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The Haunting in Connecticut

Rated: PG-13 for some intense sequences of terror and disturbing images.
Release Date: 2009-03-27
Starring: Adam Simon, Tim Metcalfe
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.hauntinginconnecticut.com/

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The Haunting in Connecticut is a tedious and pedestrian film that gives ghost stories a bad name. Director Peter Cornwell‘s film is so bereft of substance that when it comes to generating atmosphere and scares, an inordinate abundance of “frightful” moments are needed to keep viewers attentive. Assessing the film’s capacity for entertainment,  ‘The Haunting in Connecticut’ is a tough task to like.

The film relies on the “based on a true story” crutch, which is a good indication that the movie is in trouble. This story focuses on a family forced to relocate near a clinic where their teenage son was being treated for cancer. The family begins experiencing violent, supernatural events that the parents first blame on stress from the illness, but they later discover that their new home is a former mortuary with a dark past.

Perhaps most vexing is the script’s directives of having the protagonists go back to their separate beds and try to sleep amongst all the specters and spooky occurrences that are happening in their new quarters. Have any of the filmmakers ever heard of rational when it comes to writing these horror movies? Besides that, the ‘mystery’ is void of mystery, flashback sequences are laughable and the special effects for the ectoplasm are sad. Follow that with some over-the-top acting and unintentionally hilarious dialogue and you have yourself a monumental failure.

It’s hard to imagine horror fans will like this. It’s poorly made and badly written. Nevertheless, it does offer some suspenseful moments, but never enough to justify the price of admission. The PG-13 rating assures that nothing overtly gruesome or shocking is shown. Everything is sanitized so younger viewers can gaze upon it without going blind.

Victoria Beckham in ‘Sex and the City’ Sequel?

Victoria Beckham is a pro when it comes to posing in front of the cameras.

But doing anything other than placing her hand on her ever-shrinking hip and pouting her lips may be problem.

This may be the reason why the pin-thin fashion plate is reportedly taking acting lessons in hopes of landing a cameo role in the “Sex and the City” sequel, the Daily Mail reports.

Due to her busy rehearsal schedule for the ‘Spice Girls’ reunion tour in 2007, Posh turned down a walk-on role in the first fashion-obsessed film.

However, producers are reportedly eager to cast the 35-year-old fashionista alongside the film’s four main females in the next movie.

“She really wanted to be in the last movie but wasn’t able to take part because of her commitments with the Spice Girls,” a source said. “This time she’s keen to take part.”

Posh first dabbled with acting in the 1997 flick “Spice World” and again on the small screen in a 2007 episode of “Ugly Betty.”

Given that her only experience thus far has been playing herself, Posh may need to brush up on her acting skills before sharing the big screen with the likes of Sarah Jessica Parker and Kim Cattrall.

‘Bruno’ astonishingly is #1 at the box office

“Bruno,” British satirist Sacha Baron Cohen‘s latest subversive outing, narrowly claimed the No. 1 spot at the weekend box office in North America, according to studio estimates issued on Sunday.

The “mockumentary,” in which Baron Cohen plays a gay Austrian fashion model seeking fame in the United States, sold $30.4 million worth of tickets during the three days beginning July 10, distributor Universal Pictures said.

But the film lost 39 percent of its audience from Friday to Saturday, a hefty drop given that movies usually see an uptick in that period.

Rival studios pounced on the slide, forecasting “Bruno” would have a short run in theaters. But Universal distribution president Nikki Rocco said such a dip “was not unusual in summer.”

“Ice Age: Dawn of the Dinosaurs” held steady at No. 2 with $28.5 million, taking the 12-day haul for 20th Century Fox’s prehistoric cartoon to $120.6 million. The film was the top draw internationally over the weekend, with $98 million from 102 markets. Its total foreign haul stands at $327 million.

Last weekend’s North American champion, “Transformers: Revenge of the Fallen,” slipped to No. 3 with $24.2 million. After 19 days, Paramount Pictures’ robot sequel has earned $339.2 million in North America, easily the biggest movie of the year. Its international haul rose to $364.5 million.

The one other new entry was Fox’s teen romantic comedy “I Love You, Beth Cooper,” starring Hayden Panettiere in the title role. It came in at No. 7 with $5 million, in line with the studio’s modest expectations.

The opening for “Bruno” was also in line with the forecasts of Universal Pictures, a General Electric Co (GE.N) unit, which paid independent producer Media Rights Capital $42.5 million for distribution rights in North America and eight foreign territories. Media Rights declined to disclose the budget.

