the comedy was the overall message of the need for a community to work together to inspire our youth.

 

Biology high-school teacher, Scott Voss (Kevin James) used to be a good teacher at the beginning of his career but now he’s not the best of teachers as he’s given up on his students and has no desire to change his ways, until he’s inspired to become a mixed martial arts fighter to help with his school’s music budget to save his colleague Marty Streb (Henry Winkler) keep his job.

 

James not only looks physically ready for this role but perseveres inspiring the audience to fight for what they want. Salma Hayek plays a high-school nurse as well as James’ long time crush, she isn’t made up here in like most of her movies, she’s mainly shown with just a hint of make up and although she’s still eye candy she’s the voice of reason in the film as she pushes Scott to be better; these two give a refreshing love story not typical in comedies. Henry Winkler is adorable and is the heart of the movie, since his character portrays everything the movie represents. I have to mention Charice because she also plays a small role in the movie’s inspiring message; this girl has such an amazing voice and in a way represents some of the challenges immigrant children go through. 

There are plenty of scenes in the movie that will make you laugh out loud, in particular Scott’s second fight and although the movie crosses the line at some points, it is all mainly in good fun. The fights get more intense as the film develops, you will feel pain for James’ character. There are also plenty of cheesy moments as well as easy unrealistic solutions. At times it seems to loose focus as it tries to handle too many stories at once, which messes with the flow of the film.

 

This is just a good time at the movies with laughs, moments that will make you say “ouch” and a sprinkle of motivation. Some of the images are a little too violent for younger kids; it is more appropriate for children 13 and up. So grab the popcorn and enjoy a comedy that has some hard to watch fights with a positive message.   

Karen Posada

By

2012/10/11 at 12:00am

Argo (Movie Review)

10.11.2012 | By |

Argo is a thrilling, nail-biting film that keeps viewers fully entertained with its captivating storyline and nearly perfect production. This political thriller captivates the audience by injecting dry humor and mild action while focusing on the task at hand without getting too politically confusing.

Director Ben Affleck did a fantastic job giving the film the exact feel for the time it is set in, the late 70s and early 80s. Everything from the shots to the outfits, cars, colors, and even music come together masterfully. It delivers what I would call one of the best dramas of its year.

A Fake Movie to Save Real Lives

Based on a true story, the film picks up when the Iranian revolution reached its peak. Six Americans escape an attack on the American Embassy in Tehran and take shelter at the home of Ken Taylor (Victor Garber), the Canadian Ambassador. CIA exfiltration specialist Tony Mendez (Ben Affleck) comes up with an audacious plan to get the Americans back home.

With the help and support of Jack O’Donnell (Bryan Cranston), Lester Siegel (Alan Arkin), and John Chambers (John Goodman), he ventures into a mission that made history. The film gives a concise background on the facts without getting too profound or complicated.

It explains it all in a very original way. There are different uses of camera work, from aerial shots to handheld cameras. Although it gets dizzying at points, it makes it all the more believable and real, as the shots look like the original revolt.

This movie succeeds in getting the audience inside the story. Even though it doesn’t try hard at making a connection with the characters, since it only gives vital information, it manages to create a bond regardless.

Mastering the Art of Tension

I can’t recall the last time I was so tense watching a movie. It is so nerve-wracking at times that you easily feel scared for the characters because that’s how engrossing the story gets. Affleck effortlessly portrays the most levelheaded character in the film, controlling every situation without seeming mechanical.

He gives a solid performance even using body language to explain what he’s feeling or thinking. While some critics discuss how Ben Affleck plays a Latino character in real life (Tony Mendez), his performance here is undeniable. I’m happy to say that Cranston finally was given a character worthy of his acting skills.

This is something I’ve only had the opportunity of seeing in his TV show Breaking Bad. Here he’s the actor I’ve come to admire. Arkin and Goodman give us the comedic relief that helps with the tension created by other parts of the film.

It is done in the subtlest way without taking importance from the rest of the movie. Part of this comedy also comes from the film mocking governmental entities as well as even the director himself. The locations, sets, wardrobes, and cars help give the film authenticity, which is another key element to its success.

Hollywood Meets History

There are some scenes that add to the already felt tension of the film which feel a little too fictional or planned. This can take away a bit of the realistic aim of the film. Also, I think it works that we don’t get much of an inside look at the lives of the characters, except for vital pieces.

However, a little more could have been given to add to the connection the audience has with the six Americans in Iran. This movie has the ability to literally keep you at the edge of your seat. It provides some of the most intense, nail-biting scenes I’ve ever experienced in a movie theater.

Scriptwriter Chris Terrio gave such a solid compact story that Affleck was able to create a class-A film. He had help from producers Grant Heslov and George Clooney. You truly feel like a part of the film, so much so that at points you want to elbow some of the characters for their actions.

The film gives an inside look into a story that was classified until 1997. Many people might remember living through it. Having been part of history, some may already know the outcome of the film, but it stands on its own. It is all about the top-secret intense operation it takes us on.

It remains a strong competitor against heavyweights like Les Misérables for historical significance.

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