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Movie Reviews and Ratings

Karen Posada

By

2012/11/15 at 12:00am

The Twilight Saga: Breaking Dawn – Part 2

11.15.2012 | By |

The Twilight Saga: Breaking Dawn - Part 2

Well it is finally here, the end of ‘The Twilight Saga: Breaking Dawn -Part 2’, something the fans of the books have been waiting for seven years when the first “Twilight” book came out, for the movie fans it has been a four year investment. This series has taken the world by storm and it certainly goes out with a bang. Bill Codon who also directed ‘Part 1’ improves the story almost making it his own with the help of scriptwriter Melissa Rosenberg.  The people in the theater I watched the movie with couldn’t contain their excitement, they began cheering when the credits began to roll in the introduction and I knew it would be hard for them to walk out of the theater hating the outcome of the film. This is the best movie out of the whole franchise, for the fans of both the books and the movies this will not be a disappointment, the director is truthful to the source material while enhancing some of the scenes for the good of the film.

 

The movie picks up right after Renesmee’s (Mackenzie Foy) birth, Bella (Kristen Stewart) is starting her new life as a vampire and her husband Edward (Robert Pattinson) couldn’t be more thrilled. After dealing with some issues with Jacob (Taylor Lautner), The Cullens and the wolves live in harmony, but not for long. Once again they find themselves in trouble with the Volturi who threaten to harm Renesmee. In order to save her The Cullens decide to call upon their acquaintances for support. 

 

The fourth book(half already explained in Breaking Dawn-part 1) has the most concepts that are far-fetched and hard to accept, so seeing them play out in the big screen makes many people laugh although that’s not their purpose; I admit a lot of them are ridiculous and this coming from someone who loved all four books. It tries to explain imprinting, superpowers, immortal children and some vampire history. The tension some scenes are meant to have are laughable, because of the soap opera element the series has always held and although these actors have shown they can act in other movies, here they haven’t improved much as a lot of the lines they deliver feel flat and emotionless. Since the story gets more complicated Bella becomes a narrator throughout the movie, which is a little off-putting but does help, especially for those not familiar with the books. Renesmee is a computerized baby and as weird as she looks I understand why they couldn’t use a real baby, since she’s described as a unique child and she’s more advanced than a regular baby. But as she grows they continue to use a computerized face, which I thought was unnecessary because they seemed to be using Foy’s body, but finally towards the middle of the film we get to see Foy’s real face.

 

If you are seeing this final chapter then you are clearly a fan and are willing to open your mind to the new concepts. There’s just not comparison with the first film of the franchise and this last one, as they both have completely different budgets and directors, and it shows. The introduction to the film is a blend of beautiful white and red backgrounds that set the stage for the film. The camera work does a great job at showing the different world Bella lives in and how acute her senses are. It perfectly shows how Bella feels and the audience had fun laughing at things that were expected and are overacted such as an argument between Bella and Jacob, because of his imprinting. This has a lot more intended and unintended humor than the other films and everyone seemed to enjoy that. This is no longer a film for teenagers but more so for young adults, the sex scenes get even hotter than the last film and the jokes are also a bit more mature.

 

Everyone was excited about seeing their favorite vampires once more, The Cullens: Carlisle (Peter Facinelli), Esme (Elizabeth Reaser), Alice (Ashley Greene), Jasper (Jackson Rathbone), Emmett (Kellan Lutz) and Rosalie (Nikki Reed). This movie introduces a whole new set that the audience was just as static about, I won’t name all, but the ones that certainly stood out were: Irina (Maggie Grace), Jane (Dakota Fanning), Elazar (Christian Camargo) and Zafrina (Judith Shekoni). Seeing them all come together is what makes this movie, their preparation for the stand off against the Volturi is entertaining, but the final scene when the tension builds and no one knows what will happen will take everyone in the theater by surprise.

