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Reviews for DVD Releases

Jack Rico

By

2009/11/20 at 12:00am

The Limits of Control

11.20.2009 | By |

Rating: 1.5

Rated: R for graphic nudity and some language.
Release Date: 2009-05-01
Starring: Jim Jarmusch
Director(s):
Distributor:
Film Genre:
Country:Spain
Official Website: http://www.thelimitsofcontrol.com/

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The quirky Ohio film director, Jim Jarmusch, known for his abstract, philosophical and excessively drawn out scenes, uses Spain as a beautiful backdrop in his new crime thriller ‘The Limits of Control’. The movie could be summed up as a deliberate banal and phlegmatic effort. There is barely any dialogue to push the story and the ending offers very little interest or excitement.

The minimal storyline concerns an unnamed assassin (Issach De Bankolé) who spends most of the film moving from location to location throughout Spain, collecting the information and equipment he requires to complete his latest assignment, the assassination of an American corporate bigwig (Bill Murray). He meets most of his contacts in cafes, although one woman (Paz de la Huerta) spends a few days nude with him in various hotel rooms. The film is based on a William S. Burroughs essay, a Rimbaud poem and vintage crime films, particularly John Boorman’s 1967 classic “Point Blank.”

It’s obvious after the first half of the film that Jarmusch intends to create a parable between the clashing of bohemianism and capitalism meant to be viewed as how corporate america has suppressed the highly intellectual culturati. The scant dialogue supports this theme by touching upon subjects as art, music, literature, cinema, science, sex, and hallucinations. Regrettably, the words are vapid and random as is the essence of the film. The resulting riddle won’t do anything to broaden the filmmaker’s loyal fan base as his many followers will be left feeling as alienated as his central character.

Noteworthy is Jarmusch’s new exploration of the Spanish and Hispanic culture. The first words uttered in the film are “Usted no habla español, verdad?” (You don’t speak Spanish, correct?) which is a phrase that is consistently used by the several diverse and bizarre characters as an introductory code when they all initially meet our protagonist.  There are also some droll scenes that are mostly spoken in Spanish, as well as a long Flamenco sequence where a Spanish song is highlighted. The Hispanic theme also permeates into the casting choices with the hiring of acclaimed Mexican actor Gael Garcia Bernal and Spanish American actress Paz de la Huerta. Bernal’s performance is not a stretch of his acting abilities, but his showing is merely a decision to work with one of his favorite directors.

‘The Limits of Control’ is tedious, excessively sober and vastly abstract for the common moviegoer. An offense that needs to stopped and that perhaps never will.

Mack Chico

By

2009/11/17 at 12:00am

Star Trek

11.17.2009 | By |

Rating: 3.5

Rated: PG-13 for sci-fi action and violence, and brief sexual content.
Release Date: 2009-05-08
Starring: Roberto Orci, Alex Kurtzman
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.startrekmovie.com/

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2009’s ‘Star Trek’ is a youthful, and very entertaining modern revival of the classic and outdated TV series and movie franchise starring William Shatner and Leonard Nemoy. This new version is an all out action film that manages to balance it with some terrific casting, CGI effects and humor. Very similar to what ‘Iron Man’ as a movie offered. Star Trek has been designed with the lofty goal of keeping current fans, repatriating lapsed ones and, by re-branding the name, opening the Trek universe to millions of new viewers. J.J. Abrams‘ attempt has mostly succeeded.

 

The storyline is essentially the deep exploration of the beginnings of Captain Kirk and Spock. This allows the story to establish the origins of all the classic characters and the circumstances that brought them all together. Within this framework, Kirk and Spock meet and soon become competitive cadets-in-training. With their drastically opposite styles, one driven by passion, the other by rigorous logic, they become defiant adversaries, each going all out to be th4 captain of the U.S.S. Enterprise.

 

Leonard Nimoy (the original Spock) makes a cameo in the role that made him famous, and the connection between “new Trek” and “classic Trek” is created.  Just like Nimoy’s appearance, there are a myriad of subtle homages to the old television series and Patrick Stewart films that the true Trekkies will appreciate. Oddly enough, Shatner was nowhere to be seen.

