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Movie Reviews and Ratings

Mack Chico

By

2009/05/08 at 12:00am

Star Trek

05.8.2009 | By |

Rated: PG-13 for sci-fi action and violence, and brief sexual content.
Release Date: 2009-05-08
Starring: Roberto Orci, Alex Kurtzman
Director(s):
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Film Genre:
Country: USA
Official Website: http://www.startrekmovie.com/

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Star Trek

2009’s ‘Star Trek’ is a youthful, and very entertaining modern revival of the classic and outdated TV series and movie franchise starring William Shatner and Leonard Nemoy. This new version is an all out action film that manages to balance it with some terrific casting, CGI effects and humor. Very similar to what ‘Iron Man’ as a movie offered. Star Trek has been designed with the lofty goal of keeping current fans, repatriating lapsed ones and, by re-branding the name, opening the Trek universe to millions of new viewers. J.J. Abrams‘ attempt has mostly succeeded.

 

The storyline is essentially the deep exploration of the beginnings of Captain Kirk and Spock. This allows the story to establish the origins of all the classic characters and the circumstances that brought them all together. Within this framework, Kirk and Spock meet and soon become competitive cadets-in-training. With their drastically opposite styles, one driven by passion, the other by rigorous logic, they become defiant adversaries, each going all out to be th4 captain of the U.S.S. Enterprise.

 

Leonard Nimoy (the original Spock) makes a cameo in the role that made him famous, and the connection between “new Trek” and “classic Trek” is created.  Just like Nimoy’s appearance, there are a myriad of subtle homages to the old television series and Patrick Stewart films that the true Trekkies will appreciate. Oddly enough, Shatner was nowhere to be seen.

There are some narrative cracks though. Abrams and his screenwriters, longtime Trek fans Roberto Orci and Alex Kurtzman (Transformers, Mission Impossible 3), do their best to keep things engaging despite the tremendous constraints of the “origin” format, but there are times when the material feels rushed. When considering pace, this is most definitely that anti-Star Trek: The Motion Picture. No loving, languid shots here.

Star Trek is clearly an action-oriented motion picture, with an intensity that exceeds even that of The Wrath of Khan. The pace is blistering, and the movie is littered with the eye candy of expertly realized space battles. The special effects are beyond those seen in any of the previous ten Star Trek features. In addition to the battles, there are also chases, fight scenes, and all the other staples one expects from an action movie.

The casting could not have been better Chris Pine (Kirk) and Zachary Quinto (Spock) truly embody the essence of the priginal characters. The dominican actress Zoe Saldaña plays Uhura, but with a new sexiness absent from the previous versions.

Ultimately, when the end credits roll, we’re left with the sense that Star Trek represents a good beginning. As a film tasked with getting all the characters together, re-booting a timeline, and finding a way to return a veteran actor to his beloved role, Star Trek works. There is some awkwardness here – it feels like the “hybrid” it is (or, as it has been called, “Not Your Father’s Star Trek”) but, considering how ponderous and stilted the Star Trek movie series had become, perhaps that’s not a bad thing. Still, as with any prequel/re-start, the real test will arrive with the next movie (purportedly in two years – assuming this one does not flop at the box office). The setup is complete; now it’s time to see whether the implied potential of this first entry into a new series can be realized in its sequel. If you can watch it in IMAX.

Mack Chico

By

2009/05/07 at 12:00am

Next Day Air

05.7.2009 | By |

Rated: R for pervasive language, drug content, some violence and brief sexuality.
Release Date: 2009-05-08
Starring: Blair Cobbs
Director(s):
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Country: USA
Official Website: http://www.nextdayair-themovie.com/

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Next Day Air

Far from the worst of Tarantino knockoffs, “Next Day Air” takes the standard formula of dimwits chasing bags of drugs to the ‘hood.

A stoned deliveryman (Donald Faison) mistakenly delivers a huge box of cocaine to the wrong address, where lowlifes Guch (Wood Harris) and Brody (Mike Epps) try to figure out what to do with it. On the couch sleeps a huge guy neither of them invited to live with them, but both of them are too afraid to ask him to leave.

The package was supposed to be delivered to another small-timer, Jesus (Cisco Reyes), who, in between fights with his sassy girlfriend (Yasmin Deliz), is about to get killed by a drug lord if he can’t find the stash.

Routine stuff, but things move quickly, with several offhand funny moments. Mos Def is hilarious in a cameo as another delivery guy.

