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Movie Reviews and Ratings

Karen Posada

By

2010/03/11 at 12:00am

Remember Me

03.11.2010 | By |

Remember Me

‘Remember Me’ does a fine job at making you part of it without you realizing it. If you are into romantic dramas you are going to love it, it is more than just romance though, the importance of family is felt strongly as well. The plot is made up of love and loss and the sense that we have to ‘live in the moments’ because we don’t know when our last day on Earth will be. It is your typical boy-meets-girl story but with a sense of reality in it and a twist of faith.

Our main character Tyler Hawkins (Robert Pattinson) is a troubled soul, who feels completely helpless, he wants to be a hero or a voice to those that need it, like his younger sister Caroline (Ruby Jerins). He had a privileged life growing up, but now wants to make it on his own, away from his workaholic father (Pierce Brosnan); who doesn’t expect anything good out of him. With his poetic boy looks and the sadness he has about him, he has a way with the ladies. His roommate Aidan (Tate Ellington) convinces Tyler to date the daughter of a police officer (Chris Cooper), to spite him for arresting them one night. Tyler has no problem sweeping Ally Craig (Emilie de Ravin) off her feet. Tyler gets lost in his own game and ends up falling for Ally’s quirky personality. She has the ability to show him through their connection by their troubled pasts, that he can live again despite of all the pain he’s felt. She brings out the best in him.

The love connection here is strong; Pattinson and de Ravin make the romance as well as their life stories very real to the audience. It’s hard not to fall in love with Pattinson in this film; he is the typical artsy passionate guy every girl would want. The quarrels among characters, especially “the big fight” between the couple is a bit ridiculous. The script tries to create drama where there really isn’t.  Admittedly the ending is the strongest part of the movie, the filmmakers took a cheap shot at the audience, but it is the reason for the ½ star. It is a cheap shot that works, without it the movie wouldn’t have an impact and it would be easy to forget. We are given subtle hints about the ending throughout the whole movie but we only connect the dots when we arrive to it, it is what will make the audience feel a stronger connection to the story.

I definitely recommend it to the hopeless romantics; it will touch your hearts and leave you a little depressed. You are left with the sense that we do need to cherish every moment and live as if today was our last day.

Namreta Kumar

By

2010/03/11 at 12:00am

She’s Out of My League

03.11.2010 | By |

She's Out of My League

She’s Out of My League is quite possibly the best romantic-comedy out, thus far, this year. The best part about this bromance is that it is equally a chick-flick.

In a nutshell she (Alice Eve) is a 10 and he (Jay Baruchel) is desperately trying to hold onto the status of 5. Essentially his family, friends, and lack of any real aspirations fail him; but she tiers of “perfection” and finds it all refreshing. The multitude of characters is what makes the film so much fun. From Kirk’s friends down to Molly’s parents everyone lends great talent and character to the film.

Kirk is more than just a five and Jay Baruchel makes this a reality. I must equally commend Jim Field Smith for this as well, because his direction gives each actor/character their shining moment.  And at the end of it all, what makes this film work are those shinning moments. Smith’s direction has created a comedic piece that every guy can enjoy, and every girl will adore.

What makes the comedy here fun and unique is that all the characters are just that, characters. All of Kirk’s friends remind you of those same guys from high school down to your office and the advice they honesty dole out to Kirk make them all the more real. On the other hand Molly’s best friend and sister make this equally a chick flick, with their own frankness about her imperfections.

She’s Out of My League is not as good as Wedding Crashers but it does equal I Love Your Man. It has a lot of little laughs and plenty of charm to finally leave you satisfied with a romantic comedy this year.

Jack Rico

By

2010/03/09 at 12:00am

Up in the Air

03.9.2010 | By |

Rating: 4.0

Rated: R for language and some sexual content.
Release Date: 2009-12-04
Starring: Jason Reitman, Sheldon Turner
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.theupintheairmovie.com/

 Go to our film page

Jack Rico

By

2010/03/06 at 12:00am

‘Oscar 2010’: My Winning Predictions

03.6.2010 | By |

'Oscar 2010': My Winning Predictions

With less than 24 hours away from the 2010 Oscars, fans of this big night have their thoughts of who will be the winners of the big awards. I’ll be personally looking at the Foreign Films category because that is where I think the best films of 2009 are! Two Latin American films are nominated. My peeps are putting their share!

