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Reviews for DVD Releases

Jack Rico

By

2010/06/08 at 12:00am

Shutter Island

06.8.2010 | By |

Rating: 4.0

Rated: Not available.
Release Date: 2010-02-19
Starring: Laeta Kalogridis
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.shutterisland.com/

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The new psychological thriller, “Shutter Island,” based on the popular novel by Dennis Lehane, comes from the dexterous and practiced hands of legendary director Martin Scorsese. The film is deluged with a plethora of twists and turns, brilliant acting by Leonardo DiCaprio and jarring scenes of suspense created and framed to perfection by its helmer. You should be excited to see this film… the entertainment value is high and the production quality is of the highest caliber. It’s definitely a must see movie!

For those of you who unfamiliar with the plotline, we’ll reveal only a succinct version.  The film adaptation tells the tale of two U.S. marshals, Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), who are summoned to a remote and barren island off the cost of Massachusetts to investigate the mysterious disappearance of a prisoner from the island’s fortress-like mental ward. Not much can else be revealed because anything more can ruin the movie experience.

One thing you will take away from this movie is Scorsese’s prowess in the visual department. Some of the camera shots seen make you wish the projectionist could pause them and play it over and over again. After seeing all of DiCaprio’s films, Shutter Island, in my humble opinion, is perhaps one of the top 3 best performances of his career (What’s Eating Gilbert Grape, Shutter Island and Basketball Diaries, in order). That is what you await at your local theater this weekend.
 
A major subtext in the movie’s theme is a question asked by all of us, at one point or another in our lives: Am I mad, or is the world around me mad? What’s real and what is not? (I’ve been there before). Just like Hitchcock, the story is constantly deviating us from our path of clarity, creating scenes that don’t really exist and submerging us into a nightmare we can’t manage to wake up from.

At first, the film seems to be just another intriguing noir detective story but it is so much more than that. The references and homages in the film are multiple, everything from “Out of the Past” to “Shock Corridor” and “The Snake Pit” to Hitchcock’s “Spellbound.”

“Shutter Island” is a world where nothing is what it appears to be. It’s suspenseful, mysterious, ambiguous and insane. Now that sounds like a fun movie!

Jack Rico

By

2010/05/25 at 12:00am

The Road

05.25.2010 | By |

Rating: 3.5

Rated: R for some violence, disturbing images and language.
Release Date: 2009-11-25
Starring: Joe Penhall
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.theroad-movie.com/

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Jack Rico

By

2010/05/18 at 12:00am

Valentine’s Day

05.18.2010 | By |

Rating: 2.0

Rated: PG-13 for some sexual material and brief partial nudity.
Release Date: 2010-02-12
Starring: Katherine Fugate, Abby Kohn
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.valentinesdaymovie.com/

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Jack Rico

By

2010/05/18 at 12:00am

The Messenger (Movie Review)

05.18.2010 | By |

The first 20 minutes of ‘The Messenger’ should remind you of the power movies can have on anyone. It is very well acted, but a tough movie to watch. This film is not for most people, but if you can stomach it, it is worth the time and money to see. It’s not every day war movies are released and less so when they have to do with such a gut-twisting premise as this.

In his first leading role, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army’s Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to whom he has just delivered the news of her husband’s death, Will’s emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.

Let me tell you why the film is good and worth the watch. The Messenger will jolt you emotionally, close to the way Precious does. It’s emotionally raw with situations that feel very real and unsettling. It’s brutal. You say “why do I want to see that?”, but it’s like watching a car wreck on the highway – you slow down to see the post carnage. It’s the macabre part in all of us. Once the story reels you in, the film hits you with excellent acting from Foster and Harrelson. They own the screen and you are absorbed by their lives, problems and thoughts. Just when you can’t take enough drama, Harrelson breaks the tension with off the cuff humor which reminds you that this is just a movie. However, the pacing is off and it feels choppy at times. It goes off into tangents sometimes the way a conversation with a friend might. You can reel him back in, but you can’t do that to a movie. Part of those tangents that didn’t work were the bizarre romantic scenes with Morton and Foster which just didn’t match the level and intensity of the rest of the film, then a wedding crash by the protagonists which seemed out of place.

Credit goes to first time Israeli director Oren Moverman and Italian co-writer Alessandro Camon for creating a script that effectively captures the tribulations of post war trauma and the complex scenarios they harbor within them.

You won’t find many films that shake you ardently the way this does. Even with some of its flaws, it was a satisfying piece of work that you can for sure be pleased with.

