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Karen Posada

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2012/08/13 at 12:00am

ParaNorman (Movie Review)

08.13.2012 | By |

ParaNorman

Laika studio’s ‘ParaNorman’ is a quirky stop-motion animated family film that like ‘Coraline’ from the same studio is a beautifully shot movie surrounded by the subject of death and zombies. The movie ‘s greatest assets are its clarity, color and real look to it, especially in 3D; this is stop-motion at its best. What the movie lacked most was comedy, it does have some but it needed a bigger dose of it seeing how much it talks about death, bullying and being an outcast; a family film with these dominant subjects needs much more comedic release. The storyline gets too convoluted and dark to the point where it can get almost boring, especially for little kids but an older audience can definitely appreciate it more.

 

Norman Babcock (Kodi-Smit-McPhee) is a misunderstood 11 year-old that has the ability to communicate with the dead; this makes him an outcast in school as well as in his own home. Neil (Tucker Albrizzi) a chubby kid who knows all-too-well the feeling of being bullied and different, follows Norman around and looks up to him. His estranged uncle Mr. Prenderghast (John Goodman) informs Norman about a curse Blithe Hallow, his town, is under and he’s the only one that can stop it. Without planning it Norman ends up with a group of “ghost busters” his friend Neil, his sister Courtney (Anna Kendrick), Neil’s brother Mitch (Casey Affleck) and the school’s bully Alvin (Christopher Mintz-Plasse).    

 

Details are the key to this movie, which are carried out masterfully and the cartoonish way in which some of the characters were crafted add a playful angle to it. Norman is a strong character and the fact that it’s a real kid voicing him, makes him the more convincing and real. Neil is a great sidekick and is the one that gives us the most comedic moments, which could have been exploited even more. The movie has a moment where it almost becomes like an episode out of ‘Scooby Doo’, where the kids are escaping zombies in their van, giving the movie familiar elements to the grown ups watching it and introducing a new generation to them. The message the film has against bullying is powerful, it also teaches children to believe in themselves and their capabilities giving the story depth.

 

I don’t understand the reason why directors like Chris Butler, Henry Selick and Tim Burton like making family films about zombies, vampires and death; these are bizarre subjects to present children with. Although this one paints a pretty picture with Norman’s grandma (Elaine Stritch), it becomes too sinister and dark when we encounter the witch behind the town’s curse, Aggie (Jodelle Ferland). The film tries to come back to an uplifting note after the second part, teaching that vengeance is not the way to go. The problem is that it goes to such a dark place that it’s hard to forget where it took you, something that comedy could have helped and this might scare younger children.

 

The action scenes in the movie are fun and look very real; this can be credited to the animators as well as the camera work. I recommend this film for older kids, perhaps 8 or 10 and up, as the main plot of the movie can easily give nightmares and scare little ones. I appreciate the attention to detail and craftsmanship of this film, as these are the main things that will keep you watching. I wish the storyline were a little more lighthearted so that it could be more entertaining and not as serious. However, this quirky, funky, spooky film is unique in its own way and teaches some valuable lessons about understanding others and believing in yourself, qualities that make it worth watching.

Karen Posada

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2012/08/13 at 12:00am

‘The Bourne Legacy’ opens at #1!

08.13.2012 | By |

'The Bourne Legacy' opens at #1!

The Bourne Legacy’ successfully premieres at number one, beating out Batman’s streak with $40.3 million dollars. Universal certainly did everything right to keep the Bourne franchise alive, with the results of this one we can be sure to receive many more films about the spies looking for their identities.

Will Ferrell and Zach Galifianakis’ comedy ‘The Campaign’ took over the second spot with $27.4 million dollars. Perhaps many people wanted to get a comedic relief from all the presidential campaigning happening at the moment and these two comedy geniuses sure delivered. 

The Dark Knight Rises’ takes a hard fall to number three with $19.5 million dollars, rounding out to $390 million dollars. The drop is sudden and surprising but the film remained at number one for three straight weeks like ‘The Avengers’ did, despite of it not earning as much as that one.