Here at ShowBizCafe.com, I decided to predict the winners of all the categories for that big pool you guys are planning on having Sunday night. 

Share your ideas and predict the winners along with me on Twitter on Sunday night at 8pm. I’ll be blogging live all 3-4 hours.

Without any more delays, check out my full 2010 Oscar Awards Predictions highlighted in bold:

 

 

Best Picture
The Hurt Locker (Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, producers)
Avatar (James Cameron and Jon Landau, producers)
District 9 (Peter Jackson and Carolynne Cunningham, producers)
An Education (Finola Dwyer and Amanda Posey, producers)
Inglourious Basterds (Lawrence Bender, producer)
Precious (Lee Daniels, Sarah Siegel-Magness and Gary Magness, producers)
A Serious Man (Joel Coen and Ethan Coen, producers)
Up in the Air (Daniel Dubiecki, Ivan Reitman and Jason Reitman, producers)
The Blind Side (Gil Netter, Andrew A Kosove and Broderick Johnson, producers)
Up (Jonas Rivera, producer)

Best Director
The Hurt Locker (Kathryn Bigelow)
Avatar (James Cameron)
Inglourious Basterds (Quentin Tarantino)
Up in the Air (Jason Reitman)
Precious (Lee Daniels)

Best Actress
Sandra Bullock in The Blind Side
Meryl Streep in Julie & Julia
Helen Mirren in The Last Station
Gabourey Sidibe in Precious
Carey Mulligan in An Education

Best Actor
Jeff Bridges in Crazy Heart
Colin Firth in A Single Man
George Clooney in Up in the Air
Jeremy Renner in The Hurt Locker
Morgan Freeman in Invictus

Best Supporting Actress
Mo’Nique in Precious
Vera Farmiga in Up in the Air
Penélope Cruz in Nine
Anna Kendrick in Up in the Air
Maggie Gyllenhaal in Crazy Heart

Best Supporting Actor
Christoph Waltz in Inglourious Basterds
Christopher Plummer in The Last Station
Matt Damon in Invictus
Stanley Tucci in The Lovely Bones
Woody Harrelson in The Messenger

Animated Feature Film
Up (Pete Docter and Bob Peterson)
The Princess and the Frog (Ron Clements and John Musker)
Coraline (Henry Selick)
Fantastic Mr Fox (Wes Anderson)
The Secret of Kells (Tomm Moore)

Foreign Language Film
The White Ribbon (Michael Haneke, Germany)
The Secret of Her Eyes (Juan Jose Campanella, Argentina)
A Prophet (Jacques Audiard, France)
The Milk of Sorrow (Claudia Llosa, Peru)
Ajami (Scandar Copti and Yaron Shani, Israel)

Writing (adapted screenplay)
Precious (Geoffrey Fletcher)
District 9 (Neill Blomkamp and Terri Tatchell)
An Education (Nick Hornby)
Up in the Air (Jason Reitman and Sheldon Turner)
In the Loop (Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche)

Writing (original screenplay)
Inglourious Basterds (Quentin Tarantino)
The Messenger (Alessandro Camon and Oren Moverman)
The Hurt Locker (Mark Boal)
A Serious Man (Joel and Ethan Coen)
Up (Pete Docter and Bob Petersen)

Art Direction
Avatar (art direction: Rick Carter and Robert Stromberg; set decoration: Kim Sinclair)
The Imaginarium of Doctor Parnassus (art direction: Dave Warren and Anastasia Masaro; set decoration: Caroline Smith)
Nine (art direction: John Myhre; set decoration: Gordon Sim)
Sherlock Holmes (art direction: Sarah Greenwood; set decoration: Katie Spencer)
The Young Victoria (art direction: Patrice Vermette; set decoration: Maggie Gray)

Cinematography
Avatar (Mauro Fiore)
The White Ribbon (Christian Berger)
Harry Potter and the Half-Blood Prince (Bruno Delbonnel)
The Hurt Locker (Barry Ackroyd)
Inglourious Basterds (Robert Richardson)

