Valentine’s Day (Movie Review)
02.4.2010 | By Jack Rico |

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02.2.2010 | By Jack Rico |

When it comes to action movies ‘From Paris With Love’ delivers. It’s not the best action film since Wanted, but it did do a good job of extracting a few ‘ooooohs’ and ‘aaaaahs’ from me. I must confess that according to the trailer, the film looked worse to me than what it was. Perhaps this is why I think better of the film, because I was expecting pure detritus. What you need to know is that John Travolta – though he might look a tad silly, one gets over it quickly – is once again intense, amusing and entertaining. Johnathan Rhys Meyers looks like an amateur actor and disappoints tremendously all the while french director Pierre Morel (Taken) is the new John Woo! When people talk about action directors such as Guy Ritchie, Woo and Luc Besson, Morel has to now be a part of the conversation.
The storyline has some interesting twists and turns, enough to dial you in. While in Paris, a young employee (Johnathan Rhys Meyers) in the office of the US Ambassador hooks up with an American spy (John Travolta) looking to stop a terrorist attack in the City of Lights.
This is the type of film you go to when you had a stressful week at work or at home and feel like seeing someone splatter some person’s brain on the wall with a semiautomatic silencer. Definitely a stress reliever.
01.30.2010 | By SBC Staff |

‘When in Rome’ is everything that is bad with movies nowadays. A romantic comedy with a recycled and absurd premise, vacuous humor, and a script as predictable as the weather in LA. These are the types of movies that you should never pay to see for many reasons including a lack of soul, depth or real substance to any of these characters. Everything ssems to be a fantasy passed off as reality and the producers must think we are the fools that will buy it.
Here’s the storyline. Beth (Bell) is a young, ambitious New Yorker who is completely unlucky in love. However, when she impulsively steals some coins from a reputed fountain of love during a whirlwind trip to Rome, she finds herself aggressively pursued by a band of suitors with one of them becoming her one true love.
The protagonists seem to be better than what the script constrained them to. Kristen Bell showed promise in Forgetting Sarah Marshall and Josh Duhamel (who looks like Joey Lawrence’s long lost twin brother) could be either an action leading man in his future or continue to do rom-com’s. The acting wasn’t the big problem, the screenwriters, David Diamond, David Weissman and the director Mark Steven Johnson are fully responsible for this ignominious failure.
The standard for today’s romantic comedy was set with Rob Reiner’s ‘When Harry Met Sally’ and some would argue Woody Allen’s ‘Annie Hall’. But ‘When in Rome’ looks like a disaster from the onset and should not be worth your time or money at the movies. Perhaps a DVD pick? Not even. It is one of the worst movies of the year.
01.28.2010 | By Karen Posada |
*Updated December 2025
Edge of Darkness was directed by Martin Campbell (Casino Royale) who also directed the English mini-series from the 80s with the same title on which the movie is based. Not being familiar with the mini-series, I thought the previews had given too much away and I could guess the outcome. I was wrong. Read More
01.27.2010 | By Namreta Kumar |
There are some films that you love instantly, and others that you hate; this film does not fit either category. Saint John of Las Vegas is distinctly unmemorable. Read More
01.21.2010 | By Jack Rico |

I didn’t really know what to expect of the latest family film ‘Tooth Fairy’ starring Dwayne ‘The Rock’ Johnson. At one point I thought it might be the same fare as his 2007 ‘The Game Plan’, which was #1 at the box office for two weeks in a row, but no, this was nowhere near as charming as that one. ‘The Tooth Fairy’ was just bad cinema. The Rock is a simpatico guy, but with a ludicrous plotline, uninspired dialogue, the worse camera editing I’ve seen in years and a paltry supporting cast, there was no way he was saving this sinking ship.
Here’s the story. A bad deed on the part of a tough minor-league hockey player (The Rock) results in an unusual sentence: He must serve one week as a real-life tooth fairy.
He wears a ballerina dress when first becoming a fairy and instead of it being a funny moment, it was a bit embarrassing. I’m wondering why he needs to be working these types of films. Could you imagine what his wrestling buddies must be saying? His body of work isn’t so bad at all. His previous roles in films such as ‘Race to Witch Mountain’ was great family fun potpourried with thrills, chills and action. ‘The Game Plan’ was a touching and charming movie that makes grown men cry when they see it.
Director Michael Lembeck, mostly a TV director, shouldn’t be doing movies. His camera shot selections were not flattering to the actors and showed the many audio dubbing flaws caught by the lens. Just intolerable. Adding to the demise of the movie was seeing a New York legend Billy Crystal in a pajama like costume regurgitating screenwriter Lowell Ganz’s stale and infantile dialogue.
Do not spend your money this week on ‘Tooth Fairy’. If you want the same family vibe with lots of smiles and warm, fuzzy sentiments and a tear or two, see ‘The Game Plan’ on DVD. You’ll be grateful I recommend it to you.
01.14.2010 | By Ted Faraone |