Mack Chico

By

2009/05/06 at 12:00am

‘Deadpool’: the next ‘X-Men’ spinoff

05.6.2009 | By |

'Deadpool': the next 'X-Men' spinoff

Twentieth Century Fox has begun development on “Deadpool,” an “X-Men” spinoff that will be crafted as a star vehicle for Ryan Reynolds, who played the character in “X-Men Origins: Wolverine.”

The character is one of the most popular in Marvel Comics’ X-Men universe. Deadpool is Wade Wilson, a mercenary who, dying of cancer, submits himself to the Weapon X genetic alteration experiment and emerges as an indestructible semi-sane anti-hero. Reynolds seemed destined to play the character. In one reference in the Marvel Comics, Deadpool is described as a mix between “a Shar Pei and Ryan Reynolds.”

In one of the “Easter egg” endings of “Wolverine,” Deadpool is seen rising from the rubble and whispering “Shhh” to audiences.

The film will be produced by Lauren Shuler Donner and Marvel.

Fox is also in the formative stages of a “Wolverine” sequel that will encompass the samurai storyline that was hinted at as Wolverine sat in a bar in Japan as the film concluded.

Separately, Fox is developing “Magneto,” a film about the X-Men villain with a script by Sheldon Turner, and “X-Men: First Class,” which Josh Schwartz is penning.

Reynolds next stars with Sandra Bullock in the Anne Fletcher-directed “The Proposal,” which Disney releases June 19. He also completed the Kieran and Michele Mulroney-directed “Paper Man.”

Mack Chico

By

2009/05/05 at 12:00am

Dom DeLuise, actor, comedian and chef, dies

05.5.2009 | By |

Dom DeLuise, actor, comedian and chef, dies

Dom DeLuise, the portly actor-comedian whose affable nature made him a popular character actor for decades with movie and TV audiences as well as directors and fellow actors, has died. He was 75.

DeLuise died Monday night, son Michael DeLuise told KTLA-TV and radio station KNX on Tuesday. The comedian died in his sleep after a long illness. Calls to his agent were not immediately returned.

The actor, who loved to cook and eat almost as much as he enjoyed acting, also carved out a formidable second career later in life as a chef of fine cuisine. He authored two cookbooks and would appear often on morning TV shows to whip up his favorite recipes.

As an actor, he was incredibly prolific, appearing in scores of movies and TV shows, in Broadway plays and voicing characters for numerous cartoon shows.

Writer-director-actor Mel Brooks particularly admired DeLuise’s talent for offbeat comedy and cast him in several of his films, including “The Twelve Chairs,” “Blazing Saddles,” “Silent Movie,” “History of the World Part I” and “Robin Hood: Men in Tights.” DeLuise was also the voice of Pizza the Hutt in Brooks’ “Star Wars” parody, “Spaceballs.”

The actor also appeared frequently in films opposite his friend Burt Reynolds. Among them, “The End,” “The Best Little Whorehouse in Texas,” ‘Smokey and the Bandit II,” “The Cannonball Run” and “Cannonball Run II.”

Another actor-friend, Dean Martin, admired his comic abilities so much that he cast DeLuise as a regular on his 1960s comedy-variety show. In 1973, he starred in a situation comedy, “Lotsa Luck,” but it proved to be short-lived.

Other TV credits included appearances on such shows as “The Munsters,” “The Girl From U.N.C.L.E.,” “Burke’s Law,” “Sabrina the Teenage Witch” and “Diagnosis Murder.”

On Broadway, DeLuise appeared in Neil Simon‘s “Last of the Red Hot Lovers” and other plays.

Because of his passion for food, the actor battled obesity throughout much of his life, his weight reaching as much as 325 pounds at one point. For years, he resisted the efforts of family members and doctors who tried to put him on various diets. He finally agreed in 1993 when he needed hip replacement surgery and his doctor refused to perform it until he lost 100 pounds.

He and his family enrolled at the Duke University Diet and Fitness Center in Durham, N.C., and DeLuise lost enough weight for the surgery, although he gained some of it back afterward.

On the positive side, his love of food resulted in two successful cookbooks, 1988’s “Eat This — It Will Make You Feel Better!” and 1997’s “Eat This Too! It’ll Also Make You Feel Good.”

At his Pacific Palisades home, DeLuise often prepared feasts for family and friends. One lunch began with turkey soup and ended with strawberry shortcake. In between, were platters of beef filet, chicken breast and sausage, a bowl of spaghetti and meatballs and a saucer of lettuce.

