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Movie Reviews and Ratings

Jack Rico

By

2011/09/07 at 12:00am

Alicia Keys announces Broadway cast of ‘Stick Fly’

09.7.2011 | By |

Alicia Keys announces Broadway cast of 'Stick Fly'

Producer Alicia Keys is proud to announce that Dulé Hill, Mekhi Phifer, Tracie Thoms, Puerto Rican actor Ruben Santiago-Hudson and Condola Rashad will star in the Broadway premiere of STICK FLY, the critically-acclaimed American play by Lydia R. Diamond and directed by Kenny Leon. STICK FLY begins previews on Friday, November 18, 2011 and officially opens on Thursday, December 8, 2011 at the Cort Theatre (138 W. 48th Street). Tickets are now on sale through Telecharge.com.
 
“My producing partners and I are thrilled to have such a strong and talented ensemble cast assembled,” said Alicia Keys. “Having this incredible group of actors to help bring Lydia’s beautiful play to life is going to take Broadway’s wattage to the next level!”
 
Returning to the Broadway stage, Emmy Award nominee Dulé Hill (“Psych,” “The West Wing”) will play Kent “Spoon” Levay (a writer), Tracie Thoms (Rent, “Cold Case,” The Devil Wears Prada) will play Taylor (Kent’s fiancée and an entomologist), and Tony Award-winner Ruben Santiago-Hudson (Seven Guitars, Lackawanna Blues) will play Joe Levay (Kent & Flip’s father and a neurosurgeon). Making their Broadway debuts, Mekhi Phifer (“ER,” 8 Mile) will play Flip Levay (a plastic surgeon), and Drama Desk Award nominee Condola Rashad (Ruined) will play Cheryl (a maid). Casting for the role of Kimber, a part-time teacher, will be announced at a later date.
 
It was supposed to be a relaxing weekend at the family home on Martha’s Vineyard… until the baggage got unpacked. Set at the elegant summer home of the well-to-do LeVay family, STICK FLY begins when two adult sons bring their significant others (one a fiancée, the other a new girlfriend) home to meet their parents for the first time. Soon, secrets are revealed, civilities are dropped and identities are explored in a harsh new light. Race and rivalry, class and family, all come together for an explosive comedy of manners about today’s complex world.
 
The creative team for STICK FLY includes David Gallo (Scenic Design), Reggie Ray (Costume Design), Beverly Emmons (Lighting Design) and Richard Fitzgerald / Sound Associates (Sound Design).
 
STICK FLY will be produced on Broadway by Nelle Nugent, Alicia Keys, Samuel Nappi, Reuben Cannon, Sharon A. Carr/Patricia Klausner, Huntington Theatre Company, Dan Frishwasser, Charles Salameno in association with Joseph Sirola & Eric Falkenstein.
 
STICK FLY was developed in a recent co-production last year between the Huntington Theatre Company in Boston and Arena Stage in Washington D.C. The play had its world premiere at Chicago’s Congo Square Theatre Company in 2006 and was subsequently performed at theatres including the McCarter Theatre in 2007 and the Matrix Theatre Company in Los Angeles in 2009. STICK FLY is the recipient of 2011 Independent Reviewers of New England Awards for Best Play and Best Director of a Drama (Kenny Leon); 2010 LA Drama Critics Circle Awards for Best Production, Best Direction and Best Ensemble Performance; a 2010 LA Garland Award for Playwriting; a 2009 LA Weekly Theatre Award for Playwriting; and, the 2006 Black Theatre Alliance Award for Best New Play. It was also a 2008 Susan Blackburn Prize finalist and a nominee for the 2006 Joseph Jefferson Award for Best New Work.
 
Tickets are now available by calling Telecharge.com at (212) 239-6200, (800) 432-7250 outside the NY metro area, or online at Telecharge.com.

Mario Torres

By

2011/09/06 at 12:00am

X-Men: First Class

09.6.2011 | By |

I like comic book movies. I don’t read comics, but as far as movies go, there is always something entertaining about one character, or a group, going through or adapting to an unimaginable change.

X Men: First Class is an excellent comic book movie, for those expecting nothing more. Great action sequences, interesting character chemistry and hints of humor make the Professor X’s clan (or shall I say Magneto?) a very enjoyable 130 minutes.

Let me not give you the wrong impression, this is Magneto’s movie… The rest of the characters live in the world, but in a way, they seem to revolve around him, whether right from the beginning or towards the end.

As we start the movie, it feels like we are watching two movies intersecting one another, and it works beautifully thanks to director Matthew Vaughn (Kick Ass, Layer Cake), who like Bryan Singer (the original director for this and now producer), has developed a very keen sense of showing parallel stories that later convene. 

