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Movie Reviews and Ratings

Mack Chico

By

2008/09/17 at 12:00am

Diego Luna at the JC Chavez premiere in Los Angeles

09.17.2008 | By |

Diego Luna at the JC Chavez premiere in Los Angeles

ESPN Deportes sponsored a special screening of JC Chavez, Diego Luna’s directorial debut at the Los Angeles Latino International Film Festival (LALIFF), on Monday, September 15, 2008 at the Mann Chinese 6 Theater in Hollywood, California. The film recounts the struggle and success of Julio Cesar Chavez, a national hero from humble beginnings in Culiacan, Mexico to the ultimate boxing superstar.
 
ESPN Deportes and ESPN Classic will premiere JC Chavez on Saturday, September 27 at 10:00 p.m. EST/ 7:00 p.m. PST as part of the network’s Hispanic Heritage Month programming line-up.  The film will also be available on DVD starting September 30 for an SRP of $19.95, distributed by ESPN Home Entertainment. In addition, Netflix will offer the film for digital download.

 

Diego en el Festival Internacional de Cine Latino de Los Angeles (LALIFF)

In pic: Eric Conrad, Director of Programming and Acquisitions ESPN Deportes, Gerardo Quirama, Associated Manager Strategic Programming Planning ESPN Deportes and Diego Luna, Director of JC Chavez.

 

Mack Chico

By

2008/09/16 at 12:00am

Frank Mundus, 82, Dies; Inspired ‘Jaws’

09.16.2008 | By |

Frank Mundus, 82, Dies; Inspired ‘Jaws’

Frank Mundus, the hulking Long Island shark fisherman who was widely considered the inspiration for Captain Quint, the steely-eyed, grimly obsessed shark hunter in “Jaws,” died on Wednesday in Honolulu. He was 82 and lived on a small lemon-tree farm in Naalehu, on the southern tip of the Big Island of Hawaii, 2,000 feet above shark level.

The cause was a heart attack, his wife, Jeanette, said.

Mr. Mundus and his wife moved from Montauk, on the South Fork of Long Island, to Hawaii in 1991, but often returned to Long Island in summer, when tourists and city-slicker enthusiasts sought to spice vacations with a shark hunt, priced at $1,800 for a party of five.

On just such a venture in August 2007, the tail of a nine-foot thresher shark splashing off the stern of his 42-foot boat, the Cricket II, slapped Mr. Mundus and sent him reeling. He struck right back, planting his gaff — a giant fish hook on a pole — in the shark’s back and hauling it aboard.

Mr. Mundus had run charter boats from the docks of Montauk since 1951, taking fishermen out for easy-to-catch mackerel and fighting bluefish. But one night in the 1950s, according to one of his accounts, sharks outnumbered the blues and in the ensuing struggle a shark was snared. The next day Mr. Mundus posted a sign by his boat: “Monster Fishing.”

Mr. Mundus inevitably became known as Monster Man, and he looked the part, with his safari hat, a diamond-studded gold earring, a jewel-handled dagger with a shark-tooth blade, and the big toe of one foot painted green and the other red, for port and starboard.

His most fateful encounter with a shark came one day in 1964, when Mr. Mundus already had two sharks hanging on the side of his boat and a third on the hook. Then he spotted a huge one alongside.

“I harpooned him and he took off for the horizon,” he told The Daily News in 1977. “Before I got him, I harpooned him five times. A white shark. A killer. He was 17 ½ feet long and 13 feet in girth and weighed at least 4,500 pounds. The biggest ever caught.”

The legend grew, and in the next few years, he repeatedly took Peter Benchley, who wrote the best seller “Jaws,” out to sea.

Mr. Mundus told a New York Times reporter that Mr. Benchley loved the way he harpooned huge sharks with lines attached to barrels to track them while they ran to exhaustion.

In 1975, “Jaws” was turned into Steven Spielberg’s blockbuster movie, which for years left millions of beachgoers toe-deep in the sand. Robert Shaw played Quint, who exits by sliding feet first into the belly of a monster great white.

Mr. Benchley, who died in 2006, denied that Mr. Mundus had been the inspiration for Quint, whom he described as a composite character.

Clearly irked, Mr. Mundus said: “If he just would have thanked me, my business would have increased. Everything he wrote was true, except I didn’t get eaten by the big shark. I dragged him in.”

