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Movie Reviews and Ratings

Mack Chico

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2009/05/22 at 12:00am

Lookout: Latinos in summer films!

05.22.2009 | By |

Lookout: Latinos in summer films!

Several Latinos, including some working behind the scenes, are the creative forces behind this year’s summer movie fare. From blockbusters to indie flicks, we give you the rundown on who to watch and whose work to look for this summer.

Coming attractions

Oscar nominee Adriana Barraza (2006’s “Babel”) plays Shaun San Dena, a medium trying to help a young woman exorcise a demon, in the Sam Raimi-directed horror thriller “Drag Me to Hell.” Opens May 29.

Oscar Nuñez goes from “The Office” to the big screen comedy “The Proposal,” opposite Sandra Bullock and Ryan Reynolds. He plays Ramone, who befriends Bullock’s book editor character as she prepares a quickie wedding to stay in the country. June 19.

Cameron Diaz plays Sara Fitzgerald, the mother of a critically-ill child, in the Nick Cassavetes-directed drama “My Sister’s Keeper,” opposite Jason Patric and Oscar-nominee Abigail Breslin. June 26.

Natalia Tena returns as Nymphadora Tonks in “Harry Potter and the Half-Blood Prince,” the latest installment of the highly successful movie franchise based on the J.K. Rowling books. July 15.

‘High School Musical’ alum Vanessa Hudgens plays a musician competing in a battle of the bands contest in the musical comedy “Bandslam.” Aug. 14.

Alexis Bledel leaves the ‘Sisterhood’ to play a recent college graduate forced to move back home in the comedy “Post Grad.” Aug. 14.

Behind the scenes

Mexican-born filmmaker Roberto Orci teams with his longtime writing partner Alex Kurtzman – they’ve been friends since childhood – for “Transformers: Revenge of the Fallen,” the sequel to the duo’s 2006 film “Transformers.” Kurtzman and Orci, who’s also executive producer of “The Proposal,” are the writing team behind the summer movie season’s biggest hit, “Star Trek.” June 24.

San Antonio’s native son Robert Rodriguez (“Grindhouse”) takes on four duties in his upcoming “Shorts.” He’s the film’s director, producer, editor and writer. Rodriguez has described “Shorts,” as a “ ‘Pulp Fiction’ for kids,” referring to its overlapping storylines, not its violence. Aug. 7.

Brazilian-born animator Guilherme Jacinto, who was part of the team that created the Oscar-winning “Wall-E,” works his magic in “Up.” The animated film from Disney Pixar features the voices of Ed Asner, Christopher Plummer and John Ratzenberger. May 29.

Voiceovers

Oscar winner Penélope Cruz (“Vicky Cristina Barcelona”) provides the voice of Juarez in “G-Force,” an animated film about government-trained secret agent guinea pigs. July 24.

John Leguizamo returns as the voice of Sid in “Ice Age: Dawn of the Dinosaurs.” It’s the third installment in the animated film series that follows the adventures of a group of pre-historic animals. July 1.

Jack Rico

By

2009/05/21 at 12:00am

Valkyrie

05.21.2009 | By |

Rating: 3.5

Rated: PG-13 for violence and brief strong language.
Release Date: 2008-12-26
Starring: Christopher McQuarrie, Nathan Alexander
Director(s):
Distributor:
Film Genre:
Country:USA, Germany
Official Website: http://valkyrie.unitedartists.com/

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Mack Chico

By

2009/05/21 at 12:00am

Paul Blart: Mall Cop

05.21.2009 | By |

Rating: 2.5

Rated: PG for some violence, mild crude and suggestive humor, and language.
Release Date: 2009-01-16
Starring: Kevin James, Nick Bakay
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: NULL

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After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That’s because this movie elevates its objective from lampooning mall security guards to satirizing one of Hollywood’s biggest genres: the action/crime movie. In particular, Die Hard. To be sure, the iconic 1988 Bruce Willis film has been the subject of numerous big-screen parodies during the past two decades, but none has succeeded as well as this one. Considering the dubious quality of many of them, that could be considered damning with faint praise. And, although Paul Blart is by no means great cinema, there is amusement to be uncovered as we watch Kevin James bumble his way through actions oh-so-similar to those navigated with more blood, sweat, profanity, and dead bodies than Willis. Too bad there’s no “Yippekayay…,” but this is rated PG.