The Top 10 Movies in the Box Office are:

1. The Bourne Legacy – $40.3 mil

2. The Campaign – $27.4 mil

3. The Dark Knight Rises – $19.5 mil

4. Hope Springs – $15.6 mil

5. Diary of a Wimpy Kid: Dog Days – $8.2 mil

6. Total Recall – $8.1 mil

7. Ice Age: Continental Drift – $6.8 mil

8. Ted – $3.3 mil

9. Step Up Revolution – $2.9 mil

10. The Amazing Spider-Man – $2.2 mil

Karen Posada

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2012/08/11 at 12:00am

Dr. Seuss’ The Lorax

08.11.2012 | By |

I watched ‘Dr. Seuss’ The Lorax’ in a movie theater full of kids ranging from 3-10 years of age, which gave me the perfect audience with a mix of adults to get the right movie experience for this film. This movie exudes cuteness and the right amount of singing, the bits of comedy it has just made me smile and a couple of children laugh. There was no crying or chattering in the audience, which tells me the film’s 94 minutes are the perfect amount of entertainment for its target audience. The brilliant colors and clever shapes and storyline were even more fantastic in IMAX 3D, although ‘Horton Hears a Who’ achieved the same visual greatness without IMAX 3D.

 

The film begins by explaining in singing our setting, Thneedville, which is a city, made of plastic entirely, there’s no nature; trees are made in a factory and the most powerful man in town and the villain, Mr. O’Hare (Rob Riggle) made his millions by selling air. A 12 year old boy, Ted (Zac Efron) who is in love with a high schooler, Audrey (Taylor Swift) who dreams of seeing a real tree; decides to go on a quest to win the girl’s affection by getting her what she wants. He travels outside of the “capsule” that is his city to the contaminated world beyond in search of The Once-ler (Ed Helms) who according to his grandma Norma (Betty White) is the only person that can lead him to the free oxygen producing trees.

 

Here is when we being to discover the story of The Lorax (Danny DeVito) who speaks for the trees and cares for nature. What Ted finds in his journey not only changes his life but that of the whole town and the main message of the movie comes across, that each and single one of us makes a difference and we all need to care for our planet.

 

DeVito’s voice is perfect with that of the furry chubby Lorax, he’s a like a wise joke cracking grandpa that teaches just in the right tone. Efron is laid back and curious just the right amount to depict a 12 year old. White is the best character, the crazy grandma that is always covering for her grandchildren. Every voice created the characters depicted on the screen and together created a very pleasant movie to watch.

 

The environmentalist message of the film and the dangers of industrialism are very clear; that it takes one person to care so that we can come together as a whole to save the planet and the beauty it offers. I personally didn’t care for the “love story” in the film, but it was easy to over look it, with all the other more important stuff happening, even if it was what pushed the storyline. A children’s movie that has such an inspiring and important message with enough entertainment and color is a nice treat to both parents and children to see.

Karen Posada

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2012/08/06 at 12:00am

‘The Dark Knight Rises’ Still on Top

08.6.2012 | By |

'The Dark Knight Rises' Still on Top

The Dark Knight Rises’ is still king of the box office at number 1 with $36.4 million dollars, with a domestic total of $354.6 million dollars and a grand total of $733 million dollars worldwide. It’s doubtful that it will reach ‘The Dark Knight’ total neither domestically nor worldwide, which were $533.3 million dollars and $1.002 billion dollars respectably.

Len Wiseman’s remake of ‘Total Recall’ premiered at number two with $26 million dollars far from the amount it took to make which was around $140 million dollars, making it a big flop. This isn’t surprising since the main star Colin Farrell has been part of box office failures for most of his career; this one adds one more to his list.

Diary of a Wimpy Kid: Dog Days’ the third one of the ‘Wimpy Kid’ series opened at number 3 with $14.7 million dollars, the lowest debut for the film franchise. Since Fox spent only $22 million dollars on it, this won’t affect the studio much.

The Top 10 in the Box Office are:

1. The Dark Knight Rises – $36.4 mil

2. Total Recall – $26 mil

3. Diary of a Wimpy Kid: Dog Days – $14.7 mil

4. Ice Age: Continental Drift – $8.4 mil

5. The Watch – $6.4 mil

6. Ted – $5.5 mil

7. Step Up Revolution – $5.3 mil

8. The Amazing Spider-Man – $4.3 mil

9. Brave – $2.9 mil

10. Magic Mike – $1.4 mil    

Karen Posada

By

2012/08/03 at 12:00am

Total Recall (Movie Review)

08.3.2012 | By |

Total Recall

The remake of the 1990 film ‘Total Recall’ is not such a fun summer film, although it does have amazing special effects and action scenes, the dialogue and some of the twists ruin what could have been quite an interesting film. Granted no one is going to watch this movie for the dialogue but it uses guns, technology and fighting sequences to cover what it lacks to be a more entertaining, which it could have easily achieved given the storyline but clearly the new scriptwriter should have worked harder. The original movie was a smashing success, hence the reason why a remake was done; those that loved the original may not be happy with some the changes but will surely enjoy the CGI it uses. Will this one be as successful as the original? I highly doubt it, especially seeing that the main star Colin Farrell is not one to lead a blockbuster film, but that’s beside the point.

