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Movie Reviews

Mack Chico

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2009/05/21 at 12:00am

My Bloody Valentine 3-D

05.21.2009 | By |

Rating: 2.0

Rated: R for graphic brutal horror violence and grisly images throughout, some strong sexuality, graphic nudity and language.
Release Date: 2009-01-16
Starring: Todd Farmer, Zane Smith
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Country:USA
Official Website: http://www.mybloodyvalentinein3d.com/

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Mack Chico

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2009/05/21 at 12:00am

Paul Blart: Mall Cop

05.21.2009 | By |

Rating: 2.5

Rated: PG for some violence, mild crude and suggestive humor, and language.
Release Date: 2009-01-16
Starring: Kevin James, Nick Bakay
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Country:USA
Official Website: NULL

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After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That’s because this movie elevates its objective from lampooning mall security guards to satirizing one of Hollywood’s biggest genres: the action/crime movie. In particular, Die Hard. To be sure, the iconic 1988 Bruce Willis film has been the subject of numerous big-screen parodies during the past two decades, but none has succeeded as well as this one. Considering the dubious quality of many of them, that could be considered damning with faint praise. And, although Paul Blart is by no means great cinema, there is amusement to be uncovered as we watch Kevin James bumble his way through actions oh-so-similar to those navigated with more blood, sweat, profanity, and dead bodies than Willis. Too bad there’s no “Yippekayay…,” but this is rated PG.

 

Paul Blart (Kevin James) is a rent-a-cop at a North Jersey mall. He doesn’t get to carry a gun but he has a Segway to ride around on. Paul’s ultimate dream is to join the New Jersey State police force, but hypoglycemia has thus far prevented him from completing the physically draining entrance exam. There’s another point of dissatisfaction in Paul’s life: he’s lonely and dreams of finding Ms. Right, even though the on-line dating service in which his daughter (Raini Rodriguez) has enrolled him keeps telling him “You have no matches.” Paul has his eye on Amy (Jayma Mays), the operator of a new kiosk at the mall, but he lacks the gumption to approach her. Meanwhile, he has the task of training a new security guard: Veck (Keir O’Donnell), who’s only on duty because he couldn’t get accepted for any other job. On Black Friday, however, Paul’s life undergoes a radical change when terrorists take over the mall, locking the police out. The only one in a position to help the hostages and apprehend the bad guys is Paul.

 

I admit to having looked at my watch a few too many times during the movie’s prolonged opening act as we “get to know” Paul. Like most one-dimensional comedy protagonists, he’s not really worth spending so much introductory time with. The scenes of him going about his daily mall patrol duties, while arguably necessary to the setup, are rather dull. Kevin James imbues Paul with more likeability than we would get from, say, Adam Sandler, but it’s a generic role. The film takes off, however, when it gets to the Die Hard stuff. This is actually a pretty clever way to rework the basic scenario of John McClane trapped on his own with a group of terrorists in a building. Paul Blart: Mall Cop refers either directly or indirectly to Die Hard numerous times (I can see a drinking game here…), and it’s amusing to recognize how minimal tweaks can convert thrills into laughs.

 

The PG rating assures that the violence will be limited and cartoonish. There’s a nod to this when Paul, apparently injured, peels back his shirtsleeve to reveal a tiny cut (upon which he places a childish band-aid). Would the film have been funnier had it been more graphic? Perhaps, but the essential innocence of the proceedings defuses anything resembling tension. Those who enjoy Paul Blart: Mall Cop will be watching purely for its comedic and satiric value, not because there’s any inherent interest in how the storylines will be resolved.

 

Kevin James possesses the Teddy Bear factor that served John Candy well. Like Candy, James is a big man and plays characters with big hearts. He’s a refreshing change from the Sandlers and Carreys who have dominated motion picture comedies with their often mean-spirited antics over the past 1 1/2 decades. And, unlike Will Ferrell, James isn’t in a perpetual state of arrested adolescence. He’s a regular guy. That’s his charm. Here, he’s a schlub who deserves more out of life but takes pride in the lowliest of jobs: being a mall security job. The term “loveable loser” was coined for this sort of individual.

