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Movie Reviews and Ratings

Jack Rico

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2011/01/17 at 12:00am

De Niro’s Globes speech: racist or dark comedy?

01.17.2011 | By |

De Niro's Globes speech: racist or dark comedy?

In what had to be one of the most bizarre and most controversial acceptance speeches in the history of the Golden Globes, legendary thespian Robert De Niro, who was awarded the honorary ‘Cecil B. DeMille’ award for his lifetime work, quipped, in what seemed bad taste, about the deportation of HFPA organizers, waiters, including Spanish actor and Oscar winner Javier Bardem.

“More Hollywood Foreign Press members would have been here, but they were deported just before the show. Along with most of the waiters… and Javier Bardem,” De Niro said after being presented the award by Matt Damon, earning grumbles from the Hollywood crowd.

“And I hope you all have your papers in order, because Homeland Security will be checking them right after they finish full-body scans of Megan Fox,” De Niro added.

The atmosphere in the Beverly Hilton became cold and dour which left many in the audience puzzled.

When asked backstage what the intention of the jokes were, De Niro said, “I thought this would be more fun for this kind of night.” He obviously raised eyebrows with his ‘humor’.

Robert De Niro squandered a great opportunity to use the forum to thank all those who contributed to his artistic career and inspire a new generation of actors. But instead, the star of classic films such as ‘The Godfather II’ and ‘Taxi Driver,’ used his time on stage to include coarse remarks about immigrants.

I get that Ricky Gervais’ whole comedy repertoire has been built on being malicious and cruel, but what significance did it have for Robert De Niro? For anyone who has ever spoken to him, you know he’s a man of few words. He does not like interviews and barely says anything. So what in heaven’s name was that speech all about?

The aforementioned parts of his speech seemed out of place with what the moment represented and the environment he was in. It was supposed to be special. I wanted to be roused, inspired and galvanized by the man who had built a body of work that will most likely never be repeated again for generations. All I ended up getting was a befuddled look while I winced, squirmed and grimaced at the marring of De Niro, the Hollywood icon.

It was uncomfortable and at moments painful to listen to, but if he keeps on making films like ‘Little Fockers,’ then redemption is a deed that will never arrive.

Jack Rico

By

2011/01/15 at 12:00am

Biutiful loses out at the Critics Choice Movie Awards

01.15.2011 | By |

Biutiful loses out at the Critics Choice Movie Awards

There is order in the universe: the largest critics’ U.S. group, the Broadcast Film Critics Association, agreed with almost all of the smaller critics groups and named “The Social Network” the best film of 2010 at the Critics Choice Movie Awards on Friday night.

The film took home four awards, winning Best Picture and also securing trophies for David Fincher (Best Director), Aaron Sorkin (Best Adapted Screenplay) and Trent Reznor and Atticus Ross (Best Score).

Colin Firth (“The King’s Speech”) and Natalie Portman (“Black Swan”) took home honors for lead actor and actress, while “The Fighter” swept the other acting awards: Christian Bale and Melissa Leo won for their supporting roles, while the cast of the David O. Russell film was also named Best Acting Ensemble.

In sheer numbers, the big winner of the night was Christopher Nolan’s “Inception,” which took home six awards: Best Action Movie, and a near sweep of technical categories: Best Cinematography, Editing, Art Direction, Sound and Visual Effects.

“Toy Story 3” was named Best Animated Feature, “Easy A” Best Comedy, and “Waiting for ‘Superman'” Best Documentary.

In something of a surprise, the original Swedish version of “The Girl with the Dragon Tattoo” was named Best Foreign Language Film over “Biutiful” and “I Am Love.” David Fincher, who was not present at the show to accept his Best Director award, is currently shooting an English-language version.

Most of the top Oscar contenders came out of the evening with their hopes intact. “Social Network” won the big awards; “The Fighter” showed real strength in the acting categories (actors being by far the Academy’s largest branch); “The King’s Speech” picked up an expected win for Firth and a significant one for screenwriter David Seidler; “Black Swan” stayed in the game with Portman’s win; and “Inception” dominated below-the-line categories.

