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Karen Posada

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2012/07/10 at 12:00am

Red Lights (Movie Review)

07.10.2012 | By |

Red Lights

‘Red Lights’ is an interesting psychological thriller up to a certain point; because it begins to get so complicated it is easy to loose interest. The subject is far-fetched, although it gives us both aspects of the matter one begins to win over the other without much explanation as to why. We can appreciate the fact that obviously director Rodrigo Cortés explored the angles of the subject of paranormal things and science, but it falls short at the end and leaves us with a sour taste.

 

In this film two physicists, doctor Margaret Matheson (Sigourney Weaver) and her apprentice Tom Buckley (Cillian Murphy) investigate in a scientific way what others believe to be paranormal phenomena. By doing this they’ve brought to light all the ghost hunters, mind readers and others, showing their dishonesty. But when the psychic Simon Silver (Robert De Niro) returns after 30 years of retirement, even Matheson who isn’t afraid of anyone tells Buckley that Silver is dangerous and isn’t worth investigating. Buckley obsessively wants to investigate Silver without caring about the warnings; with Sally’s (Elizabeth Olsen) help they risk everything to find out what Silver is hiding.  

 

Cortés told us in our interview that he wanted to explore how the human mind works, that we believe what we want to believe and this changes the perception of many things. The game of uncertainty between the audience and the characters in the screen as to what is really happening works and is what keeps the mystery of the film alive; since science and the paranormal face off to show us the reality of each character. It’s interesting to see how the scientist work, as well as how the tricksters work and how the believers reacts. This is the base and heart of the film.

 

Despite this the subject begins to be too complicated and certain things start to happen without any explanation. It’s had to believe in a movie that makes vague questions without exploring them more and that at the same time shows random scenes without any explanation. The movie doesn’t have a lot of action, except for one of the most violent scenes I’ve seen in a while, which makes it boring at times. But, the most disappointing thing of all is that in the culminating point although it gives us a revelation is isn’t satisfying. Obviously one theory wins over the other but we are not told why.

 

Without a doubt the three main actors: Weaver, Murphy and De Niro give us first class performances; specially Weaver, they take their characters to the point where the script allows them to. Olsen is left so much in the dark that she’s basically inexistent until she is needed. Cortés’ talent is easily seen, but perhaps if he let loose he would be able to give us a more complete movie.

 

According to Cortés he decided to make this film in English because he believes there’s a bigger paranormal market in the United States, I disagree since if it would have been in Spanish it would surely have a bigger audience in Latin America. The people that tend to believe in the paranormal or are curious about it can give this thriller a chance since it combines the old art of psychics with the modern world of science; everyone else stay away. I warn those that decide to watch it to keep their expectations low.      

Karen Posada

By

2012/07/09 at 12:00am

‘The Amazing Spider-Man’ takes over the box office

07.9.2012 | By |

'The Amazing Spider-Man' takes over the box office

The Amazing Spider-Man’ premiered on July 3rd and swept the box office collecting $65 million dollars at number one, with a grand total of $140 million dollars until now. Sony Pictures is ready to work on part two of the trilogy seeing its success.

The comedy that was number one last week ‘Ted’ dropped to the second spot with $32 million dollars. Seth MacFarlane’s film held on strong despite of the superhero premiere.

Pixar’s ‘Brave’ continues at number three with $32.6 million dollars, it seems like the redheaded heroine has captured the public’s attention. The entire top ten this week is an interesting mix of family and rated R films. 

 

 

 

The Top 10 Movies in the Box Office:

1. The Amazing Spider-Man – $65 mil

2. Ted – $32.6 mil

3. Brave – $20.2 mil

4. Savages – $16.2 mil

5. Magic Mike – $15.6 mil

6. Tyler Perry’s Madea’s Witness Protection – $10.2 mil

7. Madagascar 3: Europe’s Most Wanted – $7.7 mil

8. Katy Perry: Part of Me – $7.1 mil

9. Moonrise Kingdom -$4.6 mil

10. To Rome with Love -$3.5 mil

SBC Staff

By

2012/07/07 at 12:00am

Radio Reviews: Spider-Man 3D, Savages, Katy Perry 3D

07.7.2012 | By |

Radio Reviews: Spider-Man 3D, Savages, Katy Perry 3D

This week from Miami, on the Enrique Santos Morning Radio Show, Jack Rico reviews the new film releases: THE AMAZING SPIDER-MAN, SAVAGES, KATY PERRY 3D

You can hear our movie review segment in Miami on the ‘Enrique Santos Morning Show‘ every Friday at 7:25 AM and 9:25 AM by Univision Radio ‘MIX98.3FM’ in Miami or the global network by visiting: http://www.enriquesantos.com/

SBC Staff

By

2012/07/06 at 12:00am

Savages (Movie Review)

07.6.2012 | By |

Savages

‘Savages’ has so much star potential and a solid story that it could easily have been one of the best movies of the summer; unfortunately it fails to reach its full potential as it gets lost in all the twists and it doesn’t take itself seriously. Controversial film director Oliver Stone uses a not so original setting in the world of drug dealing and turns it into an almost dark comical action thriller, where cold-blooded dealers are gossiping coworkers that easily fool one another. I’ve said this before and I will say it again, a movie that has so many characters and that tries to fulfill too many genres most likely will fall short to what it tries to accomplish.

