I like comic book movies. I donât read comics, but as far as movies go, there is always something entertaining about one character, or a group, going through or adapting to an unimaginable change.
X Men: First Class is an excellent comic book movie, for those expecting nothing more. Great action sequences, interesting character chemistry and hints of humor make the Professor Xâs clan (or shall I say Magneto?) a very enjoyable 130 minutes.
Let me not give you the wrong impression, this is Magnetoâs movie⦠The rest of the characters live in the world, but in a way, they seem to revolve around him, whether right from the beginning or towards the end.
As we start the movie, it feels like we are watching two movies intersecting one another, and it works beautifully thanks to director Matthew Vaughn (Kick Ass, Layer Cake), who like Bryan Singer (the original director for this and now producer), has developed a very keen sense of showing parallel stories that later convene.Â
Itâs Poland, 1944, and the scene is practically the same as the one we saw in the first X-Men movie. Kid gets separated from his parents, bends fence, gets knocked down⦠but, what happens next? What follows clearly states what will happen during the rest of the movie, along with witnessing how Erik/Magnetoâs evil psyche is born right in front of us because of Kevin Baconâs character Sebastian Shaw.
Kevin Bacon⦠he really does his best to be an evil villain, but I liked him as a villain more in the movie âSuperâ.
On the other side of the world, Westchester, New York, we simply see how Charles Xavier, as a young man, discovers an intruder that looks like his mom, but itâs really Raven/Mystique. And⦠yes, that is his introduction and Ravenâs as well. How Raven ended up in his kitchen, in the middle of the night, in that same house that is in the middle of a forest, is beyond me, but letâs move along.
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James McAvoy is charming as Charles Xavier. In the following scenes about 20 years later, his innocence, which will eventually be a character trait that will separate him from Magneto, is clearly established as he tries to chat up a girl at a bar in Oxford using his powers. While this happens, Erik, with a very dark, but bland portrayal by Michael Fassbender, is trying to hunt down the person that created and destroyed him, Sebastian Shaw. This takes him to France and Argentina, where he finds out more information about his nemesis.
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As if this were not enough, Rose Byrne (who seems to be in every movie lately), is a âsexyâ CIA agent tracking down Sebastian Shaw, and while she gets close, she witnesses Shaw and his crew of mutants displaying her powers. Where did Sebastian find this crew of mutants? Again, we donât know. He seems to have a pretty close relationship with them, but letâs move along.
After seeing this, Byrneâs character, Agent MacTaggert, literally says she needs an âexpert in genetic mutationâ, and who you gonna call? Charles Xavier. She follows Charles to the same bar, and he uses the same line he used previously to pick up MacTaggert. It doesnât work, she goes straight to business. Charles willingly joins her team, along with Raven. In the CIAâs operation to catch Sebastian Shaw with the mutants help, they meet Erik as he tries to stop Shaw as well, but fails and Charles saves his life.
The movie takes a comedic turn after their meeting as they formalize the mutant team and Oliver Platt, in a very minor character, helps them settle into a research base. The recruiting sequence is a highlight and Wolverine makes an expected cameo with what is probably the best line of the movie, which I canât say here (he was being rude).
The last unexpected turn of the movie is Sebastian Shawâs visit to the research base where the young mutants are, which feels like a bit too long of an action sequence. I found interesting that he does not want to kidnap them, or tries to hurt them, he simply gives them a choice to choose sides, much like Magnetoâs character. Some go, some stay, but since it is Magnetoâs movie, these choices at the end seem irrelevant.
From here on forward, it is a simple evil vs. good training and fight sequences while establishing the crucial role Charles Xavier has in developing and caring for his âstudentsâ.
The relationship between Erik and Charles takes a hit at the very end, and while Charles tries to maintain the peace, it is too late for Erik to go back and not hate the humans (although his nemesis, Shaw, was a mutant too⦠but letâs move along), so they split sides.
