Latino movie reviews

Karen Posada

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2010/10/21 at 12:00am

Hereafter (Movie Review)

10.21.2010 | By |

Hereafter

Hereafter is a dramatic film that has many elements that make it worth watching, its strongest being the storyline. Don’t’ be fooled by the trailer, if you are expecting an action flick it has been advertised wrong; it is about death and the possibility of an afterlife and trying to understand what happens after we die. The first scene does a nice job in taking you in and wanting to explore more, the fact that it is split into three stories carried out by completely different characters in various parts of the world makes it all the more interesting. The subject matter might make some skeptic and want to turn away; as well as the feeble romance which takes away from the film. The film does convey it’s message well which is to raise questions and curiosity no matter how you feel about the subject.

Hereafter deals with mortality and how three strangers who have completely different lives are affected by it. George (Matt Damon) has a gift or curse from which he’s desperately trying to get away from, Marie (Cécile de France) is completely happy with her perfect life until a near-death experience changes all of that and Marcus (George Mclaren & Frankie McLaren) has to face death as well as separation at a young age. We get a very in-depth look at each one of these characters lives and we get to comprehend each one of their stories which have death, mortality and loneliness as underlying themes that connect them. They each toy with the idea of an afterlife and each one is on a path that they have to travel alone and despite of having some family members or friends it is on this lonely journey that they find their answers or closure and are matured by the process.

The screenwriter Peter Morgan told us a funny story on how after a long process his script, which was inspired by a book he read and the loss of a friend, ended up on the hands of one of the executive producers Steven Spielberg; he then went on to give it to Clint Eastwood who decided to direct it. Eastwood’s name is all over the film, everything is so well thought out and organized that we can see it was done by a top notch director. Here he tried to work with special effects on a well developed sequence which runs through smoothly, but I would not say is the best CGI work I’ve ever seen; it could have been much better, throughout most of it you could pick out the CGI elements easily which took away from it. Also, the final scene has some of the corniest music i’ve ever heard; not only is it cheesy but it changes the storyline as well; I found the romance unnecessary and desperate for a happy ending. The twin brothers in this movie were amazing, knowing that they are non actors made me appreciate their scenes even more. Their story is so touching that it was hard to keep my eyes from watering, close enough to tearing. De France’s strong character shows us that after a storm the sun always comes out with some perseverance and she portrayed that beautifully. It was interesting to see Damon in such a ‘push-over’ role, most of the time he’s kind of being told what to do and he follows along; it shows the quality of his acting and how diverse it can be.

Besides posing questions the film teaches us one thing about death no matter what our beliefs are about it: we need to learn to let go and move on. I appreciated the film for kind of poking fun at one of the themes it promotes, but also because it shows us how deep human relationships go, how easily we are tied to one another and how hard it is to move on from that to be our own individual selves. It deals with the ‘hereafter’ not the idea of heaven or hell, so there’s more of a spiritual tie to it than religious which makes it easier to swallow.

Jack Rico

By

2010/10/18 at 12:00am

How To Train Your Dragon (Movie Review)

10.18.2010 | By |

*Updated 2026

In 2026, with family animation still chasing emotional lift, How to Train Your Dragon remains a reminder of how wonder, friendship and flight can still do the work.

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Jack Rico

By

2010/10/14 at 12:00am

Jack Rico

By

2010/10/07 at 12:00am

I Spit on Your Grave: Unrated (Movie Review)

10.7.2010 | By |

*Updated December 2025

How does one recommend a torture film to women? What does one possibly say? “Dear, you’ll love that scene where five men brutally violate a woman?” Obviously not. But, as a critic, one hopes that the female in question is one whose curiousity in macabre films is high. Read More

Jack Rico

By

2010/10/07 at 12:00am

Jack Rico

By

2010/10/05 at 12:00am

A Nightmare on Elm Street (Movie Review)

10.5.2010 | By |

If anyone remembers the original ‘A Nightmare on Elm Street’ from 1984, you’ll most likely remember how scary it was. Not the case with this vapid, inconsequential remake. Read More

Karen Posada

By

2010/10/02 at 12:00am

Tron: Legacy (Movie Review)

10.2.2010 | By |

We recently attended a 20-minute sneak peek of Disney’s Tron: Legacy months before its theatrical release. The presentation offered an in-depth look at how the visual effects, costumes, and vehicles were brought to life. This project is significant as it follows the footsteps of the 1982 cult classic Tron. Read More

Jack Rico

By

2010/10/01 at 12:00am

Let Me In (Movie Review)

10.1.2010 | By |

For those who have not seen ‘Let the Right One In,’ you’ll like it’s Hollywood remake – ‘Let Me In.’ If you’ve already seen the Swedish original, this new version will feel choppy and uninteresting, only until the second half where it really picks up. Read More

Jack Rico

By

2010/09/29 at 12:00am

The Social Network (Movie Review)

09.29.2010 | By |

*Updated January 2026

Although The Social Network isn’t a masterpiece, this film will undoubtedly be the film that defines our generation. Each decade had a film that captured the zeitgeist of the times such as Saturday Night Fever in the 70s, The Breakfast Club in the 80s and Reality Bites in the 90s. Read More

SBC Staff

By

2010/09/24 at 12:00am

Buried (Movie Review)

09.24.2010 | By |

Buried

Buried’ is perhaps one of the most emotionally uncomfortable films you will see this year. The idea of walking out of the theater due to its inherent claustrophobic visuals might cross your mind, but try to stay to the end because it will extract an abstruse, if not, enraged reaction from you. You won’t recognize yourself after seeing the final scenes of this movie. You will be an emotionally wreck!

The premise is extremely intriguing. The very first frame has American truck driver, Paul Conroy (Ryan Reynolds), waking up in a coffin six feet underground in Irak. He’s in utter blackness, silence and barely able to breath, but he isn’t ready to die. But with no idea of who put him there or why, life for the family man instantly becomes a hellish struggle for survival.  Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited.  Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time. Fighting panic, despair and delirium, Paul Conroy has only ninety minutes to be rescued before his worst nightmare comes true.

It is rare in today’s Hollywood spectrum to see a film acted by only one person and Ryan Reynolds pulls it of brilliantly. He had a lot of help from Spanish director Rodrigo Cortés who provides constricted, suffocating shots that’ll make you cringe several times.

If Cortés and Reynolds set out to achieve a film that will stir up your emotions, then I must admit they did a masterful job. I left the screening speechless and unable to formulate or utter an immediate opinion on the film for days. The subtextual, inherently moral and political conflicts the film brings forth questions your very outlook of the world today. Buried is a visceral and powerful film that you will not be able to shake off long after you leave the theater. If that’s not the principal reason you go to the movies, then I don’t know what is.

The one moment where the credibility of the movie suffers is a snake scene that just seemed too random to take seriously. It was obviously inserted to prevent any monotony the pacing could have encountered.

Nevertheless, if Hitchcock were alive today, I truly do believe, he would have indulged in directing this film. I think Cortés and Reynolds pulled off a difficult film to entertain people with. Let’s now see if Danny Boyle’s version with James Franco, ‘127 Hours,’ is better!

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