 

There are some narrative cracks though. Abrams and his screenwriters, longtime Trek fans Roberto Orci and Alex Kurtzman (Transformers, Mission Impossible 3), do their best to keep things engaging despite the tremendous constraints of the “origin” format, but there are times when the material feels rushed. When considering pace, this is most definitely that anti-Star Trek: The Motion Picture. No loving, languid shots here.

Star Trek is clearly an action-oriented motion picture, with an intensity that exceeds even that of The Wrath of Khan. The pace is blistering, and the movie is littered with the eye candy of expertly realized space battles. The special effects are beyond those seen in any of the previous ten Star Trek features. In addition to the battles, there are also chases, fight scenes, and all the other staples one expects from an action movie.

The casting could not have been better Chris Pine (Kirk) and Zachary Quinto (Spock) truly embody the essence of the priginal characters. The dominican actress Zoe Saldaña plays Uhura, but with a new sexiness absent from the previous versions.

Ultimately, when the end credits roll, we’re left with the sense that Star Trek represents a good beginning. As a film tasked with getting all the characters together, re-booting a timeline, and finding a way to return a veteran actor to his beloved role, Star Trek works. There is some awkwardness here – it feels like the “hybrid” it is (or, as it has been called, “Not Your Father’s Star Trek”) but, considering how ponderous and stilted the Star Trek movie series had become, perhaps that’s not a bad thing. Still, as with any prequel/re-start, the real test will arrive with the next movie (purportedly in two years – assuming this one does not flop at the box office). The setup is complete; now it’s time to see whether the implied potential of this first entry into a new series can be realized in its sequel.

Alex Florez

By

2009/11/10 at 12:00am

Up

11.10.2009 | By |

Rating: 4.0

Rated: PG for some peril and action.
Release Date: 2009-05-29
Starring: Bob Peterson
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://disney.go.com/disneypictures/up/

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With its 10th film, Disney-Pixar adds to what is an already impressive collection of animated features that have delighted kids and adults alike since the mid 90s.  In the tradition of its predecessors, UP not only stretches the imagination, but through the familiar qualities we see in their characters, also manages to galvanize our hearts into action. Quietly, and simply put, Pixar has become the brand we can trust to inspire.

UP, follows the touching story of a 78 year old balloon salesman Carl Fredricksen (Ed Asner), who finally fulfills his lifelong dream of a great adventure when he ties thousands of balloons to his house and flies away to the jungles of South America. But he soon discovers that he won’t be alone on his journey – an 8 year old ‘wilderness explorer’ named Russell is inadvertently on board.

Despite its impeccable record of hit films, Pixar doesn’t simply follow a formula that has worked for them in the past.  They continuously explore new territory and with last year’s Wall-E even go as far as making daring social political commentary.  Of course it’s all hidden underneath a score of lovable characters and a hilarious string of jokes. 

 

UP however, seems to push the envelope even further by introducing some sobering moments we’re not used to seeing in ‘kid movies’.  Trust me, you’ll know what I’m talking about when you see them.  While navigating between these type of scenes and the lighthearted ones is something director Pete Docter (Monsters, Inc.) does swiftly, it also presents the film’s most challenging and uncomfortable moments. Notwithstanding, you’ll be in for an hour an a half of absolute fun.

It is hard to say where UP ranks among the other Pixar classics, but as of now it is one genre-bending unpredictable animated family action comedy for all age groups.

Jack Rico

By

2009/11/10 at 12:00am

The Ugly Truth

11.10.2009 | By |

Rating: 2.5

Rated: R for sexual content and language.
Release Date: 2009-07-24
Starring: Nicole Eastman, Karen McCullah Lutz, Kirsten Smith
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.theuglytruth-movie.com/

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The Ugly Truth sells a fantasy about putting together two attractive individuals and telling the audience they’re falling in love rather than taking the time to develop interesting characters and build the romance. The only thing that differentiates it from far too many other uninspired rom-coms is that some of the material is funny and there is an occasional edge to the repartee. Beyond that, however, it’s a cookie-cutter movie, and the cookies are pretty stale.

A romantically challenged morning show producer (Heigl) is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent (Butler) to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

The two stars, Katherine Heigl and Gerard Butler, are the next coming of Kate Hudson and Matthew McConaughey. They’re both photogenic and their chemistry is hit-and-miss, but I can’t help wonder if this is more symptomatic of problems with the direction of Robert Luketic (Legally Blonde) and the weaknesses in the screenplay. When they’re given a full scene in which to interact, there’s something there, but those moments are few and far between.