Baron Cohen’s previous release, the similarly outrageous “Borat,” opened with $26.5 million in November 2006. But that was from about 800 theaters, while “Bruno” played in 2,756 theaters. “Borat” ended up with $128.5 million in North America and an additional $133 million internationally.

Universal said “Bruno” earned $20 million from the eight international markets, led by No. 1 bows in Britain ($8.1 million) and Australia ($6.1 million).

“Bruno” faced a similar storm of controversy as “Borat.”

In the new film, Baron Cohen’s character sashays across the American landscape, piling on the homosexual activity for unsuspecting co-stars and a squeamish audience. Critics mostly liked the movie, while gay-rights groups were mixed in their reactions.

Both films were directed by Larry Charles, a former writer/producer on “Seinfeld.”

Exit data provided by Universal indicated that men made up 56 percent of the “Bruno” audience in North America, in line with the turnout for “Borat.”

But this time, 54 percent of moviegoers were aged 25 and older, while 53 percent of the “Borat” crowd was aged under 25. Both films were rated “R” in the United States, requiring moviegoers under 17 to be accompanied by an adult.

Universal’s Rocco said the film would be “very profitable” for the studio, which picked up the rights before “Borat” was released.

I Love You, Beth Cooper

Rated: PG-13 for crude and sexual content, language, some teen drinking and drug references, and brief violence.
Release Date: 2009-07-10
Starring: Larry Doyle
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.iloveyoubethcoopermovie.com/

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I Love You, Beth Cooper is a film that blends the satirical and the serious, although the former lacks the edge to give it bite and the latter is only occasionally applied with conviction. The result feels at odds with itself and never fully satisfies. There’s a sense that a much better movie is trying to get out but it never attains escape velocity.

 

It’s graduation day for the seniors of Buffalo Grove High, and valedictorian Denis Cooverman (Paul Rust) is about to deliver an unusual address. In it, he professes unrequited love for the school’s head cheerleader, Beth Cooper (Hayden Panettiere). This delights Denis’ best friend, Rich (Jack T. Carpenter), who is the instigator of Denis’ confession. Beth is conflicted – despite being embarrassed, she finds the whole thing “so sweet.” Her thuggish, drugged-out boyfriend, Kevin (Shawn Roberts), decides that ending Denis’ life might be the best way to resolve an unpleasant situation. Events conspire to group Denis, Beth, Rich, and Beth’s two best friends, Cammy (Lauren London) and Treece (Lauren Storm), together for the night. Their misadventures include avoiding Kevin when he launches an attack on Denis’ house, breaking into the school for some fun in the showers, turning up at the most popular party of the evening, and spending time in a cabin in the woods. Out for blood, Kevin is always in hot pursuit, and both Beth and Denis discover things about their feelings for one another they weren’t expecting.

 

The intended raunchy content has been watered down for PG-13 consumption. There is nudity, but it’s of the peek-a-boo variety. Director Chris Columbus, a graduate of the John Hughes school of filmmaking (perhaps best known for handling the first two Harry Potter movies), avoids anything deeply scathing or controversial. Although I Love You, Beth Cooper doesn’t quite fit neatly into the teenage romantic comedy mold, it comes close, with titles like Risky Business and The Girl Next Door being appropriate antecedents. (The Tom Cruise movie is even mentioned explicitly.) 

 

Hayden Panettiere is best-known for her role in the TV series Heroes, although her acting career stretches back much farther. She shows impressive range here, essentially having to play three versions of Beth Cooper: the image that attracts the eyes and stirs the hormones of all the boys in school (including Denis); the scary, reckless one who pushes boundaries and buttons; and the “real” girl behind all the curtains. Panettiere integrates the three into one, which is a more adept task than one might imagine. The performance is better than the movie deserves.

 

There’s a sense that I Love You, Beth Cooper has been smoothed out and dumbed down to reach the broadest audience. (Not having read the novel by Larry Doyle, who also penned the screenplay, I can’t say for sure.) As good as some of the bonding material is, that’s how unfortunate many of the so-called comedic and generic story elements are. I Love You, Beth Cooper is schizophrenic – two very different movies uneasily occupying the same space and time. One of them has promise; the other is annoying and off-putting. The filmmakers lacked the courage and conviction to tell an honest, character-based story and resorted to something that has been massaged into a more comfortable, easily consumable cinematic morsel. Too bad the inevitable result of ingesting this is heartburn.