The Latest in Latino Entertainment News

Jack Rico

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2009/11/19 at 12:00am

Broken Embraces (Movie Review)

11.19.2009 | By |

One of Spain’s most talented sons gives cinema a new work titled ‘Broken Embraces’. Pedro Almodóvar reunites with Penélope Cruz to once again give us a visually sensual and beautiful, bold and impressive theater of the mind, but one that regrettably doesn’t break new ground. It is not his best film and thus the reason it wasn’t selected to participate in Spain’s Oscar selections for this upcoming ceremony. It is by no intention a bad film, it simply isn’t overwhelming. Were we asking for too much? Was that the problem? Read More

Jack Rico

By

2009/11/19 at 12:00am

Bad Lieutenant: Port of New Orleans (Movie Review)

11.19.2009 | By |

*Updated 2026

In 2026, when Nicolas Cage’s wildest choices are often reappraised with affection, Bad Lieutenant: Port of Call New Orleans feels even more like its own strange creature.

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SBC Staff

By

2009/11/19 at 12:00am

Mammoth (Movie Review)

11.19.2009 | By |

Mammoth

Unfortunately the movie ‘Mammoth‘ doesn’t match the expectation that the trailer makes us build. The film was all drama and I had hoped to see more than that. It tries too hard to create tension and suspense but at the end nothing happens. It tries to take on too many themes, but doesn’t fully explore anything specific and this is why it fails.

 

This is the first movie in English by the Swedish director Lukas Moodysson, he is full of new ideas that are not found in Hollywood. ‘Mammoth’ focuses on a upper-middle class family that lives in New York City. Leo (Gael García Bernal) creator of a website for video game fanatics, enters a world new to him of travel and more money which he is not used to. Business takes him away from his family to explore Thailand, a third world country where he is all alone and out of place, at this point the movie touches upon the brutal poverty and child abuse found there. His wife Ellen (Michelle Williams) is a doctor and because of the demands her career entitles she doesn’t have much time for her family, with her husband’s absence she realizes that at home she feels like a stranger and bored. Their only daughter Jackie (Sophie Nyweide)  spends most of her time with her nanny, Gloria (Marife Necesito) and although she has no other option she prefers this than spending time with her mother; on the other hand Gloria who is from the Philippines treats Jackie like a daughter but is always thinking about her family in her native land.

 

Despite the fact that the movie is not good enough to welcome Moodysson with open arms, we have to appreciate the fact that he chose a Latin star in Gael García Bernal to be his main character in a movie that opens the door to him to the English speaking world. It’s surprising to see Gael García Bernal playing the role of an American who doesn’t have a trace to the latin world whatsoever. It’s a good thing that Moodysson tries to make the movie universal by filming in different places of the planet, but it’s disappointing that the film doesn’t have much essence.

The movie tries to leave us with the moral that family is more important than anything.

 

The message at the end is confusing though, it goes in a circle that makes us feel as if nothing happened; there’s no resolution or epiphany. It is also hard to feel bad for a family who seem to have everything, although the contrast with Gloria’s family who lives almost in complete poverty in the Philippines is a very interesting touch. I would like to support a director that doesn’t focus on Hollywood and an actor like Gael García Bernal who with his talent will get far, but I don’t think this movie will help much for that.

 

I don’t think it’s worth coming out of the movie theater confused and a little upset because this movie makes a twirl that leaves us dizzy.

Jack Rico

By

2009/11/17 at 12:00am

Star Trek

11.17.2009 | By |

Rating: 3.5

Rated: PG-13 for sci-fi action and violence, and brief sexual content.
Release Date: 2009-05-08
Starring: Roberto Orci, Alex Kurtzman
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.startrekmovie.com/

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2009’s ‘Star Trek’ is a youthful, and very entertaining modern revival of the classic and outdated TV series and movie franchise starring William Shatner and Leonard Nemoy. This new version is an all out action film that manages to balance it with some terrific casting, CGI effects and humor. Very similar to what ‘Iron Man’ as a movie offered. Star Trek has been designed with the lofty goal of keeping current fans, repatriating lapsed ones and, by re-branding the name, opening the Trek universe to millions of new viewers. J.J. Abrams‘ attempt has mostly succeeded.

 

The storyline is essentially the deep exploration of the beginnings of Captain Kirk and Spock. This allows the story to establish the origins of all the classic characters and the circumstances that brought them all together. Within this framework, Kirk and Spock meet and soon become competitive cadets-in-training. With their drastically opposite styles, one driven by passion, the other by rigorous logic, they become defiant adversaries, each going all out to be th4 captain of the U.S.S. Enterprise.

 

Leonard Nimoy (the original Spock) makes a cameo in the role that made him famous, and the connection between “new Trek” and “classic Trek” is created.  Just like Nimoy’s appearance, there are a myriad of subtle homages to the old television series and Patrick Stewart films that the true Trekkies will appreciate. Oddly enough, Shatner was nowhere to be seen.

 

There are some narrative cracks though. Abrams and his screenwriters, longtime Trek fans Roberto Orci and Alex Kurtzman (Transformers, Mission Impossible 3), do their best to keep things engaging despite the tremendous constraints of the “origin” format, but there are times when the material feels rushed. When considering pace, this is most definitely that anti-Star Trek: The Motion Picture. No loving, languid shots here.

Star Trek is clearly an action-oriented motion picture, with an intensity that exceeds even that of The Wrath of Khan. The pace is blistering, and the movie is littered with the eye candy of expertly realized space battles. The special effects are beyond those seen in any of the previous ten Star Trek features. In addition to the battles, there are also chases, fight scenes, and all the other staples one expects from an action movie.

The casting could not have been better Chris Pine (Kirk) and Zachary Quinto (Spock) truly embody the essence of the priginal characters. The dominican actress Zoe Saldaña plays Uhura, but with a new sexiness absent from the previous versions.