In 1986, Mr. Mundus dragged in a 17-foot-long, 3,427-pound great white — not by harpoon, but by rod and reel, quite a feat for a man with a withered left arm.

Frank Louis Mundus was born in Long Branch, N.J., on Oct. 21, 1925, a son of Anthony and Christine Brug Mundus. He broke his arm as child and a bone-marrow infection set in, leaving that arm shorter than the other. By then, the family had moved to Brooklyn, where Mr. Mundus’s father found work as a steamfitter and his mother ran a boarding house. Doctors told Mr. Mundus’s parents that they should take him to the beach to swim to build strength in his arm.

“He fell in love with the ocean,” his wife said.

Besides his wife, the former Jeanette Hughes, whom he married in 1988, Mr. Mundus is survived by his sister, Christine Zenchak; three daughters from a first marriage, Barbara Crowley, Theresa Greene and Patricia Mundus; five grandchildren; and five great-grandchildren. His first marriage, to Janet Probasco, ended in divorce.

Mr. Mundus dropped out of high school and got a job as a freight handler. Soon after, however, the pull of the sea had him working on charter boats for $3 a day. By 1951, he had his own boat, the Cricket, and was sailing out of Montauk Harbor. He named his boats after Jiminy Cricket because people told him that with his sloping forehead and Roman nose, his profile looked like the character in the film “Pinocchio.” Although Mr. Mundus caught hundreds of sharks during his career, he became something of a conservationist in later years. He promoted the use of circle hooks, which catch in the jaw, not the gut, increasing a shark’s chances of survival if it escapes or is released. He also helped start a shark-tagging program and voiced support for catch-and-release fishing.

As it turns out, Mr. Mundus did not think much of “Jaws.”

“It was the funniest and the stupidest movie I’ve ever seen, because too many stupid things happened in it,” his Web site says. “For instance, no shark can pull a boat backwards at a fast speed with a light line and stern cleats that are only held in there by two bolts.”

Mack Chico

By

2008/09/14 at 12:00am

"Burn After Reading" burns the competition

09.14.2008 | By |

"Burn After Reading" burns the competition

After several straight super-slow weekends, the box office has gotten fired up. Defying many projections, Brad Pitt and George Clooney’s comedy Burn After Reading led a team of four major new releases to generally better-than-expected performances, boosting the cumulative theatrical take by nearly 34 percent over the same frame a year ago.

Blazing the trail was Burn After Reading, which banked an impressive $19.4 mil, according to Sunday’s estimates. That’s the best debut ever, by far, for filmmaking brothers Joel and Ethan Coen: Of their 13 previous movies, only 2004’s The Ladykillers ($12.6 mil debut) and 2003’s Intolerable Cruelty ($12.5 mil bow) even premiered north of $10 mil. The opening sum was also good news for Pitt and Clooney, neither of whom has had such a big, non-Ocean’s opening in several years. To find one, you have to go back to 2005’s Mr. & Mrs. Smith for Pitt and to, gosh, 2000’s The Perfect Storm for Clooney — although, to be fair, both actors tend to make a lot of small-release indie flicks.

For the Coens, it’s a sweet follow-up to their Best Picture winner, No Country for Old Men, which also wound up their top total grosser, with $74.3 mil. Can Burn After Reading do as well? It’ll be a challenge, considering the movie’s merely moderate reviews and a fall box office slate that’s only going to get more crowded. Still, this is a nice start.

Tyler Perry’s The Family That Preys (No. 2) was next, with $18 mil. Though down a tick from the consistent $20 mil-plus bows of most of Perry’s movies, The Family That Preys did well considering that it wasn’t based on one of the auteur’s popular stage productions. Also welcome: That solid A CinemaScore review from audiences, who tend to abandon Perry’s films after the first weekend. Perhaps they’ll show this one more love in the long run.

Close behind at No. 3 was Righteous Kill, the Robert De Niro-Al Pacino reunion, which grossed a solid $16.5 mil. That’s the biggest non-franchise premiere for these two actors in ages, as well: De Niro’s Hide and Seek bowed to $22 mil in 2005, and Pacino’s The Recruit premiered with $16.3 mil in 2003.