 

In the future most of the earth is inhabitable except for what is known as the United Federation of Britain where it seems that most of the rich people live and jobs are available and the Colony, where most of the poor people live. Douglas Quaid (Colin Farrell) is a factory worker who travels daily from The Colony to the UFB, despite of having a caring wife; Lori (Kate Beckinsale), his monotonous life makes him unhappy. When he hears about a lounge called “Rekall†a place where he can escape his frustration by implanting memories of a life he wishes he led, he decides to give it a try. Unfortunately, his escape becomes a nightmare when his fantasy of being a spy seems to become a reality and the police persecute him.

 

There are a lot of intriguing conversations in the film about what reality is and how illusions work, but it is just inserted in between dialogues that have no depth which is unfortunate as this could have taken the film to a higher level. There’s also a similarity to the world we live in as there’s talks of revolution, oppression, wanting more, terrorism and a government that seems unstoppable; again all interesting but just thrown about and not exploited to its maximum.

 

The technology and special effects are amazing, that can’t be denied; from flying cars, a roller coaster like metro called “The Fallâ€, high-tech cellphones, to a city built in layers and robot like police officers. The movie has a ‘Matrix’ like feel to it theory wise as well as the look of it in some scenes, which is a bit unsettling but understanding knowing its origins and its more modern audience. While it stays true to the original it certainly isn’t an exact copy of it, except for some of the twists and main plot.   

 

It has a slow beginning and there are pauses in between scenes that seem to be too long without reason and scenes that ridicule the film such as a shoot out brought on by “jelousy” and others where the girls seem to be asked to pucker their lips and flip their hair at the camera. Many of the moments of suspense are laughable and pass quickly.

 

Although Farrell carries himself well, specially in the action scenes and in no way tries to be like Arnold Schwarzenegger in the original; his alter ego is a much more interesting character than the one he plays throughout the movie and he’s easily maneuvered in a way that makes him seem almost like a secondary character. Beckinsale sure kicks butt and she plays her die-hard role perfectly, the only thing that takes away from her performance is the one-liners she delivers. Jessica Biel plays Melina, although her name isn’t mentioned; she’s another one that is perfect for action films but there’s not much we are told about her character so it is a bit tough for the audience to connect with her. Finally, Bryan Cranston as an evil politician would have been perfect except for the script he was handed, Cranston seems to play the same character in most of the latest movies he’s in which doesn’t show the true acting skills he possess.

 

This movie didn’t take advantage of what it had: the potential of a good interesting solid storyline based on the original, stunning special effects, engaging action scenes and actors that could have done much more with their roles. You can appreciate the special effects this film shows from the comfort of your home, without missing out on much. But, If you want to see a movie that has a spy who doesn’t know his identity, I say wait one more week for ‘The Bourne Legacy’ which although it probably won’t deliver the special effects this one does it sure will give a more solid storyline that doesn’t get lost in weak dialogue and corny one-liners.         

Karen Posada

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2012/08/02 at 12:00am

Diary of a Wimpy Kid: Dog Days (Movie Review)

08.2.2012 | By |

Diary of a Wimpy Kid: Dog Days

Diary of a Wimpy Kid: Dog Days’ is not very different from the last two films of the series; it is simply yet another chapter full of mishaps and quirky moments. One thing that is nice about these films for pre-adolescent kids is being able to follow the same set of characters throughout different stages of their lives. These are the kind of movies you can let your kids watch from home, as going to the theater might bore adults with the story, since there is not much intellect that drives it.

 

This movie combines two books from the wimpy kid series The Last Straw and Dog Days; here Greg (Zachary Gordon) is ready for summer but not being the outdoorsy type he plans on spending it playing videogames with the curtains drawn. His plans change as his dad Frank (Steve Zahn) tries to get him to enjoy the summer by playing sports and joining a camp. Thanks to his friend Rowley (Robert Capron) he’s able to escape from his dad by joining him in a country club, where he bumps into his crush Holly (Peyton List) and his summer plans quickly begin to change.