It’s Poland, 1944, and the scene is practically the same as the one we saw in the first X-Men movie. Kid gets separated from his parents, bends fence, gets knocked down… but, what happens next? What follows clearly states what will happen during the rest of the movie, along with witnessing how Erik/Magneto’s evil psyche is born right in front of us because of Kevin Bacon’s character Sebastian Shaw.

Kevin Bacon… he really does his best to be an evil villain, but I liked him as a villain more in the movie “Super”.

On the other side of the world, Westchester, New York, we simply see how Charles Xavier, as a young man, discovers an intruder that looks like his mom, but it’s really Raven/Mystique. And… yes, that is his introduction and Raven’s as well. How Raven ended up in his kitchen, in the middle of the night, in that same house that is in the middle of a forest, is beyond me, but let’s move along.

 

James McAvoy is charming as Charles Xavier. In the following scenes about 20 years later, his innocence, which will eventually be a character trait that will separate him from Magneto, is clearly established as he tries to chat up a girl at a bar in Oxford using his powers. While this happens, Erik, with a very dark, but bland portrayal by Michael Fassbender, is trying to hunt down the person that created and destroyed him, Sebastian Shaw. This takes him to France and Argentina, where he finds out more information about his nemesis.

 

As if this were not enough, Rose Byrne (who seems to be in every movie lately), is a “sexy” CIA agent tracking down Sebastian Shaw, and while she gets close, she witnesses Shaw and his crew of mutants displaying her powers. Where did Sebastian find this crew of mutants? Again, we don’t know. He seems to have a pretty close relationship with them, but let’s move along.

After seeing this, Byrne’s character, Agent MacTaggert, literally says she needs an “expert in genetic mutation”, and who you gonna call? Charles Xavier. She follows Charles to the same bar, and he uses the same line he used previously to pick up MacTaggert. It doesn’t work, she goes straight to business. Charles willingly joins her team, along with Raven. In the CIA’s operation to catch Sebastian Shaw with the mutants help, they meet Erik as he tries to stop Shaw as well, but fails and Charles saves his life.

The movie takes a comedic turn after their meeting as they formalize the mutant team and Oliver Platt, in a very minor character, helps them settle into a research base. The recruiting sequence is a highlight and Wolverine makes an expected cameo with what is probably the best line of the movie, which I can’t say here (he was being rude).

The last unexpected turn of the movie is Sebastian Shaw’s visit to the research base where the young mutants are, which feels like a bit too long of an action sequence. I found interesting that he does not want to kidnap them, or tries to hurt them, he simply gives them a choice to choose sides, much like Magneto’s character. Some go, some stay, but since it is Magneto’s movie, these choices at the end seem irrelevant.

From here on forward, it is a simple evil vs. good training and fight sequences while establishing the crucial role Charles Xavier has in developing and caring for his “students”.

The relationship between Erik and Charles takes a hit at the very end, and while Charles tries to maintain the peace, it is too late for Erik to go back and not hate the humans (although his nemesis, Shaw, was a mutant too… but let’s move along), so they split sides.

Matthew Vaughn is a good storyteller, and while the second half of the movie lacks the same interest than the beginning, he knows how to handle it. The movie is consistent, and if I were a comic book fan, I am pretty sure I would have liked it even more. Two things before I leave you: look out for a Rebecca Romjin cameo, it’s quick, but amusing; and there is no additional scene after the credits roll, so you get to leave to the bathroom early. I only tell you because I wish I had known…

Jack Rico

By

2011/09/02 at 12:00am

Win an ‘X-Men: First Class’ DVD!

09.2.2011 | By |

Win an 'X-Men: First Class' DVD!

First Class Friday: Attention Marvel Comic Fans!
 
Before they were superheroes, the fate of humanity depended on an extraordinary group of youngsters who went on to become X-MEN: FIRST CLASS.  Based on the international bestselling Marvel Comics franchise, this box office hit bursts onto Blu-ray and DVD Friday, September 9 from Twentieth Century Fox Home Entertainment.
 
Enter for your chance to win a free copy of X-MEN:FRIST CLASS and discover the epic beginning of the X-Men saga.

All you have to do is fill out the COMMENTS section below with your full name and email address to win.

The first 10 winners will be notified by e-mail. Only one entry per e-mail address will be accepted, and multiple entrants may be disqualified. Employees agents, consultants and other advisors of showbizcafe.com are not eligible to participate in this contest. No one under 13 is eligible. VOID WHERE PROHIBITED.