In the CCMA’s sole television category, the miniseries “The Pacific” beat two HBO movies, “You Don’t Know Jack” and “Temple Grandin.”

The awards, which were held at the Hollywood Palladium and broadcast on VH1, are voted on by the approximately 250 members of the Broadcast Film Critics Association. The BFCA includes television, radio and Internet critics.

The Critics Choice Movie Awards are generally a more reliable predictor of the Oscars than the Golden Globes are, matching the Oscar Best Picture winner the last four years in a row and eight of the last 10. (The only mismatches came in 2005 and 2006, when the Oscars chose “Million Dollar Baby” and “Crash” and the critics opted for “Sideways” and “Brokeback Mountain.”) 

Last year, of the 19 categories in which the CCMAs and the Oscars overlap, Critics Choice winners went on to win Academy Awards in 13 of them (including one case where Sandra Bullock won the Oscar and tied with Meryl Streep at the CCMAs).

 

 

 

BEST PICTURE: “The Social Network”
BEST ACTOR: Colin Firth, “The King’s Speech”
BEST ACTRESS: Natalie Portman, “Black Swan”
BEST SUPPORTING ACTOR: Christian Bale, “The Fighter”
BEST SUPPORTING ACTRESS: Melissa Leo, “The Fighter”
BEST ACTING ENSEMBLE: “The Fighter”
BEST DIRECTOR: David Fincher, “The Social Network”
BEST ORIGINAL SCREENPLAY: David Seidler, “The King’s Speech”
BEST ADAPTED SCREENPLAY: Aaron Sorkin,  “The Social Network”
BEST CINEMATOGRAPHY: Wally Pfister, “Inception”
BEST ART DIRECTION: Guy Henrix Dyas, “Inception”
BEST EDITING: Lee Smith, “Inception”
BEST COSTUME DESIGN: Colleen Atwood, “Alice in Wonderland”
BEST MAKEUP: “Alice in Wonderland”
BEST VISUAL EFFECTS: “Inception”
BEST SOUND: “Inception”
BEST ANIMATED FEATURE: “Toy Story 3”
BEST ACTION MOVIE: “Inception”
BEST COMEDY: “Easy A”
BEST PICTURE MADE FOR TELEVISION: “The Pacific”
BEST FOREIGN LANGUAGE FILM: “The Girl with the Dragon Tattoo”
BEST DOCUMENTARY FEATURE: “Waiting for ‘Superman'”
BEST SONG: “If I Rise” from “127 Hours”; music by A.R. Rahman, lyrics by Dido Armstrong and Rollo Armstrong
BEST SCORE: Trent Reznor and Atticus Ross, “The Social Network”

Jack Rico

By

2011/01/14 at 12:00am

The Dilemma

01.14.2011 | By |

The Dilemma

For those moviegoers expecting to see the same ol’ Vince Vaughn rambling nonsense for kicks and giggles, you’re in for a surprise that might make you rethink paying to see one of his films again. ‘The Dilemma’ is a comedic drama that has more drama than one would like from their Vaughn films. There are some hard laughs, but very quickly you’ll experience that this isn’t what you paid for.

The movie centers on a commitment-phobic guy (Vince Vaughn) who struggles with two dilemmas: whether to pop the question to his long time girlfriend (Jennifer Connelly) and whether or not to tell his best friend (Kevin James) that his wife (Winona Ryder) is having an affair.

‘The Dilemma’ seems to be an experimental project for Vince ‘The Rambler’ Vaughn. Here he revisits his old dramatic chops, and even though he doesn’t shame himself, it’s clear that he cannot excel within the frames of the genre. Interestingly enough, Vaughn has worked in various dramatic films before (Psycho, A Cool Dry Place, Return to Paradise, South of Heaven, West of Hell), but never with real success. The harsh mashup of comedy and drama here never really finds a harmonious balance and instead seems abrasive and distracting at times. The Coen Brothers are masters at merging both categories masterfully (Big Lebowski, Raising Arizona), but director Ron Howard (Apollo 13 The Da Vinci Code), a virtuoso in his own right, seems astray at best. When you look at his body of work and you look at this movie, it is as if they are two completely different directors. The Howard touch is nowhere to be seen.