One thing The Ugly Truth has going for it is that, unlike many romantic comedies, this one is actually funny – not consistently, but there are enough laughter-inducing scenes to keep things from becoming too tedious. Much of the humor is of the sex farce variety, with some of it falling into the Benny Hill school of funny bone tickling. For the most part, The Ugly Truth is PG-13 material (with the only nudity being a male butt), but some profanity and a few descriptive sex terms push it over the line into the realm of the soft R, which makes no sense from a marketing standpoint.

The Ugly Truth is a neatly packaged product that comes with all the consumer friendly safety labels. The comedy, as sophomoric as it often is, relieves some of the boredom of the generic love story. The movie is more like a re-make than something new, but many viewers find comfort in the familiar, and this is for them. For my part, if I want to re-visit this formula, I’ll head for the DVD shelf, where better interpretations of the same basic story exist. And that my friends is ‘The Ugly Truth.’

Alex Florez

By

2009/11/03 at 12:00am

Paraíso Travel

11.3.2009 | By |

Rating: 3.5

Rated: Not available
Release Date: 2008-04-26
Starring: Jorge Franco Ramos, Juan Manuel Rendon
Director(s):
Distributor:
Film Genre:
Country:Colombia
Official Website: http://www.paraisotravelmovie.com/

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Jack Rico

By

2009/11/03 at 12:00am

The Taking of Pelham 123

11.3.2009 | By |

Rating: 3.0

Rated: R for violence and pervasive language.
Release Date: 2009-06-12
Starring: Brian Helgeland
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.catchthetrain.com/

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“The Taking of Pelham 123” is good summer film fare, but it isn’t great. Not that this is a bad thing. The only reason you should go out and see this film is if you are a fan of either Denzel Washington or John Travolta, and are looking for some respectable acting. Otherwise, the action sequences are scant, and even though the premise is captivating, some implausible moments occur that deter you from investing too much of your time and brain power.

Denzel Washington stars as New York City subway dispatcher Walter Garber, whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. John Travolta stars as Ryder, the criminal mastermind who, as leader of a highly-armed gang of four, threatens to execute the train’s passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there’s one riddle Garber can’t solve: even if the thieves get the money, how can they possibly escape? That is what the film is all about.

If you ever had the chance to see the original ‘The Taking of Pelham 123’ with Walter Matthau and Robert Shaw, you’ll see in this new version that there are many changes to  the storyline. Director Tony Scott, who we spoke to in New York before the release of the film, commented how this project is not a remake but a new movie altogether. The changes do make the film better, but there is something to be said about the tone of the original that made it a good watch. Nevertheless, both stand on their own as good films, not great.

Latin actors Luis Guzman and Ramon Rodriguez played role characters and had some visible screen time, but not enough to for me to engage you in this particular review.

If I had to pick from the original and the new version to watch tonight, I’d go with the new one, because it provides more entertainment than the first. It won’t blow your mind away, but it’ll keep it from getting bored.

Alex Florez

By

2009/10/20 at 12:00am

Transformers: Revenge of the Fallen

10.20.2009 | By |

Rating: 2.5

Rated: PG-13 for intense sequences of sci-fi action violence, language, some crude and sexual material, and brief drug material.
Release Date: 2009-06-26
Starring: Ehren Kruger, Roberto Orci
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.transformersmovie.com/

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‘Revenge of the Fallen’ falls somewhere between ‘American Pie’ and ‘Terminator’.  Yes, I know that covers the gamut of movie genres, but that’s exactly the situation at hand.  Director Michael Bay’s follow up to the blockbuster film based on Hasbro’s action figures, is clearly targeting the graduating class of 2009.  School is out, summer is in and screenwriters Roberto Orci and Alex Kurtzman turn the first half of the movie into a teen-sex comedy, something most fans of the original cartoon series from the 80s won’t really care for.  But somewhere beneath all the sophomoric double entendres, lies a story-line with the potential of whipping fanboys into a frenzy by shedding light onto the ancient origins of the Transformers.