As expected, the weekend’s other big opener, The Women (No. 4), fared worst, banking just $10.1 mil in nearly 3,000 theaters, though I suppose that sum could have been a lot lower. In actual fact, that’s Meg Ryan‘s best bow in — gasp! — almost a decade. Four-week holdover The House Bunny brought in $4.3 mil to round out the top five. Tropic Thunder (No. 6 with $4.2 mil) jumped the $100 mil mark, as did Step Brothers and The Mummy: Tomb of the Dragon Emperor. And in art houses, Alan Ball’s controversial race/sex drama Towelhead enjoyed a nice $13,250 debut average in four locations.

Overall, the increased box office revenues were truly welcome; this was the first ”up” weekend in nearly two months. And that Hollywood was able to achieve some success without the help of Batman, well, hey, that’s even better.

Mack Chico

By

2008/09/13 at 12:00am

‘Burn After Reading’ – 7 clips from the movie

09.13.2008 | By |

'Burn After Reading' - 7 clips from the movie

We bring you 8 scenes to see from the Coen Brothers new film comedy thriller, Burn After Reading starring Clooney, Pitt, McDormand, Sledge Hammer (remember him?) and Malkovich. Here is your chance to see if their dark comedy is your cup of tea. Click on the video and decide if it’s for you.

Basically, the premise is A dark spy-comedy about an ousted CIA official’s (Academy Award nominee John Malkovich) memoir accidentally falls into the hands of two unwise gym employees (Pitt and McDormand AA winners too) intent on exploiting their find.

Also, if you would like to se our film review, and check out the 5 posters of the film along with a bevy of photos, video and more, click here.

Mack Chico

By

2008/09/12 at 12:00am

Righteous Kill

09.12.2008 | By |

Rated: R for violence, pervasive language, some sexuality and brief drug use.
Release Date: 2008-09-12
Starring: Russell Gewirtz
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.righteouskill-themovie.com/

Go to our film page

Righteous Kill

Jon Avnet’s new film ‘Righteous Kill’ reunites legendary actors Robert De Niro and Al Pacino. Both actors flood the screen with their trademark acting styles and larger than life personalities, and convert what is an ordinary police thriller into a surprisingly entertaining cop romp.

The premise has the Lennon and McCartney of detectives (Pacino and De Niro) hot on the trail of a serial killer who might end up being one of their own. Some tension is developed by two younger investigators (John Leguizamo and Donnie Wahlberg) who want to crack the case before the seniors do.

The film offers some believable acting from the supporting cast, but nothing outstanding to make you begin your Oscar nomination pool. Leguizamo seems to play the same wise cracking cop in every movie and Wahlberg just seems to be happy to be working. Underrated is Carla Gugino, De Niro’s love interest, who continues to deliver consistently fine work. The director Jon Avnet, who gave us one of Pacino’s worst efforts, 88 Minutes, doesn’t offer us anything new here. Screenwriter Russell Gewirtz, who did Spike Lee’s Inside Man, one of the better films of the cop genre in the last five years, regresses with this hit and miss script and dialogue.

De Niro and Pacino are no longer the multi-layered, method acting thespians with depth, but they still possess enough of that charm, wisdom and experience to know how to carry a movie, ergo ‘Righteous Kill’. Together it becomes memorable and nostalgic.

It wasn’t so long ago that whenever someone asked who the best actor in Hollywood was, the answer was either Al Pacino or Robert De Niro. That is no longer the case. The best way to put it I guess, is that we are still looking for that last performance of greatness from them, that last attempt to prove all us critics wrong, that last hurrah for ol’ time sakes. Regrettably, this movie wasn’t the one to make us believe that.

Jack Rico

By

2008/09/11 at 12:00am

Righteous Kill – photos from the red carpet premiere!

09.11.2008 | By |

Righteous Kill - photos from the red carpet premiere!

Robert De Niro and Al Pacino arrived at the New York red carpet premiere of their new film ‘Righteous Kill‘ at the renown Ziegfeld Theater in Manhattan. The two superstars and iconic figures posed for what seemed hours to the hysterical paparazzi. Colombian actor John Leguizamo was in hand along with director Jon Avnet. Donnie Wahlberg, member of the newly reunited New Kids On the Block, took time out of his world tour to attend as well.

The films premise revolves around two teteran New York City police detectives on the trail of a vigilante serial killer in the adrenaline fueled psychological thriller Righteous Kill, directed by Jon Avnet (Red Corner, Fried Green Tomatoes) and written by Russell Gewirtz (Inside Man). The cast also features hip-hop superstar Curtis “50 Cent” Jackson (Get Rich or Die Tryin’).