Screenwriter Allan Loeb (Wall Street: Money Never Sleeps) concocted a script with some hilarity, uncomfortable drama and much unwelcomed filler. The stuffing throughout the second act was blatant and just intolerable. There was no need to over-flesh the obvious theme of the film.

The cast had some highlights and some low lights, one of the lows being Channing Tatum. The up and comer, who plays the lover to Ryder, had no business working in a comedy, even if it was one with dramatic tones. Each scene where he had to sound funny or look funny was amateurish. A definite miscast. Vaughn, James and Ryder were very good when they dealt with their independent scenes. In Vaughn’s case, the toast scene monologue was a classic. His rambling, though old and unoriginal, had a nasty and hostile bite to it this time around. That was fun to watch.  

Comedic dramas are populating theaters more than ever and we as audiences are going to have to get used to our comedians wanting to expand their range to include drama (remember Ben Stiller doing the awful ‘Greenberg’ or Adam Sandler doing Funny People). Therefore we have to choose wisely and The Dilemma is definitely not a wise selection.

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Mack Chico

By

2011/01/13 at 12:00am

Eva Mendes to star in ‘Wrecking Ball’

01.13.2011 | By |

Eva Mendes to star in 'Wrecking Ball'

Eva Mendes is set to star in Wrecking Ball, the directorial debut of Beatrice Letterier. She is the wife of Louis Letterier, director of The Transporter, The Incredible Hulk and Clash of the Titans.

The film, described as a “dramatic comedy” which involves a fractious Christmas family reunion, and a secret to which a five-year-old girl holds the key.

Beatrice isn’t exactly a newbie behind the camera; she’s been directing commercials and music videos in Europe for some years now. Wrecking Ball is her first attempt at full-length though, but whether or not it also constitutes a first giant step across the Atlantic remains to be seen: it’s unclear so far whether this is a Hollywood project, or a European one that’s bagged an American star.

Mendes is thought to be playing a mother, but again, whether that’s the mother of the five-year-old or one matriarch among several in a large family, is yet to be revealed. The source suggests it’s a role with some dramatic heft to it which she has portryaed in Bad Lieutenant and We Own the Night.

Mendes is the first star attached, but it’s thought that her presence will help the film gain momentum. Expect further developments before too long.

Jack Rico

By

2011/01/13 at 12:00am

Official picture of Andrew Garfield as Spider-Man!

01.13.2011 | By |

Official picture of Andrew Garfield as Spider-Man!

Today I received in my email, a nice little arachnid gift from my contact at Columbia Pictures – the first image of Andrew Garfield as Spider-Man. This is without doubt, one, or if not, the, most anticipated movie photograph of 2011.

A few days ago we posted the first photographs of the set where Garfield and Emma Stone, who plays Gwen Stacy, were kissing. In those pics, Garfield looks happy, excited. But this time, Garfield, I should say Peter Parker, is miserable, sweaty, scratched up and contemplative as he walks through a dark alley. The tone of the picture is bleak and dismal letting us know that the film will not resemble at all a Disney movie. The scratch on the left of Garfield’s face must belong to Dr. Curt Connors a.k.a The Lizard, one of the fiercest archenemies of Spider-Man (that’s our speculation). We think that this photo was taken during, or after the supposed first battle scene with Connors.

The details are slowly being revealed, but the synopsis still remains a secret. On the other hand, don’t even think you’re going to see an official trailer until mid-summer or later this year. The director Marc Webb just started shooting this month and it would be illogical for any visual effects footage to be finished in order to preview already. The poster for the film could very well be this picture, but obviously, with the titles of the film, etc.