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Mack Chico

By

2010/05/11 at 12:00am

Legion

05.11.2010 | By |

Rating: 2.0

Rated: Not available.
Release Date: 2010-01-22
Starring: Peter Schink, Scott Stewart
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://legionmovie.com/

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Jack Rico

By

2010/05/11 at 12:00am

Daybreakers

05.11.2010 | By |

Rating: 3.0

Rated: R for strong bloody violence, language and brief nudity.
Release Date: 2010-01-08
Starring: Michael Spierig, Peter Spierig
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://daybreakersmovie.com/

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Daybreakers has an intriguing premise: What would happen if a mass vampire epidemic swept across the planet and humans – the major food source – became endangered? The best parts of Daybreakers relate to exploring the society that might emerge in such a situation, including the potential economic, political, technological, and military implications. Ethan Hawke stars.

 

The movie is effectively interwoven into the story’s tapestry, and may intrigue those who have grown weary of standard-order vampire movies. In addition to the back story, the movie raises questions about ideas as far ranging as what it means to be human and the morality of ethnic cleansing (an allegorical aspect). Daybreakers is primarily an adventure/thriller, and there are plenty of traditional elements, but more thought went into mapping out the scenario than one often uncovers in this sort of motion picture.

 

In an era when the vampire concept has become marginalized by writers and movie-makers principally concerned with cashing in on a payday and promoting necrophilia, it’s refreshing to discover directors who return to the old school concepts as an inspiration for something different in some ways from what we’re accustomed to.

Mack Chico

By

2010/05/04 at 12:00am

Tetro

05.4.2010 | By |

Rating: 2.5

Rated: Not available.
Release Date: 2009-06-11
Starring: Francis Ford Coppola
Director(s):
Distributor:
Film Genre:
Country:USA, Argentina
Official Website: http://www.tetro.com/

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Meet Francis Ford Coppola 5.0: The Interesting Failure phase. Which certainly beats 4.0, the paycheck period of 1990s films like “Jack,” in which Robin Williams made the stretch of reverting to childhood. But “Tetro,” the second in Coppola’s new line of low-budget art films (following last year’s headache factory “Youth Without Youth”), is hard to take seriously.

 

In La Boca, the café quarter of Buenos Aires, a grimacing, unsuccessful writer named Tetro (Vincent Gallo) on the run from his own nonlegend is hunkered down with his girlfriend Miranda (Maribel Verdú) and working as a light man in the theater. He receives an unwanted visit from his younger half-brother, who works on a cruise ship and cherishes a mistaken view of the older sibling as a generous soul.

 

This movie will be remembered, perhaps, for the little brother, who is played by newcomer Alden Ehrenreich, an effortlessly appealing youngster who strongly resembles Leonardo DiCaprio.

 

Coppola, working in creamy black-and-white that suggests 1960s French and Italian films, wrote his own original screenplay for the first time since the 1970s. Opera is his inspiration — or possibly his infection — as he unloads an elaborate tale of celebrity, sexual revenge and family secrets that creep out of the expressionistic shadows.

 

The brothers, especially the older one, have been poisoned by the renown of their father (Klaus Maria Brandauer) and by the gruesome fates of their mothers.

 

The gorgeous look of this frazzled, fractured monster is enough to hold your interest, for a while at least, and Gallo radiates the appropriate level of crazy for his part.

 

Still, the more dramatic revelations and tragic inevitabilities that turn up, the harder it is not to laugh. Give credit to its maker for directing with an earnestness suggesting a pretentious 22-year-old. Having passed through the phases of Interesting Apprentice, Mad Genius, Chastened Bankrupt and Shameless Wage Slave, Coppola at 70 may be the world’s oldest student filmmaker.

Jack Rico

By

2010/05/04 at 12:00am

Tooth Fairy

05.4.2010 | By |

Rating: 1.5

Rated: PG for mild language, some rude humor and sports action.
Release Date: 2010-01-22
Starring: Lowell Ganz, Babaloo Mandel
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.toothfairy-movie.com/

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I didn’t really know what to expect of the latest family film ‘Tooth Fairy’ starring Dwayne ‘The Rock’ Johnson. At one point I thought it might be the same fare as his 2007 ‘The Game Plan’, which was #1 at the box office for two weeks in a row, but no, this was nowhere near as charming as that one. ‘The Tooth Fairy’ was just bad cinema. The Rock is a simpatico guy, but with a ludicrous plotline, uninspired dialogue, the worse camera editing I’ve seen in years and a paltry supporting cast, there was no way he was saving this sinking ship.

Here’s the story. A bad deed on the part of a tough minor-league hockey player (The Rock) results in an unusual sentence: He must serve one week as a real-life tooth fairy.

