The Latest in Latino Entertainment News

Namreta Kumar

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2010/06/02 at 12:00am

Raajneeti (Movie Review)

06.2.2010 | By |

Raajneeti

Raajneeti is a lengthy and problematic film. Although it tried to read like a modern Mahabharat, it ends up being a poor man’s version of The Great Indian Novel (by Shashi Tharoor).

 

For starters if you have no interest in politics don’t watch the film for the hype of the star-studded performance. No one truly shines with a solid performance, anyway. For the solid list of character actors the film is predicated on, not one character elicits enough sympathy within the audience. This may be because of the base problem in the script itself: everyone seems to either be playing multiple characters from the Mahabharat or the principal motivations have all been skewed bordering on disbelief.

 

Furthermore without a working knowledge of the Mahabharat it is rather difficult to follow the film. And if you have anything greater than a working knowledge you are sure to be disappointed by the bullet point version of the story. In trying to make a modern retelling Rajneeti lost both the original and the modern. Some of the language will definitely be lost on those who are not Hindi scholars and the rest to those who know little English.

 

Don’t look towards the music to be of any help either. Traditionally Bollywood film length and drama has been broken by the musical song and dance, Rajneeti has one ill placed and rather short rendition. Unfortunately the background score doesn’t win this film any favors either, as it is over dramatic and reclaims the scene for itself.

 

Stripped down to its core the film lacks proper development, however it does make the audience think. If it is true that you learn more from mistakes than success, this film forces everyone who watches it to think about story and character as by products of one another. The best thing about Rajneeti is its literary challenge and that isn’t saying much, considering the other films coming out of India today.

Jack Rico

By

2010/05/28 at 12:00am

George Romero Deconstructs Zombie Films

05.28.2010 | By |

Meeting George A. Romero was among one of my many highlights in this profession. As a fan of the zombie and horror genres, I sat down with the 6’4 man who is arguably the creator of the zombie films. Read More

Karen Posada

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2010/05/27 at 12:00am

Sex and the City 2 (Movie Review)

05.27.2010 | By |

*Updated December 2025

They werent kidding when they said sparkle. Sex and the City 2 was completely extravagant and exaggerated, which is what in a way made it fun. This movie does more justice to the series than the original movie did. Read More

Jack Rico

By

2010/05/27 at 12:00am

A Man’s Perspective on ‘Sex and the City’

05.27.2010 | By |

A Man’s Perspective on 'Sex and the City'

Note: This article is filled with spoilers. It has in mind the person who saw the sequel. 

I had the chance to see the heavily anticipated screening of ‘Sex and the City 2’ a few days before its release in theaters nationwide. Just so you know, I am a fan of the show since its pilot debut on HBO in the summer of 1998 when the characters used to talk to the camera and men were bashing women. Since then, I’ve been hooked and have followed our four voyagers through the ups and downs of their lives – which is why the two SATC movies have crushed my expectations of what could have been – and am nauseating at a possible third installment.

If you remember, the success of the series was rooted in the most truthful deconstruction of us men to date; from how they REALLY felt about us through love, sex and relationships, to the usage of foul language to describe us. It was truly art imitating life. What about all those Romeo tactics we thought we were getting away with? Those too were microscopically analyzed and ravaged. These truths were so dead on about us guys, that it made me, as well as most men, tune in every week to learn more of us from the most poignant source, the only thing that mattered in the world – women. It was obsessively fascinating, it hit a chord that has had its strings pulled out with these uninventive story lines.

The two films in question lack the ‘sparkle’ that made men call each other at night and ask, “dude, is that what they really say when we put our pants back on?” In the original movie, the writer/director Michael Patrick King didn’t forget the testosterone, but he left out the fantasy and fun from it. It was depressing. The four characters were supposed to bitch, moan and vent about us all while using pithy humour, harsh irony and unrelenting wit. Instead he had the ladies inhabit a world we had never seen them in – reality. It was too real for them and us. Enter the repairing sequel – forget about reality, welcome the outrageous and the absurdity. King went the other extreme now. He left out the testosterone and brought in an extra truck load of estrogen, literally, just ask Samantha. By creating this female drenched story, he left us, the true fans of the original Sex and the City television series, out to dry. Don’t kid yourselves ladies, the show was a hit because us men were tuning in like they had solved the mystery behind penile enlargement or something. If they ever do a part three… oh no… for the love of us fans, I beg the producers, don’t do it! Don’t you dare do it! Why? Well, you left us straight men out of it and dedicated it to all things gay. A mix of both would’ve been fine. But to be explicitly frank, the magical and honest writing just isn’t there anymore and our protagonists are starting to finally show their graceful age. Even though they are fit and muscular, part of the fantasy is where they stay in their 30s’ and early 40’s forever. Take for instance Liza Minnelli. Her performance cover of Beyonce’s ‘Single Ladies’ was admirable for 64, but nevertheless a bit sad. At some point, you have to call it quits and be elegant on your way out. We’ll all remember you for the great times, never the bad ones.  As an example of uninspired writing, take Sarah Jessica Parker’s character Carrie Bradshaw. She is once again confused about her life and she’s what…48, closing in on 50 in the show? By this time, she, or anyone for that matter, should have a resounding sense of what they want and what kind of partner they want. It baffles me that the writers are still, after 12 years, making her seem naiveté (going to dinner with Aiden fully knowing what he had in mind), ungrateful (never being thankful with what she has with BIG, the moments of simplicity just aren’t good enough for her), mentally fragile (her need to constantly go out to forget she is aging, and almost ruining everyone else’s trip because her New Yorker review on her latest book “I Do or Do I?” was a flop). Carrie, you need to get your sh*t together. You have a great life, stop complaining for everything. You really are a walking representation of the old cliché – you don’t know what you have until you lose it.