Matthew Vaughn is a good storyteller, and while the second half of the movie lacks the same interest than the beginning, he knows how to handle it. The movie is consistent, and if I were a comic book fan, I am pretty sure I would have liked it even more. Two things before I leave you: look out for a Rebecca Romjin cameo, itâs quick, but amusing; and there is no additional scene after the credits roll, so you get to leave to the bathroom early. I only tell you because I wish I had knownâ¦
New York, NY (May 24, 2011) – The Tony Awards today announced presenters for the 65th Annual Tony Awards at the Beacon Theatre in New York City. The 2011 Tony Awards will air live on CBS, on Sunday, June 12th 8:00 – 11:00 p.m. (ET/PT time delay) and are presented by the Broadway League and the American Theatre Wing.
Hosted by Emmy winner Neil Patrick Harris, the evening will feature appearances by: Daniel Radcliffe, Catherine Zeta-Jones, Whoopi Goldberg, Chris Rock, Alec Baldwin, Samuel L. Jackson, Kelsey Grammer, Viola Davis, Vanessa Redgrave, James Earl Jones, Harry Connick, Jr., Christie Brinkley, David Hyde Pierce, Marg Helgenberger, Matthew Broderick, Angela Lansbury, Jim Parsons, Joel Grey, Patrick Wilson, Robert Morse and many others.
The Antoinette Perry “Tony” Awards are bestowed annually on theatre professionals for distinguished achievement. The Tony is one of the most coveted awards in the entertainment industry and the annual telecast is considered one of the most prestigious programs on television.
For more information on the Tony Awards, please visit www.TonyAwards.com. Follow us on Facebook.com/TheTonyAwards & Twitter.com/TheTonyAwards.
The thrid sequel toPiratesof the Caribbean:OnStrangerTideshadtheir bestresultsabroad,whichbrokebox officerecordswith$256.3 million dollars,and$90.1million inNorth Americawhich gave itfirstplaceatthebox officethis weekend.
Thenew film,shotin3D,do not have co-starsKeiraKnightleyandOrlandoBloom,butretainJohnnyDepp asCaptainSparrow.RobMarshalltakesthereins fromGore Verbinsky, wholed theoriginaltrilogy.Penélope CruzandIanMcShane wereintroduced as new characters.
The filmleader from lastweek,Thor, fellto third place initsthirdweekwith$15.5million andnow totals$145.4 million.
The estimatesofticket salesforFriday through Sunday attheatersin the U.S. andCanada are:
1. Pirates of the Caribbean: On Stranger Tides, $90.1 millon. 2. Bridesmaids, $21 millon. 3. Thor, $15.5 millon. 4. Fast Five, $10.6 millon. 5. Rio, $4.7 millon. 6. Priest, 4.6 millon. 7. Jumping the Broom, $3.7 millon. 8. Something Borrowed, $3.4 millon. 9. Water For Elephants, $2.2 millon. 10. Tyler Perry’s Madea’s Big Happy Family, $990,000 million.
HOLLYWOOD, CA (May 19, 2011) – Paramount Pictures, Twentieth Century Fox and Lightstorm Entertainment jointly announced today that James Cameron’s “TITANIC” will be re-released worldwide on April 6, 2012.
The release, which marks the 100th anniversary of the Titanic setting sail (April 10th), will present the film in 3D for the first time ever.
Written, directed and produced by Cameron, “TITANIC” is the second highest grossing movie of all time. It is one of only three films to have received a record 11 Academy AwardsÒ including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.
Called “A spectacular demonstration of what modern technology can contribute to dramatic storytelling” by Variety upon its release in 1997, the long in the works 3D conversion is being overseen by Cameron and his Lightstorm producing partner Jon Landau who produced the hit movie.
Said Cameron, “There’s a whole generation that’s never seen ‘TITANIC’ as it was meant to be seen, on the big screen. And this will be ‘TITANIC’ as you’ve never seen it before, digitally re-mastered at 4K and painstakingly converted to 3D. With the emotional power intact and the images more powerful than ever, this will be an epic experience for fans and newcomers alike.”
