Latino movie reviews

Karen Posada

By

2010/12/08 at 12:00am

The Tourist (Movie Review)

12.8.2010 | By |

The Tourist

Who doesn’t want to go see a movie starring Angelina Jolie and Johnny Depp, two of the biggest stars of Hollywood; specially when it is the first time they encounter each other on and off the screen? Did I mention they have some of the biggest female/male followings? These give ‘The Tourist‘ a recipe for success. Unfortunately, these great actors are not enough; neither are the great sceneries or the storyline that has the potential to be #1 at the box office. It was disappointing not to see many action scenes (when Jolie is one of the best female action stars out there) and to experience so much sexual tension (no one can deny these two could deliver some steamy scenes in the right movie). Basically, this movie has everything it needs, but it didn’t reach its potential to make it worth the wait at the movie theater.

I got the pleasure of experiencing the first scenes of the movie, which are set in Paris and taking a cruise down the Seine river shows the authenticity of the set, as well as the romantic feel of it. Director Florian Henckel von Donnersmarck told me how he wanted to bring the glory days of Hollywood back on screen, which he believes to be those of films like Casablanca not films like The Transformers. He also told me how tough it was to make such a different film from The Lives of Others, he had to remind himself not to get too dark. He definitely achieved his goal, he made an elegant, sophisticated and somewhat romantic film.

The main focus of the movie is Elise Ward (Angelina Jolie), an English woman who lives a life of loneliness and luxury. She carries a day to day routine in Paris, where she is patiently waiting to hear from her lover. Her lover Alexander Pearce disappeared after stealing millions from his former employer, a gangster named Shaw (Steven Berkoff), he is also wanted by the London police for not paying back taxes; the main investigator is Acheson (Paul Bettany) who’s made it his life’s work to catch this guy. Elise finally changes her routine when she is instructed by Alexander to get on a train to Venice and choose a stranger to be him. We see men melting at Elise’s sight, but she chooses Frank Tupelo (Johnny Depp) an American math teacher who is touring around Europe to forget his past love. Frank follows Elise’s game nervously, he can’t shake off her charm and doesn’t understand why she would pick him. Elise is very self assured and starts molding Frank into what she needs quickly, she is aware of her impact on others. When the train reaches Venice they each go their separate ways only for Elise to reappear minutes later to take him into the ride of his life. She introduces him to her life of luxury, he goes along without questioning much until everyone that is after Alexander Pierce begins to think Frank is him and start following him with guns. We follow Frank to his imprisonment in Italy and the rest of the labyrinth this mysterious woman built for him. We slowly start getting to know Elise, trying to figure out whether she is “good or bad” is the rest of the story.

Frank is one of the least physically attractive characters Depp has represented, but the utter innocence and niceness is Frank’s appeal. This is one of Jolie’s most girly, elegant and sophisticated roles; her sex appeal can’t be denied here since that’s Elise’s greatest tool. Elise is meant to be tough but at the same time feminine and it’s really hard to see Jolie in a role like this; she herself told me that was the biggest challenge in this film for her, to “slow down”. Bettany has shown us what a great villain he can be in movies such as The DaVinci Code, although he’s not directly a villain here; his character’s frustration makes him one of the most real characters in the film.

The best things in the movie: the scenery, locations like Paris and Venice elevate its elegance.Also, Depp’s character, he is the hilarious part of the movie; he really is one of my favorite parts of the film. That said, this movie calls for a lot of action and if they would have let Jolie loose at least a couple of scenes that would have really helped. The romance in the film is very light, yes they wanted to keep it PG-13, but it needed some sex scenes; the sexual tension takes away from the joy of the movie. There are a couple of twists in the movie which are appreciated but the grand finale is not so grand, it is predictable more than anything.

Jack Rico

By

2010/11/27 at 12:00am

Burlesque (Movie Review)

11.27.2010 | By |

Burlesque

I know it’s going to be hard to for many critics who panned ‘Burlesque’ to understand, but the film is a guilty pleasure that will be embraced mostly by women, the gay and Latino communities. I say the Latino community as well because they are the most avid and indulgent consumers of telenovelas – the preeminent guilty pleasure in the US, in my book. They’re so bad, yet so good. As many know, most bad films possess characteristics that make them dementedly pleasurable – this movie provides us with a plethora. If I can highlight one component that kills this movie over and over again is the tired and shameful setups that lead to repeated and unrelenting risible clichés. To be frank, the barrage is interminable, but it manages to be sporadically entertaining, somehow.

