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Movie Reviews

Alex Florez

By

2009/03/05 at 12:00am

Watchmen

03.5.2009 | By |

Rated: R for strong graphic violence, sexuality, nudity and language.
Release Date: 2009-03-06
Starring: David Hayter, Alex Tse
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://watchmenmovie.warnerbros.com/

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Watchmen

Film goers, be warned. Watchmen is no ordinary superhero movie, but it’s also not an extraordinary one.

This latest comic book adaptation is one complex, multi-layered murder mystery, set in an alternate 1985 America in which costumed superheroes are part of the fabric of everyday society.  It is the world Alan Moore created for his legendary comic book series, which, when published, challenged both the genre and medium. 

For those who haven’t read the books, Watchmen chronicles a group of vigilantes which disbanded years earlier when masked superheroes were banned by the US government.  The story begins when one of its members, “The Comedian” (Jeffrey Dean Morgan) is murdered, setting “Rorschach” (one of his former partners) on a mission to find out who done it. 

Those that have read the books, will know that in reality the story is about much more than that.  It is part political satire, part Shakespearian tragedy and oh yes, part “Detective Comics”. It’s mature content is without a doubt bound to surprise many. The ones who argue that comic books can’t be or aren’t “deep”, simply haven’t read this one.  And that’s precisely the challenge the filmmakers met when adapting it to the big screen. 

The books are so carefully crafted that everything in them, needs to be there.  If even one of the elements goes missing the story just doesn’t work. There’s no question that director Zack Snyder attempted to make a faithful adaptation, but when you try to fit all 12 issues into a regular movie’s running time (this one runs 15 minutes shy of three hours), some of the desperately needed elements in the story are bound to be lost in translation.  In the end however, some different directing choices could have tied things together more coherently.

One such thing I think could have been re-imagined is an opening montage that condenses the origins of the Watchmen lore to the duration of a 1960s folk song, leaving you will little time to figure out what’s happened.  At times things feel a bit convoluted but unlike reading a comic, in a movie you can’t go back and re-read a page to further understand what happens later in the story.  Fortunately the appeal of some of the characters are undeniable.  Jack Earle Haley wonderfully plays “Rorschach” the borderline psychopath who wears a mask with shape shifting inkblots, and gives the film its edge and ferocity. 

It is not the first time that one of Alan Moore’s graphic novels is adapted to the big screen.  V for Vendetta and The League of Extraordinary Gentlemen were the other two films that fell short on their promise.

While the film disappoints on some levels, my hope is that viewers will be drawn to read to the comic book series that set a precedence for future books of its kind.

 

Jack Rico

By

2009/02/25 at 12:00am

Crossing Over

02.25.2009 | By |

Rated: R for pervasive language, some strong violence and sexuality/nudity.
Release Date: 2009-02-27
Starring: Wayne Kramer
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: Not available.

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Crossing Over

“Crossing Over” had the potential to be one of the better films of the new year. It possesses some strong acting by a talented cast led by Harrison Ford and a socially relevant story line, but unfortunately it was all squandered away in the hands of helmer Wayne Kramer (The Cooler). Ultimately, the film feels like a counterfeit version of ‘Crash’ and ‘Babel’ from mexican director Alejandro González Iñárritu. There are some commendable and engaging moments, but not enough to ignore the defects of its second hour.

Here’s the plot – ‘Crossing Over’ is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film, seen from the perspective of the INS, deals with the border, document fraud, the asylum and green card process, work-site enforcement, naturalization, the office of counter terrorism and the clash of cultures. There are several stories that eventually intertwine at the very end.

A noteworthy mention should be given to Kramer’s implementation of immigrants as not just poor, working class Mexicans, but as a distinct representation of classes and nationalities. Also, perhaps the best acting scenes of the film came from Summer Bishil, who is part Mexican, playing Taslima Jahangir, an Iranian teenager who approves of the motives behind the 9/11 attacks. Just in case you’re looking to see Brazilian Alice Braga, she is scarcely seen. It was all working out nicely as a dramatic and enticing piece of film until it suddenly became an action thriller, giving way to Ford summoning President James Marshall from ‘Air Force One’. Where did that come from?

In an effort to not reveal too much, I’m limiting myself to saying this – Kramer would like us to believe that the lives of these characters are crisscrossed and interwoven by accident or fate, but halfway thru the end, you can sense the manipulative machinations and moralistic intent of the calculated plot. There goes Hollywood again trying to insult our intelligence.

A remake of this film in the hands of director Alejandro González Iñárritu would be interesting to see, but I highly doubt that idea is an option. At best, ‘Crossing Over’ is halfway engaging, but not worth the ticket or the time. Wait for it on Netflix.

Jack Rico

By

2009/02/24 at 12:00am

What Just Happened?