 

Best friends Chon (Taylor Kitsch) and Ben (Aaron Johnson) lead a successful marijuana producing business in California, they each bring something different to the table, which is what makes their partnership unbreakable. They also have a love triangle with their girlfriend O (Blake Lively) who keeps them balanced and creates this unusual family they all need. Their picture perfect life gets disrupted when the powerful and violent Mexican Baja Cartel wants part of their business’ action. The Cartel’s fierce leader Elena (Salma Hayek) runs her operations from her living room, commanding her right hand Lado (Benicio Del Toro) and her lawyer Alex (Demián Bichir). Not sure what to do, Chon and Ben consult a dirty DEA agent, Dennis (John Travolta) who’s helped them run their business without getting caught. A savage war breaks out when both teams try to outsmart one another.

 

Del Toro is just the perfect person to play a bad guy and the audience easily begins to hate him by his actions and behavior. Although Bichir’s part is miniscule, it’s very important and he plays it well despite of the film almost mocking his character, he’s still able to come out unharmed. The problem with Hayek wasn’t her performance, as it was great to see her play such a strong, powerful character; the problem was the script as it decides to show her as someone gullible and that’s hard to believe having seen what kind of person she is.

 

Kitsch has had a tough year with ‘John Carter’ and ‘Battleship’, he has a lot of talent and it shows here but at times the script does fail him, but he’s able to overcome it. Johnson gives the film a good balance, as he’s one of the few pacifistic characters and it is quite refreshing. Lively is the weakest link here, as she’s doesn’t have a lot of say and gets used over and over again. Although the narration by Lively helps the film, as she’s able to give background information, at the end the narration starts treating the audience like idiots and it takes away from the film.

 

Stone made some great casting choices as he combined veteran stars such as Travolta, perhaps Stone’s political angle in the film, with the three main young actors, which quickly have come to be known in Hollywood. Stone shows his capability as a filmmaker mixing in shots of black and white as well as beautiful sceneries and bloody scenes.

 

The film is based on Don Winslow’s novel and this might be the reason why it becomes over dramatic, ironic and comical at times; those were the biggest flaws of the film. The actors gave it their all despite of the script failing them at times. Unfortunately when it begins to have funny scenes and ridicule the characters who have earned the audience’s respect it undoes what it’s done. The film tries to overcompensate with violence but it doesn’t succeed. I expected so much more from this movie but it drowned in a pool of mediocrity as much as it struggled to keep afloat. 

Jack Rico

By

2012/07/06 at 12:00am

The Amazing Spider-Man (Movie Review)

07.6.2012 | By |

*Updated January 2026

Here we go again! The Amazing Spider-Man is back on the big screen and it is now in 3D with a new cast and a new storyline, sort of. This movie is a reboot of the Spider-Man franchise which is part prequel, part remake. Read More

Karen Posada

By

2012/07/02 at 12:00am

‘Ted’ is #1 at the box office!

07.2.2012 | By |

'Ted' is #1 at the box office!

‘Family Guy’s producer Seth MacFarlane took over the box office with his comedy ‘Ted’ with $54.1 million dollars. The story of the not so adorable teddy bear and his owner Mark Wahlberg, certainly is worth a peek as many would agree. This is the third best debut for an R-rated comedy, ever!

Channing Tatum’s ‘Magic Mike’ premiered at number two with $39.2 million dollars; this R-rated dramedy sure dragged plenty of ladies to the theaters this weekend. The film takes viewers into the world of male stripping, which is not as glittery as one might expect.

Surprisingly, ‘Brave’ dropped two spots to number three with $34 million dollars. Apparently the adults decided to leave the kids at home this weekend and give themselves a treat with the top two R-rated films of the box office.