Costume Design
The Young Victoria (Sandy Powell)
Coco Before Chanel (Catherine Leterrier)
Bright Star (Janet Patterson)
The Imaginarium of Doctor Parnassus (Monique Prudhomme)
Nine (Colleen Atwood)

Documentary (feature)
The Cove (Louie Psihoyos and Fisher Stevens)
Burma VJ (Anders Østergaard and Lise Lense-Møller)
Food, Inc (Robert Kenner and Elise Pearlstein)
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Judith Ehrlich and Rick Goldsmith)
Which Way Home (Rebecca Cammisa)

Documentary (short subject)
China’s Unnatural Disaster: The Tears of Sichuan Province (Jon Alpert and Matthew O’Neill)
The Last Campaign of Governor Booth Gardner (Daniel Junge and Henry Ansbacher)
The Last Truck: Closing of a GM Plant (Steven Bognar and Julia Reichert)
Music by Prudence (Roger Ross Williams and Elinor Burkett)
Rabbit à la Berlin (Bartek Konopka and Anna Wydra)

Film Editing
Avatar (Stephen Rivkin, John Refoua and James Cameron)
District 9 (Julian Clarke)
The Hurt Locker (Bob Murawski and Chris Innis)
Inglourious Basterds (Sally Menke)
Precious (Joe Klotz)

Makeup
Star Trek (Barney Burman, Mindy Hall and Joel Harlow)
Il Divo (Aldo Signoretti and Vittorio Sodano)
The Young Victoria (Jon Henry Gordon and Jenny Shircore)

Music (original score)
Up (Michael Giacchino)
Avatar (James Horner)
Fantastic Mr Fox (Alexandre Desplat)
The Hurt Locker (Marco Beltrami and Buck Sanders)
Sherlock Holmes (Hans Zimmer)

Music (original song)
The Weary Kind, from Crazy Heart, by Ryan Bingham and T Bone Burnett
Almost There, from The Princess and the Frog, by Randy Newman
Down in New Orleans, from The Princess and the Frog, by Randy Newman
Loin de Paname, from Paris 36, by Reinhardt Wagner and Frank Thomas
Take It All, from Nine, by Maury Yeston

Short Film (animated)
Logorama (Nicolas Schmerkin)
A Matter of Loaf and Death (Nick Park)
French Roast (Fabrice O Joubert)
The Lady and the Reaper (Javier Recio Gracia)
Granny O’Grimm’s Sleeping Beauty (Nicky Phelan and Darragh O’Connell)

Short Film (live action)
The Door (Juanita Wilson and James Flynn)
Miracle Fish (Luke Doolan and Drew Bailey)
Instead of Abracadabra (Patrik Eklund and Mathias Fjellström)
Kavi (Gregg Helvey)
The New Tenants (Joachim Back and Tivi Magnusson)

Sound Editing
Avatar (Christopher Boyes and Gwendolyn Yates Whittle)
The Hurt Locker (Paul NJ Ottosson)
Inglourious Basterds (Wylie Stateman)
Star Trek (Mark Stoeckinger and Alan Rankin)
Up (Michael Silvers and Tom Myers)

Sound Mixing
Avatar (Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson)
The Hurt Locker (Paul NJ Ottosson and Ray Beckett)
Inglourious Basterds (Michael Minkler, Tony Lamberti and Mark Ulano)
Star Trek (Anna Behlmer, Andy Nelson and Peter J Devlin)
Transformers: Revenge of the Fallen (Greg P Russell, Gary Summers and Geoffrey Patterson)

Visual Effects
Avatar (Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R Jones)
District 9 (Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken)
Star Trek (Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton)

Alex Florez

By

2010/03/05 at 3:22pm

Casino online nj

03.5.2010 | By |

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https://www.youtube.com/watch?v=kh_luIZoS0E

Jack Rico

By

2010/03/05 at 12:00am

Movie Review: ‘Brooklyn’s Finest’

03.5.2010 | By |

Movie Review: 'Brooklyn's Finest'

Brooklyn’s Finest is a very good film that brings together some wonderfully gritty acting, an engrossing storyline and a riveting ending. There are some twists that you’ll enjoy and overall it’ll remind you of films such as ‘Crash’ and ‘Serpico’.