 

Paul Blart (Kevin James) is a rent-a-cop at a North Jersey mall. He doesn’t get to carry a gun but he has a Segway to ride around on. Paul’s ultimate dream is to join the New Jersey State police force, but hypoglycemia has thus far prevented him from completing the physically draining entrance exam. There’s another point of dissatisfaction in Paul’s life: he’s lonely and dreams of finding Ms. Right, even though the on-line dating service in which his daughter (Raini Rodriguez) has enrolled him keeps telling him “You have no matches.” Paul has his eye on Amy (Jayma Mays), the operator of a new kiosk at the mall, but he lacks the gumption to approach her. Meanwhile, he has the task of training a new security guard: Veck (Keir O’Donnell), who’s only on duty because he couldn’t get accepted for any other job. On Black Friday, however, Paul’s life undergoes a radical change when terrorists take over the mall, locking the police out. The only one in a position to help the hostages and apprehend the bad guys is Paul.

 

I admit to having looked at my watch a few too many times during the movie’s prolonged opening act as we “get to know” Paul. Like most one-dimensional comedy protagonists, he’s not really worth spending so much introductory time with. The scenes of him going about his daily mall patrol duties, while arguably necessary to the setup, are rather dull. Kevin James imbues Paul with more likeability than we would get from, say, Adam Sandler, but it’s a generic role. The film takes off, however, when it gets to the Die Hard stuff. This is actually a pretty clever way to rework the basic scenario of John McClane trapped on his own with a group of terrorists in a building. Paul Blart: Mall Cop refers either directly or indirectly to Die Hard numerous times (I can see a drinking game here…), and it’s amusing to recognize how minimal tweaks can convert thrills into laughs.

 

The PG rating assures that the violence will be limited and cartoonish. There’s a nod to this when Paul, apparently injured, peels back his shirtsleeve to reveal a tiny cut (upon which he places a childish band-aid). Would the film have been funnier had it been more graphic? Perhaps, but the essential innocence of the proceedings defuses anything resembling tension. Those who enjoy Paul Blart: Mall Cop will be watching purely for its comedic and satiric value, not because there’s any inherent interest in how the storylines will be resolved.

 

Kevin James possesses the Teddy Bear factor that served John Candy well. Like Candy, James is a big man and plays characters with big hearts. He’s a refreshing change from the Sandlers and Carreys who have dominated motion picture comedies with their often mean-spirited antics over the past 1 1/2 decades. And, unlike Will Ferrell, James isn’t in a perpetual state of arrested adolescence. He’s a regular guy. That’s his charm. Here, he’s a schlub who deserves more out of life but takes pride in the lowliest of jobs: being a mall security job. The term “loveable loser” was coined for this sort of individual.

 

I’m not going to claim that Paul Blart: Mall Cop deserves placement on anyone’s movie schedule ahead of the many fine Oscar bait films against which it is competing. It’s a juvenile motion picture designed primarily for a juvenile audience. But there’s a little more here than one might reasonably expect and that makes it a passable choice for watching at home, when viewers tend to be less demanding. Certainly, the question of what Die Hard would have been like in a suburban mall with Kevin James as the hero offers the potential of a diverting 90 minutes. To the extent that this is Paul Blart: Mall Cop‘s goal, it can’t be said to have failed.

