Latino movie reviews

SBC Staff

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2009/11/24 at 12:00am

The Private Lives of Pippa Lee (Movie Review)

11.24.2009 | By |

The Private Lives of Pippa Lee

This is definitely a chick flick for smart viewers; the drama which drags most chick flicks is taken lightly and sprinkled with unsuspected moments of hilarity. I didn’t know exactly what to expect of it but I came out glad to have gone through Pippa’s journeys along with her.
 
The film by director Rebecca Miller explores the life of Pippa Lee (Robin Wright Penn) a suburban housewife who seems to have it all together and be leading the perfect life. Her husband (Alan Arkin) an accomplished publisher who is 30 years older than her decides to move them out of NYC to a retirement community in Connecticut. Pippa as the perfect wife follows willingly, although we get a sense there’s something stirring within her that’s about to explode. She begins the narration of the life she has led up to the point where she met her current husband. We start seeing Pippa’s troubled past and wonder how she is so together in her present, but a series of weird occurrences take place which make everything fall in place. As her retired husband decides he can’t live in complete retirement she fills her time with activities and meets a younger man (Keanu Reeves), they begin to help each other through their paths of self-discovery.
 
Blake Lively from ‘Gossip Girl’ plays the younger version of Pippa Lee, her character’s fun, sensual personality combined with her innocence makes us want to help her out of the hole she digs herself into. Younger Pippa loves her mother (Maria Bello) but as she grows up she realizes her household is not what she thought it was, her mother’s addiction to drugs and her father’s (a priest) indifference takes her life for a spin.  
 
These great actors are part of a puzzle that forms a beautifully imperfect picture. All the funny moments make the dramatic plot easy to watch without feeling overwhelmed or sad. Seeing how Pippa’s life turns out despite the complicated “lives” she’s led is delightful, seeing her come in to her own and finally realizing that there was no need to make a perfect persona but that accepting herself and the fact that life is full of surprises was the answer, gives us an uplifting conclusion.

SBC Staff

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2009/11/21 at 12:00am

Me and Orson Welles (Movie Review)

11.21.2009 | By |

For those who recognize the name in the title of Richard Linklater’s latest film may have an immediate attraction (or immediate aversion) to it. Read More

Namreta Kumar

By

2009/11/20 at 12:00am

The Twilight Saga: New Moon (Movie Review)

11.20.2009 | By |

It seems like it took a long while coming, but New Moon just does not thrill audiences the same way Twilight, the movie or the books have. Overall the film covers the basics of the novel but fails to deliver as compelling a story. Read More

Jack Rico

By

2009/11/19 at 12:00am

Broken Embraces (Movie Review)

11.19.2009 | By |

One of Spain’s most talented sons gives cinema a new work titled ‘Broken Embraces’. Pedro Almodóvar reunites with Penélope Cruz to once again give us a visually sensual and beautiful, bold and impressive theater of the mind, but one that regrettably doesn’t break new ground. It is not his best film and thus the reason it wasn’t selected to participate in Spain’s Oscar selections for this upcoming ceremony. It is by no intention a bad film, it simply isn’t overwhelming. Were we asking for too much? Was that the problem? Read More

Jack Rico

By

2009/11/19 at 12:00am

Bad Lieutenant: Port of New Orleans (Movie Review)

11.19.2009 | By |

*Updated 2026

In 2026, when Nicolas Cage’s wildest choices are often reappraised with affection, Bad Lieutenant: Port of Call New Orleans feels even more like its own strange creature.

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SBC Staff

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2009/11/19 at 12:00am

Mammoth (Movie Review)

11.19.2009 | By |

Mammoth

Unfortunately the movie ‘Mammoth‘ doesn’t match the expectation that the trailer makes us build. The film was all drama and I had hoped to see more than that. It tries too hard to create tension and suspense but at the end nothing happens. It tries to take on too many themes, but doesn’t fully explore anything specific and this is why it fails.

 

This is the first movie in English by the Swedish director Lukas Moodysson, he is full of new ideas that are not found in Hollywood. ‘Mammoth’ focuses on a upper-middle class family that lives in New York City. Leo (Gael García Bernal) creator of a website for video game fanatics, enters a world new to him of travel and more money which he is not used to. Business takes him away from his family to explore Thailand, a third world country where he is all alone and out of place, at this point the movie touches upon the brutal poverty and child abuse found there. His wife Ellen (Michelle Williams) is a doctor and because of the demands her career entitles she doesn’t have much time for her family, with her husband’s absence she realizes that at home she feels like a stranger and bored. Their only daughter Jackie (Sophie Nyweide)  spends most of her time with her nanny, Gloria (Marife Necesito) and although she has no other option she prefers this than spending time with her mother; on the other hand Gloria who is from the Philippines treats Jackie like a daughter but is always thinking about her family in her native land.

 

Despite the fact that the movie is not good enough to welcome Moodysson with open arms, we have to appreciate the fact that he chose a Latin star in Gael García Bernal to be his main character in a movie that opens the door to him to the English speaking world. It’s surprising to see Gael García Bernal playing the role of an American who doesn’t have a trace to the latin world whatsoever. It’s a good thing that Moodysson tries to make the movie universal by filming in different places of the planet, but it’s disappointing that the film doesn’t have much essence.

