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Movie Reviews

Mack Chico

By

2008/08/19 at 12:00am

Miss Pettigrew Lives for a Day

08.19.2008 | By |

Rating: 2.5

Rated: PG-13 for some partial nudity and innuendo.
Release Date: 2008-03-07
Starring: David Magee, Simon Beaufoy
Director(s):
Distributor:
Film Genre:
Country:UK
Official Website: http://www.filminfocus.com/focus-movies/miss-pettigrew/synopsis.php

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Alejandro Arbona

By

2008/08/16 at 12:00am

Tropic Thunder

08.16.2008 | By |

Rated: R for pervasive language including sexual references, violent content and drug material.
Release Date: 2008-08-15
Starring: Ben Stiller, Justin Theroux, Etan Cohen
Director(s):
Distributor:
Film Genre:
Country: NULL
Official Website: http://www.tropicthunder.com/

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Tropic Thunder

“Tropic Thunder”, the new comedic vehicle by Ben Stiller and his pals, kicks off with a assault on the audience so unexpected and so enormously funny that it takes you totally by surprise and disarms you completely. Unfortunately, though “Tropic Thunder” is pretty good at several other points, this sequence ends up being the funniest in the entire movie.

It’s the story of three Hollywood actors from very different genres, who join forces to shoot a Vietnam-war melodrama. Ben stiller is Tugg Speedman, an action star whose career has suffered after his recent choices of roles, namely that of a developmentally disabled character he played hoping to win an Oscar in a movie called “Simple Jack.” Roberto Downey Jr., on the other hand, plays Kirk Lazarus, an Australian five-time Oscar-winner, who goes after roles for the challenge of becoming wholly new and different people foreign to his own reality; in the film-within-a-film also called “Tropic Thunder,” he plays an African-American soldier, a role for which Lazarus/Downey Jr. has had his skin dyed and his hair curled. And Jack Black plays Jeff Portnoy, a gross-out comedy star whose biggest success has been playing multiple roles as each member of a flatulent, obese family, and who’s joined the cast of the weighty Vietnam picture because he’d like to be taken seriously as an artist. Brandon T. Jackson also appears as a hip-hop star called Alpa Chino (read the name out loud if you don’t see the gag), and Jay Baruchel as Kevin Sandusky, a rookie actor on his first production, surrounded by big stars. Finally, the outstanding cast is rounded out by the British actor/comedian Steve Coogan as Damien Cockburn, the film’s director; Nick Nolte as Four Leaf Tayback, the Vietnam vet whose war memoirs were the basis for the screenplay; Matthew McConaughey as Rick Peck, Speedman’s aggressive agent; and Tom Cruise in a prosthetic belly and bald cap, as the villainous Les Grossman, the head of the studio.

The actors are generally excellent, above all Downey Jr. The exception to a strong cast for me was Ben Stiller, a comedic star I personally find to be very limited in the versatility of his characters and improvisations (notice how similar most or all of his film characters are; they tend to be hostile, overbearing, extremely dumb, or all three). The same goes for Tom Cruise, whose character turns out to be a one-note joke; the novelty of seeing Tom Cruise in disguise and playing such an unpleasant character was a gag that got old fast, and a role to which Cruise didn’t bring anything more.

The movie does have its grand comic moments, and some even hilarious. When it weakens is when the story becomes too dense; separate subplots play out onscreen, but Stiller’s unskilled hand as director treats all of them with equal importance, and the audience is distracted by narratives that should have just been extremely minor subplots. What’s more, enormous stretches of time pass in the film’s over-long running time when we don’t see or hear from one character or another, creating a very uneven story during the middle part of the movie.

Nevertheless, “Tropic Thunder” redeems itself and entertains the audience enormously during its stronger parts, and it even has its truly brilliant moments.

One separate note: The subject of a Caucasian actor playing an African-American man and verging on blackface buffoonery has turned out not to provoke the negative reaction you would have imagined, and I think rightly so, because it’s an issue of satire and what that character as a Hollywood star is willing to do. However, the element that has drawn criticism and even a boycott after all is the melodramatic, Oscar-bait role Tugg Speedman (Stiller) had played in his previous outing, “Simple Jack” about a developmentally disabled young man. Stiller is certainly less deft as an actor than Downey Jr., and plays that fictional part with less seriousness – because even a comedic character has to take himself totally seriously, even if the audience laughs at him. And maybe it’s because of the broad, exaggerated absurdity of Stiller’s performance in the part, but several groups dedicated to the rights and dignity of people with disabilities have organized a boycott of “Tropic Thunder.” I respect their motives wholeheartedly, but I don’t personally agree with them; the character is nothing more than a skewering of Hollywood actors and these roles they play, whether for the challenge of embodying a character they couldn’t possibly fully understand, or to raise awareness of the disadvantages faced by different groups in society, or as in the case of Tugg Speedman in “Simple Jack,” to show off their dramatic chops and try to win an Oscar. It’s not disrespectful of people with disabilities, in my opinion, but just Hollywood satire, and I’m confident that was Stiller’s intention as writer, director and actor.