 

The thing I disliked most about the film is how much Greg prefers videogames to being outdoors, and while this is an attitude most kids unfortunately undertake nowadays, it almost seems like the movie is promoting it. I don’t have much of a problem with Greg’s dependency but more so with his actions, and although this might be realistic I think it might teach bad habits. The simple plot will easily bore adults; it is mainly aimed at its younger audience who will probably enjoy it from either following the books or the movie series.   

 

One important thing it teaches is how much interaction and bonding between the parents and children are needed no matter how it’s done, since it helps to create a more understanding relationship. Another important thing is how it shows that even when things don’t go as expected the world isn’t over and there’s always a way to see things positively and to have fun.

 

I think director David Bowers has made it so that anyone can easily watch the film whether or not you’ve followed the books or movies, as you can easily get the characters and the familiarity that surrounds the film. These movies can easily work as a TV series and hence the reason why I think it best to watch it from home, since it doesn’t offer anything out of the ordinary to force you to spend the extra money at the movie theater.

Karen Posada

By

2012/07/30 at 12:00am

‘The Dark Knight Rises’ is #1

07.30.2012 | By |

'The Dark Knight Rises' is #1

The Dark Knight Rises’ continues at number one with $64.1 million dollars, this is below the expectations and is less than ‘The Dark Knight’ had earned at the same point. Unfortunately, because of the current events in Colorado and with the London Olympics 2012 it’s had a rough time and about a 60 percent drop since its opening day.

Ice Age: Continental Drift’ remains at number two with $13.3 million dollars, giving it the lowest domestic total of any of the ‘Ice Age’ films of $114.8 million dollars. This is not to say that Fox is unsatisfied as surely this one will stay in the top 10 for a while longer.

Fox’s comedy ‘The Watch’ premiered at number three with $13 million dollars, the poorly scripted film had very few interested. The set backs the film had in pre-production with changing the original title of ‘Neighborhood Watch’, as well as its advertising technique had nothing to do with the sum it earned, as critics have agreed it’s not worth watching.

The Top 10 in the Box Office are:

1. The Dark Knight Rises – $64.1 mil

2. Ice Age: Continental Drift – $13.3 mil

3. The Watch – $13 mil

4. Step Up Revolution – $11.8 mil

5. Ted – $7.4 mil

6. The Amazing Spider-Man – $6.8 mil

7. Brave – $4.2 mil

8. Magic Mike – $2.6 mil

9. Savages – $1.8 mil

10. Moonrise Kingdom – $1.4 mil 

Karen Posada

By

2012/07/25 at 12:00am

Jerry Seinfeld is back after 14 years

07.25.2012 | By |

Jerry Seinfeld is back after 14 years

14 years after Jerry Seinfeld’s last show, he’s ready to do his famous signature stand-up presentation well known to the City of New York. He will perform five presentations in each New York City borough, for five straight Thursday nights this fall.

Seinfeld, was born and bred in New York, he began his career as a comedian in the city in the 1970s, besides doing some presentations for benefits or short sets for special occasions in local comedy clubs, he hasn’t done a full length presentation in a theater in NYC since his sold-out Broadway show, ‘I’m Telling You For the Last Time’, in the Broadhurst theater in 1998, a little after his hit TV show Seinfeld finished.

” I was born in Brooklyn, went to school in Queens and started out as a comedian in Manhattan. I feel like New York City taught me how to be funny. I’m so excited to perform a special series of shows for my beloved home town,” said Seinfeld.

Seinfeld’s presentations will be done Thursday nights, just like his famous TV show Seindfled was on- he will have a Colin Quinn, as a special guest. Seinfeld directed his hit Broadway show ‘Colin Quinn: Long Story Short’ in the Helen Hayes theater in 2010-11.

Tickets for the five-borough show will go on sale for the general public Monday July 30th at 10am. All presentations begin at 8pm.

PLAYING SCHEDULE:

Manhattan

Thursday, October 4, 2012 at 8pm

The Beacon Theatre located at 2124 Broadway

Tickets are available online at www.BeaconTheatre.com or by calling 866-858-0008

 

Bronx

Thursday, October 11, 2012 at 8pm

Lehman Concert Hall located at 250 Bedford Park Boulevard West

Tickets are available online at www.LehmanCenter.org or by calling 718-960-8833

 

Queens (Flushing)

Thursday, October 18, 2012 at 8pm

The Colden Auditorium at Queens College located at 65-30 Kissena Blvd.