The other actors, Rhys Ifans, Martin Sheen, Sally Field, Denis Leary, Julianne Nicholson, Scott Campbell, Irrfan Khan and Annie Parisse, will join the film in the coming weeks. The official release in the US of ‘Untitled Spider-Man Reboot’ will be July 3, 2012 in 3D.

Andrew Garfield como Spider-Man

Jack Rico

By

2011/01/11 at 12:00am

The Social Network

01.11.2011 | By |

Rating: 4.5

Rated: PG-13 for sexual content, drug and alcohol use and language.
Release Date: 2010-10-01
Starring: Aaron Sorkin, Ben Mezrich
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thesocialnetwork-movie.com/

 Go to our film page

Although ‘The Social Network‘ isn’t a masterpiece, this film will undoubtedly be the film that defines our generation. Each decade had a film that captured the zeitgeist of the times such as ‘Saturday Night Fever‘ in the 70’s, ‘The Breakfast Club‘ in the 80’s and ‘Reality Bites‘ in the 90’s. ‘The Social Network’, based on the origins of Facebook.com, the popular global social network, possesses clever dialogue, entertaining performances, and a captivating and inspiring story that draws you in. Director David Fincher (The Curious Case of Benajmin Button, Fight Club, Panic Room) and writer Aaron Sorkin‘s brilliant script have created a biopic that will easily be nominated for several Oscars including Best Director, Best Adapted Screenplay and Best Picture.

The plot is about the origins of Facebook, through conflicting viewpoints of two of the most intelligent young people who claim to have been there at the moment of its conception – Mark Zuckerberg and the Brazilian financier Eduardo Saverin. The result is a drama full of creation and destruction, intentionally avoiding having a single point of view. The characters are Mark Zuckerberg (Jesse Eisenberg), the brilliant Harvard student who designed a site that seemed to redefine the social fabric of our days overnight, Eduardo Saverin (Andrew Garfield), who used to be the best friend of Zuckerberg and provided the money to start the new company, the founder of Napster, Sean Parker (Justin Timberlake), who led Facebook to venture capitalists in Silicon Valley, and the Winklevoss twins (Armie Hammer) who claim that their idea was stolen are suing Zuckerberg for their intellectual property. But the chaos of creation leads to conflicting passions about how it all happened and who deserves recognition for what is  clearly is the most important idea of the century. Tensions reign that divides friends and unleash legal action.

I must say that the real magic of the film does not come from the actors but from Fincher and screenwriter Sorkin. Fincher’s direction is refreshingly consistent. He has always been obsessed with antisocial and rebellious characters, but now, in mid-career, he has become more subtle, more eloquent in their arcs, both comic and tragic. Sorkin on the other hand, is a master of the written word. His script is smart, witty and absorbing. He made an impressive amount of research to get to the core of the story. He read legal statements, court documents, which offered the best possible material. The only thing that could be a detriment to the film is that it might have felt long in some parts.

Among the performances, actor Armie Hammer impressed. His role was a tough one. He played the Winklevoss twins – by himself (courtesy of special effects). Two of the best lines in the film, and perhaps of the year, were delivered by him. Another one that stands out is Jesse Eisenberg, who has undoubtedly done the best work of his career. His role as Zuckerberg – full of awkward moments, quick and extended philosophical monologues – was fierce, sad and brave. Basically, he gave us a soup of personalities and emotions that ultimately proved difficult to decipher – was Zuckerberg a hero or a villain?

Many are curious to know how things went with Justin Timberlake. I say this with all sincerity, he wasn’t so bad. The role fit him like a glove. His performance did not cause any kind of hysteria in the theater I saw it in – unlike his musical performances. His performance is modest at best, nothing to criticize.

Our new Spider-Man, Andrew Garfield, who played Eduardo Saverin, shows that has the acting chops to become an excellent actor for years to come.

I’m sure you’ll like ‘The Social Network’. Why? Because it moves quickly, no scene is wasted, the theme is current and compelling, the performances are magnetic and riveting and the dialogue is engrossing and unforgettable. What more do you want from a film!