 

Mack Chico

By

2008/08/14 at 12:00am

Star Wars: The Clone Wars

08.14.2008 | By |

Rated: PG for some thematic elements.
Release Date: 2008-08-15
Starring: Henry Gilroy, Steve Melching, Scott Murphy
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.starwars.com/theclonewars/

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Star Wars: The Clone Wars

Unless you are a hardcore Star Wars fan, it will be difficult for the average moviegoer to remember all six, oh my humble apologies, seven Star Wars film episodes. With that said, in preparation to see the new computer animated ‘Star Wars: The Clone Wars’ film, questions were beginning to emerge in me about George Lucas’ creativity. Is he stuck for eternity in this Star Wars bubble and is he incapable of filming anything else? I believe it is a warranted question. This is the same guy who wrote, directed, casted, and edited ‘American Graffiti’, a cinematic effort that earned him five Oscar nominations in 1974. That is evidence he can do something else outside of ‘the force’ – so why doesn’t he? This, my friends, is the million dollar question.

Lucas has been driven, for some time now, to create this new animated feature to coincide with the launch of his Lucasfilm Animation universe. The movie transports us to the middle of episodes two and three (as communicated to me by a Warner Bros. representative) where Jedi Knights struggle to maintain order and restore peace. Systems are falling prey to the forces of the dark side as the Galactic Republic slips further under the sway of the Separatists. Anakin Skywalker (soon to be Darth Vader) and his Padawan learner Ahsoka Tano (a sort of intern) find themselves on a mission that brings them face-to-face with crime lord Jabba the Hutt. But Count Dooku and his sinister agents, including the nefarious Asajj Ventress, will stop at nothing to ensure that Anakin and Ahsoka fail at their quest. Notable is a cameo of Samuel L. Jackson lending his voice for his character Mace Windu.

Since new characters are introduced here, and not continued in the following adventures of the Jedis, it is hard to say whether or not this film fits in nicely with the rest of the episodes. We will have to wait and see.

Nevertheless, boy was it entertaining! It began with great animated fighting sequences and it kept that tempo throughout the very end, a characteristic that spells out pure fun. I would actually dare to say it was more entertaining than Lucas’ recent Star Wars trilogy – Episodes I, II and III. Most of this decision is based on Hayden Christensen’s vapid and uninspiring acting as Anakin Skywalker in the aforementioned works, resulting in an unmemorable experience. These computer generated ‘actors’ did a better job of engaging me than he.

The premise was easy enough to understand, the characters were likable, the sequences were dynamic and full of brio. The film is obviously for fans of the Star Wars saga, but looking to attract young new legions of fans.

Mack Chico

By

2008/08/14 at 12:00am

The Scorpion King 2: Rise of a Warrior

08.14.2008 | By |

Rating: 2.0

Rated: PG-13 for violence, and sexual content including references.
Release Date: 2008-08-19
Starring: Randall McCormick
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: No disponible.

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See how the legend of The Scorpion King began!  When a young Mathayus witnesses his father’s death at the hands of the king (UFC Champion Randy Couture), his quest for vengeance transforms him into the most feared warrior of the ancient world.  From the producers of The Mummy and the director of Resident Evil: Extinction and Highlander comes a heroic adventure filled with heart-stopping action and thrilling visual effects!

 

Experience pulse-pounding action and see how the Scorpion King legend was born when the highly-anticipated prequel The Scorpion King 2: Rise of a Warrior comes to DVD and Blu-ray Hi-Def on August 19, 2008 from Universal Studios Home Entertainment. An adrenaline-fueled adventure of epic proportions, The Scorpion King 2: Rise of a Warrior takes viewers back to the beginning of the saga of Mathayus, the young warrior who would become the fearsome Scorpion King. Directed by Russell Mulcahy (Resident Evil: Extinction, Highlander), the film stars world-renowned, five-time Ultimate Fighting Championship winner  Randy Couture.  The DVD is priced at $29.98 SRP and the Blu-ray version at $39.98 SRP.