He strongly resembled the famed chef Paul Prudhomme and joked in a 1987 Associated Press interview that he had posed as Prudhomme while visiting his New Orleans restaurant, K-Paul’s Louisiana Kitchen.

DeLuise was appearing on Broadway in “Here’s Love” in the early 1960s when Garry Moore saw him and hired him to play the magician “Dominick the Great” on “The Garry Moore Show.”

His appearances on the hit comedy-variety program brought offers from Hollywood, and DeLuise first came to the attention of movie-goers in “Fail Safe,” a drama starring Henry Fonda. He followed with a comedy, “The Glass Bottom Boat,” starring Doris Day, and from then on he alternated between films and television.

“I was making $7,000 a week — a lot of money back then — but I didn’t even know I was rich,” he recalled in 1994. “I was just having such a great time.”

He was born Dominick DeLuise in New York City on Aug. 1, 1933, to Italian immigrants. His father, who spoke only Italian, was a garbage collector, and those humble beginnings stayed with him throughout his life.

“My dad knows everything there is to know about garbage,” one of the actor’s sons, David DeLuise, told The Associated Press in 2008. “He loves to pick up a broken chair and fix it.”

DeLuise’s introduction to acting came at age 8 when he played the title role of Peter Rabbit in a school play. He went on to graduate from New York City’s famed School of Performing Arts in Manhattan.

For five years, he sought work in theater or television with little luck. He finally decided to enroll at Tufts College and study biology, with the aim of becoming a teacher.

Acting called him back, however, and he found work at the Cleveland Playhouse, appearing in stage productions that ranged from comedies such as “Kiss Me Kate” to Shakespeare’s “Hamlet.”

“I worked two years solidly on plays and moving furniture and painting scenery and playing parts,” he remarked in a 2006 interview. “It was quite an amazing learning place for me.”

While working in summer stock in Provincetown, Mass., he met a beautiful young actress, Carol Arthur, and they were soon married.

The couple’s three sons, Peter, Michael and David, all became actors and all appeared with their father in the 1990s TV series “SeaQuestDSV,” in which Peter and Michael were regulars.

Jack Rico

By

2009/05/05 at 12:00am

The Curious Case of Benjamin Button

05.5.2009 | By |

Rating: 4.0

Rated: PG-13 for brief war violence, sexual content, language and smoking.
Release Date: 2008-12-25
Starring: Eric Roth, F. Scott Fitzgerald (historia)
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://wwws.warnerbros.es/benjaminbutton/?frompromo=movies_comingsoon_curioiuscaseofbenbutton

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Mack Chico

By

2009/05/04 at 12:00am

Andy Garcia’s ‘City Island’ wins in Tribeca Festival

05.4.2009 | By |

Andy Garcia's 'City Island' wins in Tribeca Festival

“City Island,” an ensemble pic set in a semi-obscure area of the Bronx, captured the Heineken Audience Award at the Tribeca Film Festival.

The film, which world-preemed at Tribeca, stars Andy Garcia, Julianna Margulies, Alan Arkin and Emily Mortimer. It’s a family comedy about the foibles of the Rizzo clan.

Director Raymond De Felitta will receive a cash prize of $25,000 for the audience honor.

Jack Rico

By

2009/05/01 at 12:00am

X-Men Origins: Wolverine

05.1.2009 | By |

Rated: PG-13
Release Date: 2009-05-01
Starring: David Benioff
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.xmenorigins.com/

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X-Men Origins: Wolverine

Is the bootleg online version of ‘X-Men Origins: Wolverine’ better than the cinematic experience? If you already saw the illegal downloaded version, should you spend your money to watch it in a real movie theater? I personally haven’t seen the unauthorized edition, but from the feedback I’ve received from those who have and with my take from the theatrical version – yes, you should see it in theaters only if you enjoyed what you saw. It would enhance the experience that director Gavin Hood intended to originally put forth, but, if you didn’t like the story to begin with, odds are you won’t like it after you see in the big screen.

‘X-Men Origins: Wolverine’ is set prior to the events of the original X-Men films, sometime in the 1970s. It begins principally with Wolverine and partially with a few other legends of the X-Men universe. Some highlights include characters and story lines that have been long anticipated. The movie also explores Logan’s romance with Kayla Silverfox. Kayla’s fate triggers Logan’s involvement with the ominous Weapon X program, a top secret, billion-dollar military experiment, in which Wolverine obtains his indestructible metal skeleton.