“This new presentation of Paramount’s top-grossing film is particularly special because 2012 is the 100th anniversary of our studio. Paramount has had the pleasure of introducing audiences to some of the all-time classics of cinema during that century of moviemaking and we cannot think of a better way to mark the occasion than with this re-release of ‘TITANIC’,” said Brad Grey, Chairman and CEO of Paramount Pictures.
Commented Fox Filmed Entertainment Chairmen and CEOs, Jim Gianopulos and Tom Rothman: “Our 30-plus year relationship with Jim Cameron and Lightstorm has been enormously rewarding, from ‘Aliens’ to ‘Avatar’, and the global phenomenon of ‘TITANIC’ remains one of the greatest sources of pride in our history. We are pleased to allow a new generation of audiences to experience the film in its brilliant digital restoration in 3D.”
âThe Roommateâ starring Minka Kelly and Leighton Meester, should be considered an official remake of Barbet Schroederâs 1992 hit, âSingle White Femaleâ. Its plot, a roommate with a mental disorder who wants to look and be just like her friend, are almost identical. This new remake version, perhaps intended for a younger female audience, is unexceptional. It fails to improve upon the original, from its acting to the dialogue to the direction, it might as well have been sent straight to DVD, or Lifetime. But because its two female leads are so beautiful and sexy, it unapologetically slips into the realm of guilty pleasure.
The premise of âThe Roommateâ is slightly different than the âSWFâ. Sara Matthews (Minka Kelly) a new college student is assigned to room with Rebecca (Leighton Meester), a rich, pretty girl who unbeknownst to Sara, suffers from a personality disorder. As time passes by, their relationship grows stronger and Rebecca becomes more possessive of her friend. Little by little we see her eliminate all the things that make Sara unhappy until her âgoodâ intentions become too dangerous to ignore.
Yes, it is true that the script has no surprises or twists worth being excited about, the direction of Christian E. Christiansen is trite and worthy of Lifetimeâs top 10 best, and the thrills are stale and flat, but Roommateâs sexiness and attractive cast, are hard to knock. As a result, the âbadâ aspects are amusing and you just go along with it waiting for another hottie to get killed or pummeled.
Whether it is a coincidence or just deliberate casting, Kelly and Meester look like twin sisters, Meester looking a tad younger. Nevertheless, it works specially well when Meester âbecomesâ Sara in the final stretch of the film.
All in all, âThe Roommateâ is a forgettable film, but it is never so bad that it sinks to the point of you walking out. People will laugh and enjoy the bad brushing it off as cheap escapism on a good, fun Saturday night out with the ladies.
The film about the comic Norse god “Thor” continued to top the box office in its second weekend, followed by the comedy “Bridesmaids”.
The adventures of the son of King Odin, from the Marvel comics, raised $34.5 million in theaters in the United States and Canada and has a cumulative total of $120 million and counting.
“Bridesmaids“, which features a battle between two women to arrange the marriage of their friend, comes in second with $24.4 million.
“Fast and Furious 5“, starring Vin Diesel and Dwayne Johnson, was in third place with $19.5 million in its third week at the box office.
The horror movie of a priest hunting vampires, “Priest“, came in fourth, with 14.5 million in its first week in theaters.
The familiar “Rio” maintained its number five after five weeks in theaters, with $ 8 million RECAD this weekend and 125 million dollars since its release.
“Jumpig the Broom” about two African American families who are for a wedding, came in sixth place with $ 7.3 million.
Another romantic comedy, “Something Borrowed”, came in seventh place with $ 7 million, followed by “Water for Elephants” with 4.1 million dollars.
Close the box office this week, “Madea’s Big Happy Family”, with 2.2 million, and “Soul Surfer” with $ 1.8 million.