Tickets are available online at www.KupferbergCenter.org or by calling 718-793-8080

 

Staten Island

Thursday, November 1, 2012 at 8pm

The St. George Theatre located at 35 Hyatt Street

Tickets are available online at www.TicketMaster.com or by calling 718-442-2900

 

Brooklyn

Thursday, November 8, 2012 at 8pm

The Walt Whitman Theatre at Brooklyn College located at 2900 Campus Road

Tickets are available online at www.BrooklynCenter.com or by calling 718-951-4500

Karen Posada

By

2012/07/25 at 12:00am

Step Up Revolution (Movie Review)

07.25.2012 | By |

Step Up Revolution

If you’ve seen any of the movies from the ‘Step Up’ series then you know exactly what to expect from ‘Step Up Revolution’. The only thing this movie offers is entertainment in the form of dance; don’t except any deep dialogue, gripping twists, or great acting. I saw the 3D format of the film and besides some splashing water, sparks and people popping out of the screening here and there there’s no reason to invest in it. This movie follows the exact same footsteps as its predecessors, so if you are up for watching some amazing dance moves and nothing more, then you can enjoy this movie for what it is.

 

Emily (Kathryn McCormick) wants to join a dance academy and become a professional dancer. She happens to meet Sean (Ryan Guzman) who works as a waiter in a luxurious Miami hotel and spends his free-time pulling flash mobs with his underground dance crew called “the mob”. Dance is their connection and when Emily’s father, Mr. Anderson (Peter Gallagher) business mogul, wants to destroy The Mob’s historic neighborhood to build a luxury complex; they realize they must turn their performance art into protest art.

 

The movie of course tries to use its overly predictable dramatic moments as much as possible, especially when it comes to the love story. The biggest twist in the film has no real effect as it is known all along. Although this film has a Latin mix to it there’s only one salsa sequence, which was disappointing, this is certainly something it could have exploited more. The worst part about the storyline is the mixed message it sends at the end, where “revolution” is merely a word that can be wiped off easily.

 

Guzman who has a Mexican background, is a heartthrob and may be even better looking than Channing Tatum; he certainly has jaw-dropping moves and the other star McCormick of course doesn’t stay behind; their dancing is the highlight as their acting leaves a lot to be desired. There are at least four flash mobs and one out does the other every time, with out a doubt the dancers here are phenomenal. The final one is of course the ultimate flash mob; the combination of sound and the images of the various sets of dancers are exhilarating.

 

I can’t deny that I enjoyed every dance sequence this movie offered, but the overly formulaic storyline that traces back all the way to the very first chapter of the franchise makes it nothing more than a dance film. I don’t suggest you go spend your movie at the theater; this might be a fun thing to watch from home but simply for its entertaining dances.  

Karen Posada

By

2012/07/24 at 12:00am

‘The Dark Knight Rises’ only $160.9mil in the box office

07.24.2012 | By |

'The Dark Knight Rises' only $160.9mil in the box office

The final chapter of Batman ‘The Dark Knight Rises’ of course premiered at number one and became the best 2D release of all time, earning $160.9 million dollars. The events of last week in the movie theater shooting in Aurora, Colorado seem to have affected the amount people were expecting it to collect. It certainly didn’t reach the number ‘The Avengers’ made on its opening weekend of $200 million dollars. Nonetheless, Christopher Nolan has broken a record, and surely the movie will be hard to beat for the rest of the summer.

The animated film ‘Ice Age: Continental Drift’ dropped to the second spot with $ 20.4million dollars. The prehistoric animal film starring Ray Romano, Dennis Leery and John Leguizamo is sandwiched between two very different superhero movies, and it seems to be holding its ground now.

The Amazing Spider-Man’ dropped yet another spot to number three collecting $10.9 million dollars. Despite of the fact that this film has some better performances and techniques than its predecessor, it doesn’t seem to have captured the heart of many as that one did.

The Top 10 Movies in the Box Office are:

1. The Dark Knight Rises – $160.9 mil

2. Ice Age: Continental Drift – $20.4 mil

3. The Amazing Spider-Man – $10.9 mil

4. Ted – $10 mil

5. Brave – $6 mil

6. Magic Mike – $4.3 mil

7. Savages – $3.4 mil

8. Tyler Perry’s Madea’s Witness Protection – $2.2 mil  

9. Moonrise Kingdom – $1.8 mil

10. To Rome with Love – $1.4 mil

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