02.24.2009 | By |

Rating: 2.5

Rated: R for language, some violent images, sexual content and some drug material.
Release Date: 2008-10-17
Starring: Art Linson
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.whatjusthappenedfilm.com/

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Mike Pierce

By

2009/02/17 at 12:00am

Quarantine

02.17.2009 | By |

Rating: 3.0

Rated: R for bloody violent and disturbing content, terror and language.
Release Date: 2008-10-10
Starring: John Erick Dowdle, Drew Dowdle
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.containthetruth.com/

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Here’s what I thought about the horror film Quarantine, but first off, here’s a little plot summary:

Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, Internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

NOW…what did I think about it you ask…it was ok. I thought it was going to be better. I mean, the “zombie like people” (I’ll keep it like that so I don’t give away the TRUE story) were dope…but, that’s about it. The whole movie is played back by the camera guy – the camera jerks, moves in all directions! That was pretty annoying. Ladies, you’ll be happy – Jay Hernandez is in the movie. He was cool. Guys, if your looking for a good “date movie in October.” – – go check it out.

I give Quarantine…3 out of 5 Popcorns!

Jack Rico

By

2009/02/13 at 12:00am

Confessions of a Shopaholic

02.13.2009 | By |

Rated: PG for some mild language and thematic elements.
Release Date: 2009-02-13
Starring: Tracey Jackson, Tim Firth
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.shopaholicmovie.com/

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Confessions of a Shopaholic

‘Confessions of a Shopaholic’ has a simple story line with an adorable and charming protagonist and an uplifting and empowering kick to it. It’s a mix between the charm of ‘Legally Blonde’ and the glitz and glam of ‘The Devil Wears Prada’.

Based on the novel “Confessions of a Shopaholic” by Sophie Kinsella, the plot has a college grad (Isla Fisher) landing a job as a financial journalist in New York City to support her shopping addiction. She then later falls for a wealthy entrepreneur (Hugh Dancy), but there are some trip ups along the way.

The film is a romantic comedy that is more comedy than romance. It’s target audience is  transparently women who live in cities and have a slight addiction to shopping. The plot has many ridiculous notions in it which is why the overall appeal isn’t engaging, unlike its lead actress who is by far the best the movie has to offer. The rest of the cast which includes the likes of Joan Cusack, John Goodman, John Lithgow and – are you ready for this? –  Kristin Scott Thomas as the french editor of a high power fashion magazine, are too talented for the film. This only reaffirms our suspicions that the economic recession affects ALL of us.

The backdrop of New York City is once again a film co-star and it’s hard to argue why. There is something to be said about a New York romantic comedy, it exudes an energy and allure that is almost impossible to match.

If you want to laugh, giggle and hug your significant other this Valentine’s, this is film will do the trick!

Jack Rico

By

2009/02/13 at 12:00am

The International

02.13.2009 | By |

Rated: R for some sequences of violence and language.
Release Date: 2009-02-13
Starring: Eric Singer
Director(s):
Distributor:
Film Genre:
Country: USA, Germany
Official Website: http://www.everybodypays.com/

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The International

The International is a complicated film with an intricate plot line and lackluster acting. It’s only redeeming qualities are its action sequences and fast paced direction.

The premise is hard to follow: Interpol Agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts) are determined to bring to justice one of the world’s most powerful banks. Uncovering myriad and reprehensible illegal activities, Salinger and Whitman follow the money from Berlin to Milan to New York to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as their targets will stop at nothing – even murder – to continue financing terror and war.

Naomi Watts gave the worst performance in her career. It’s as if she has become worse over the years beginning with King Kong. Clive Owen is no Jason Bourne, but is believable enough that the credibility of the film isn’t compromised.

Be ready for what will be the most talked about action sequence of the early new year – the Guggenheim museum shooting frenzy is well worth the watch.

For a production that aspires to be so much more than a typical thriller, The International’s convoluted premise and Naomi’s painful acting achieves only to convey an average movie experience.

Jack Rico

By

2009/02/13 at 12:00am

Friday the 13th

02.13.2009 | By |

Rated: R for strong bloody violence, some graphic sexual content, language and drug material.
Release Date: 2009-02-13
Starring: Damian Shannon, Mark Swift
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: www.fridaythe13thmovie.com

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Friday the 13th

Cinematically, ‘Friday the 13th’ is an awful film parceled with some terrible acting, an uninspired script and unimaginative direction…but god damn was it fun! And that’s what these movies are all about – zoning out, laughing out loud with your buddies and enjoying an innocuous time at the theater.

Relating this premise to you is useless since there really isn’t one to relate. It possesses all the cliches of hundreds of slasher films: bare breasts, gruesome decapitations and laughable dialogues. Not mush else to it. The producers missed a big chance to create something special with Jason and his origins.

 

The first 15 minutes are perhaps the best the film has to offer since it’s very fast paced, but then it slows down and any tension that was established is doused. Nevertheless, it is fun and that’s what people who watch these type of films are looking for.

Jack Rico

By

2009/02/09 at 12:00am

Coraline (Movie Review)

02.9.2009 | By |

Coraline, based on a short book by Neil Gaiman, is an entertaining 3-D experience that manages to tell a captivating kids story with an edge that adults can enjoy.