Once again, to enter, please post your name and email address. We will email you for your home address. All entrants MUST be residents of the United States. ShowBizCafe.com respects the privacy of its readers. No information submitted in this contest will be given, copied, transferred, or sold to any third parties.

Special features on the X-MEN: FIRST CLASS Blu-ray include:
•    10 Marvel “X-Men” Digital Comics with exclusive “X-Men: First Class” Backstory Comic
•    More than two hours of never-before-seen extras, including:
o    Cerebro Mutant Tracker: The complete interactive Mutant Database with interactive videos giving fans the ability to learn about their favorite mutants in the X-Men film franchise
o    Children of the Atom: An eight-part behind-the-scenes featurette, charting the film from
pre-production through post-production, including visual effects techniques and cataloguing “X-Men” transformations through prosthetic make up and costume design
o    “X” Marks the Spot: An interactive feature allowing viewers the opportunity to learn more about specific scenes with talent interviews and behind-the-scenes footage
o    Extended and Deleted Scenes
o    BD-Live Portal with additional Cerebro Mutant Tracker profiles
o    Composer’s Isolated Score
o    Theatrical Trailer

Jack Rico

By

2011/08/19 at 12:00am

Conan the Barbarian

08.19.2011 | By |

Conan the Barbarian

‘Conan the Barbarian’ is by far one of the cheesiest movies of 2011, yet, the gory violence is so ubiquitous in the film that action fans are going to enjoy it. The acting is second rate, the dialogue is abominable and the editing is dizzying. By no means is this a good film. Quite frankly, this is as bad as they come. But the film has such an uncanny ability to make fun of itself that the shortfalls are ignored. What prevails is the applause for the gore, which is a testament to how twisted we are as a society. I’ll leave it at that for now, but it’s worth the conversation some other time.

Here’s the synopsis of the movie: A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan (Jason Momoa) realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil. 

The first opening sequence is just ridiculous as we see the birth of Conan during battle. The way he is brought out of the womb of his mother is so laughable that you are ready to either walk out or stay to see how worse it can get. Then the extreme violence kicks in as young Conan slices and dices some tribal assassins. What we ultimately get is entertainment on two levels: a) A bad movie that we can satisfyingly laugh at without shame, and b) the brutality and savagery of the violence which is where the movie makes its mark.

The re-imagination of this ‘Conan’ is nothing like the Arnold Schwarzenegger versions from the 80’s except in story, but that’s attributed solely to the Robert E. Howard books. Jason Momoa, the man who plays the new Conan, brings a vastly different approach than what Arnold brought to his character. Momoa is more like a lion, ferocious and cruel, dark and cold blooded. Think of Sean Connery and Daniel Craig’s James Bond. Two drastic approaches to the same character.

The rest of the cast is filler and worth a laugh or two. Ron Perlman, who plays Conan’s father, once again delivers a heavy dose of risible bad acting. Everything from his face to his delivery is just funny. When you see this movie know that you’re watching a lousy film, but one that you’ll acknowledge the entertainment value in. The characters grow on you and the masculinity of the film is just to chortle at for hours.

The 3D is subpar and nothing I would recommend paying extra for. Momoa directly told me in an interview that he couldn’t believe how good the 3D was. I’d have to disagree with ‘Conan’, but I wouldn’t want say that in his face. If you’d like to see good use of 3D effects, check out Fright Night 3D. That is excellent use of the technology and worth every cent you pay.

‘Conan the Barbarian’ is man’s movie and a really cheesy B film at that. It’s Jason Voorhees meets Jason Statham. This is not good moviemaking at all, but it is fun enough to have a good time with with the guys.

Jack Rico

By

2011/08/12 at 12:00am

Interview: 6 Questions With Michael Peña

08.12.2011 | By |

From drama to comedy, Michael Peña, the Chicago native with Mexican blood from Jalisco and San Luis Potosi­, is in my opinion, one of the most underrated actors in the film business. He is also the next Latino actor who will win an Oscar. His performance as Jesus Martinez in The Lincoln Lawyer was as visceral and absorbing as any performance this year in a supporting role. The scene where Peña is being harassed by Matthew McConaughey’s character in an interrogation room is riveting. You couldn’t take your eyes off him. Read more after the jump. Read More

Mack Chico

By

2011/08/08 at 12:00am

Win the ‘Final Destination’ DVD Box Set

08.8.2011 | By |

Win the 'Final Destination' DVD Box Set

We’re doing it again! ShowBizCafe.com and Warner Bros. are giving you the opportunity to win the ‘Final Destination’ DVD Box Set that includes all 4 films.