Jack Rico

By

2011/01/09 at 12:00am

Season of the Witch

01.9.2011 | By |

Season of the Witch

Season of the Witch’ is Nicolas Cage’s (Oscar winner) new check. He sleepwalks through the whole film with a narcotized stare yearning for someone to yank him and offer him Leaving Las Vegas all over again. The movie’s premise is modestly interesting, but the disjointed and uninspiring dialogue, the sparseness of an absorbing material, and the monotone and mechanical acting leaves much to be desired of Dominic Sena’s fifth effort.

Here’s the plot: Nicolas Cage plays an heroic Crusader with his closest friend, Felson (Ron Perlman) who return home after decades of fierce fighting, only to find their world destroyed by the Plague. The church elders, convinced that a girl accused of being a witch is responsible for the devastation, command the two to transport the strange girl (Claire Foy) to a remote monastery where monks will perform an ancient ritual to rid the land of her curse. One by one his fellow travelers meet with misfortune, and the embattled Crusader finds himself facing his most terrifying adversary.

‘Season of the Witch’ is an action adventure film that is inconsistent; it has its highs and very deep lows such as the incredulousness of Cage playing a religious Crusader prompting some inner chuckles on my behalf. There are some intriguing ideas that never fully follow through such as Claire Foy’s witch character which shows up whimsically without any explanation. The film goes hot and cold very frequently and then reaches, during the trip to the monastery, absurdity. No return from there.

Nonetheless, I did, apologetically, like the entertainment value of the action sequences, enough for me not to pummel the film into paper ash. So then, is ‘Season of the Witch’ bad or good enough to eek by and watch? It belongs in the ‘don’t spend your hard earned cash to see this at the theater,’ but if it’s on HBO one night, you can get your kicks and laughs out of Cage’s and Perlman’s Batman and Robin routine without guilt.

Jack Rico

By

2011/01/07 at 12:00am

‘Knocked Up’ will have a sequel

01.7.2011 | By |

'Knocked Up' will have a sequel

Don’t know if you remember the comedy ‘Knocked Up’ from director Judd Apatow back in 2007. The film became part of the new Apatow comedy movement in Hollywood and grossed worldwide approximately $150 million at the box office, something extraordinary for a film in the genre of comedy. Now comes news that the sequel, Knocked Up 2, is being prepared by Apatow himself where he will helm and write the script.

In an interview with Hitfix, Apatow talked about whether he saw the film as a prequel or sequel, “It’s just a story about the current lives of Pete (Paul Rudd) and Debbie (Leslie Mann). Many people identified with these characters and their problems. I felt there was much to explore in them both. We we will be shooting in July and it will be released next June,” said Apatow.

The exact release date will be June 1, 2012, and Apatow has plans to spread the information little by little. “There are some fun details that I will not reveal yet, but I’ll let you know slowly. It’s more fun that way.”

Although it is unknown if Seth Rogen will return in a cameo (we’ll ask him personally today since we’ll be interviewing him for The Green Hornet), what will be a surprise is to see Katherine Heigl back. She blasted the film back in the day and might be persona non-grata. Let’s see.

Jack Rico

By

2011/01/07 at 12:00am

Video: Seth Rogen wants to do ‘Knocked Up 2’

01.7.2011 | By |

Video: Seth Rogen wants to do 'Knocked Up 2'

The mere idea of Seth Rogen being a part of a sequel to any of his movies sounds a bit too sudden. I mean his first real movie was ‘40 Year Old Virgin’ in 2005. Nevertheless, that is exactly what he might be doing in July of this year on the set of Judd Apatow’s ‘Knocked Up 2.’

Rogen was in New York to promote ‘The Green Hornet’, his new movie about a rich playboy who fights crime and injustice with Kato, his masked sidekick. I had a chance to chat with him, and of course, ask him about Apatow’ sequel to ‘Knocked Up’ with Paul Rudd and Leslie Mann (Apatow’s wife) as the leads. Is Rogen to be part of the cast? Was he coming back with Heigl? If he does return, would it be a cameo? To clear up the uncertainty in the air, I asked him if he would be a part of the sequel.

