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2012/09/14 at 12:00am

Fist official trailer of Steven Spielberg’s ‘Lincoln’

09.14.2012 | By |

Fist official trailer of Steven Spielberg's 'Lincoln'

The first full official trailer for Steven Spielberg‘s Lincoln is now out.

Based on the book from Doris Kearns Goodwin’s non-fiction best-seller “Team of Rivals: The Political Genius of Abraham Lincoln,” Spielberg gets back behind the camera to direct two-time Academy Award winner Daniel Day-Lewis in a revealing drama that focuses on the 16th President Abraham Lincoln’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

Liam Neeson spent several years attached to reunite with his Schindler’s List director on the project, but took a pass in 2010. Pulitzer Prize-winner Tony Kushner handled scripting duties on Lincoln, reuniting him with Spielberg after their previous historical drama collaboration on Munich. Kushner’s capacity for crafting eloquent dialogue should befit the conversation-heavy proceedings in Lincoln; his screenplay also shouldn’t suffer from the same problems as other biographies more sprawling in scope, such as Clint Eastwood’s (clunky) J. Edgar.  

This is the second Lincoln movie this year, similar to what Snow White went through. Spielberg elaborated on that idea, saying:“Our movie is really about a working leader who must make tough decisions and get things done in the face of overwhelming opposition… [We begin with] Lincoln’s realization that the Emancipation Proclamation, the thing he is most known for, was simply a war powers act that would easily be struck down by any number of lawyers after the cessation of hostilities after the Civil War. He needed to abolish slavery by constitutional measure — and that’s where we start.”

Lincoln stars Oscar-winners Sally Field and Tommy Lee Jones, Joseph-Gordon Levitt (The Dark Knight Rises), David Strathairn (Good Night, and Good Luck.), John Hawkes (Martha Marcy May Marlene), Jackie Earle Haley (Watchmen), Jared Harris (Mad Men), Lee Pace (Pushing Daisies), Walton Goggins (Justified), James Spader (Boston Legal), and Michael Stuhlbarg (A Serious Man).

Lincoln begins a limited U.S. theatrical release on November 9th, 2012 (it opens wider on the 16th).

 

Jack Rico

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2012/09/14 at 12:00am

Peliculeando: Arbitrage, The Master, Finding Nemo 3D

09.14.2012 | By |

Peliculeando: Arbitrage, The Master, Finding Nemo 3D

Este viernes en Peliculeando por X96.3FM, Univision Radio, Luis Jimenez habla con Jack Rico sobre sus críticas del thriller Arbitrage con Ricahrd Gere, el drama The Master, y el reestreno de Finding Nemo 3D. ¿Cual recomiendo que vea? Escuche ahora mismo! 

Además, hablamos de SNOW WHITE AND THE HUNTSMEN y WHAT TO EXPECT WHEN YOU’RE EXPECTING, en blu-ray. 

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de críticas de cine. Peliculeando será transmitido cada viernes a las 9:50AM dando las críticas y recomendaciones y más recientes estrenos cinematográficos EN ESPAÑOL!  Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com  ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell  Haz cliq al vídeo para escuchar el más reciente segmento radial.

Jack Rico

By

2012/09/14 at 12:00am

Arbitrage (Movie Review)

09.14.2012 | By |

Part telenovela, part B Hollywood camp, part Jekyll and Hyde, ‘Arbitrage’ is one of the great surprises of the year. Just like ‘The Grey’ earlier on, ‘Arbitrage’ is one satisfying guilty pleasure you just can’t get enough out of. What unfolds in this sinful motion picture are moments of corruption, murder, infidelity, betrayal, greed, deceit and duplicity. Making it even more intriguing and absolutely engrossing is the acting, led by Richard Gere and a veteran adept cast, that makes every moment just juicier.  Read More

Jack Rico

By

2012/09/12 at 12:00am

The Master (Movie Review)

09.12.2012 | By |

The Master

 

‘The Master,’ Paul Thomas Anderson’s brand new film about the emergence of a new religious cult, is an artistically, stylish film with a mildly interesting plot that is mainly carried on the masterful performance of Puerto Rican star Joaquin Phoenix. If it weren’t for him, the film’s overall plot would be bland and prosaic. The two time Oscar nominated Phoenix gives, in my mind, the performance of his life as Freddie Quell. Even though the rest of the film possesses strengths in the acting and directing department, it is Phoenix who singlehandedly makes it memorable. 