Optimus Prime, leader of the ‘Autobots’ (the good ones), is the ultimate hero to rally around but it is Sam Witwicky (Shia LeBoeuf) the boy responsible for discovering the alien race, who will hold the fate of the world in his hands.  Together with the help of the humans, the ‘Autobots’ engage in a battle of biblical proportions against the evil ‘Decepticons’.  The action here is certainly impressive and the special effects out of this world but it is difficult to enjoy when you can’t quite tell what’s going on – also my biggest concern with the first film. With the exception of Optimus Prime, the hot-rod semi-truck and Bumblebee, the golden Camaro, telling some of these robots apart is a mounting challenge especially during combat scenes.   

At the end of the day, there’s a lot of fat that can be cut out of the film to make it a leaner action-packed extravaganza. I’d start by eliminating a series of extraneous characters that add very little.  John Turturro as Agent Simmons, for instance, feels as out of place as the late Richard Pryor in ‘Superman III’.  And we all know how that franchise turned out.

Jack Rico

By

2009/10/13 at 12:00am

The Proposal

10.13.2009 | By |

Rating: 2.5

Rated: PG-13 for sexual content, nudity and language.
Release Date: 2009-06-19
Starring: Pete Chiarelli
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://touchstone.movies.go.com/theproposal/

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The Proposal is a formulaic romantic comedy that offers nothing remotely fresh or new while following a very predictable outcome. For some people, that’s enough. Some will think its enough, but  the film is mediocre at best and hoping its anything else are just false expectations. 

 

Not much in the sense of a plotline – A pushy boss (Sandra Bullock) forces her young assistant (Ryan Reynolds) to marry her in order to keep her Visa status in the U.S. and avoid deportation to Canada.

 

It should not be considered a spoiler to reveal that the two actually fall in love. After all, that’s the point of the movie, and the only reason any percentage of the population will see it. (Also, once you’ve watched the three-minute trailer, there is no point in seeing the 108-minute film – not only does the trailer tell the whole story, but it includes all the best comedic material.)

 

The problem, which I alluded to earlier, is that the romance falls flat. It has nothing to do with chemistry. Bullock and Reynolds don’t burn up the screen, but they’re nice enough together. The movie doesn’t give us enough to go on to believe that these two have fallen in love. Those who buy it will do so because the formula demands it, not because the movie has succeeded in closing the sale.

 

There are some funny moments, chief of which is the overhyped “nude” scene in which Margaret, fresh from the shower and wearing nothing (but with arms and hands strategically positioned so the rating can remain PG-13) collides with an equally in-the-buff Andrew. It’s more amusing than laugh-aloud funny, and it’s about as naughty as things can get without crossing the line into R territory. Most of The Proposal‘s jokes are like that in that they provoke smiles and chuckles but fail to generate any really good laughs.

 

The cast isn’t populated by heavyweights. It has been a while since Sandra Bullock has been in the fast lane, and it’s been about a decade since she was a prime romantic comedy actress. Ryan Reynolds, who showed flashes of genuine talent in Adventureland, is back to phoning it in. (Although, to be fair, his flummoxed expression when Andrew “learns” he’s engaged to Margaret – which carries through more than one scene – is possibly the film’s funniest element.) 

 

The Proposal will give you a bland taste of romance this weekend. We rather you cozy up to one of the classic Tom Hank romantic comedies on DVD this weekend than endure the regurgitated, cardboard taste of The Proposal.

Jack Rico

By

2009/10/06 at 12:00am

Year One

10.6.2009 | By |

Rating: 1.5

Rated: R for some sexual content and language.
Release Date: 2009-06-19
Starring: Harold Ramis, Gene Stupnitsky, Lee Eisenberg
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.yearone-movie.com/

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‘Year One’ was a big yawner, actually, I’m being too nice, it’s competing with ‘Land of the Lost’ for worse movie of the year. The idea of Michael Cera playing a caveman is not funny, just bad, and once again I see myself writing a consistent review on Jack Black, “he has got to be one of the most annoying comedians in Hollywood”. The film has several funny moments at the beginning, but dies out halfway through. It has no real grasp of where its story is going; it feels lost and all over the place.