“It’s a good question,” said Rogen. “I just heard about myself. He mentioned it to me, like a year ago maybe, that he was gonna start writing it, but I literally haven’t talked to him about it in any way.”

When I asked if he wanted to do it regardless of not having official talks with Apatow so far, he said yes. “Yeah, I would like to, why not, I’ve done anything Judd asks”.

Tell us what you’d like to see from a ‘Knocked Up’ sequel in the comments section below and on our Twitter!

Jack Rico

By

2011/01/04 at 12:00am

Roger Ebert announces new host for ‘At The Movies’

01.4.2011 | By |

Roger Ebert announces new host for 'At The Movies'

CHICAGO, January 4, 2011 – Ebert Productions is proud to announce that Ignatiy Vishnevetsky has joined the team at Ebert Presents At the Movies.  Vishnevetsky will accompany the previously announced Christy Lemire of The Associated Press as co-host on the new weekly program.  The show is scheduled to debut on January 21st on public television stations across the country, representing almost 90% national coverage and will be produced in Chicago at WTTW, where Gene Siskel and Roger Ebert began taping the legendary “Sneak Previews” some 35 years ago. It will be distributed by American Public Television (APT).
 
Fans of the original shows will be pleased to find that in addition to serving as co-producer of the show, Roger Ebert will also host a special segment each week and had direct input into the selection of the show’s host critics including Chicago-based Ignatiy Vishnevetsky (Ig.nah.tee) (Vish.na.vet.ski). Hearing him discuss films in the Lake Street Screening Room used by Chicago critics, Ebert said, “I was struck by the depth and detail of his film knowledge, and by how articulate he was.” After reading his work online, Ebert was sold.
 
Vishnevetsky is a critic and essayist for Mubi.com, a new multi-national streaming online cinematheque. Ignatiy moved to America from Russia when he was not quite 9. He graduated from high school in Milwaukee and then moved to Chicago, “because I could find more films to see here.”  He is a co-founder of the acclaimed Cine-File.info, and continues to write criticism for it on a weekly basis. He is also a contributor to The Chicago Reader, and helps program the current Cine-File Selects series at the University of Chicago’s Doc Fims, the nation’s oldest film society.  Prior to becoming a film critic, Vishnevetsky, who is multi-lingual, worked as a translator for Novoe Literaturnoe Obozrenie, Russia’s premier literary journal.
 
Vishnevetsky will go head to head each week with Christy Lemire, who has been reviewing movies for The Associated Press for 12 years and was named the first full-time film critic in the news organization’s history in 2004. Christy filled in for Roger Ebert several times on “At the Movies” in 2007 and has appeared on “The Charlie Rose Show,” “Good Morning America” and “The View,” to name a few. She also covers the Oscars, Golden Globes and many other awards shows each year. A third-generation L.A. native, Christy is a member of the Los Angeles Film Critics Association.  Of Lemire, Ebert says, “I admired the way she reviewed with Richard Roeper when she co-hosted our show,” Ebert said, “and I respect her criticism. On television, Christy is a natural.”
 
Ebert Presents At The Movies, marks the rebirth of a dream for both Roger and Chaz Ebert, who will serve as executive producer of the show. Chaz Ebert says she is happy to have this rare opportunity in television to bring back a show that started 35 years ago at WTTW, had a successful run at Tribune Entertainment and Disney, and is now once again being embraced by public stations nationwide.
 
ABOUT EBERT PRESENTS AT THE MOVIES
 
Ebert Presents At the Movies will be executive produced by Roger his wife Chaz Ebert, and will be directed by Don Dupree, who logged 15 years as director of “Siskel & Ebert” and “Ebert & Roeper.”  Joining Christy and Ignatiy from time to time will be an impressive line-up of contributing critics on various aspects of the movies, from business issues to social media. The first shows will include Kim Morgan (sunsetgun.com) and Omar Moore (popcornreel.com). It will be distributed nationwide by APT (American Public Television).

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