 

I couldn’t have imagined a better way for the franchise to end, although I read the books it was refreshing to see what the director did with what he was handed. The crystal clear images of the beautiful setting add a nostalgic and memorable tone to the film. There are some scenes where you can clearly see the CGI, but they are easy to overlook, the baby is one of the toughest ones to get used to though. For anybody that’s ever enjoyed this story whether it was in print or the big screen, get ready to live out this last chapter in a more sophisticated, fun and thrilling way than all the other chapters.  

Jack Rico

By

2012/11/15 at 12:00am

Catalina Sandino Moreno joins FX’s ‘The Bridge’

11.15.2012 | By |

Catalina Sandino Moreno joins FX's 'The Bridge'

Best Actress Oscar nominee, Catalina Sandino Moreno, a Colombian actress who has also been part of the Twilight Saga franchise, will now become part of FX’s new TV show The Bridge. 

Moreno, will play Oscar nominee Demián Bichir’s second wife who is at home to tend to the kids while he works long hours.

The Bridge centers on two detectives from the U.S. and Mexico — El Paso Police Homicide Detective Sonya North (Diane Kruger) and Marco Ruiz (Demián Bichir) — who must work together to hunt down a serial killer operating on both sides of the U.S.-Mexico border.

After Moreno was nominated for Best Actress for the Colombian indie drama Maria Full Of Grace for which she won an Independent Spirit Award, she worked in various other fims: Paris, je t’aime, Fast Food Nation, The Hottest State, Love in the Time of Cholera, Che: Part 1 & 2, The Twilight Saga: Eclipse, For Greater Glory.

She’s slated to appear as ‘Barbara’ in a new Michael Cera film called Magic, Magic from Chilean director Sebastián Silva (The Maid). The plot takes place in Chile, where a vacationing young woman begins to mentally unravel; meanwhile, her friends ignore her claim until it’s too late.

This psychological thriller is rumored to be in Sundance 2013.

Mack Chico

By

2012/11/15 at 12:00am

Benicio del Toro to be Pablo Escobar in ‘Paradise Lost’!

11.15.2012 | By |

Pablo Escobar. The Colombian druglord who is considered one of the greatest villains in history is coming to Hollywood’s big screen and Benicio del Toro will play him in “Paradise Lost”.

This will be the first Escobar movie that will made of him, even though Telemundo’s current hit novela, “Pablo Escobar, El Patrón del Mal” is like a mini-movie.

His story has been trying to lift off the ground by various directors: The Grey director Joe Carnahan, The Lincoln Lawyer director Brad Furman, and actors were supposed to play him such as: Javier Bardem, Edgar Ramirez, but no go. It’s been in development hell.  Read More

Karen Posada

By

2012/11/13 at 12:00am

Anna Karenina

11.13.2012 | By |

Anna Karenina

Period pieces can be quite enchanting especially those that are based on well-known books beloved by many, as could have been the case with ‘Anna Karenina’, but unfortunately it didn’t take me anywhere I wished to escape to. Honestly I’ve never had the opportunity to read the book, so I can’t speak of similarities or lack there of but what I do know is that screenwriter Tom Stoppard decided to focus only on the love stories of the book by Leo Tolstoy, which might have been a mistake. Director Joe Wright who has made period pieces such as ‘Atonement’ and ‘Pride and Prejudice’ decided to go a different route with this one making it theatrical. So, the movie is set almost entirely in a theater where you can see the different scenario changes and props, which didn’t work for me among other things.

 

This story is set in Imperial Russia during the late 19th century where in an image based society the aristocrat Anna Karenina (Keira Knightley) who is married to affluent Alexei Karenin (Jude Law) and lives in St. Petersburg, unexpectedly meets Count Vronksy (Aaron Taylor-Johnson) in a trip to Moscow and a passionate affair begins which will change Anna’s life forever.

