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The Latest in ShowBiz News

Karen Posada

By

2010/07/20 at 12:00am

Cop Out

07.20.2010 | By |

Rating: 3.0

Rated: R for pervasive language including sexual references, violence and brief sexuality.
Release Date: 2010-02-26
Starring: Robb Cullen, Mark Cullen
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://copoutmovie.warnerbros.com/

 Go to our film page

‘Cop Out’ is well-rounded movie in the sense that each character contributes something different to it, it is this characteristic that makes it entertaining. It is not an original piece though, it is like seeing another sequel of such movies as ‘Lethal Weapon’, although the humor in it does make it stand out more. There are a lot of stereotypes that took away from the movie as well as some bad choices on secondary characters.

The story revolves around two NYPD officers who get into a whole lot of trouble for a baseball card that leads them to solve a major gang plot. Jimmy Monroe (Bruce Willis) seems to have done everything wrong in his life, so he wants to fix his mistakes by paying for his daughter’s wedding. The only issue is that he has the salary of a cop therefore can’t afford the wedding, unless he sells a rare, mint-condition baseball card he owns. His partner, Paul Hodges (Tracy Morgan) is devoted to help him despite of him having his own problems such as dealing with insecurity issues in his marriage. In their journey they loose their card to Dave (Seann William Scott) who becomes their assistant and leads them to the mexican gang who not only is in possession of the card but are also the ones to blame for other crimes in the area. Their leader Poh Boy (Guillermo Diaz) is bloodthirsty and wants nothing more than to expand his drug-dealing business out of Brooklyn, he begins by capturing Mexican beauty Gabriela (Ana De la Reguera) who holds the key for him to accomplish his master plan.

Director Kevin Smith did a good job at casting, Bruce Willis and Tracy Morgan. They make a great team, Morgan is hilarious and comes up with the weirdest funniest things to say and do; while Willis with his strong character carries the movie forward as the responsible role he depicts, although he looks most comfortable in the action scenes. Sean William Scott has a love/hate relationship with Morgan, that is very funny in a ‘annoying younger brother’ kind of way. Diaz plays the role of a villain with a comedic side which he does well and De la Reguera is a tough damsel in distress that balances things out. The rest of the latino crew does a horrible job starting by their Spanish. Cory Fernandez should be ashamed of his performance as well as his nonexistent Spanish. I was disappointed with all the stereotypes in the film towards hispanics (mexican gangs, brute unintelligent men, violence, etc).

Overall the film is entertaining, a good laugh. There is lots of unnecessary cursing so make sure to go with adults only. Check out our interview with Willis and Morgan so you can look out for their favorite scenes in the film, as well as the Spanish they picked up on the set.

Jack Rico

By

2010/07/19 at 12:00am

Daniel Radcliffe set to star in ‘The Woman in Black’

07.19.2010 | By |

Daniel Radcliffe set to star in 'The Woman in Black'

Mr. Daniel Radcliffe, a.k.a Harry Potter, is leaving his wand at home in exchange for professional growth. He has just been chosen to star in a new movie called THE WOMAN IN BLACK about a young lawyer and some secrets involving a ghost. Read up on the press release sent to us this morning…

“Daniel Radcliffe will take the lead in The Woman in Black, Hammer Films and Alliance Films hotly anticipated adaptation of Susan Hill’s best-selling novel, it was announced today by  Simon Oakes, and Nigel Sinclair of Exclusive and Hammer.
 
To be directed by James Watkins (Eden Lake) and written by Jane Goldman (Kick Ass, The Debt) The Woman in Black follows a young lawyer, Arthur Kipps (Radcliffe), who is ordered to travel to a remote corner of the UK and sort out a recently deceased client’s papers. As he works alone in an old and isolated house, Kipps begins to uncover its tragic secrets, and his unease grows when he discovers that the local village is held hostage by the ghost of a scorned woman set on vengeance.  Production is expected to begin in the Fall of 2010.
 
Exclusive and Alliance Films will co-finance the film. Alliance Films will also distribute the film in the United Kingdom (Momentum), Spain (Aurum) and Canada (Alliance Films).  Exclusive Films International, headed by Chairman Guy East and President of International Sales and Distribution Alex Walton, is handling worldwide sales.
 
Daniel Radcliffe is of course, best known for his portrayal of the bespectacled wizard Harry Potter, in the hugely successful series of feature films based on J. K. Rowling’s publishing phenomenon. He has starred in all eight films and collaborated with respected directors Chris Columbus, Alfonso Cuaron, Mike Newell and David Yates. He also starred in Brian Kirk’s My Boy Jack (written by and also co-starring David Haig), playing the role of Rudyard Kipling’s tragic 17 year old son who went off to fight in the First World War. Most recently Radcliffe has proved him self an accomplished stage actor, receiving tremendous reviews and acclaim for his portrayal of Alan Strang in Peter Shaffer’s Equus in the West End and on Broadway. Radcliffe will return to Broadway next Spring to star in the musical How to Succeed in Business Without Really Trying.
 