Mack Chico

By

2009/05/21 at 12:00am

My Bloody Valentine 3-D

05.21.2009 | By |

Rating: 2.0

Rated: R for graphic brutal horror violence and grisly images throughout, some strong sexuality, graphic nudity and language.
Release Date: 2009-01-16
Starring: Todd Farmer, Zane Smith
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.mybloodyvalentinein3d.com/

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Jack Rico

By

2009/05/21 at 12:00am

Terminator Salvation (Movie Review)

05.21.2009 | By |

Terminator Salvation does not seem like a Terminator movie, at least when compared to what we have experienced from filmmakers James Cameron (The Terminator, Terminator 2: Judgment Day) and Jonathan Mostow (Terminator 3: Rise of the Machines). This fourth Terminator is a different breed with a divergent feel, almost as if director McG (née Joseph McGinty Nichol) decided to fuse Cormac McCarthy’s The Road with Transformers. Gone (at least mostly) are the time travel paradoxes and the concept of a single, indestructible villain. In their place is a futuristic war movie. With its idea of an insurgency striking against an implacable evil empire, there’s more than a little Star Wars in Terminator: Salvation. However, not even at its Empire Strikes Back bleakest was Lucas’ series this dark. Read More

Mack Chico

By

2009/05/20 at 12:00am

Pedro Almodóvar’s new film about Spanish Civil War

05.20.2009 | By |

Pedro Almodóvar's new film about Spanish Civil War

Pedro Almodóvar has announced, during the Cannes Film Festival, that he is working on a new film on the Spanish Civil War.

‘It’s time to look back and heal the wounds,’ he said, claiming it is a story which needs to be told.

He revealed that the story will be based on the life of Marcos Ana, a supervisor in one of Franco’s jails.

Almodóvar’s latest offering, ‘Broken Hugs’ has been well received on the Riviera and is part of the competition in Cannes this year. Its first showing to the international press ended in applause, although not all the audience were convinced by the film. But despite that Pedro Almodóvar is now a popular part of the festival, having previously taken part as a jury member.

However things were not always easy in Cannes for the Spanish director who reminded the press that his big early hit in Spain, ‘Women on the edge of a nervous breakdown’, was rejected by the Festival at the time.

Penelope Cruz appeared with Pedro Almodóvar at the photo call for ‘Los Abrazos Rotos’. Earlier she had failed to show at the call for her other new film ‘Nine’, with press reports saying she was suffering a bout of food poisoning although that claim has now been questioned by the French paper ‘Le Parisien’.

Jack Rico

By

2009/05/18 at 12:00am

Johnny Depp to play Frank Sinatra?

05.18.2009 | By |

Johnny Depp to play Frank Sinatra?

Universal, the studio behind Martin Scorsese’s recently announced Frank Sinatra biopic, has put Johnny Depp at the top of its wish list of actors to play Ol’ Blue Eyes, according to Deadline Hollywood Daily.

Scorsese had reportedly been eyeing longtime collaborator Leonardo DiCaprio (Gangs of New York, The Aviator, The Departed) for the lead role.

But now that the Universal-produced period-heist picture Public Enemies, starring Depp and Christian Bale, looks like a potential winner, the studio is eager to line up Depp’s next high-profile project.

Universal would neither confirm or deny the report; and Depp’s rep says it’s untrue.

Mack Chico

By

2009/05/17 at 12:00am

Scorsese to distribute movies on internet

05.17.2009 | By |

Scorsese to distribute movies on internet

Martin Scorsese, as ardent an advocate as there is for serving up film the old-fashioned way, has decided to embrace digital distribution for movies restored by his World Cinema Foundation.

The films that the organization restores every year — often obscure titles like “Dry Summer,” a Turkish picture from 1936 — will now be available online through theauteurs.com, a Web site that calls itself a “virtual cinematheque.”

Many will be free. And a partnership with B-Side Entertainment will soon bring the foundation’s films to Netflix and iTunes.

The restored movies will also be broadly distributed for the first time to museums, colleges, festivals and film clubs.

Until now, the foundation’s work was screened at the annual Cannes Film Festival in France, and that’s about it. “To be appreciated, they have to be seen,” Mr. Scorsese said on Friday afternoon at a news conference in Cannes. “Now, they should be seen as they were intended to be seen, but audience awareness can build in surprising ways.”

