How To Train Your Dragon (Movie Review)
10.18.2010 | By Jack Rico |
*Updated 2026
In 2026, with family animation still chasing emotional lift, How to Train Your Dragon remains a reminder of how wonder, friendship and flight can still do the work.
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10.18.2010 | By Jack Rico |
*Updated 2026
In 2026, with family animation still chasing emotional lift, How to Train Your Dragon remains a reminder of how wonder, friendship and flight can still do the work.
10.7.2010 | By Jack Rico |
*Updated December 2025
How does one recommend a torture film to women? What does one possibly say? “Dear, you’ll love that scene where five men brutally violate a woman?” Obviously not. But, as a critic, one hopes that the female in question is one whose curiousity in macabre films is high. Read More
10.5.2010 | By Jack Rico |
If anyone remembers the original ‘A Nightmare on Elm Street’ from 1984, you’ll most likely remember how scary it was. Not the case with this vapid, inconsequential remake. Read More
10.2.2010 | By Karen Posada |
We recently attended a 20-minute sneak peek of Disney’s Tron: Legacy months before its theatrical release. The presentation offered an in-depth look at how the visual effects, costumes, and vehicles were brought to life. This project is significant as it follows the footsteps of the 1982 cult classic Tron. Read More
10.1.2010 | By Jack Rico |
For those who have not seen ‘Let the Right One In,’ you’ll like it’s Hollywood remake – ‘Let Me In.’ If you’ve already seen the Swedish original, this new version will feel choppy and uninteresting, only until the second half where it really picks up. Read More
09.29.2010 | By Jack Rico |
*Updated January 2026
Although The Social Network isn’t a masterpiece, this film will undoubtedly be the film that defines our generation. Each decade had a film that captured the zeitgeist of the times such as Saturday Night Fever in the 70s, The Breakfast Club in the 80s and Reality Bites in the 90s. Read More
09.24.2010 | By SBC Staff |

‘Buried’ is perhaps one of the most emotionally uncomfortable films you will see this year. The idea of walking out of the theater due to its inherent claustrophobic visuals might cross your mind, but try to stay to the end because it will extract an abstruse, if not, enraged reaction from you. You won’t recognize yourself after seeing the final scenes of this movie. You will be an emotionally wreck!
The premise is extremely intriguing. The very first frame has American truck driver, Paul Conroy (Ryan Reynolds), waking up in a coffin six feet underground in Irak. He’s in utter blackness, silence and barely able to breath, but he isn’t ready to die. But with no idea of who put him there or why, life for the family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time. Fighting panic, despair and delirium, Paul Conroy has only ninety minutes to be rescued before his worst nightmare comes true.
It is rare in today’s Hollywood spectrum to see a film acted by only one person and Ryan Reynolds pulls it of brilliantly. He had a lot of help from Spanish director Rodrigo Cortés who provides constricted, suffocating shots that’ll make you cringe several times.
If Cortés and Reynolds set out to achieve a film that will stir up your emotions, then I must admit they did a masterful job. I left the screening speechless and unable to formulate or utter an immediate opinion on the film for days. The subtextual, inherently moral and political conflicts the film brings forth questions your very outlook of the world today. Buried is a visceral and powerful film that you will not be able to shake off long after you leave the theater. If that’s not the principal reason you go to the movies, then I don’t know what is.
The one moment where the credibility of the movie suffers is a snake scene that just seemed too random to take seriously. It was obviously inserted to prevent any monotony the pacing could have encountered.
Nevertheless, if Hitchcock were alive today, I truly do believe, he would have indulged in directing this film. I think Cortés and Reynolds pulled off a difficult film to entertain people with. Let’s now see if Danny Boyle’s version with James Franco, ‘127 Hours,’ is better!
09.19.2010 | By Jack Rico |
*Updated 2026
In 2026, when online identity is inseparable from dating, friendship and scams, Catfish feels less like a novelty and more like the beginning of a language everyone now understands.