Christina Aguilera plays Ali, a small-town girl with a big voice and big dreams. Like countless girls before her, (Ruby Keeler’s Peggy Sawyer from “42nd Street†and Judy Garland’s Esther Blodgett from “A Star Is Bornâ€) she leaves behind whatever she has and heads for uncertain future in the entertainment capital, Los Angeles. After stumbling upon The Burlesque Lounge, a majestic but ailing theater that is home to an inspired musical revue, Ali lands a job as a cocktail waitress from Tess (Cher), the club’s proprietor and headliner. Burlesque’s outrageous costumes and bold choreography enrapture the young ingenue, who vows to perform there one day. Soon enough, Ali builds a friendship with a featured dancer (Julianne Hough), finds an enemy in a troubled, jealous performer (Kristen Bell), and garners the affection of Jack (Cam Gigandet), a bartender and fellow musician.  With the help of a sharp-witted stage manager (Stanley Tucci) and gender-bending host (Alan Cumming), Ali makes her way from the bar to the stage. Her spectacular voice restores The Burlesque Lounge to its former glory, though not before a charismatic entrepreneur (Eric Dane) arrives with an enticing proposal.

Cinematically, Burlesque is a mess, whether that is intentional or not is a future conversation. The acting was subpar to abysmal, the dialogue was criminal and the script was 75% old, stale tricks that have been worn out for decades. Even so, the camp charm manages to lure you in even through the dreadful moments of banality. I am sure director Steve Antin set out to do an entertaining and dignified project without the perversely sophisticated appeal… or did he? Only time will tell.

There will be a tendency to compare this film with Cabaret, Chicago and most recently Nine. Doing so would be unfair. Those movies had at the helm Bob Fosse and Rob Marshall, two stylistic and visual geniuses known for cinematic works of art. Antin looks like he was shooting a music video. It would have been interesting to see what heights the film could have achieved if it fell into more capable hands. Nevertheless, there’s some enjoyment to be had from the musical numbers, which are picturesque and staged with presence. Aguilera did a pretty good job for her first time out, I’ve seen worse (Paris Hilton). I never thought of Cher as a great singer, but her longevity as a performer lays that opinion to rest. Her credibility as an Oscar winner permits her to have a bad film here and there, but we all assumed this was a comeback film of sorts.

Burlesque will win many Razzie nominations, but as bad as it is, history will tell how bad made cult status.

Jack Rico

By

2010/11/23 at 12:00am

Faster (Movie Review)

11.23.2010 | By |

*Updated 2026

In 2026, when Dwayne Johnson’s brand often feels bigger than his characters, Faster stands out as a leaner revenge thriller built around menace instead of jokes.

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Jack Rico

By

2010/11/18 at 12:00am

Jack Rico

By

2010/11/11 at 12:00am

Ted Faraone

By

2010/11/10 at 12:00am

The King’s Speech (Movie Review)

11.10.2010 | By |

There are several delicious ironies about The King’s Speech, billed as an historical drama and directed by Tom Hooper from a screenplay by David Seidler. The first is the title. The King’s Speech is given at the opening of the British Parliament. Read More

Ted Faraone

By

2010/11/05 at 12:00am

Due Date (Movie Review)

11.5.2010 | By |

Due Date from helmer Todd Phillips, who dumped The Hangover on innocent, unsuspecting auds, follows the former’s formula. This 100 minute R-rated piece of cinematic phlegm involves a road trip, drugs, many smashed automobiles, and extraordinary vulgarity. It also features a totally underused female lead, Michelle Monaghan, in a role that is the polar opposite of her groundbreaking work in Trucker. Read More

Ted Faraone

By

2010/10/31 at 12:00am

Saw 3D (Movie Review)

10.31.2010 | By |

Updated May 2026

James Frey, whose fictional autobiography A Million Little Pieces got him roasted on Oprah Winfrey’s sofa for 48 minutes, got off easy compared to Bobby Dagen. Played by Sean Patrick Flanery, Dagen is tortured along with the audience for 90 minutes after concocting a fake bestseller about surviving the Jigsaw killer. That is the premise of Saw 3D, also known as Saw VII, depending on your point of view. Read More

Ted Faraone

By

2010/10/24 at 12:00am

Monsters (Movie Review)

10.24.2010 | By |

It has been reported that Monsters was made for $15,000. That would put it in company with Paranormal Activity. It’s also a lot of baloney. Read More

Jack Rico

By

2010/10/22 at 12:00am

Paranormal Activity 2 (Movie Review)

10.22.2010 | By |

Paranormal Activity 2, the sequel to the already labeled cult classic original of the same name, offers more scares than the original, yet, it lost some of the genuine feeling of originality and authenticity that the first so frightfully showcased. It did add a Latino element… more on that later. Read More

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