“’When I met Dan, it was quite uncanny how closely our thoughts on the story mirrored each other: I can’t wait to get down to work with him to fashion a compelling character and a classy ghost story that tugs at the heart and chills to the bone,” says James Watkins.
 
Simon Oakes continues, “We’re thrilled to have Daniel on board, I can think of no better actor to play the role of Arthur Kipps.  I’m confident that under the direction of James Watkins, he’ll take Jane Goldman’s script and deliver an utterly intense and compelling performance.”
 
Daniel Radcliffe said, “I am incredibly excited to be part of The Woman In Black. Jane Goldman’s script is beautifully written – both tender and terrifying in equal measure. It is thrilling to be working with James Watkins. From his brilliant work on Eden Lake and also having met him and heard his vision for the film, I know he will make a fantastic film.”
 
The Woman in Black is produced by Simon Oakes for Exclusive’s Hammer Films label and Richard Jackson at Talisman Films. Exclusive’s Nigel Sinclair and Guy East are serving as Executive Producers, along with Roy Lee for Vertigo Entertainment (The Ring). Jane Goldman (Kick-Ass) is adapting the screenplay, based on Susan Hill’s best-selling novel.
 
Susan Hill’s novel has become a modern classic, appearing on the national curriculum in the United Kingdom. The Woman in Black was also adapted into a stage play by Stephen Mallatratt, first performed at the Theatre-By-The-Sea in Scarborough, UK in 1987. It moved to the Fortune Theatre in London’s West End in 1989, where it still successfully runs today, over twenty years later, and has been performed the world over.
 
Exclusive is currently in post-production on three films: Matt Reeves’ Let Me In starring Kodi Smit-McPhee, Chloe Moretz, Elias Koteas and Richard Jenkins (produced through its Hammer Films label, Overture Films will release the film in October 2010); Antti Jokinen’s The Resident starring Hilary Swank, Jeffrey Dean Morgan, Lee Pace and Christopher Lee (produced through Hammer Films); and Peter Weir’s The Way Back starring Ed Harris, Jim Sturgess, Saoirse Ronan, Mark Strong and Colin Farrell.  The company recently premiered Spitfire Pictures’ The Last Play at Shea, about Billy Joel and his last performance at Shea Stadium, at the 2010 Tribeca Film Festival and is currently in production on the authorised history of Formula 1.”

Jack Rico

By

2010/07/19 at 12:00am

Free tickets to see ‘Salt’ in NYC!

07.19.2010 | By |

Free tickets to see 'Salt' in NYC!

ShowBizCafe.com invites you to see an advanced screening of the action film ‘SALT’ starring Angelina Jolie on July 22nd at 7:30PM at an undisclosed theater in Manhattan. Just watch the Salt trailer by clicking on the poster below and tell us how long the trailer lasts on the comments section below. If you’re correct, we’ll send you an e-ticket of the movie to the first 100 respondents with a guest!

Synopsis: When CIA officer Evelyn Salt is outed as a Russian sleeper spy, she evades capture by those who are convinced she’s aiming to assassinate the president.

Again, we will send a confirmation of your invitation via email before the screening. Hope to see you at the movies Thursday, July 22!

Opens nationwide in theatres on July 23rd, 2010. All winners will be notified by e-mail.

Good luck!

Salt Poster

Tickets are limited and are allocated to a random sampling of respondents. Limit two (Admit-Two) pass per person. Seating is first come, first served. No purchase necessary. While supplies last.

Rated PG-13 for intense sequences of violence and action.

No one under 13 will be admitted.

The theatrical release will be July 23rd.

http://www.sonypictures.com/movies/salt/

Jack Rico

By

2010/07/16 at 12:00am

Inception (Movie Review)

07.16.2010 | By |

Inception

What is undoubtedly one of the top 3 films of the year, Inception is a visual and production achievement infused with entertaining CGI and action sequences all while engaging you intellectually… characteristics that I wish every movie would set out to do. The premise is not a simple one to follow and it demands more focused attention from you than 90% of the films out there, but the payoff will be one of the great cinematic experiences of 2010 and perhaps the past decade.

Inception, in dictionary terms, means the beginning of something. In Christopher Nolan’s new film it is defined as the implanting of an idea through the dreams of a subject. That is what Dom Cobb (Leonardo DiCaprio) sets out to do for the very first time in this story. He is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible–inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one.