The movie tells the story of a young girl (Fanning) who  through a secret door in her new home and discovers an alternate version of her life. On the surface, this parallel reality is eerily similar to her real life – only much better. But when her adventure turns dangerous, and her counterfeit parents (including Other Mother [Hatcher]) try to keep her forever, Coraline must count on her resourcefulness, determination, and bravery to get back home – and save her family.

Selick’s animated style is almost smooth enough to be mistaken for CGI, but there’s a texture to the approach that betrays it as being a little more labor intensive.  Kids likely won’t notice the difference, but adults will appreciate that the movie doesn’t feel like a generic clone of the animated product that studios are pumping out with regularity. Selick’s bizarre streak is given ample opportunity to be on display. His tendencies to favor gothic backdrops and to develop his characters in such a way that they look like they have emerged from an Edward Gorey illustration makes the film potentially intense for young, nightmare-prone children. This is the basis for the PG (not G) rating.

The plot is interesting enough to involve viewers of all ages. Despite the incorporation of familiar elements, it provides some surprises and the narrative trajectory is not predictable from start to finish. The vocal characterizations, mostly provided by actors without distinctive voices, are strong. Dakota Fanning makes the young heroine instantly likeable and Teri Hatcher has no difficulty with aspects of her role that force her into Wicked Witch territory. Selick may have incorporated a little of Fanning and Hatcher’s looks into their animated counterparts, although nothing is overt.

Like all effective fables, Coraline isn’t only for children, although it would, I suspect, work as a bed-time story. One of my biggest problems with many animated movies is that they are pitched at an intellectual level below me, but I didn’t feel that way about Coraline. The film has been crafted with a consideration that the best family movies appeal not only to a young target audience but to the parents who accompany their offspring to theaters. And, while the 3D experience may make Coraline a little more eye-catching, it is by no means mandatory for those wishing to enjoy what this visually intriguing production has to offer.

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Alex Florez

By

2009/02/06 at 12:00am

He’s Just Not That Into You (Movie Review)

02.6.2009 | By |

With an ensemble cast featuring the who’s who of the romantic comedy genre and the Sex and the City writers behind it, He’s Just Not That Into You positions itself as this year’s go-to Valentine’s Day movie. While the film is predictably formulaic, to its credit, it manages to keep the mawkish sentimentality to a minimum.

Based on the book by Greg Behrendt and Liz Tuccillo, the film follows a group of interconnected, Baltimore-based twenty- and thirty-somethings as they navigate their relationships—from shallow dating to the murky waters of marriage—trying to read the signs of the opposite sex and hoping to live out their fairy tale love stories.

Much like Sex and the City, the film romanticizes the lives of young, white urban professionals, lives that have become cliched and generic. It seems as though everyone in the film is financially well-off, living in a fabulous duplex in the latest gentrifying neighborhood. Sadly, when the film does allude to the rest of the world, it does so by staging Latinos and African Americans in offensively stereotypical roles.

The only authentic touch the filmmakers inject into the story is the decision to set it in Baltimore, a city that makes a case for future productions to consider its Domino Sugar backdrop.

The actors are likable (and incredibly good-looking) and pros at delivering one-liners you wouldn’t expect to find funny. The great thing about movies with parallel stories, like this one, is that they give you several characters and situations to “fall in love with,” making it harder to leave the theater disappointed. It’s a formula that worked well with Sex and the City. Now, if only they could add a little color…

Mike Pierce

By

2009/02/05 at 12:00am

Push

02.5.2009 | By |

Rated: PG-13 for intense sequences of violence and action, brief strong language, smoking and a scene of teen drinking.
Release Date: 2009-02-06
Starring: David Bourla
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.push-themovie.com/

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Push

WOOWWWWW…what do I say about PUSH?! It SUCKED! SOOOOOO…bad! I thought this movie was going to be “a little” cool – WRONG! The movie was total garbage…people, PLEASE don’t waste your money on the flick…luckily, I saw it for free. Lots of things went wrong…as soon as it started…the surround sound wasn’t working, then the film wasn’t centered right, then these people next to us were speaking some language I couldn’t understand…all the way through the movie, then…the movie just sucked!
 
It’s pretty much about this group of people – through experiment after experiment – get telekinetic and clairvoyant powers. There’s good guys and there’s bad guys. The soundtrack sucks – the acting isn’t all that great – there’s this girl (Camilla Belle) in the movie…that just bugged me. (I liked her better in 10,000 B.C.)
 
There IS one thing good about this movie I DID like…it’s Dakota Fanning. She is dope in the movie…she just rocks! Heck, I only saw it because of her.
 
So people, if your NOT a Dakota fan…don’t waste your $$.
 
I give Push…1 out of 5 Popcorns! (1 for Dakota)
 
P.S. Anyone know how I can get 2 hours of my life back?! (lol)

Have a cold week! (lol)

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