All you have to do is answer 5 trivia questions correctly in the COMMENTS section below to win.

The first 5 winners will be notified by e-mail. Only one entry per e-mail address will be accepted, and multiple entrants may be disqualified. Employees agents, consultants and other advisors of showbizcafe.com are not eligible to participate in this contest. No one under 13 is eligible. VOID WHERE PROHIBITED.

Once again, to enter, please post your name and email address, plus your 5 correct answers. We will email you for your home address. All entrants MUST be residents of the United States. ShowBizCafe.com respects the privacy of its readers. No information submitted in this contest will be given, copied, transferred, or sold to any third parties.

Warner Bros.’ new chapter to the successful horror franchise FINAL DESTINATION 5 stars Nicholas D’Agosto, Emma Bell, Miles Fisher and Arlen Escarpeta with David and Tony Todd. The horror film is releasing on August 12th.

Good luck and thanks for visiting ShowBizCafe.com!

TRIVIA QUESTIONS:

1. At the end of the first Final Destination, Carter is hit and killed by what swinging object?
            A. Light bulb
            B. Stoplight
            C. Neon sign
            D. Monkey

2. The car crash scene in Final Destination 2 was nominated for “Best Action Sequence” at what 2003 awards ceremony?
            A. Oscars
            B. Golden Globes
            C. Nobel Prize
            D. MTV Movie Awards

3. In Final Destination 3, Ashley and Ashlyn are killed and nearly turned to “ashes” by what overheating piece of equipment?
            A. Tanning bed
            B. Ronco “Set It and Forget It” Rotisserie
            C. Pizza oven
            D. Subway train

4. In the fourth installment, The Final Destination, Hunt gets his organs sucked out by what?
            A. Vacuum cleaner
            B. Pool drain
            C. Roto-Rooter employee
            D. Roomba robotic vacuum

5. Final Destination 5 will play in what format in theaters across America?
            A. 1D
            B. 2D
            C. Real D 3D
            D. Fake D 3D

Jack Rico

By

2011/08/05 at 12:00am

Jack Rico

By

2011/08/01 at 12:00am

‘Scarface’ to be re-released for one night event

08.1.2011 | By |

'Scarface' to be re-released for one night event

Centennial, Colo. – August 1, 2011 – Blasting onto the silver screen with the intensity of its original release nearly 30 years ago, the pop culture phenomenon Scarface, starring Al Pacino and directed by Brian De Palma, returns to movie theaters in a one-night Fathom event on Wednesday, August 31 at 7:30 p.m. local time. Presented by NCM Fathom and Universal Studios Home Entertainment, audiences nationwide will get the opportunity to experience one of the most influential gangster classics ever made like never before — with all-new restored high-definition picture and enhanced audio. Fans who attend this special event will also get an exclusive look at a 20-minute special feature that showcases interviews with popular filmmakers and talent expressing how this epic feature redefined the gangster genre, leaving an enduring influence on cinema.

Tickets for the Scarface Special Event are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). The Scarface Special Event will appear in more than 475 select movie theaters across the country via the new digital cinema projection systems.

“Almost 30 years after its initial release, Scarface remains iconic and stirs passionate responses from audiences around the world,” said Dan Diamond, vice president of NCM Fathom. “Now, fans can experience Scarface like never before in theaters with spectacularly updated visual and sound quality, and never-before-seen elements in an historic, one-night event.”

Scarface is a 1983 American crime drama and masterful collaboration between acclaimed director Brian De Palma and Academy Award®-winning screenwriter Oliver Stone. Produced by Martin Bregman, Academy Award® winner Al Pacino stars as Tony Montana, a Cuban immigrant who finds wealth, power and passion beyond his wildest dreams…at a price he never imagined. Scarface was nominated for three Golden Globe® Awards (including Best Actor, Best Supporting Actor and Best Original Score), and was named one of the Top 10 Gangster Films of All Time by the American Film Institute.

This one-night, in-theater event celebrates the first-ever Blu-rayTM release of Scarface on September 6 from Universal Studios Home Entertainment. Fans of Scarface will enjoy the restored high-definition picture and 7.1 audio plus see exclusive new bonus content that reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, the Scarface Special Limited Edition Blu-rayTM comes with collectible SteelBookTM packaging, 10 exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will also be made available in an exclusive, never-before-available, limited edition.