In addition, a special Scorpion King Warrior Pack will be available day and date, containing the new DVD as well as the original action blockbuster DVD, The Scorpion King starring Dwayne “The Rock” Johnson, priced at $36.98 SRP.

“By far Universal’s most ambitious DVD OriginalTM to date, The Scorpion King 2: Rise of a Warrior raises the made-for-DVD bar to the next level with production values that deliver theatrical-style action, adventure and excitement,” said Craig Kornblau, President of Universal Studios Home Entertainment and Universal Pictures Digital Platforms. “Our strong track record in this arena has encouraged us to pursue this market even more aggressively as of late.  With The Mummy continuing to successfully build on its global popularity and appeal at the box office, we saw a unique opportunity to offer home entertainment consumers a new, engaging experience that embraces the iconic elements they love about this franchise.”

The Scorpion King 2: Rise of a Warrior is the latest in a series of top-selling Universal DVD Original® releases that includes American Pie Presents: Beta House and Bring It On: In It to Win It. Both the DVD and Blu-ray are packed with behind-the-scenes interviews, exciting deleted scenes and outtakes, and astonishing Scorpion King secrets.

In addition to Couture, the cast of The Scorpion King 2: Rise of a Warrior features Michael Copon (Bring It On: In It to Win It), Karen David (Batman Begins) and Natalie Becker (The World Unseen).

Alex Florez

By

2008/08/13 at 12:00am

Vicky Cristina Barcelona

08.13.2008 | By |

Rated: PG-13 for mature thematic material involving sexuality, and smoking.
Release Date: 2008-08-15
Starring: Woody Allen
Director(s):
Distributor:
Film Genre:
Country: USA, Spain
Official Website: http://vickycristina-movie.com/

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Vicky Cristina Barcelona

Not so long ago, New York based director (at that time, anyway) Woody Allen once confessed to us that the reason there are never any prominent hispanic characters in any of his films is because he sticks to what he knows.  Meaning of course, old Jewish families, upper class Manhattanites and chaotic love affairs that usually flirt with death.  So what does Allen now know about Catalonia and Spanish culture in general that prompts him to set his latest film on the mediterranean coast? Other than that they will finance his films?

To answer my own question, I think the appeal for Allen has been the idea that such sexual promiscuity and emotional confusion also exists outside the realm of New York and in practically every single corner of the globe.

Vicky Cristina Barcelona, his first and most likely last film to be set in Spain, pits Scarlett Johansson (Cristina) and Rebecca Hall (Vicky) as two American friends who decide to spend their summer in Barcelona.  Cristina, more of a wandering spirit, is always on the lookout for adventure, while Vicky on the other hand, is much more sensible and committed to her fiance back home.

But their radically different attitudes towards love are tested when they meet Spanish painter Juan Antonio (Javier Bardem) and his volatile ex-wife Maria Elena (Penélope Cruz).

A case can be made that Allen has made this same film 35 times over (excluding the ‘early funny ones’). As usual, you’ll find plenty of sarcasm, infidelity and yes, a few rounds fired from a gun.  But the plot only sizzles when Penelope Cruz joins the cast.  Her turbulent behavior is wildly reminiscent of Judy Davis’ brilliant performance in Allen’s Deconstructing Harry (1997). 

Unfortunately, in this film, Cruz is the catalyst for an event that never arrives. The sense that something absurd, tragic and utterly hilarious would take place in the end, the way it did in Crimes and Misdemeanors (1989) for instance, kept building throughout the film. Instead, it moves right along, one lustful scene after another, wondering what sort of statement it wants to make about ‘love’ that it hasn’t already.

 

Then there’s the mysterious voice over which threads the film together. Totally unnecessary given that it doesn’t really explain anything nor does it provide any insight from an omniscient point of view.

The movie’s funniest moments, without question, rely on the chemistry between Bardem and Cruz, giving way to the little momentum the film manages at times – making Johansson and Hall seem out of touch with the whole ‘Woody Allen genre’.

Hispanics however, will marvel at how well Allen’s neurotic language translates in Spanish. While most of the film is spoken in English, the few scenes where Bardem and Cruz exchange a few words in, are hysterical.  More evidence that these days, the international community seems to get Woody more than we do.

 

Mack Chico

By

2008/08/12 at 12:00am

Smart People

08.12.2008 | By |

Rating: 2.5

Rated: R for language, brief teen drug and alcohol use, and for some sexuality
Release Date: 2008-04-11
Starring: Mark Poirier
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.smartpeople-themovie.com/

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Despite its sharp cast and a few laughs, Smart People is too thinly plotted to fully resonate.