 

The Top 10 Movies in the Box Office are:

1.Ted – $54.1 mil

2. Magic Mike – $39.2 mil

3. Brave – $34 mil

4. Tyler Perry’s Madea’s Witness Protection -$26.3 mil

5. Madagascar 3: Europe’s Most Wanted -$11.8 mil

6. Abraham Lincoln: Vampire Hunter – $6 mil

7. Prometheus – $4.9 mil

8. Moonrise Kingdom – $4.9 mil

9. Snow White and the Huntsman – $4.4 mil

10. People Like Us $4.3 mil

Karen Posada

By

2012/06/30 at 12:00am

First trailer of Demián Bichir’s ‘The Runway’

06.30.2012 | By |

First trailer of Demián Bichir's 'The Runway'

Oscar-nominee Demián Bichir’s film ‘The Runway’ directed by Ian Power and produced by Macdara Kelleher and Brendan McDonald will be available nationwide beginning on July 18, 2012 and in select theaters July 20th. It also starts Kerry Condon, James Cosmo, Donncha Crowley, Jaime Kierans, John Carpenter, and Bruno Bichir (Demián’s brother).

In this comedy kind of based on a true story, Ernesto (Demián Bichir) is a Colombian pilot that crashed in a small Irish village. Since he doesn’t speak English, it is thanks to Paco (Jaime Kierans) a 9 year old who speaks Spanish and becomes his translator that he gets help. Paco rewrites Ernesto’s life story motivating the village to help him. Unfortunately for the pair when a detective claims to know one of Ernesto’s secrets, the town’s people being to doubt who they can trust. 

The 93-minute film which already premiered in Mexico last year, shows the story about a boy needing a father, a man wanting a family and a town willing to go the extra mile to help someone in need.

Check out the trailer:

Jack Rico

By

2012/06/29 at 12:00am

Ted (Reseña)

06.29.2012 | By |

Es difícil ver en tiempo real un clásico instantáneo, pero eso será lo que usted experimentará cuando vea la comedia clasificada R – ‘Ted’. Es discutiblemente la mejor comedia de 2012 y una de las mejores desde ‘The Hangover’ del 2009. La cinta es pura ‘shock comedia’ y sumamente chistosa, logrando producir risas que te harán llorar, toser fuertemente y hasta… ofenderte. Sin embargo, pudo haber sido aún mejor si la duración del filme fuese un poco más corta. Hubo momentos en que era obvio que no había mucho material jocundo para sostener un film de 1 hora y 46 minutos. 16 minutos menos hubiese hecho toda la diferencia.

En esta comedia de acción real y de animación digital, vemos la historia de un niño de Boston, John Bennett (Mark Wahlberg), que convive con un adorable osito de peluche que cobró vida después de un deseo infantil… y que, desde entonces, se niega a abandonarle. La mayor parte de la película transcurre con un adulto John de 35 años de edad y Ted (voz proporcionada por Seth MacFarlane) dando vueltas fumando marihuana. Ted inexplicablemente continúa fumando hierba y perico, seduciendo a prostitutas, corrompiendo a John con fiestas llenas de alcohol y usando un vocabulario tan obsceno que el film debería de ser clasificado NC-17. Ted también se convierte en un importante obstáculo en la relación romántica entre John y su novia de cuatro años, Lori (Mila Kunis). Eventualmente, ella se vuelve tan cansada de las payasadas de Ted y la irresponsabilidad de John, que le exige escoger entre Ted o ella. Esto solo le complica las cosas más a John.

La comedia aquí es espectacular y se puede describir como ‘shock comedia’ – aquellos chistes que ofende con su sexualidad gráfica, situaciones perversas y depravadas y dialogo altamente cargados con obscenidades. Pero son dos factores que claramente establecen las risas y el éxito del film. La primera, y la más importante, es el oso de peluche Ted. La asociación que tenemos con peluches es algo infantil, sano e inocente. Colocándolo en extremas situaciones contradictorios como las susodichas, inyectan una inquietante y nerviosa risa involuntaria difícil de cohibir. El segundo factor al éxito y risas incontrolables es ver a un macho-man musculoso comportándose como un pleno niño. Wahlberg nuevamente nos sació y atontó con su talento cómico y actúa estos personajes cómicos con mucha autenticidad y convencimiento. Si vas con un amigo o amiga, será inevitable no reírte.

Seth MacFarlane, el creador de la serie ‘Padre de familia’, hace su debut como director y pega un jonrón como guionista, director y la voz de ‘Ted’. Aunque no catalogaría la película como una obra maestra cómica, se aproxima muy cercano a ella. Él nos provee con una historia original y un humor refrescante que no podremos olvidar por semanas. Pero con el fin de estirar la duración del largometraje, MacFarlane inserta algunas subtramas impares que apaciguan el ritmo cómico del film. Además, muy buen toque de darnos una fuerte dosis de nostalgia de los años 80 y apariciones especiales que incluyen a Norah Jones, Tom Skerritt, y Ryan Reynolds.