 

‘The Master’ takes place in the atmosphere of spiritual yearning on the cusp of 1950. The film follows the shifting fortunes of Freddie, portrayed by Joaquin Phoenix, a volatile former Naval officer unable to settle down into everyday life, and the unpredictable journey he takes when he stumbles upon a fledgling movement known as The Cause. Coming to The Cause as an itinerant and outsider, Freddie will ultimately become a surrogate heir to its flamboyant leader: Philip Seymour Hoffman’s Lancaster Dodd. And yet, even as The Cause probes the mastery of human emotions, the camaraderie between Freddie and Dodd will mount into a fierce and intimate struggle of wills.

 

In order to appreciate Phoenix’s performance, we need to look at PTA’s (Paul Thomas Anderson) involvement in the writing and casting. Anderson drew up the character of Freddie Quell with Phoenix in mind from the outset. According to Anderson, he’s been asking him for 12 years to be in his films and Phoenix finally accepted. For this reason alone, the actor’s job is tailor-made to fit his strengths and none of his weaknesses. To say that Phoenix sank his teeth into the role and took it to the nth degree would be an understatement. His performance can only be described as raw and animalistic. Phoenix’s portrayal of Freddie Quell is visceral. He plays him as a grown man with serious emotional issues. In addition to being a drunk, socially inept and sexually perverse, he is subject to frequent emotional outbursts that can alternately result in an explosion of anger. His best scenes are those of him being violent and uncontrollable, cockily offbeat yet vulnerable and juvenile but reasonable. He truly shines above anyone in the film and arguably of anyone else this year.

 

In a film with obvious strengths, nothing ranks higher in “The Master†than the quality of the acting. Philip Seymour Hoffman, arguably PTA’s frequent favorite actor, is once again in fine form as Lancaster Dodd, the leader of the “Cause†who is friend and antagonist to Phoenix’s character. Hoffman’s performance here is a mix of many of his previous roles fused into one. We see a side of pure charisma and pure ire. The role fits him like a glove, and if it weren’t for Phoenix’s imposing rendition, we’d be talking about Hoffman. Amy Adams is angelic yet tough, but irrelevant within the scope of her two colossal giant colleagues. When it comes to Oscars, the movie will most likely be nominated for acting and directing awards with Phoenix leading the charge. My prediction is that he will win in the Best Actor category with only Daniel Day Lewis in “Lincoln†posing a serious threat.

 

In regards to Anderson, he shoots the film masterfully with panache, flair and sentiment.  The script, which he wrote, is unapologetic in digging deep into the fractures of the human experience and highlighting those susceptible feelings in his actors. But perhaps in its only flaw, and a critical one at that, there is some excess fat that needed to be cut for sake of pacing and flow. At times, the movie is bogged down on an inordinate amount of dialogue that can lead to some restlessness. With that said, the movie doesn’t reach the depths of hardship which it could have. The acting conceals whatever scant pacing issues the film may suffer from. In the film’s finale, the sequences arrive at a clear decision, but by no means is it satisfying, at least to me.

 

In the end, ‘The Master’ is not a film for everyone. It offers a lot to those who appreciate dramas and acting prowess. The story itself has interesting tones, but in and of itself, it is not the main driver for one to purchase a movie ticket. If you see it for the acting, you’ll walk away pleased with the time and money invested.

 

Jack Rico

By

2012/09/11 at 12:00am

Lengua, Cámara y Acción: 11 de septiembre

09.11.2012 | By |

Lengua, Cámara y Acción: 11 de septiembre

Esta semana en el segmento de noticias de cine, “Lengua, Cámara y Acción”en el Luis Jimenez Show en X96.3FM, Univision Radio. Jack Rico habla sobre: Chayanne declinando sustituir a Ricky Martin ‘Evita‘, la taquilla del cine está generando pobres ingresos, y la pareja de Twilight podrán regresar juntos.