Ted Faraone

By

2011/07/29 at 12:00am

Attack the Block

07.29.2011 | By |

Attack the Block

Other than the accents, the thing that may most differentiate British sci-fi pic “Attack the Block,” from its American counterparts is a relative lack of firearms.  It was only a few years ago that the British copper began to carry a gun.  Clubs were sufficient for generations.  Otherwise, American filmmakers could learn something from this contemporary tale of space-alien invasion of Earth.

Like “Cowboys & Aliens,” it has elements of a morality tale.  It also offers suspense, crime, an unlikely band of street rabble forced to save the planet, and a good deal of understated, classically British, comic relief.  It is not, however, a comedy as it is billed.  But it does have “coming of age” elements, which actually work.

Title will make little sense to American auds.  In UK, a “block” can mean many things.  In this case it refers to a subsidized apartment house, what the Brits call a “block” of “council flats.”  The block is turf to two gangs, a group of teen and pre-teen thugs led by Moses (John Boyega), whose weapon of choice is the knife, and whose mode of transport is the bicycle, and a rather more lethal bunch of drug dealers who are a generation older.  The two gangs come into conflict by accident of alien invasion.  Auds can guess which gang lives to tell the story.

Pic opens with Sam (Jodie Whittaker, who played opposite Peter O’Toole’s Maurice in “Venus” a few years ago) about to be mugged by Moses and his juvenile delinquent gang.  The mugging is interrupted by what looks like a meteorite but is in fact a space alien landing on a parked car.  It’s an ugly thing but not quite as awful as the creatures from “Cowboys & Aliens.”  Moses and the gang slay the thing and parade it around as if it were a prop.

All well and good until its mates come looking for it.  These nasty creatures are eyeless, black, hairy blobs who jump higher than an Olympian, scale tall buildings, and tear the guts out of their human victims.

The attack of the killer blobs leads to a couple of plot twists.  First, it brings about an encounter, founded on a misunderstanding, between Moses’ gang and the older drug dealers.  Second, it puts Moses gang into an almost guerilla mode as they flee to safety in the block’s “weed room,” a reinforced indoor greenhouse for growing marijuana.

For all his bravado as a delinquent, Moses is not exactly the bravest of guerilla fighters.  One of pic’s amusing subplots is Moses’ coming of age.  Another amusing subplot is provided by a couple of small kids, aged seven or eight, who show just what a super soaker can do to nasty space aliens.  The main plot, however, as with “Cowboys & Aliens,” lies in the alliance between erstwhile enemies in the face of greater danger.  Sam joins the teen gang.  The girls of the block get involved in fighting the aliens, too.  Even the geek, who come in for special bullying by Moses & Co. provides a critical plot twist and is eventually accepted as one of the in-crowd.  The plot twist is deceptively simple:  It seems, he points out, that the alien slain by Moses is a female.  The hairy blobs are males.  Moses and Co. have the female pheromones all over them.  That is what attracts the hairy blobs.  Auds can figure out the rest as Moses steps up to the plate in an action of almost commando precision.

Pic’s fall guys are the older drug dealers and the cops.  The latter can’t seem to get anything right, even a space alien invasion, which they see with their own eyes.

Unusual for British import, “Attack the Block” can be understood by American ears.  Sound recording is adequate.  Action takes place in one night, which is a money-saving device for filmmakers.  An abundance of night cuts the cost of set design.  Lensing by Thomas Townend is up to par.  Writer-director Joe Cornish helms with a steady hand, and pic is littered with ironic punch lines delivered in deadpan.  How English!  Kudos to Jonathan Amos for keeping pic down to 88 minutes in the cutting room.  Action, which abounds, is convincing, if a tad bloody.  Special effects lack the razzle-dazzle a Hollywood effort would offer, but it is not missed.  The aliens get their point across without it.

“Attack the Block” is rated R, largely for language and violence.  Sex is implicit rather than explicit.  The rating is a joke.  Today’s kids would love it.  Pic offers nothing they have not already seen in a video game.

Estelle Gonzales Walgreen

By

2011/07/29 at 12:00am

Smurfs vs. Los Pitufos: Why The Spanish Translation?

07.29.2011 | By |

Updated: January 16, 2024

Depending on what part of town you are from or what language your TV is talking to you in, you’ve heard the name ‘Los Pitufos’. Confused? Well, think of one of the most popular brands in kid’s entertainment and think of 500 million chotchkies sold worldwide with the Pitufos image that includes blue bottled water. Yes, it’s none other than The Smurfs, the beloved characters with a recurring role in children’s hearts, whose long-awaited movie opens today. Thanks to the youngsters en mi familia and their screeches about Pitufos, I realize the Smurfs I grew up with and their Pitufos were one and the same. Read More

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