He wears a ballerina dress when first becoming a fairy and instead of it being a funny moment, it was a bit embarrassing. I’m wondering why he needs to be working these types of films. Could you imagine what his wrestling buddies must be saying? His body of work isn’t so bad at all. His previous roles in films such as ‘Race to Witch Mountain was great family fun potpourried with thrills, chills and action. ‘The Game Plan’ was a touching and charming movie that makes grown men cry when they see it.

Director Michael Lembeck, mostly a TV director, shouldn’t be doing movies. His camera shot selections were not flattering to the actors and showed the many audio dubbing flaws caught by the lens. Just intolerable. Adding to the demise of the movie was seeing a New York legend Billy Crystal in a pajama like costume regurgitating screenwriter Lowell Ganz’s stale and infantile dialogue.

Do not spend your money this week on ‘Tooth Fairy’. If you want the same family vibe with lots of smiles and warm, fuzzy sentiments and a tear or two, see ‘The Game Plan’ on DVD. You’ll be grateful I recommend it to you.

Jack Rico

By

2010/04/20 at 12:00am

The Lovely Bones

04.20.2010 | By |

Rating: 3.0

Rated: PG-13 for mature thematic material involving disturbing violent content and images, and some language.
Release Date: 2009-12-11
Starring: Fran Walsh, Philippa Boyens
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.lovelybones.com/

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Terry Kim

By

2010/03/23 at 12:00am

Men Who Stare at Goats

03.23.2010 | By |

Rating: 2.5

Rated: R for language, some drug content and brief nudity.
Release Date: 2009-11-06
Starring: Peter Straughan
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.themenwhostareatgoatsmovie.com/

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The Men Who Stare at Goats is based on a book by Jon Ronson of the same title, and judging by his track record—Ronson wrote books with titles like Out of the Ordinary: True Tales of Everyday Craziness and Them: Adventures With Extremists—it isn’t surprising that Heslov’s movie is an hour and a half of paranormal activity (or something like it) inside the U.S. Military. Bob Wilton (played by Ewan McGregor), at first searching for a way out of his heartbreak (his wife and college sweetheart leaves him for his one-armed editor), lands himself in uncanny situations that cannot possibly be real… or are they?

 

Bob begins his adventure in Kuwait City, where he runs into Lyn Cassady (played by George Clooney), who will ultimately be the link to the story behind the First Earth Battalion. When the Cassady-Wilton duo courageously ventures into the deserts of Iraq, the first big thing that happens is a car crash, and into a glaring boulder in the middle of the road, no less. Not to mention that the first “help” they acquire is a group of petty thugs that want to sell this clueless American pair. For Wilton’s first big adventure, he’s doing pretty great. Once he starts to glean out some of Cassady’s stories, however, he realizes that the U.S. Military isn’t as tough as it looks.

 

Meet Bill Django (Jeff Bridges), leader of the First Earth Battalion, who uses his “education” (if naked hot tub sessions count as education) to get his men in touch with Mother Earth. Lyn Cassady is Django’s main protégé, and when a fellow Battalion member, Larry Hooper (Kevin Spacey) enters their Garden of Eden, things go terribly amiss: Django gets a dishonorable discharge, and even worse, Cassady stares at a goat so intently that it drops dead. Lyn has thus traversed into the dark side, and to top it off, Larry taps him with the “death touch.” But not to worry; all ends well, with Bill’s vision of Timothy Leary, and some military breakfast laced with LSD. Thus Bob Wilton emerges, cured of his heartache, and in tune to his inner hippie.

 

The director of The Men Who Stare at Goats is Grant Heslov. This is his feature debut behind the camera, but not his first opportunity to join forces with Clooney. He co-wrote (with Clooney) and produced Good Night and Good Luck and filled similar producing duties for Leatherheads. The two men clearly know each other and work well together, and it shows in the easy way this movie unfolds. Heslov is not performing without a net. Who better than Clooney to lend a helping hand – a man who has learned from Soderbergh and the Coens and directed three films in his own right (two of which he collaborated with Heslov)?

 

George Clooney seems to have walked off the set of Burn After Reading and straight into this one: the expressions and the speech are identical. Comments on the acting aside, the laugh-out-loud moments are worth the psychedelic overload. The attention, however, appears to have gone mostly into the dialogue, and the audience knows all too well that dialogue alone does not carry a whole movie. If you’re looking for more reasons—as if there aren’t enough already—to scoff at our former president, look no further than The Men Who Stare at Goats. It’s always fun to make fun.

P.S. Warning to all hamster owners: remember to keep your furry friends away from glaring men.

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