Este segmento en español es el único en los Estados Unidos que se dedica a hablar de noticias de cine. El crítico de cine, Jack Rico, estará reportando las más importantes noticias de Hollywood de una manera conversada, entretenida e informativa, junto a la estrella de la radio, Luis Jimenez. De esta forma, usted se puede mantener al tanto de lo que pasa en Hollywood con una sonrisa en cara.

Lengua, Camara y Acción será transmitido cada martes entre las 9:50AM. Además, no se pierda de PELICULEANDO, cada viernes a las 9:50am para escuchar las críticas y recomendaciones de los más recientes estrenos cinematográficos y EN ESPAÑOL!  Ustedes pueden escuchar nuestro segmento de cine a través de ‘The Luis Jimenez Show’ cada viernes a las 9:50AM por Univision Radio ‘X96.3FM’ en Nueva York o por la red mundial visitando la página: http://luisjimenezradio.com  ‘The Luis Jimenez Radio Show’ on ‘X96.3FM’ en New York, FM 97.7 Fort Myers, 98.5/101.1/100.3 FM, 890AM Boston, 1400AM Lawrence / Lowell  Haz cliq al vídeo para escuchar el más reciente segmento radial.

Mack Chico

By

2012/09/11 at 12:00am

Snow White and The Huntsman

09.11.2012 | By |

‘Snow White and the Huntsman’ is a darker, more serious version from the classic Disney film we grew up with. There’s something almost Shakespearean about this movie. At times, Snow White and the Huntsman is almost too grim for its own good. There is plenty of PG-13 violence for fans of something a bit more aggressive.

 

The story: In a twist to the fairy tale, the Huntsman ordered to take Snow White into the woods to be killed winds up becoming her protector and mentor in a quest to vanquish the Evil Queen.

 

Visually, Snow White and the Huntsman is splendid. First-time director Rupert Sanders treats his cinematic canvas like a grand playground, allowing his imagination to run free with the aid of CGI. 

 

The film’s most strident performance belongs to Charlize Theron, who emphasizes Ravella’s evil by shouting every line of dialogue. A traumatic childhood and reliance upon soul-sucking magic have leeched all humanity from the queen; her inevitable end will make the castle a quieter place. Theron is fine in scenes when she has no lines, such as one in which the queen disrobes and immerses herself in what looks like a milk bath but, when speaking, she’s often too over-the-top to convey true menace. Chris Hemsworth offers a low-key portrayal as the titular Huntsman, allowing the tragedy that haunts the character to inform his every action and decision. It’s a nice, understated piece of acting. Unfortunately, Kristen Stewart, perhaps still experiencing a thespian hang-over from spending so much time appearing in Twilight movies, is flat. Her Snow White is the least interesting character, unless you count her potential love interest, William (Sam Claflin). The dwarves are played by normal-sized actors like Ian McShane, Bob Hoskins, and Ray Winstone who have been miniaturized by special effects. 

 

Snow White and the Huntsman is presented with a 1080p, AVC-encoded transfer in an aspect ratio of 2.35:1. The video quality is excellent, with detail that is quite sharp. Even when Snow White is in the murky dark forest, every tree branch and drop of oily mud can be seen clearly. The bright colors of the enchanted forest pop out. The forest looks lush, serving as a nice contrast to the dark world Snow White had formerly inhabited. The skin tones look very natural, with Snow’s pale face contrasting with other characters’ rosier complexions.

 

The sound is presented in DTS-HD Master Audio 7.1. The lossless soundtrack provides an immersive experience. The battle scenes come alive with the sounds of thundering hooves, and the clatter of swords. Overall the audio and video presentation is outstanding.

 

There are many special features included with the set. There is an audio commentary from director Rupert Sanders, co-editor Neil Smith, and visual effects supervisor Cedric Nicolas-Troyan. The three offer insights on many production aspects and how scenes were created. Featurettes include a making-of called “A New Legend is Born,” featuring cast and crew chatting about the production, “Reinventing the Fairy Tale,” a six-minute short about adapting the Grimm story, “Citizens of the Kingdom” about the various characters in the film, and “The Magic of Snow White and the Huntsman,” a short feature on the visual effects. Also included are a U-Control picture-in-picture feature that provides behind the scenes footage, a 360-degree tour of the set, and a second “Second Screen Experience” that is accessible via a tablet or PC.