For those of you that just want the characters to live forever, I suggest a reboot with a new crop of bevy beauties casted with Anne Hathaway, Amanda Seyfried, Lindsay Lohan and Isla Fisher. This would make everyone happy and the new younger generation of SATC fans can feel what we all felt when the typed words of ‘Once upon a time…” began this crazy and wonderful ride we call ‘Sex and the City.’

Would love to hear your thoughts. Leave your comments below.

Jack Rico

By

2010/05/25 at 12:00am

The Road

05.25.2010 | By |

Rating: 3.5

Rated: R for some violence, disturbing images and language.
Release Date: 2009-11-25
Starring: Joe Penhall
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.theroad-movie.com/

 Go to our film page

Jack Rico

By

2010/05/25 at 12:00am

Prince of Persia: The Sands of Time (Movie Review)

05.25.2010 | By |

Movies based on videogames are usually not very successful in Hollywood as in the case of Max Payne, Street Fighter and Hitman recently. But ‘Prince of Persia: The Sands of Time‘ is perhaps one of the best in the genre and that’s not necessarily a compliment.

The film starring Jake Gyllenhaal and Gemma Artenton and directed by Mike Newell (Love in the Time of Cholera), follows an adventurous prince who joins a rival princess to stop an evil ruler whose plan to unleash a sandstorm could destroy the world.

Although the film is visually stunning and at times entertaining, the film tends to be very childish and not absorbent enough to retain the interest of adults. However, the infantile humor and cheezy romance is perfect for teenage audiences.

Jack Rico

By

2010/05/25 at 12:00am

Agora (Movie Review)

05.25.2010 | By |

Updated December 2025

New images from Agora, Alejandro Amenábar’s follow-up to The Sea Inside, have revealed the first look at Rachel Weisz as the astronomer Hypatia. These early stills offer a glimpse into the massive scale of the production, which looks to be a significant departure from the director’s more intimate previous works. Read More

Jack Rico

By

2010/05/25 at 12:00am

Jack Rico

By

2010/05/25 at 12:00am

Woody Allen announces cast for ‘Midnight in Paris’

05.25.2010 | By |

Woody Allen announces cast for 'Midnight in Paris'

Woody Allen announced today the full cast for MIDNIGHT IN PARIS, his latest film in pre-production. The film stars, in alphabetical order:  Kathy Bates, Adrien Brody, Carla Bruni, Marion Cotillard, Rachel McAdams, Michael Sheen and Owen Wilson. Co-starring in the film, in alphabetical order, are: Nina Arianda, Kurt Fuller, Tom Hiddleston, Mimi Kennedy, Alison Pill and Corey Stoll. The film shoots this summer in Paris.
 
MIDNIGHT IN PARIS is a romantic comedy that follows a family travelling to the city for business. The party includes a young engaged couple that has their lives transformed throughout the journey. The film celebrates a young man’s great love for Paris, and simultaneously explores the illusion people have that a life different from their own is better.
 
MIDNIGHT IN PARIS is produced by Letty Aronson, Steve Tenenbaum and Jaume Roures. It is part of a three-picture financing deal between Allen’s Gravier Productions and Mediapro, the Spain-based company which also funded Allen’s “Vicky Cristina Barcelona” and the upcoming “You Will Meet a Tall Dark Stranger” to be released domestically by Sony Pictures Classics this fall. Imagina International Sales is handling international sales for MIDNIGHT IN PARIS for most territories.

Jack Rico

By

2010/05/21 at 12:00am

Another ‘Kites’ Film Review

05.21.2010 | By |

*Updated 2026

In 2026, when global cinema moves across borders faster than ever, Kites reads like an earlier attempt to package Bollywood romance for a Hollywood-facing audience.

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