Kent Jones, who was formerly the associate director of programming at the New York Film Society, will join the foundation as executive director with a mandate to promote the distribution of the foundation’s titles to new platforms, Mr. Scorsese added.

Mr. Scorsese, who serves as the foundation’s chairman, established it in 2007 with a clutch of other celebrated directors (including Stephen Frears and Guillermo del Toro) to restore and preserve neglected films from around the world. Master copies of many obscure films from decades past have deteriorated so much that they are no longer usable or have disappeared. Only about 10 percent of the silent movies made in the United States, for instance, still exist.

“The more audiences see these films, the more they want to see other films like them,” Mr. Scorsese said. “Then what happens is the audience changes, which means the movies that are being made change.”

This year at Cannes, the foundation is reintroducing films like “Al-Momia,” an Egyptian picture from 1969 from the director Shadi Abdel Salam, and “The Wave,” a Mexican title directed by Emilio Gómez Muriel and Fred Zinnemann in 1936.

On Friday, as part of his announcement, Mr. Scorsese included a premiere of a restoration of “The Red Shoes,” the 1948 British film directed by Michael Powell and Emeric Pressburger.

Mack Chico

By

2009/05/17 at 12:00am

Blogs want Javier Bardem in new Star Trek sequel

05.17.2009 | By |

Blogs want Javier Bardem in new Star Trek sequel

Javier Bardem is being talked about, across the online press spectrum, to play Khan in the new Star Trek sequel.

And the primary cast and filmmakers have already signed for at least two more movies, though that doesn’t necessarily guarantee they will get made.

Still, that hasn’t stopped the rumor mill from grinding away. If you can believe the conjecture, the main villain has already been chosen for the next movie, namely genetically enhanced, would-be universal conqueror Khan Noonien Singh.

(Ricardo Montalban played that role on the original “Trek” series episode “Space Seed,” as well as the 1982 movie spin-off, “The Wrath of Khan.”)

In fact there’s some speculation about who might step into Montalban’s shoes: Spanish actor Javier Bardem.

He’s already played one memorable villain role — hired killer Anton Chigurh in “No Country for Old Men,” a performance for which he won a Best Supporting Actor Academy Award.

But frankly, I’d prefer to see Bardem play a new character. Perhaps a Klingon opponent for Chris Pine’s Captain Kirk.

Mack Chico

By

2009/05/17 at 12:00am

Angels & Demons is #1 at the box office!

05.17.2009 | By |

Angels & Demons is #1 at the box office!

“Angels and Demons” — sequel to the hit 2006 thriller “The Da Vinci Code” — topped weekend box office sales across North America, edging out last week’s winner ‘Star Trek,’ according to industry projections on Sunday.

Directed by Ron Howard and with Tom Hanks reprising his starring turn, the thriller took in some 48 million dollars, five million more than number two “Star Trek,” at 43 million dollars, box office tracker Exhibitor Relations said.

Superhero spinoff “X-Men Origins: Wolverine,” which claimed the best debut of the year two weekends earlier with 87 million dollars, this weekend netted just 14.8 million for a distant third place finish.

In fourth place was romantic comedy “Ghosts of Girlfriends Past,” starring Matthew McConaughey and Jennifer Garner, earning 6.8 million dollars in its third week.

Superstar singer Beyonce’s taut thriller “Obsessed” slipped one spot to fifth with 4.6 million dollars, while youthful fantasy “17 Again,” starring US teen idol Zac Efron, also fell one place to sixth, with a 3.4 million dollar take.

“Monsters vs Aliens,” an animated tale of a rag-tag group of monsters who save the world from destruction came in seventh with three million dollars in receipts.

In the eighth spot was “The Soloist,” an inspirational musical tale based on a true story and starring Robert Downey Jr and Jamie Foxx, which scored 2.4 million dollars in ticket sales in its fourth weekend.

Comic caper “Next Day Air,” about a bungled cocaine delivery and the efforts to retrieve it, was ninth with 2.3 million dollars in receipts, while Disney’s “Earth” documentary claimed 10th place with 1.7 million dollars.

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