 

I enjoy going to the theater but here the experience of seeing a play carried out in a film wasn’t so entertaining; the different scenario changes are distracting and confusing. Some scenarios are lavish and well crafted and would do well in an actual theater, but here I found the stage act to be pretentious and tedious. The main love story itself is captivating up to a certain point, then it just becomes overly dramatic and unbearable. There are about four different love stories that come into play, each with different importance and significance, but none interesting enough to keep me engrossed in the film.

 

The acting is actually pretty good and it was one of the few things I liked about this film. Knightley shows a difference side to herself as a demented, passionate woman who will fight against gossip and society’s standards, although her character gets annoying I blame that on the script. Law gives a very artistic, compassionate performance as a loving husband and Taylor-Johnson is perfect for his part as heartthrob that only listens to his heart and he’s ever so yummy even with his ridiculous mustache and messed up hair.   

 

Every single actor involved really give wonderful performances and give the movie a well rounded feel which could have made it enjoyable, but the script and format did not do it for me. Towards the end of the 130 minutes I felt like I was being tortured and could not wait to leave the theater. As it progress it kept getting more pretentious, dramatic and boring.

I’ll give credit to the love scenes that are artistically beautiful as are some of the scenarios and shots. The costumes are beautiful and there’s a dance scene that’s elegant and captivating.

 

So, therefore the aesthetic look of this film is beautiful but the heart of the movie aka the story is torturous and very hard to enjoy. This movie is wrapped up in a beautiful shiny shell that would make you think and imagine it would be epic but it’s completely empty and shallow in the center leaving you upset, bored and annoyed.

Karen Posada

By

2012/11/12 at 12:00am

‘The Heiress’: Broadway Review

11.12.2012 | By |

'The Heiress': Broadway Review

Venezuelan Tony Award nominated playwright and director Moisés Kaufman brings ‘The Heiress’ back for the fourth time after 17 years to Broadway. This dramatic play takes place in 1850, in a New York City’s Washington Square house; it is charming with hints of comedy, romance and innocence. The play written by Ruth Goetz and Augustus Goetz in 1947 was adapted from Henry James’ 1880 novel titled “Washington Square”.  It transports the public to a sophisticated, rich household where we experience the relationships among a couple of individuals that are trying to cope with life, society and their roles and duties in them. The story is captivating and engrossing as it progresses and one easily connects and has sympathy for the characters and their happenings. The two hour and forty-five minute show opened on November 1st and will stick around for 18 weeks (until Feb 10, 2013).

The story rotates around Dr. Austin Sloper (David Strathairn) and his daughter Catherine (Jessica Chastain), after her birth he was left widowed and he raised a daughter he resents and feels like she never amounts to his expectations. Fortunately for him, his sister Lavinia Penniman (Judith Ivey) a recent widow, stays with them to help his daughter be more social. The perfect opportunity presents itself when his other sister Elizabeth Almond (Caitlin O’Connell) brings her daughter Marian (Molly Camp) and her fiancé Arthur Townsend (Kieran Campion), who wisely brings along his well-traveled charming cousin Morris Townsend (Dan Stevens) for a visit. In this scenario shy Catherine must cope with love and the weight her fortune as an heiress brings.   

The entire play takes place on the same setting, the lavish decorated living room of the Sloper household. The drapes around the windows let the public as well as the ladies’ beautiful dresses. Of course once we find out they have a house on Washington Square Park, an expensive location; that says it all, then enters Maria (Virginia Kull) the family’s uniformed maid. Finally, the Walter Kerr Theater itself captivates the elegance needed for this story.

Act one and two complement each other masterfully; in act one we get to meet all the characters with ease and no confusion, they sit around the living room entertaining us with their stories and commentaries on their lives, society, hopes and dreams. It is easy to perceive how Dr. Sloper feels about his daughter as he speaks freely about her and how disappointed he is that she’ll never be who he wants her to be. Catherine on the other hand shows the public her shy side when she interacts with everyone, except with her aunt Lavinia, where she’s more open and even teases her. There’s a contrast and tension on the second act that builds upon the first, changing the atmosphere and the characters themselves in an interesting way. The play explores, mashes and twists the elements of human nature, society, innocence, respect and romance magically.