If Jackie Chan did not exist, it would be necessary to invent him. His latest vehicle, “The Spy Next Door,” fits neatly into his array of comic action films suitable for children and their parents. The 92 minute, PG-rated effort from helmer Brian Levant and screenwriters Jonathan Bernstein, James Greer, and Gregory Poirier, offers a little something for everyone. That’s not to say that it is flawless. It sticks pretty closely to the unassuming geek as martial arts master formula which Chan has perfected. Add to the recipe a little “fish-out-of-water” and season with elements from the “Get Smart” series and you have a tasty frittata that should satisfy all but the most finicky.
Chan stars as Bob Ho, a Chinese intelligence officer on loan to the CIA. That preposterous premise sets the tone for rest of pic’s hijinx. His cover is a geeky, suburban pen salesman. The “Next Door” part of the story involves Amber Valetta as Gillian, single mother of three impossible kids, and Chan’s love interest. Plot centers on Ho’s desire to retire from spying and marry Gillian. Her kids’ opinion of him is the first hitch. He’s just not cool enough. The second hitch is a sort of comic version of Al Pacino’s famous line, “Every time I try to get out they drag me back in.”
In this case, the drag back is a Russian plot to unleash a bacterium on all the world’s oil supply — Russia’s excepted — which consume anything made of petroleum and then vanish as quickly as they appear.
Pic is played over-the-top to excellent comic effect. Magnús Scheving’s Poldark, Ho’s arch enemy, is a marvelous caricature of a bad guy. Another standout on the Russian team is Katherine Boecher as Creel, a slinky blond sporting tight black outfits, Jimmy Choos and a mean kick.
What brings all the elements together and creates pic’s best action sequences — as well as most of its jokes — is a sort of contrived plot point in which Gillian leaves town to look after her injured dad and puts Bob in charge of her three unruly brats. To Bob, this is his chance to make the kids like him. It’s also his fish-out-of-water moment. Spies have some learning to do where raising kids is at issue. Of course, Bob has to win the kids over — and he does so in part by accident. Gillian’s 11-year-old, Ian (Will Shadley) is as much a geek as Bob appears to be, a would be rocket scientist, who downloads the Russian’s secret bacterium formula from Bob’s home computer thinking it is a video game. This puts the Russians on Bob’s tail and consequently on the kids’ tails. The sight of Bob kickboxing Russian spies is just too cool for words. Ian is won over. So is four-year-old Nora (Alina Foley). Farren (Madeline Carroll), Gillian’s 13-year-old stepdaughter, is the toughest nut, but even she cracks. The kids join the fight against the Russians with undisguised glee in scenes reminiscent of the “Home Alone” series. Thus far, the formula works.
Gillian is another story. Furious at the revelation that Bob is a spy and that her brood has been endangered, she gives him the shove — permanently. Since this is a comedy, however, the final reel offers a slapstick climax, which includes a Russian spy wearing a television as a hat.
Special mention goes to recording artist Billy Ray Cyrus as CIA good guy Colton James and comic George Lopez as the Russian’s mole in the CIA. Choreography is as good as one has come to expect from Chan, and lensing by Dean Cundey frames it all to good effect. Soundtrack includes familiar “Secret Agent Man” and Blondie’s “One Way Or Another”. One nit to pick is Chan’s accent. He can be a tad tough to understand at times, but since editor Lawrence Jordan leaves no loose ends, a lost line or two can be imputed from the context.
01.9.2010 | By Namreta Kumar |
Unfortunately Wonderful World feels too much like a tired film to represent the revival at the end. It is made memorable only by the concept of cynicism and its witty remarks. Josh Goldin’s Ben Singer (Matthew Broderick) has a thin layer of charm, however his actual cynicism begins to border on pathological at points. Read More
01.6.2010 | By Jack Rico |
*Updated November 2025
Nick Twisp (Michael Cera) is a bookish teen who falls hard for Sheeni Saunders (Portia Doubleday) and, at her urging, invents a rebellious alter ego, François. His “refined” tastes collide with terrible decisions, leading to mayhem, property damage, and a brush with the law, all in the name of love. Read More