The movie tries to leave us with the moral that family is more important than anything.

 

The message at the end is confusing though, it goes in a circle that makes us feel as if nothing happened; there’s no resolution or epiphany. It is also hard to feel bad for a family who seem to have everything, although the contrast with Gloria’s family who lives almost in complete poverty in the Philippines is a very interesting touch. I would like to support a director that doesn’t focus on Hollywood and an actor like Gael García Bernal who with his talent will get far, but I don’t think this movie will help much for that.

 

I don’t think it’s worth coming out of the movie theater confused and a little upset because this movie makes a twirl that leaves us dizzy.

Jack Rico

By

2009/11/12 at 12:00am

The Messenger (Movie Review)

11.12.2009 | By |

The Messenger

The first 20 minutes of ‘The Messenger’ should remind you of the power movies can have on anyone. It is very well acted, but a tough movie to watch. This film is not for most people, but if you can stomach it, it is worth the watch and money to see. It’s not every day war movies are released and less so when they have to do with such a gut-twisting premise as this.

In his first leading role, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army’s Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to whom he has just delivered the news of her husband’s death, Will’s emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.

Let me tell you why the film is good and worth the watch. The Messenger will jolt you emotionally, close to the way Precious does. It’s emotionally raw with situations that feel very real and unsettling. It’s brutal. You say “why do I want to see that?â€, but it’s like watching a car wreck on the highway – you slow down to see the post carnage. It’s the macabre part in all of us. Once the story reels you in, the film hits you with excellent acting from Foster and Harrelson. They own the screen and you are absorbed by their lives, problems and thoughts. Just when you can’t take enough drama, Harrelson breaks the tension with off the cuff humor which reminds you that this is just a movie. However, the pacing is off and it feels choppy at times. It goes off into tangents sometimes the way a conversation with a friend might. You can reel him back in, but you can’t do that to a movie. Part of those tangents that didn’t work were the bizarre romantic scenes with Morton and Foster which just didn’t match the level and intensity of the rest of the film, then a wedding crash by the protagonists which seemed out of place.

Credit goes to first time Israeli director Oren Moverman and Italian co-writer Alessandro Camon for creating a script that effectively captures the tribulations of post war trauma and the complex scenarios they harbor within them.

You won’t find many films that shake you ardently the way this does. Even with some of its flaws, it was a satisfying piece of work that you can for sure be pleased with.

Alex Florez

By

2009/11/11 at 12:00am

Fantastic Mr. Fox (Movie Review)

11.11.2009 | By |

*Updated December 2025

As daring as it might seem for director Wes Anderson (Rushmore, The Royal Tenenbaums) to switch gears and take a crack at an animated film for the first time, adapting a best-selling children’s book from a legendary author is arguably the bigger gamble. Or so you would think. With Fantastic Mr. Fox, Anderson proves he is up to the challenge. Read More

Terry Kim

By

2009/11/09 at 12:00am

Pirate Radio (Movie Review)

11.9.2009 | By |

If you are a fan of the 60s, and especially of 60s pop and rock music, then Pirate Radio is a must-see. There are more than fifty songs on the soundtrack, boasting familiar tunes by The Kinks, The Rolling Stones, and The Beach Boys, to name a few. Read More

Karen Posada

By

2009/11/09 at 12:00am

2012 (Movie Review)

11.9.2009 | By |

2012

If you’ve seen the movie “The Day After Tomorrow” by the same director Roland Emmerich then you’ve seen most of “2012”. It is definitely what one expects after seeing the preview, a movie that has a lot of entertainment value because it is action packed, there is not much more to take from it.
 
Emmerich seems to be stuck in the same genre with the last couple of movies he’s made, movies about the apocalyptic end of the world, this one just adds to that agenda. Not only do they develop a similar plot but the characters also seem to be the same just played by different actors. The movie which lasts 2hrs and 35minutes has a slow beginning and then slowly builds up to the earth cracking and the world sinking in, to comply with a myth from the Mayan calendar about the end of the world. Putting the Mayan calendar into play gives it a good backbone but it is barely discussed in the film, giving a little more thought into it would have made the film less surreal and the ending less utopical and carefree.

 

Our hero John Cusack (Jackson Curtis) was perfect for the role; he delivers every time and seems to be in control despite of the world falling around him. He is in charge of saving his family and what remains of the human race. Jackson is part of the broken family on which the film mainly focuses on; despite of the length of the film there’s not a real connection between these main characters. Amanda Peet (Kate Curtis) fails to convince me of her role as a caring mother. Chiwetel Ejiofor (Adrian Helmsley) who plays the all knowing scientist is pretty believable and takes on the role of leader with ease.
 
Emmerich wanted to make a film to entertain the audience and it does. The movie doesn’t drag but the fact that the world is ending and these few people are smarter than anyone else and are able to surpass a lot of the obstacles, made the film to me ridiculous to the point that I was laughing on scenes that I’m pretty sure I wasn’t supposed to. If you still want to see the movie it might be best to watch it in the movie theater to appreciate the special effects, otherwise save yourself the money and rent any of Emmerich’s latest films.

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