The film had several problems ranging from blatant gaps in the story, underwhelming performances by new characters, to the unacceptable, second-rate CGI effects throughout the film (in particular a cameo done by a CGI Patrick Stewart). Unfortunately, these critical factors in particular, were too distracting for me to overcome. In its defense, there were many laudable moments such as Hugh Jackman’s performance of Wolverine (I can’t see anyone else ever playing him) and Liev Schrieber as his archenemy brethren, Sabretooth. Ryan Reynolds, who has been bashed by some bloggers for being casted as Deadpool, was likable in playing the wise cracking sword killer.

Overall, you have the good and the bad making ‘Wolverine’ an average film. Brett Ratner’s “X-Men: The Last Stand” turned out to be a better films on all levels. On a separate note, watch out for two clips after the credits, one scene immediately after the credits begin and the other at the very end of all the credits. These will reveal some of what may come in the next sequel.

Mack Chico

By

2009/04/30 at 12:00am

Oliver Stone to direct ‘Wall Street’ sequel

04.30.2009 | By |

Oliver Stone to direct 'Wall Street' sequel

Greed is good, once again.

After weeks of rumors, 20th Century Fox has set Oliver Stone to return as helmer of the sequel to his 1987 hit Wall Street.” Shia LaBeouf is also in the mix for “Wall Street 2.”

LaBeouf is negotiating to join Michael Douglas, who won an Oscar for his portrayal of Gordon Gekko in the original pic. The sequel will once again involve a young Wall Street trader, and the recent economic meltdown spurred by rampant greed and corruption will fit prominently into the plot.

Allan Loeb will write the script. Edward R. Pressman is back as producer.

Juan Ensuncho Bárcena

By

2009/04/30 at 12:00am

The Wind Journeys

04.30.2009 | By |

Rated: Not available.
Release Date: 2009-05-01
Starring: Ciro Guerra
Director(s):
Distributor:
Film Genre:
Country: Colombia
Official Website: http://www.losviajesdelviento.net/

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The Wind Journeys
Jack Rico

By

2009/04/30 at 12:00am

The Limits of Control

04.30.2009 | By |

Rated: R for graphic nudity and some language.
Release Date: 2009-05-01
Starring: Jim Jarmusch
Director(s):
Distributor:
Film Genre:
Country: Spain
Official Website: http://www.thelimitsofcontrol.com/

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The Limits of Control

The quirky Ohio film director, Jim Jarmusch, known for his abstract, philosophical and excessively drawn out scenes, uses Spain as a beautiful backdrop in his new crime thriller ‘The Limits of Control’. The movie could be summed up as a deliberate banal and phlegmatic effort. There is barely any dialogue to push the story and the ending offers very little interest or excitement.

The minimal storyline concerns an unnamed assassin (Issach De Bankolé) who spends most of the film moving from location to location throughout Spain, collecting the information and equipment he requires to complete his latest assignment, the assassination of an American corporate bigwig (Bill Murray). He meets most of his contacts in cafes, although one woman (Paz de la Huerta) spends a few days nude with him in various hotel rooms. The film is based on a William S. Burroughs essay, a Rimbaud poem and vintage crime films, particularly John Boorman’s 1967 classic “Point Blank.”

It’s obvious after the first half of the film that Jarmusch intends to create a parable between the clashing of bohemianism and capitalism meant to be viewed as how corporate america has suppressed the highly intellectual culturati. The scant dialogue supports this theme by touching upon subjects as art, music, literature, cinema, science, sex, and hallucinations. Regrettably, the words are vapid and random as is the essence of the film. The resulting riddle won’t do anything to broaden the filmmaker’s loyal fan base as his many followers will be left feeling as alienated as his central character.

Noteworthy is Jarmusch’s new exploration of the Spanish and Hispanic culture. The first words uttered in the film are “Usted no habla español, verdad?” (You don’t speak Spanish, correct?) which is a phrase that is consistently used by the several diverse and bizarre characters as an introductory code when they all initially meet our protagonist.  There are also some droll scenes that are mostly spoken in Spanish, as well as a long Flamenco sequence where a Spanish song is highlighted. The Hispanic theme also permeates into the casting choices with the hiring of acclaimed Mexican actor Gael Garcia Bernal and Spanish American actress Paz de la Huerta. Bernal’s performance is not a stretch of his acting abilities, but his showing is merely a decision to work with one of his favorite directors.

‘The Limits of Control’ is tedious, excessively sober and vastly abstract for the common moviegoer. An offense that needs to stopped and that perhaps never will.

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