The plot goes like this – three Brooklyn cops who work at the same precinct wind up at the same deadly location after their personal problems converge them there.

Kudos to the comeback kid Ethan Hawke, who continues to deliver powerful, intense and captivating performances. One of my favorites from him is ‘Before The Devil Know’s You’re Dead’ from legendary director Sydney Lumet. Just a wonderful small film that didn’t get much play in 2007. He now reunites with helmer Antoine Fuqua from their days in ‘Training Day’ to deliver an impressive and fervent interpretation of a cop doing anything to provide for his family.

The rest of the cast, Don Cheadle, Wesley Snipes and Ellen Barkin also delivered magnificent performances as well. Wesley Snipes, who hasn’t been in much of note in nearly a decade, settles into this role as if he was born for it. And Ellen Barkin is unforgettable as the foul-mouthed, tough-as-nails FBI agent who makes life hell for Tango. I don’t mention Richard Gere because I thought he was the weakest link. His range is limited in these fiery films and what’s worse, he plays the same guy in every movie. Romantic dramas like his ‘Nights in Rodanthe’ or ‘An Officer and A Gentleman’ are a better fit.

Outside of the great acting the film does dribble into some typical police cliches, such as  the dirty cop attending confession or undercover officers agonizing over turning against a friend they’ve made in the hood. These scenes are here, but they don’t distract you or make you say, ‘WTF, again!?’. It fits well with their characters and it didn’t bother me at all, I doubt it will for you.

Ultimately, it’s all about being entertained and taken to a world you submerge for two hours to then came back satisfied. ‘Brooklyn’s Finest’ does that and in a fine way.

Other films like this:

We Own The Night

Pride and Glory

Jack Rico

By

2010/03/05 at 12:00am

Free tickets to see ‘Our Family Wedding’

03.5.2010 | By |

Free tickets to see 'Our Family Wedding'

ShowBizCafe.com invites you to see an advanced screening of the romantic comedy ‘Our Family Wedding’ starring America Ferrera on Monday, March 8th at an undisclosed theater in Manhattan, NY. 200 winners will be picked.

Synopsis: “Our marriage, their wedding.” It’s lesson number one for any newly engaged couple, and Lucia (America Ferrera) and Marcus (Lance Gross) are no exception. In Fox Searchlight Pictures’ OUR FAMILY WEDDING, they learn the hard way that the path to saying “I do” can be rife with familial strife. When they return from college and too suddenly announce their marriage plans, they soon discover that their fathers – two highly competitive over-the-top egos – can wreak a major amount of havoc on their special day.

With insults flying and tempers running high, it’s anyone’s guess if the alpha dads (Forest Whitaker and Carlos Mencia) will survive to make it down the aisle in one piece. Lucia’s mother (Diana Maria Riva) is busy planning the wedding of “her” dreams and the only levelheaded one in the bunch is Angela (Regina King), the groom’s father’s best friend and lawyer, who manages to keep her cool when the madness reaches a crescendo. With only weeks to plan their wedding, Lucia and Marcus soon discover the true meaning of love and find there is truth to the saying – that when you marry someone, you marry their entire family.

Send us your name and email to our COMMENTS section below and we will then proceed to send you the electronic ticket to attend the screening.

Good luck!

Poster of Our Family Wedding

Tickets are limited and are allocated to a random sampling of respondents. Limit one (Admit-One) pass per person. Seating is first come, first served. No purchase necessary. While supplies last.

Rated PG-13.

The theatrical release will be Friday, March 12th, 2010. All winners will be notified by e-mail.

http://www.ourfamilyweddingmovie.com/

Passes are not for sale.

Jack Rico

By

2010/03/05 at 12:00am

Brooklyn’s Finest (Movie Review)

03.5.2010 | By |

‘Brooklyn’s Finest’ is a very good film that brings together some wonderfully gritty acting, an engrossing storyline and a riveting ending. There are some twists that you’ll enjoy and overall it’ll remind you of films such as ‘Crash’ and ‘Serpico’.