You’d have to go back to the The Matrix movies to even remotely experience anything like ‘Inception’. Director Christopher Nolan has perfected the craft of the cavernously dark, cerebral, tension filled films which have now become his stylistic stamp. His films such as The Following, Memento, The Prestige, amongst others, all carry the singularities and traits that have build up to ‘Inception’.

The assembled cast (Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Marion Cotillard, Pete Posthethwaite, Michael Caine), many from The Dark Knight project, is top notch. Dicaprio, the star of the film, is intense, affecting, and captivating. I do think though, his best performance was captured by Martin Scorsese in this year’s Shutter Island. In regards to the CGI, it functions as a compliment to the plotline instead of overwhelming it. Make sure you await with anticipation the hallway fight scene which seemed extremely hard to shoot and produce. That scene alone is worth the price of admission.

If you are looking for an action/adventure film that is layered with puzzles and mysteries, then you are going to love Inception, but remember, in order to fully enjoy it, your trip to the concession stand or the bathroom will have to wait. Don’t look at that text or that guy that’s gasping too loud in amazement. Just focus, just enjoy.

Karen Posada

By

2010/07/15 at 12:00am

Exclusive! 6 questions with Angelina Jolie

07.15.2010 | By |

ShowBizCafe.com obtained a very exclusive interview with the multiple award winner and humanitarian actress, Angelina Jolie about her upcoming action film Salt opening July 23rd nationwide. She cleared up some rumors and spoke of her motivation as well as her ideas of new projects.

ShowBizCafe: At this point in your career what validates your work? Is it what critics say? Or?…

Angelina Jolie: I never read what critics say, I think it’s healthy. (laughs) I like the process of making a film, when we’ve worked really hard in making a good film I feel satisfied. I like the team of other actors, and the crew, the director; I just love the family and if we feel we’ve done our best I feel happy. The best obviously is when an audience responds and enjoys the film and people tell you they’ve had a good time, or they’ve learned something, it’s the greatest.

SBC: Do you think the length of 90 minutes works and helps this film?

AJ: I don’t have the longest attention span, so I think it depends on the film. This one is kind of relentless from start to finish, that’s what we tried to do. I don’t think you can handle that for too long.

SBC: Since you did your own stunts, what were your days like? Were you exhausted?

AJ: It seems like so much but it was spread out and I was exhausted. But the kids would come and we would have lunch and I was home by the time the sun went down. There are much harder jobs (laughs).

SBC: Vanity Fair reported you saying that you’d give up acting at some point, is that true?

AJ: Not that I’d give up acting, I think I would just do less at some point. I have a few more stories that I’d like to tell but I can imagine that I’ll just do less and less as my kids grow up. I’d like to do other things before my life is over.

SBC: Cinematically what things do you feel you haven’t done?

AJ: Well there’s been talk about Cleopatra, I haven’t done a historical epic of that nature and she’s always been fascinating to me. I feel that as much as her story [has been done so many times] it’s never been done accurately. Not that any movie can get history perfectly right. There’s no universal truth to history in film but you can get closer and I feel that there’s a lot that hasn’t been explored about her. Theres a lot that would have to come together for that to work.

SBC: Finally, what was your reaction when you first heard about the alleged Russian spies that were recently arrested?

AJ: It was the day before we started press so at first I didn’t believe it. It was bizarre. It was two-fold. The part of me that’s interested in politics felt ‘ I hope this doesn’t affect our relationship with Russia and our relationship with moving forward and [with] Afghanistan and Iran. And all these things and I don’t know what this means.’ The other part of me, that does films thought ‘ what extraordinary timing’ and this is because all through the making of this film we would question: Is this possible? are we bringing back Cold-War propaganda that’s unnecessary? and [is this]something we should leave alone? With no intention on doing anything like that. It just felt true to the story and when I [Evelyn Salt] would have been young that would have been the war so it would make sense to do that sleeper. It was just bizarre when we read it and we have been following it, it’s extraordinary how it’s unfolding

Namreta Kumar

By

2010/07/13 at 12:00am

The Greatest

07.13.2010 | By |

Rating: 2.5

Rated: R for language, some sexual content and drug use.
Release Date: 2010-04-02
Starring: Shana Feste
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thegreatestthemovie.com/

 Go to our film page

The best parts of “The Greatest” are also its worst. Unfortunately, Shana Feste has created a film about spectacular moments but she failed to connect them.

This family drama is all about life and death. It is about loss and strength. Allen (Pierce Brosnan) and Grace Brewter (Susan Sarandon) are faced with the death of their son, Bennett. At that moment walks in Rose (Carey Mulligan), pregnant with Bennett’s child.

What stays with me after the end of the film are some very distinct moments. The honesty with which Shana Feste crafts her scenes is remarkable and is the high point in the drama. Each character has their own catharsis, distinct of the rest. For a second it seems to fool you into thinking that you are with them. However, as you move to the next scene that link is broken. The overall film suffers from this disconnect.