Every single character contributes to the story: Strathairn playing a doctor automatically not only has a high status in society because of his job and money, but because of the importance his role has in everyone’s lives; although he’s compassionate at the same time we see how distant he’s with his daughter. With his great acting he uses humor and cruel words to expresses himself and entertain the public. Chastain outshines them all, she’s phenomenal! Her character is so profound and has so many layers that every time she leaves us wondering what she’ll say or do next, she’s makes us laugh at her awkward shyness and the audience has the chance to really grow with her. This actress who’s been in movies such as ‘The Help’, ‘Lawless’ and soon ‘Zero Dark Thirty’ has so much talent that it was a pleasure seeing her up on that stage.

Ivey is also a crucial part of the play as she’s the bridge between a daughter and father; she also connects the two lovers once their romance begins. Her charisma really gives the play an appreciated lightness, along with the homey feeling of a caring aunt one can confide in. Everything comes full circle with Stevens and his character that easily captures the audience’s attention and keeps us wondering about his intentions and true nature.

Kull’s Irish accent is a little off putting at times, as it feels very exaggerated and at the begining some of the characters sound like they have English accents with the over pronunciation. A warning that in two instances in the play there’s some cigar smoke that actually reaches the audience from the stage, although there’s a vent it’s a bold action to take in an enclosed space.

My favorite thing about the play is the way it transforms itself with the story in such a smooth and fluid form. I was fully entertained for all of its duration and really enjoyed it in its entirety. It’s very easy to sympathize with the characters, especially with Chastain, as she slowly gets to the audience with her strong performance especially towards the end. She represents the challenges of being a woman that was born with a status she’s expected to earn. This is a coming of age story that surely entertains and some people will be a bit shocked by the honest feelings and actions taken by the characters.

‘The Heiress’ is playing at the Walter Kerr Theater for more info go to:

http://www.ilovenytheater.com/sp/show.php?show=375

http://www.theheiressonbroadway.com/

Jack Rico

By

2012/11/12 at 12:00am

Peliculeando: ‘Skyfall’, ‘Lincoln’

11.12.2012 | By |

Peliculeando: 'Skyfall', 'Lincoln'

Este viernes en Peliculeando por X96.3FM, Univision Radio, Luis Jimenez habla con Jack Rico sobre sus críticas de SKYFALL, el nuevo film de James Bond con Javier Bardem, y LINCOLN de Steven Spielberg ¿Cual recomiendo que vea? Escuche ahora mismo!

Además, hablamos de la película de terror The Amazing Spider-Man, en blu-ray.

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de críticas de cine. Peliculeando será transmitido cada viernes a las 9:50AM dando las críticas y recomendaciones y más recientes estrenos cinematográficos EN ESPAÑOL! Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell Haz cliq al vídeo para escuchar el más reciente 

Karen Posada

By

2012/11/12 at 12:00am

‘Skyfall’ owns the box office

11.12.2012 | By |

'Skyfall' owns the box office

The new 007 film ‘Skyfall’ takes over the box office by storm, with an outstanding $87.8 million ($90mil with its Thursday IMAX opening) dollars opening at number one. This is the highest earning debut for a Bond film, out of all the 23 films that have been produced in the last 50 years. There are a number of things that got it there, one of them was Javier Bardem’s involvement in the film; the Spanish actor just got a star in Hollywood’s walk of  fame and Latinos as one of the ever more influential movie going audiences certainly backed him up. The secret agent’s four year absence from the big screen, along with the tremendous amount of publicity and Daniel Craig’s acclaim from the last films all added up to its success as well.

 

Last week’s number one ‘Wreck-It Ralph’ dropped to number two with $33.1 million dollars. The animated family film still is holding its own, it remains to be seen how well it will hold up against ‘The Rise of the Guardians’ due in two weeks.