 

I’m not going to claim that Paul Blart: Mall Cop deserves placement on anyone’s movie schedule ahead of the many fine Oscar bait films against which it is competing. It’s a juvenile motion picture designed primarily for a juvenile audience. But there’s a little more here than one might reasonably expect and that makes it a passable choice for watching at home, when viewers tend to be less demanding. Certainly, the question of what Die Hard would have been like in a suburban mall with Kevin James as the hero offers the potential of a diverting 90 minutes. To the extent that this is Paul Blart: Mall Cop‘s goal, it can’t be said to have failed.

Jack Rico

By

2009/05/21 at 12:00am

Valkyrie

05.21.2009 | By |

Rating: 3.5

Rated: PG-13 for violence and brief strong language.
Release Date: 2008-12-26
Starring: Christopher McQuarrie, Nathan Alexander
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Country:USA, Germany
Official Website: http://valkyrie.unitedartists.com/

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Jack Rico

By

2009/05/15 at 12:00am

Angels & Demons

05.15.2009 | By |

Rated: PG-13 for sequences of violence, disturbing images and thematic material.
Release Date: 2009-05-15
Starring: Akiva Goldsman
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Country: USA
Official Website: http://www.sonypictures.com.mx/Sony/HotSites/Mx/angelesydemonios/

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Angels & Demons

‘The Da Vinci Code’ was such good, clever cinematic entertainment, that expectations for ‘Angels & Demons’ to either match or exceed its success were crucial. Regrettably, neither came true. The contrivances and absurd coincidences of the clues are so predictable and telegraphed that it zapped all the fun out of the film. This new effort by Ron Howard and Tom Hanks falls short of their talents and abilities. Hanks not only phoned in his performance, it looked like he created a cartoon version of his character Robert Langdon.

“Angels & Demons,” published in 2000 by author Dan Brown, sees Robert Langdon (Tom Hanks) summoned to a Swiss research facility to analyze a cryptic symbol seared in the chest of a murdered physicist. What he discovers is a deadly vendetta against the Catholic Church by a centuries-old underground organization called the Illuminati to turn half of Rome into a wasteland.

Here’s the good and the bad with ‘Angels & Demons’: Entertainment vs. Implausibility.

Let me explain…the bad is that this film is ‘The Da Vinci Code’ on steroids, it’s so over-the-top. The clues are never ending and they are too easy to create any suspense. Also the acting was, for some reason or other, below par. Perhaps the cast’s uninspired efforts were a byproduct of shooting in a studio lot as opposed to Vatican City, which did not give any clearance to film on its premises. No wonder you saw so much CGI this time around. Finally, the ending takes a turn to the absurd, fully confirming that corporate studio heads prevailed by creating a film for the ‘everyday joe’ and not the literary fans of the book.

The good can be described in the beautiful and elegant camerawork of cinematographer Salvatore Totino, and a captivating story that tells of the mysteries inside the holy Vatican City. There are many scenes that are very entertaining to watch and delight in.

Still, the bad outweighs the good and the preposterous plot outweighs everything. If you’re a fan of the book you’ll be entertained but disappointed, and if you’re not, the same thing.

Jack Rico

By

2009/05/14 at 12:00am

Management (Movie Review)

05.14.2009 | By |

Aniston plays a traveling saleswoman who sells cheap art to small companies in motels. She has a fling with an aimless, underachieving assistant motel manager (Zahn) at one of her stops, and he ends pursuing her all over the U.S. Talk about getting suckered into vulnerability. Steve Zahn dripped that adjective in his latest performance in the film ‘Management’, also starring Jennifer Aniston. The movie, which has all the makings of an indie film, but it’s really targeted towards a more mainstream audience, is perhaps the best romantic comedy of the year. That’s really not saying much since the genre hasn’t put out a real charmer in a while. Read More

Alex Florez

By

2009/05/13 at 12:00am

Taken

05.13.2009 | By |

Rating: 2.0

Rated: PG-13 for intense sequences of violence, disturbing thematic material, sexual content, some drug references and language.
Release Date: 2009-01-30
Starring: Luc Besson, Robert Mark Kamen
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Country:France
Official Website: http://www.takenmovie.com/

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For years now, french filmmaker Luc Besson (The Transporter) has been hemorrhaging preposterous action films that are wildly unsophisticated in their storytelling but that are also inexplicably entertaining.  Taken is no exception. 