Mila Kunis por su parte desempeña un papel de tercera a Ted y Wahlberg. Si su trabajo en ‘Friends with Benefits’ es alguna indicación de su talento en comedias bruscas, ella fue un total desperdicio aquí. Mejor hubiesen escogido a una cara menos relevante. El guión, sin duda, defrauda a Kunis y su papel requería más que solo un aspecto atractivo.

Los efectos especiales del oso Ted son increíbles. Uno se olvida por completo que es un efecto creado en un ordenador especial. Los detalles de su pelo, ojos y sus manerismos lo dejarán patidifusos.

Fuera de poder mantener el tempo jocoso por casi dos horas continuas, y una que otras deficiencias minúsculas no merecedoras de resaltar aquí, ‘Ted’ es un clásico de la comedia para los próximos cuantos años hasta que llegue su secuela. Eso sí, por favor tenga cautela que este osito no es Winnie the Pooh, es más bien el Diablo dentro de Winnie the Pooh. Muchos padres podrían malinterpretar el avance y pensar que es una película de familia. Este largometraje es exclusivamente para adultos con un sentido de humor muy fresco y experimentado. Sin mentirles, ‘Ted’ es tan buena, que merece ser vista múltiples veces!

Karen Posada

By

2012/06/29 at 12:00am

People Like Us (Movie Review)

06.29.2012 | By |

People Like Us

‘People Like Us’ is a good mix of drama with a sprinkle of comedy and sweetness, a perfect dose of entertainment. I wasn’t sure what to expect from this film since it seems to have a pretty clear plot, but fortunately thanks to all the different personalities it is anything but predictable. At times the film gets dangerously corny, but as Alex Kurtzman’s directorial debut it is a refreshing film about life choices and family, which teaches us all a lesson.

 

When Jerry Harper a record producer and Sam’s (Chris Pine) estranged father passes away, he reluctantly flies to Los Angeles with Hannah (Olivia Wilde) his girlfriend, to attend his funeral and settle his state. At home we get pieces of what his childhood was like, as his mother, Lillian (Michelle Pfeiffer) doesn’t seem very nurturing. To his surprise his father left him the task of contacting a half sister he didn’t know existed, Frankie (Elizabeth Banks) to deliver an enraging amount of money to her. While contemplating what to do with the money, Sam scouts out his half sister and gets a peek into her complicated life as the single mother of Josh (Michael Hall D’Addario) and unexpectedly gets drawn into their lives.

 

The best part of this movie is D’Addario, the kid is hilarious because not only does he act like an adult since he has to take care of himself, but he’s too smart for his own good. Banks doesn’t stay too far behind as we see where the kid gets it from, she also has a smart mouth, is strong and sexy all at the same time. Pine’s character is the darker, mysterious one and he plays the roll well. Wilde although doesn’t have a lot of screen time, serves her role as Pine’s conscience perfectly. Finally Pfeiffer, rounds out the parent role, as obviously the missing parent is talked about a lot and becomes a presence in the film, but she’s one of the characters that can bring him to life the most.

 

The movie’s fuel is the tension between the siblings and although it is beyond frustrating, it works, because that’s exactly what keeps you interested and cringing at the same time. The movie weaves in music with funny and dramatic moments masterfully. Slowly without noticing you come to care for this characters and even when it starts to get corny you still want to know how the story ends. The key to the story is that we see how someone’s actions (the deceased father’s) affected the lives of many people, even the ones that didn’t know him. The movie is loosely based on the director’s real life and this isn’t a story that is hard to believe; it’s pretty down to earth without being dull.

 

Pine delivers some worthy life lessons, but most of all the film let’s us know that there’s usually more to the actions of others than we know. As children we are quick to judge our parents and react on it as adults, here we explore how the options of running away or sticking around pan out. In the mist of summer movies this is a heartfelt hidden drama in between all the action and comedy ones that will leave you with a warm fuzzy feeling.    

SBC Staff

By

2012/06/29 at 12:00am

Radio Reviews: Ted, Magic Mike

06.29.2012 | By |

Radio Reviews: Ted, Magic Mike

This week from Miami, on the Enrique Santos Morning Radio Show, Jack Rico reviews the new film releases: the rated R comedy TED starring Mark Wahlberg, and MAGIC MIKE, the stripper movie for the ladies.

You can hear our movie review segment in Miami on the ‘Enrique Santos Morning Show‘ every Friday at 7:25 AM and 9:25 AM by Univision Radio ‘MIX98.3FM’ in Miami or the global network by visiting: http: / / www.enriquesantos.com/

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