To see more pics from the premiere and the film, click here.

 

Righteous Kill NY Premiere 1

Jack Rico

By

2008/09/11 at 12:00am

‘Righteous Kill’ – 13 scenes from the film!

09.11.2008 | By |

'Righteous Kill' - 13 scenes from the film!

I’m not sure about you guys, but as much as I liked ‘Heat’, I felt I was ripped off. In 1995 I left the theater dissatisfied knowing that my two favorite actors barely shared any scenes together, if that. Now after much bitterness and polemic, both iconic American actors and Academy Award winners, Robert De Niro and Al Pacino reunite once again to give the audience a full taste of what they didn’t offer us 13 years ago.

Righteous Kill, directed and produced by Jon Avnet (88 Minutes, Up Close & Personal) centers around Turk (De Niro) and Rooster (Pacino), two veteran New York City detectives who are trying to identify the possible connection between a recent murder and a case they believe they solved years ago. The plot thickens with questions such as, is there a serial killer on the loose, and did they perhaps put the wrong person behind bars? We’ll see if the film is any good, I hope so!

Mack Chico

By

2008/09/10 at 12:00am

The Women

09.10.2008 | By |

Rated: PG-13 for sex-related material, language, some drug use and brief smoking.
Release Date: 2008-09-12
Starring: Diane English, Clare Boothe Luce (obra)
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.thewomenthemovie.com/

Go to our film page

The Women

The new film ‘The Women’, a remake of George Cukor’s 1939 film starring Joan Crawford, is an aspirational, entertaining, yet predictable dramedy about a group of powerful women who deal with life’s issues, particularly the male kind. Sound familiar? No, not a complete rip-off from Sex and the City, but enough parallels to make it eerily similar.

 

It’s set in New York City’s modern whirl of fashion and publishing. The story circles around Mary Haines (Meg Ryan), a clothing designer who has it all – except a faithful husband. Her best friend, Sylvie Fowler (Annette Bening), a high powered editor of a magazine, accidentally finds out from a manicurist that a sultry ‘spritzer girl’ (Eva Mendes) at Saks Fifth Avenue perfume counter is sleeping with Mary’s husband. The rest of the girlfriends rally behind her until their own friendships are tested to the breaking point.

 

The all-star cast of, Eva Mendes, Meg Ryan, Annette Bening, Candace Bergen, Bette Midler, Jada Pinkett Smith, Debi Mazar, Carrie Fisher and Debra Messing, gives the audience a chance to see a balance between good acting and entertainment. The film is basically a comeback vehicle for Meg Ryan whose classic romantic comedies of the past are now just classic nostalgia fare and a reminder of the current state of the neglected genre. She has not wanted to be stereotyped as the cute girl who can only play romantic roles, but one who can portray all types of characters. As of late, she has been in the thriller business. Unfortunately for her, the risk-taking has not paid off. ‘The Women’ will definitely get her back in the lips of directors and producers as it highlights her acting strengths and her charm.

 

Outside of the nonexistent casting of a man, and feeble acting by Ms. Mendes, there isn’t much to say negatively of the film. The rest of the cast contributes magnificently to their parts, Some standouts are Candace Bergen as Meg’s mother and Cloris Leachman as the high class housekeeper.

 

What I liked from this film is that even though it is pure estrogen entertainment, it manages to capture what women go through at the hands of callous and insensitive men with a twist of justice served. Most of us have either been a part of that of have heard of someone who has. A word to all women, us men can also identify with the chick flick sensibilities.

 

Mack Chico

By

2008/09/10 at 12:00am

Colombian actor John Leguizamo rags on ‘Heat’

09.10.2008 | By |

Colombian actor John Leguizamo rags on 'Heat'

Colombian actor John Leguizamo rags on ‘Heat’

Colombian actor John Leguizamo is really funny! We caught up to the Righteous Kill actor to talk about why he’s always playing cops, and why he thinks that this is the first real time Pacino and De Niro get together on film.

Mack Chico

By

2008/09/09 at 12:00am

Baby Mama

09.9.2008 | By |

Rating: 2.5

Rated:
Release Date: 2008-04-25
Starring: Michael McCullers
Director(s):
Distributor:
Film Genre:
Country:NULL
Official Website: http://www.babymamamovie.net/

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