Yet the Besson-written screenplay is directed by another frenchmen, Pierre Morel, who at least for this film, happens to share his exact same sensibility:  A reckless disregard for character development because the order of the day is a ‘shoot-em up thriller’.

Unsurprisingly then, the film’s premise is pretty straightforward. It centers on a former government operative named Bryan Mills (Liam Neeson) who is on the hunt for a fearsome organization that has taken his daughter Kim (Maggie Grace), with whom he has just started to rekindle a relationship with.  After being absent for most of her life, Mills will terrorize all of Paris hunting down the band of kidnappers to prove his fatherhood.

Despite its slow beginning, hokey dialogue, and poor acting on everyone’s account (Maggie Grace being especially unbearable), the film doesn’t ever pretend to be more than it really is. It’s just strange to see Neeson, such an accomplished actor, playing the type of role usually reserved for people like Jason Statham. 

I know what I’m getting into when when I watch these films and so I’m rarely disappointed.  And If you have the slightest appetite for the genre, then it should be an easy 90 minutes of film to watch.

Taken is the type of film that easily gets filed under the ‘really bad films I’d watch category’.

Jack Rico

By

2009/05/08 at 12:00am

Rudo y Cursi

05.8.2009 | By |

Rated: R for pervasive language, sexual content and brief drug use.
Release Date: 2009-05-08
Starring: Carlos Cuarón
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Country: Mexico
Official Website: http://www.rudoycursilapelicula.com/

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Rudo y Cursi

“Rudo y Cursi” is a lively and engaging comedy that highlights some drama in its storyline. Regrettably, in the end, feels a little thin, largely because it is unsure of how earnestly to treat its own lessons about fate, ambition and brotherly love. There is a lot of velocity in this ultimately familiar tale of rising and falling, but not much gravity. “Rudo y Cursi” is partly about the consequences of taking a game much too seriously, but at the same time it treats everything else — life, death, love, money — like a game.

 

Beto (Diego Luna) and Tato Verdusco (Gael Garcia Bernal) are half brothers who work together at a banana plantation and live with their extended family in a village in southern Mexico. When the two of them are suddenly (and somewhat improbably) plucked from rural proletarian obscurity and turned into professional soccer players in Mexico City, they achieve fame as Rudo and Cursi, nicknames that can be translated more or less as tough and corny.

 

But Mr. Cuarón also has trouble managing the tone of the film as it swerves from light-hearted absurdity toward a darker, more cynical view of its characters and their fate. Too often he allows “Rudo y Cursi” to coast on the likeability of its stars, who seem at times to be enjoying themselves more than their characters are able to.

Mack Chico

By

2009/05/08 at 12:00am

Star Trek

05.8.2009 | By |

Rated: PG-13 for sci-fi action and violence, and brief sexual content.
Release Date: 2009-05-08
Starring: Roberto Orci, Alex Kurtzman
Director(s):
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Country: USA
Official Website: http://www.startrekmovie.com/

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Star Trek

2009’s ‘Star Trek’ is a youthful, and very entertaining modern revival of the classic and outdated TV series and movie franchise starring William Shatner and Leonard Nemoy. This new version is an all out action film that manages to balance it with some terrific casting, CGI effects and humor. Very similar to what ‘Iron Man’ as a movie offered. Star Trek has been designed with the lofty goal of keeping current fans, repatriating lapsed ones and, by re-branding the name, opening the Trek universe to millions of new viewers. J.J. Abrams‘ attempt has mostly succeeded.