Denzel Washington’s ‘Flight’ ended up on the third spot with $15.1 million dollars. The film has become the actor’s second biggest success of the year and Paramount is still enjoying its success seeing that Bond didn’t crush it completely and it has already earned past its production cost.

The Top 10 in the Box Office are:

1. Skyfall – $87.8 mil

2. Wreck-It Ralph – $33.1 mil

3. Flight – $15.1 mil

4. Argo – $6.7 mil

5. Taken 2 – $4 mil

6. Here Comes the Boom – $2.6 mil

7. Cloud Atlas – $2.5 mil

8. Pitch Perfect – $2.5 mil

9. The Man With the Iron Fists – $2.5 mil

10. Hotel Transylvania – $2.4 mil

Mack Chico

By

2012/11/11 at 12:00am

Mexican actor Diego Boneta joins thriller ‘In the Blood’

11.11.2012 | By |

Mexican actor Diego Boneta joins thriller 'In the Blood'

According to Deadline.com, Mexican actor Diego Boneta, a singer/actor back in Mexico then turned Hollywood crossover actor in “Rock of Ages,” will join the cast of John Stockwell’s new film “In the Blood”

Stockwell, for those of you who are unfamiliar with his work, LOVES working with Hispanic actors. To prove it, his resume highlights Hispanics in his movies such as: Crazy/Beautiful (Jay Hernandez), Blue Crush (Michelle Rodriguez), Into the Blue (Jessica Alba), Cat Run (Paz Vega), Dark Tide (Olivier Martinez) and now In the Blood with Diego Boneta. 

“In The Blood” is about a woman who tries to track down her husband after he is kidnapped on their South American honeymoon. Haywire star and former American Gladiators Gina Carano plays Ava the wife. Boneta will play Manny, a local who ends up joining Ava on her search. 

Jack Rico

By

2012/11/08 at 12:00am

Skyfall

11.8.2012 | By |

Skyfall

“The… Best… Bond… Ever!” so says one reviewer from England whose zeal is so fervent, it is hard to take him or his review seriously. In my professional and less ardent opinion, “Skyfall” falls short of Daniel Craig’s quintessential Bond film, “Casino Royale,” a 007 motion picture which I think is unrivaled in its action, intensity, stunning cinematography and arresting plotline. That film, is in my mind, the ‘Best Bond Movie’ Craig has done, and, one of the Top 5 action movies I have ever seen. But by no means does my preferred choice signify that “Skyfall” is not worth watching. Au contraire, “Skyfall” is entertaining cinema worthy of multiple views, except it possesses two defects that lessen its acclaim.

 

“Skyfall” starts with Bond going on his latest assignment which goes gravely wrong and several undercover agents around the world are exposed, MI6 is attacked, thus, forcing M to relocate the agency. These events cause her authority and position to be challenged by Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee.  With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond.  007 takes to the shadows – aided only by field agent, Eve (Naomie Harris) – following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.

 

The issue I have with “Skyfall” is that Sam Mendes – cheered on by Craig – tinkered with the Bond universe in such away that ‘I’ feel violated. The two worst offenders are: aging Bond and the reduced role of the Bond Girl. How could he have done this!? Doesn’t he comprehend that by developing a real aging gene to the 007 character, you are in essence, MAKING HIM HUMAN! Bond does not age. He’s been in his prime for 50 years! Now all of a sudden “he shouldn’t be ashamed to lose a step,” voiced to Bond by Gareth Mallory (Ralph Fiennes) in a tense scene. By Mendes opening up this Pandora’s box, this travesty sets in motion Bond’s eventual demise because of his future elder age. The producers would then have to reboot the series in its entirety with 007’s unknown son or new young agent, 008, similar to the way the ‘Bourne’ franchise did when they transitioned from Matt Damon to Jeremy Renner. Do you see what has been done?