Read More

Jack Rico

By

2010/03/03 at 12:00am

Movie Review: Alice in Wonderland’

03.3.2010 | By |

Movie Review: Alice in Wonderland'

It’s finally here! Tim Burton’s new phantasmagorical Real-3D remake of ‘Alice in Wonderland’ is a bore. All that eye-popping colorful imagery was just eye candy to sidetrack us from focusing on the anemic script adaptation. Even though it is one of Burton’s most beautiful films, it is not his best. This goes to show you that story is everything. The acting performances were vacuous and the entertainment value was surprisingly subpar. Will kids like it? Yeah sure, kids like almost anything that looks like a video game.

Burton’s adaptation centers around Alice (Mia Wasikowska), a young british teenager who falls down a tree hole and rediscovers all the marvels of a surreal place called Wonderland.

There is something to be said about the director’s need to create a movie that has been filmed so many times by so many people in so many countries. Does he think his will be the definitive one? Disney might argue that. Burton is a remake master and there is a major flaw with that method of filmmaking – you are always going against the original, therefore your version will most likely always be weaker.

Alice in Wonderland is not funny or charming but a bit fatuous and insipid. It drags in various places especially in the beginning. Much of this tediousness is due to the bad acting of the female protagonist Mia Wasikowska. Talk about needing some acting classes. She was neither convincing nor surprised at anything, but rather seemed arrogant and spoiled. Mr. Eccentric himself, Johnny Depp, couldn’t hit the magical and funny strides of his predecessor Captain Jack Sparrow from ‘Pirates of the Caribbean.’ The rest of the cast was mediocre at best, so was the whole movie.

On some high notes, the cinematography is outstanding, kudos to Dariusz Wolski for hitting a home run. The 3D experience was very fun, but any 3D film that comes out after Avatar is going to pale in comparison. Nevertheless, for those of you that rarely see three dimensional movies, it’s a trip and a half. The great moments are few and the yawning moments are plenty. If you think that the 3D scenes and the colorful visuals will be enough to amuse you, think again. The glasses will start to weigh on you and the english accent will begin to annoy you. That’s what happens when a movie you think is going to be great turns out be a dud!

Alex Florez

By

2010/03/03 at 12:00am

Where the Wild Things Are

03.3.2010 | By |

Rating: 2.5

Rated: PG for mild thematic elements, some adventure action and brief language.
Release Date: 2009-10-16
Starring: Spike Jonze & Dave Eggers, Maurice Sendak (book)
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://wherethewildthingsare.warnerbros.com/

 Go to our film page

The night that ‘Max put on a wolf suit and started doing one shenanigan after another’ marked the moment in my childhood when I let my imagination run wild. I’m referring to the boy in that fantasy book written by Maurice Sendak, who later finds himself in a forest ‘Where The Wild Things Are.’
 
When I found out that the filmmaker Spike Jonze (Adaptation, Being John Malkovich) had the intention of adapting a classic of children’s literature to the big screen, I was easily excited. However, the great expectations that came along with the making of the film were enough to worry me. How loyal would the film be to the book? And most importantly, how would they stretch out a story of just a few pages so that it would work as a movie?
 
For those of you who aren’t familiar with it, the book is about a boy named Max who gets sent to bed early for his bad behavior. But he ends up escaping to a forest where he is accompanied by a family of wild creatures. As is traditional in children’s books, ‘Where The Wild Things Are’ has a moral to its story, but I remember it mostly for it’s surrealist world. Something Jonze’s film also succeeds at, but regrettably as a movie ‘Where The Wild Things Are’ falls short.
 
Here’s the problem: the film doesn’t have enough plot to push the story forward. Since the book is short, Jonze has no choice but to come up with something to further develop the movie. However, the filmmaker doesn’t risk quite enough to make things interesting. Instead he opts to show us filler – like extended sequences of Max playing with his monsters. And that’s just not filmmaking. Although the costuming, the special effects and the wonderful soundtrack do an amazing job of bringing the book to life, the captivating moments are rare. Simply put, the book would have been better served as an exceptional short-film.
 
‘Where The Wild Things Are’ is one of the all time classic bedtime stories, but when it also puts you to sleep in the movie theater, that’s not a good sign.

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