 

The storyline is essentially the deep exploration of the beginnings of Captain Kirk and Spock. This allows the story to establish the origins of all the classic characters and the circumstances that brought them all together. Within this framework, Kirk and Spock meet and soon become competitive cadets-in-training. With their drastically opposite styles, one driven by passion, the other by rigorous logic, they become defiant adversaries, each going all out to be th4 captain of the U.S.S. Enterprise.

 

Leonard Nimoy (the original Spock) makes a cameo in the role that made him famous, and the connection between “new Trek” and “classic Trek” is created.  Just like Nimoy’s appearance, there are a myriad of subtle homages to the old television series and Patrick Stewart films that the true Trekkies will appreciate. Oddly enough, Shatner was nowhere to be seen.

There are some narrative cracks though. Abrams and his screenwriters, longtime Trek fans Roberto Orci and Alex Kurtzman (Transformers, Mission Impossible 3), do their best to keep things engaging despite the tremendous constraints of the “origin” format, but there are times when the material feels rushed. When considering pace, this is most definitely that anti-Star Trek: The Motion Picture. No loving, languid shots here.

Star Trek is clearly an action-oriented motion picture, with an intensity that exceeds even that of The Wrath of Khan. The pace is blistering, and the movie is littered with the eye candy of expertly realized space battles. The special effects are beyond those seen in any of the previous ten Star Trek features. In addition to the battles, there are also chases, fight scenes, and all the other staples one expects from an action movie.

The casting could not have been better Chris Pine (Kirk) and Zachary Quinto (Spock) truly embody the essence of the priginal characters. The dominican actress Zoe Saldaña plays Uhura, but with a new sexiness absent from the previous versions.

Ultimately, when the end credits roll, we’re left with the sense that Star Trek represents a good beginning. As a film tasked with getting all the characters together, re-booting a timeline, and finding a way to return a veteran actor to his beloved role, Star Trek works. There is some awkwardness here – it feels like the “hybrid” it is (or, as it has been called, “Not Your Father’s Star Trek”) but, considering how ponderous and stilted the Star Trek movie series had become, perhaps that’s not a bad thing. Still, as with any prequel/re-start, the real test will arrive with the next movie (purportedly in two years – assuming this one does not flop at the box office). The setup is complete; now it’s time to see whether the implied potential of this first entry into a new series can be realized in its sequel. If you can watch it in IMAX.

Mack Chico

By

2009/05/07 at 12:00am

Next Day Air

05.7.2009 | By |

Rated: R for pervasive language, drug content, some violence and brief sexuality.
Release Date: 2009-05-08
Starring: Blair Cobbs
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.nextdayair-themovie.com/

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Next Day Air

Far from the worst of Tarantino knockoffs, “Next Day Air” takes the standard formula of dimwits chasing bags of drugs to the ‘hood.

A stoned deliveryman (Donald Faison) mistakenly delivers a huge box of cocaine to the wrong address, where lowlifes Guch (Wood Harris) and Brody (Mike Epps) try to figure out what to do with it. On the couch sleeps a huge guy neither of them invited to live with them, but both of them are too afraid to ask him to leave.

The package was supposed to be delivered to another small-timer, Jesus (Cisco Reyes), who, in between fights with his sassy girlfriend (Yasmin Deliz), is about to get killed by a drug lord if he can’t find the stash.

Routine stuff, but things move quickly, with several offhand funny moments. Mos Def is hilarious in a cameo as another delivery guy.

Jack Rico

By

2009/05/05 at 12:00am

The Curious Case of Benjamin Button

05.5.2009 | By |

Rating: 4.0

Rated: PG-13 for brief war violence, sexual content, language and smoking.
Release Date: 2008-12-25
Starring: Eric Roth, F. Scott Fitzgerald (historia)
Director(s):
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Country:USA
Official Website: http://wwws.warnerbros.es/benjaminbutton/?frompromo=movies_comingsoon_curioiuscaseofbenbutton

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