The premise of ‘Year One’ looked bad from the start – two cavemen buddies (Jack Black and Michael Cera) in ‘year one’ of Earth set their sites to explore the world and end up living the Genesis and subsequent chapters of the Holy Bible – well because of them, holy no longer.

Harold Ramis, one of the original Ghostbuster actors, has teamed up with Judd Apatow (who is producing) to direct this fragmented film which has to do more about the Bible and religious jokes than the primitive man. Indie director Kevin Smith, once experimented with the comical side of religion with a film called, ‘Dogma’ starring Matt Damon and Ben Affleck and it went nowhere fast at the box office. I wonder what will happen with this one? (exuding sarcasm).

I’ll be honest with you guys, religion isn’t everyone’s cup of joe and making someone laugh already is hard enough; combining the two can mean a recipe for disaster. Only Mel Brooks, Monty Python and some of the other greats have managed to do it well, but I’m not sure if anyone today can pull it off with success. Ramis sure didn’t and neither did Bill Maher with his ‘Religulous’. They were forgettable.

But to be fair, the acting wasn’t bad at all (except for vexing Jack Black), and the dialogue was funny at times. The problem, which is too troublesome to overcome, is the   direction and pacing of the story along with the verisimilitude or implausibility of the adventures our protagonists go through. It distracts us from enjoying the funny moments.

When we interviewed Ramis for this review, he seemed like a hell of a nice guy. He possesses tremendous acumen about the history of film comedy and has an awareness of his place in it. That said, I don’t think he an Apatow seemed to be on the same page. Way too many flaws in the film for two very smart icons to get it wrong.

Nevertheless, ‘Year One’ isn’t what you’d expect from a Cera, Black comedy. They look out of place and the subject matter is tough to digest if you’re unfamiliar with the biblical texts. This film needs a rewrite and a recast really bad.

Jack Rico

By

2009/09/22 at 12:00am

The Ghosts of Girlfriends Past

09.22.2009 | By |

Rating: 2.5

Rated: PG-13 for sexual content throughout, some language and a drug reference.
Release Date: 2009-05-01
Starring: Jon Lucas, Scott Moore
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.ghostsofgirlfriendspastmovie.com/

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‘Ghosts of Girlfriends Past’ isn’t as bad as I thought it would be. Screenwriters Jon Lucas and Scott Moore somehow manage to salvage the film by developing two well written romantic moments into the overdone cornball premise. The film doesn’t work as a comedy, but it gets the job done in the romance department.

Celebrity photographer Connor Mead (Matthew McConaughey) is a free loving bachelor  who is the ultimate ‘playa’. Unfortunately, his childhood friend Jenny (Jennifer Garner) is the one woman in his life who has always seemed immune to his considerable charm. It all comes to a climax when three ghosts, yes a la Dickens, take him on a revealing odyssey through a lifetime of failed relationships. The purpose of this exam is to get him to redeem himself in front of his one true love – Jenny.

There is no doubts about this film being targeted to female viewers, Unfortunately, they’ll have to deal with some negatives. Most of the damage of the film exists in its overused storyline – Charles Dickens’ ‘The Christmas Carol’. That on its own should scare most moviegoers away. Adding to the barrage of detriments is the myriad of lame and unamusing gags that never go over. I don’t really remember laughing once. But halfway through the film, when Michael Douglas appears as Uncle Wayne, is when we finally experience the first engaging moment. Douglas’s detailed in-depth tutorial on picking up women to a young Connor possesses a real candor absent from similar movies of the genre. I’m sure female viewers will find it amusing if not absurd. We once again are treated to another memorable moment at the film’s climax when McConaughey himself dishes out some love wisdom of his own. These scenes mixed in with a gooey score and sufficient teary close ups will debilitate even some of the most stoic of men.

 

Apart from those likable sequences, the supporting cast is simply irrelevant and insipid. Their charms and levels of interest are nonexistent. Futhermore, McConaughey’s performance matches those of his previous uninspired works (Fools Gold, Failure to Launch, The Wedding Planner). Nevertheless, if you can get past the Dickens homage, ‘Ghosts of Girlfriends Past’ is better than most romantic fare out in theaters right now. Female viewers will enjoy a good insight into the male psyche and have a chance to see a man go from player to prince. Isn’t that what all women want?

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