 

Also, the selection of the Bond Girl is not just a carnal passage for Bond, but a symbol of long-lasting prestige for any woman in film. In “Skyfall,” Bérénice Marlohe is only a brief incident that is dealt with an anticlimactic shower scene and a quick dismissal. Naomi Harris’ character is an agent of the MI6, not a real Bond Girl, in the true sense of the term. These two grave and awful decisions have ramifications down the line for the franchise and I am aghast that many critics have not accentuated the discrepancies. 

 

The aforementioned blemishes ultimately were too distracting for me to suspend disbelief. It kept on haunting me, not allowing me to immerse myself in this new universe. Bond didn’t even ask the bartender for a “martini shaken, not stirred,” because the bartender supposedly knew the drill. The Heineken scene was had in a beach. Against the philosophies of Craig and Mendes, they need to understand that these are the classic elements fans look forward to in every movie. They endure because they work, that is why they become classic moments, every 2-4 years. We want to ascertain what new and creative ways they will approach it and we want to smile heartily at them. In “Skyfall,” they severed off those memorable and cherished cinematic souvenirs we anticipated so much. Hopefully, they will bring it back in all of their full glory one day.

 

Despite my vexing remarks, they do not apply to the grand production, the ambitious entertainment value and the multi-dimensional layers that James Bond is draped in. I will not be mentioning references of ‘best,’ but I will highlight reasons why you should still see “Skyfall”. The opening action sequence is once again one of the reasons you can’t come late to a 007 movie. Car chases, tractors, guns, trains and deadly jumps, devise a most energetic beginning. Adele’s sultry and enchanting opening number is Grammy and Oscar deserving. If you can dismiss the bumps on the road, ergo, my previous critical observations, Craig gives an affecting performance that blends the better parts of his acting in ‘Casino’ and ‘Quantum’. 

 

Then we enter Javier Bardem, the first Hispanic actor to ever play a Bond villain. As he made history by playing the effeminate and demented Raoul Silva (according to Bardem himself, Silva is Portuguese), Bardem holds his own against the pantheon of memorable evil adversaries Bond had to kill. He’s not as good as Anton Chigurh, the role he won the Oscar for “No Country for Old Men”, but he is nonetheless intimidating.

 

As an action movie, “Skyfall” works. It holds a sense of danger and peril not associated to the other films. I’ll give it that. Yet, I felt that 2012 offered better action with “The Raid: Redemption” and “The Dark Knight Rises” (who can forget its opening airplane scene!). 

 

“Skyfall” is not a masterpiece movie. It is better than average and has a lot to applaud, but not enough to revere. So go ahead and buy your ticket, watch it, enjoy it, but know that there are better out there. 

Jack Rico

By

2012/11/07 at 12:00am

Lengua, Cámara y Acción: 7 de noviembre

11.7.2012 | By |

Lengua, Cámara y Acción: 7 de noviembre

Esta semana en el segmento de noticias de cine, “Lengua, Cámara y Acción” en el Luis Jimenez Show por X96.3FM, Univision Radio, Jack Rico habla sobre: el arresto de Sam Worthington, Harrison Ford regresando a ser Han Solo en Star Wars, y Miley Cyrus haciendo pornografía, entre otros temas.

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de noticias de cine. El crítico de cine, Jack Rico, estará reportando las más importantes noticias de Hollywood de una manera conversada, entretenida e informativa, junto a la estrella de la radio, Luis Jimenez. De esta forma, usted se puede mantener al tanto de lo que pasa en Hollywood con una sonrisa en cara. Lengua, Camara y Acción será transmitido cada martes a las 9:50AM.

Además, no se pierda de PELICULEANDO, cada viernes a las 9:50am para escuchar las críticas y recomendaciones de los más recientes estrenos cinematográficos y EN ESPAÑOL! Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell Haz cliq al vídeo para escuchar el más reciente segmento radial.

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