The Amazing Spider-Man (Movie Review)

*Updated January 2026

Here we go again! The Amazing Spider-Man is back on the big screen and it is now in 3D with a new cast and a new storyline, sort of. This movie is a reboot of the Spider-Man franchise which is part prequel, part remake.

It is a modest effort on the part of Columbia Pictures, but let’s be honest, the original Spidey with Tobey Maguire needn’t be touched or polished. It is one of the best superhero films ever made. Nevertheless, director Marc Webb brings distinct nuances to the table.

He offers a more detailed origin story, a darker Peter Parker, and a high school teenage vibe. However, the 3D feels more 2D than anything I’ve seen all year. When you mix all pros and cons together, the result is an average movie experience that leaves you wanting excellence, not mediocrity.

In this remake, Peter Parker (Andrew Garfield) is an outcast high schooler who was abandoned by his parents as a boy. He is raised by his Uncle Ben (Martin Sheen) and Aunt May (Sally Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today.

Peter is also finding his way with his first high school crush, Gwen Stacy (Emma Stone). Together, they struggle with love, commitment, and secrets. As Peter finds a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance.

This leads him directly to Oscorp and the lab of Dr. Curt Connors (Rhys Ifans), his father’s former partner. As Spider-Man is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers.

The Amazing Spider-Man is not terrible. It is rather an average superhero movie, a factory-made film, so to speak. It is nothing special worthy of praise.

It does have moments of high entertainment value, especially the battle with The Lizard in 3D, that the masses will like. But the rest is so familiar that true superhero moviegoers will ultimately become very weary of it very quickly.

Perhaps one might like this darker version, but it is difficult for anyone to convince me that this is better than The Dark Knight or The Avengers. Among the defects of this movie is the lack of chemistry between the protagonists, and perhaps most obvious, the script. It suffers from serious gaps of continuity that don’t allow the first hour to smoothly connect to the second or third act.

The special effects do distract from these shortcomings, but let’s be more honest. Why re-tell a story that we saw only ten years ago? Could it be that Sony thinks we suffer from amnesia?

It is a frustrating exercise in redundancy and commercialism. It doesn’t help that the script by James Vanderbilt, Alvin Sargent, and Steve Kloves contains absurd leaps of uniformity. The best example of this unacceptable fallacy is when Parker spends the first half-hour of the film looking for the blond thug who killed his Uncle Ben.

Without a clear and obvious resolution, the story abruptly jumps to Peter’s romance with Gwen Stacy and forgets the search for the crook. Helmer Marc Webb somehow ignored this crucial element that really wasted a better movie.

In the acting department, the selection of Andrew Garfield was an upgrade to Tobey Maguire. Garfield’s work on The Social Network was superb and was better than anything Maguire has been in. Emma Stone, whose caustic sardonic roles we’ve seen in Easy A and Crazy, Stupid, Love, is by far the overt improvement to the languid-like Kirsten Dunst.

Meanwhile, Rhys Ifans, who plays The Lizard, is for me one of the best actors in Hollywood. His ability to physically change from character to character (a derelict in Notting Hill to royalty in Anonymous) is amazing. Here he provides a respectable archenemy to Spider-Man.

To be fair to the movie, the action, direction, and special effects are not the main culprits for this average film. It crumbles because of the screenplay. If only Christopher Nolan was in charge of the script.

The Amazing Spider-Man was filmed in 3D and converted to 3D, however, more than half of the film is presented in what looks like 2-D. The only time you really feel it is in 3D is when it gets to the action sequences. The other bits are pure fraud.

Overall, this reboot is the biggest cinematic redundancy of the 21st century. It fails to improve upon the myth of one of the most charming and popular superheroes of the Marvel universe. Instead of giving us something new and innovative, we got a superfluity.

Perhaps we could have seen Peter Parker as an Afro-Latino photographer like in the comics, or re-concocted a different story altogether. Instead, we got a film which will hit a nice revenue line for many studio heads at Columbia.

Okay, okay. But Jack, I’m very curious to see it. Is it at least watchable, because I really like these type of movies?

Yes, it’s watchable, because after the drags of boredom there are peaks of diversion. But if you frown a few times it’s not my fault. Don’t forget the hidden scene after the credits that hints at what looks to be the next villain.

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