This is not Juno. In fact, I don’t think this movie gives anything new that we haven’t known about. People who are intelligent can be so smart that they lose touch on what’s important, they slowly distance themselves from those who care about them without even realizing it. Smart People got a lot of brain but… not enough heart. Yes it’s smart, witty, and occasionally funny but along the way, something is missing. Something that would make it captivating instead of boring, which is what it is.

All I can say is thank heavens Thomas Haden Church is in this movie. His character is probably the most interesting one. He’d come up with smart-ass remarks and comebacks that are entertaining. Not laugh out loud funny, but good enough to keep us from sleeping.

The tone of the movie for the most part is depressing. The filmmaker wants you to see how smart people can be so detached that when they start to feel something, they don’t know what to do with it or they react in the wrong way. Ellen Page’s character’s crush on her uncle, played by Thomas Haden Church is one example.

Dennis Quaid does an excellent job playing a clueless, unhappy professor, Sarah Jessica Parker has a certain charm and cuteness, but would somebody please give Ellen Page some other character to do!

Don’t get me wrong, I love Juno, but what Ellen Page needs now is not another independent movie (Hard Candy, Tracey Fragment, An American Crime).

She should try another big budget project that would challenge her to do a different role in a different style or genre (she was in X-Men 3 by the way)

The movie does okay in depicting a dysfunctional family without being too outrageous and messed up. But you’ll mostly get frustrated with how it can’t seem to carry itself and bring itself to a good conclusion or resolution.

It’s sorta like hearing a note held for the longest time with only a few fillers from time to time, but only a few unfortunately. The self-realization moments aren’t groundbreaking. This movie fails to leave a lasting impression. It’s another independent movie that will easily be forgotten in time.

Mack Chico

By

2008/08/08 at 12:00am

The Sisterhood of the Traveling Pants 2

08.8.2008 | By |

Rated: PG-13 for mature material and sensuality.
Release Date: 2008-08-08
Starring: Elizabeth Chandler (guión), Ann Brashares (novela)
Director(s):
Distributor:
Film Genre:
Country: NULL
Official Website: http://sisterhoodofthetravelingpants2.warnerbros.com/

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The Sisterhood of the Traveling Pants 2

Men who are film critics, such as myself, stereotypically aren’t fond of the movie genre known as ‘the chick flick’. We usually have to remove our male biased opinions towards them and see it for the cinematic work that they are. In this particular case, I must admit, ‘The Sisterhood of the Traveling Pants 2’ was an enjoyable and delightful film that engrossed me for its 2 hour duration.

I really wasn’t expecting to like it, so the fact that I did, makes it even more memorable. Sisterhood, based on a book by Ann Brashares, is a reunion for the actresses that have now made it ‘big time’ on their respective TV shows; Hondurean American America Ferrera stars in ‘Ugly Betty’, Blake Lively in the hot sexy Gossip Girls, Amber Tamblyn is widely known for Joan of Arcadia and Argetinian-Mexican American Alexis Bledel (who knew she was a hardcore Latin?) currently stars in Gilmore Girls. This year more than ever, television stars are making Hollywood look real good.

One of the great things about the film outside of the physical and cultural diversity of the cast, is the chemistry they share onset. They seem to really get what their characters are all about. It’s three years later and each of the girls are exploring their professional goals. Their only apprehensiveness is the potential estrangement from themselves that distance could impose on them. The four story lines are alluring enough to not lose you to lassitude.

Ferrera is the best actress of the group, evident when she spews out Shakespeare lines as if they were vernacular English. Tamblyn, with her caustic and mordant personality, provided the much needed comic relief from the emotional pounding the film takes with Lively’s character. Bledel, unfortunately was the weakest link and didn’t really provide enough believable gravitas to take the film to the next level.

As my colleague Alex Florez termed it, ‘The Sisterhood of the Traveling Pants 2’ is a ‘slice of life’ movie, and I believe it will resonate not only with tween audiences, but also with mom and dad adults. That combination will surely squeeze out a third part out of those magical jeans.

 

Jack Rico

By

2008/08/07 at 12:00am

Elegy (Movie Review)

08.7.2008 | By |

Catalan film director Isabel Coixet won various Goya awards in Spain (equivalent to the Oscars in the US) in 2006 for a small English-spoken film called ‘The Secret Life of Words’ (La Vida Secreta de las Palabras) starring Tim Robbins and Canadian actress Sarah Polley. An ironic event since her native tongue isn’t even Spanish. Now, two years later, Coixet is at it again, in the Anglo-Saxon language, as she teams up with screenwriter Nicholas Meyer to bring to the big screen ‘Elegy’, starring Ben Kingsley and Penélope Cruz.