The most powerful connection the audience does make is between Allen and Rose when Rose takes Allen to a “Wouldn’t Be Caught Dead In” party. This is one particular moment to watch out for Brosnan and Mulligan’s performance and the layers that Feste has created in this moment of joint abreaction. Another powerful moment of association to watch out for is between Brosnan and Sarandon at the beach.

The greatest moments of the film are the ones that bring more than one plot in face of another, and unfortunately the lack of those moments leaves to many holes in the film. Unlike films like Crash and Babel, that have multiple stories that connect to some end, this film has a constant connection that does not justify parallel plots.

Namreta Kumar

By

2010/07/13 at 12:00am

Saint John of Las Vegas

07.13.2010 | By |

Rating: 1.5

Rated: R for language and some nudity.
Release Date: 2010-01-29
Starring: Hue Rhodes
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: No disponible

 Go to our film page

 

There are some films that you love instantly, and others that you hate; this film does not fit either category. Saint John of Las Vegas is distinctly unmemorable.

John, played by Steve Buscemi, is a “recovering” gambling addict, whose journey starts and ends in Las Vegas. The film follows John from his unexciting job in insurance, back to Vegas. Along the way we meet the typical boss, Mr. Townsend, and some particularly peculiar characters that drive along the fraud investigation of a car “accident.”

I really cannot find anything to say about this film, neither good nor bad; and unfortunately that in itself is bad. Everything about the film is mediocre. Steve Buscemi does a convincing enough job playing John, however it is nothing we haven’t seen before. The story is too reminiscent of every other film of its genre and the characters albeit quirky aren’t altogether new either.

The hundreds gambled at a gas station that form the crux, and narrate the larger story, are perhaps the best moments of the film. Luckily they are spread out intermittently to form a strong writing arc and keep the story moving. Unfortunately though it makes the feature film feel like an addition to a better short.

This character based film lacks character. First time writer/director Hue Rhodes’ attempt at creating another independent comedy of manners is grossly unoriginal. Saint John of Las Vegas is a film that can be missed for better films of the same genre.

Jack Rico

By

2010/07/13 at 12:00am

Our Family Wedding

07.13.2010 | By |

Rating: 3.0

Rated: PG-13
Release Date: 2010-03-12
Starring: Wayne Conley, Malcolm Spellman
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.ourfamilyweddingmovie.com

 Go to our film page

Jack Rico

By

2010/07/13 at 12:00am

Greenberg

07.13.2010 | By |

Rating: 2.0

Rated: R for some strong sexuality, drug use, and language.
Release Date: 2010-03-26
Starring: Noah Baumbach, Jennifer Jason Leigh
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.filminfocus.com/focusfeatures/film/greenberg

 Go to our film page

Jack Rico

By

2010/07/13 at 12:00am

Chloe

07.13.2010 | By |

Rating: 3.0

Rated: R for strong sexual content including graphic dialogue, nudity and language.
Release Date: 2010-03-26
Starring: Erin Cressida Wilson
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.sonyclassics.com/chloe/

 Go to our film page

‘Chloe,’ Atom Egoyan’s new directorial work, is the lesbian version of Fatal Attraction. You can expect a high level of nudity and explicit, erotic sexual lesbian scenes that almost make it feel like soft core porn. The look of the film is different though and resembles more Stanley Kubrick’s artistic ‘Eyes Wide Shut.’ The pacing, cinematography and camerawork, even its musical score, ignites thoughts of the film. The acting is strong and the story, for 85% of its duration, is utterly enthralling… until it collapses at the very end in an hyperbolic mess.

A gynecologist (Juliane Moore) hires an escort (Amanda Seyfried) to seduce her husband (Liam Neeson), whom she suspects of cheating. The results will back fire on her and reveal a side of herself she didn’t know existed.

For most of the film, this erotic thriller carries a slow enjoyable pace. It never reaches the depths of boredom. Each scene is crafted carefully to develop the characters and the meat of the story. The situations they are all in are plausible, but with an edge to them. Then out of nowhere, 20 minutes before its denouement, it becomes risible and loses all cogency and believability. I don’t even want to try and figure out why that happened, but this movie could have been great.

Despite that one deficiency, the whole of the film should not be dismissed. The engrossing, sometimes transfixing artistic sensuality of the sequences will keep you glued to your seat. The premise evokes real questions that ultimately many marriages suffer from, such as – can one ever really be only with one person for their whole life?

‘Chloe’ has an answer for that and it’s not necessarily the one you want to hear. The movie is a bit twisted, but it is very entertaining, you can’t wait to see what happens next and am sure most of you will feel the same too.

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