Ultimately, when the end credits roll, we’re left with the sense that Star Trek represents a good beginning. As a film tasked with getting all the characters together, re-booting a timeline, and finding a way to return a veteran actor to his beloved role, Star Trek works. There is some awkwardness here – it feels like the “hybrid” it is (or, as it has been called, “Not Your Father’s Star Trek”) but, considering how ponderous and stilted the Star Trek movie series had become, perhaps that’s not a bad thing. Still, as with any prequel/re-start, the real test will arrive with the next movie (purportedly in two years – assuming this one does not flop at the box office). The setup is complete; now it’s time to see whether the implied potential of this first entry into a new series can be realized in its sequel.

Jack Rico

By

2009/11/16 at 12:00am

Jack Rico

By

2009/11/12 at 12:00am

The Messenger (Movie Review)

11.12.2009 | By |

The Messenger

The first 20 minutes of ‘The Messenger’ should remind you of the power movies can have on anyone. It is very well acted, but a tough movie to watch. This film is not for most people, but if you can stomach it, it is worth the watch and money to see. It’s not every day war movies are released and less so when they have to do with such a gut-twisting premise as this.

In his first leading role, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army’s Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to whom he has just delivered the news of her husband’s death, Will’s emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.

Let me tell you why the film is good and worth the watch. The Messenger will jolt you emotionally, close to the way Precious does. It’s emotionally raw with situations that feel very real and unsettling. It’s brutal. You say “why do I want to see that?â€, but it’s like watching a car wreck on the highway – you slow down to see the post carnage. It’s the macabre part in all of us. Once the story reels you in, the film hits you with excellent acting from Foster and Harrelson. They own the screen and you are absorbed by their lives, problems and thoughts. Just when you can’t take enough drama, Harrelson breaks the tension with off the cuff humor which reminds you that this is just a movie. However, the pacing is off and it feels choppy at times. It goes off into tangents sometimes the way a conversation with a friend might. You can reel him back in, but you can’t do that to a movie. Part of those tangents that didn’t work were the bizarre romantic scenes with Morton and Foster which just didn’t match the level and intensity of the rest of the film, then a wedding crash by the protagonists which seemed out of place.

Credit goes to first time Israeli director Oren Moverman and Italian co-writer Alessandro Camon for creating a script that effectively captures the tribulations of post war trauma and the complex scenarios they harbor within them.

You won’t find many films that shake you ardently the way this does. Even with some of its flaws, it was a satisfying piece of work that you can for sure be pleased with.

Alex Florez

By

2009/11/11 at 12:00am

Fantastic Mr. Fox (Movie Review)

11.11.2009 | By |

*Updated December 2025

As daring as it might seem for director Wes Anderson (Rushmore, The Royal Tenenbaums) to switch gears and take a crack at an animated film for the first time, adapting a best-selling children’s book from a legendary author is arguably the bigger gamble. Or so you would think. With Fantastic Mr. Fox, Anderson proves he is up to the challenge. Read More

Terry Kim

By

2009/11/09 at 12:00am

Pirate Radio (Movie Review)

11.9.2009 | By |

If you are a fan of the 60s, and especially of 60s pop and rock music, then Pirate Radio is a must-see. There are more than fifty songs on the soundtrack, boasting familiar tunes by The Kinks, The Rolling Stones, and The Beach Boys, to name a few. Read More

Karen Posada

By

2009/11/09 at 12:00am

2012 (Movie Review)

11.9.2009 | By |

2012

If you’ve seen the movie “The Day After Tomorrow” by the same director Roland Emmerich then you’ve seen most of “2012”. It is definitely what one expects after seeing the preview, a movie that has a lot of entertainment value because it is action packed, there is not much more to take from it.
 
Emmerich seems to be stuck in the same genre with the last couple of movies he’s made, movies about the apocalyptic end of the world, this one just adds to that agenda. Not only do they develop a similar plot but the characters also seem to be the same just played by different actors. The movie which lasts 2hrs and 35minutes has a slow beginning and then slowly builds up to the earth cracking and the world sinking in, to comply with a myth from the Mayan calendar about the end of the world. Putting the Mayan calendar into play gives it a good backbone but it is barely discussed in the film, giving a little more thought into it would have made the film less surreal and the ending less utopical and carefree.

 

Our hero John Cusack (Jackson Curtis) was perfect for the role; he delivers every time and seems to be in control despite of the world falling around him. He is in charge of saving his family and what remains of the human race. Jackson is part of the broken family on which the film mainly focuses on; despite of the length of the film there’s not a real connection between these main characters. Amanda Peet (Kate Curtis) fails to convince me of her role as a caring mother. Chiwetel Ejiofor (Adrian Helmsley) who plays the all knowing scientist is pretty believable and takes on the role of leader with ease.
 
Emmerich wanted to make a film to entertain the audience and it does. The movie doesn’t drag but the fact that the world is ending and these few people are smarter than anyone else and are able to surpass a lot of the obstacles, made the film to me ridiculous to the point that I was laughing on scenes that I’m pretty sure I wasn’t supposed to. If you still want to see the movie it might be best to watch it in the movie theater to appreciate the special effects, otherwise save yourself the money and rent any of Emmerich’s latest films.

SBC Staff

By

2009/11/06 at 12:00am

A Christmas Carol (Movie Review)

11.6.2009 | By |

Every Christmas season we get hit with a multitude of holiday cheer films and every so often that film happens to be a new rendition of A Christmas Carol, so why is this one a cut above the rest? It’s not just because it’s in 3D this time, or because of Jim Carrey’s score of excellent performances, or just because of the cinematography, but because of the wonderment that everyone feels when they leave. Read More

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