The premise, based on Philip Roth’s short novel ‘The Dying Animal’, tells the story of the relationship between literature professor David Kepesh (Ben Kingsley), who is renowned for his cultural pedigree, and Consuela Castillo (Penélope Cruz), his young and sensual Cuban student who falls in love with him.

But there is more here than just sexual play; the narrative essentially centers on how Kepesh deals with the fear that Consuela may leave him because of his age (thought to be around 55 or 60). Kingsley gives a charming and engaging performance that could be his best work in years. Cruz complements him beautifully as she plays the part of the erotic muse to perfection. Great dialogue, fabulous acting by a strong supporting cast (Dennis Hopper and Patricia Clarkson), along with unexpected sub-plots keep you absorbed for the entirety of the film.

A note: if you’ve been watching summer blockbuster Hollywood films one after another, the normal pacing of this film will either be a drastic change for you or a sight for sore eyes. I’ve noticed that after sitting in a dark theater consuming films like ‘The Dark Knight’ and ‘The Mummy’, you become rather impatient with mid-tempo cinema. ‘Fight through it,’ I say ardently! Elegy will be worth your trouble.

 

Rated: R for sexuality, nudity, and language.
Release Date: 2008-08-08
Starring: Nicholas Meyer
Director(s):
Distributor:
Film Genre:
Country: NULL
Official Website: http://www.onpictures.com/peliculas/elegy/index.htm

Alejandro Arbona

By

2008/08/06 at 12:00am

Pineapple Express

08.6.2008 | By |

Rated: R for pervasive language, drug use, sexual references and violence.
Release Date: 2008-08-08
Starring: Seth Rogen, Evan Goldberg, Judd Apatow (historia)
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.sonypictures.com/movies/pineappleexpress/

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Pineapple Express

The title “Pineapple Express” refers to one plot element that turns out to be perhaps the movie’s most influential character: an especially potent kind of marijuana. It’s Pineapple Express that Saul Silver (James Franco) sells to Dale Denton (Seth Rogen), a sample that only Silver has. And it’s Pineapple Express that Dale is smoking when he witnesses a murder. And it’s due to drug cartels warring over Pineapple Express that that murder takes place. Now the killers, played by Gary Cole and the Puerto Rican actress Rosie Perez, spot the Pineapple Express that Dale dropped when he fled in terror, and they set out to kill Saul and his customer.

“Pineapple Express,” the movie, is an unexpected and interesting combination of three different genres, only one of which comes across in the synopsis I just gave you. It’s a hilarious comedy; it’s a buddy picture, about two friends adventuring and bonding; and, as you can gather from the above paragraph, it’s a crime story that eventually becomes excessively violent. That may just be this movie’s biggest surprise: that a Judd Apatow-produced comedy with the usual cast and improvisational style – usually associated with comedies about boy-men growing up like “The 40-Year-Old Virgin,” “Knocked Up” and “Superbad” – suddenly climaxes in shootouts, explosions, dead bodies and tons of blood. But, jeez, they sure do make that violence funny.

 

Mack Chico

By

2008/08/05 at 12:00am

The Counterfeiters (Movie Review)

08.5.2008 | By |

The Counterfeiters is a great film which tells the true story of the Nazi attempts to forge bank notes during the Second World War.They grouped together from the camps anybody that had any printing, paper, forging, currency knowledge etc. They set about to create a mini-production line to forge the Pound (UK Currency) and the later the Dollar (USA Currency).

For the men involved their lives depended on their success. Due to the work involved they were treated well compared to others, but their lives were always in the balance.

The lead actor, Karl Markovics, who played Salomon Sorowitsch was amazing and stole the film to my mind. He played the character well, ruthless in one respect, compassionate in another. Although he was a criminal, a master forger, he lived by his own set of ethics. Which he stood fast to, regardless of the situation.

This film really questions your own beliefs, what would you do in this situation? If you help, then you help to fund the Nazi war machine. Let them put more people in camps, in the same position as you.

If you stick to your morals/ethics/beliefs whatever you like to call them. Then you face certain death. You are basically between a rock and a hard place regardless. So you can either give up all you belief in an effort to survive, or you can stick to your beliefs and die. What is more important?

A very good film indeed and to me Karl Markovics played a stunning role. He is certainly an actor I will look out for in the future.

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