 

This is a nice Blu-ray package. Both the theatrical and extended cuts (four minutes longer) of the film are included. The abundance of special features will please fans of the film.

Jack Rico

By

2012/09/11 at 12:00am

Snow White and The Huntsman

09.11.2012 | By |

The movie that destroyed two real-life realtionships

Jack Rico

By

2012/09/11 at 12:00am

For Greater Glory

09.11.2012 | By |

Karen Posada

By

2012/09/10 at 12:00am

Finding Nemo 3D (Movie Review)

09.10.2012 | By |

Finding Nemo 3D

Pixar’s ‘Finding Nemo 3D’ directed by Andrew Staton comes to us nine years after it was released in May 30th, 2003. Obviously technology has advanced so much in this amount of time, that Pixar chose the right time to put one of their most successful films in a 3D format. I felt honored to have been a part of a very small group of people that got to see the film in 3D in Pixar Studios’ very own movie theater, before anyone else in the world. We received a presentation before the film by Bob Whitehill Pixar’s stereoscopic supervisor and Joshua Hollander Pixar’s director of 3D production. They explained to us how time staking the process of converting an old film to 3D is. Starting by the fact that they had to convert the files careful not to harm the original, fix colors and mistakes from the previous one, they also had to do a lot of rendering to give it depth. The team wanted to get it just the same but with a higher resolution, to give it about 144% more detail, to bring it to a level of comfortable viewing.  It took them about a year and a half to convert the film. Knowing all of this before the film really made me and helped me appreciate it even more.

 

I felt like this was the very first time I saw the film, it already is so full of color that seeing it in 3D and high definition really takes you into the environment of the movie. A whole new generation of children that haven’t been introduced to this story will get to view it as never before, with its crisp clear colors, depth and beauty. If you loved the movie when it came out in 2003, you will love it even more now; it will feel like you are swimming in the ocean right along the characters. Pixar made a very wise decision to re-release this film in 3D and high definition in theaters September 14th as well as in Blu-ray 2D and 3D December 4th, 2012.   

 

For those that don’t know the story, ‘Finding Nemo’ follows the adventurous journey of Marlin (Albert Brooks) a clownfish who gets separated from his beloved son Nemo (Alexander Gould) from their home in the Great Barrier Reef, where a dentist decides to capture him and give him a home in the tank in his office. In his search Marlin befriends Dory (Ellen DeGeneres), a forgetful fish that accompanies him throughout the ocean to rescue his son. Both clownfish find out things about themselves in their journeys and become heroes in their efforts to reunite and get back home.

 

The reason why ‘Finding Nemo’ was so successful when it premiered wasn’t only because of the beautiful animated images, but most of all because of the amazing journey the story takes us through. Despite of the fact that I’ve seen the film a number of times, I was still fully entertained for the duration of it, it gave me chills of joy and I relieved the whole story as if it were my first time experiencing it. I can certainly say I left Pixar Studios completely satisfied and excited to share with all of you the amazing experience.

 

‘Fidning Nemo’ was already such a success: having wan the Oscar in 2003 for Best Animated Feature, named among the top 10 greatest animated films ever made by the American Film Institute, being the highest grossing G-rated movie of all time and remaining the fifth highest grossing animated film worldwide.  So, why bother converting it to 3D and why even spend money on watching a film your children have probably made you watch countless times? Well they made something that was already close to perfection, completely perfect, this is a whole new way of experiencing the sea voyague. Everyone that worked on this movie to convert it to 3D did such an amazing job and made it’s worth relieving this masterpiece that is completely at home in 3D format. The extra bonus you get from watching ‘Finding Nemo 3D’ in theaters is Mark Walsh‘s amazing short 3D film ‘Partysaurus Rex‘ right before the film, it definitely gets the party started (Click on the link below for a full review of the short film).What’s even better? Pixar is making ‘Monsters Inc.’ into 3D and it will be re-released in December 19th, 2012. There are rumors that more of Pixar’s beloved films will be re-released in 3D, so we have a lot to look forward to!     

Karen Posada

By

2012/09/10 at 12:00am

‘The Possession’ holds on to #1

09.10.2012 | By |

'The Possession' holds on to #1

This was a very weak weekend for the box office, the worst since September 2008. With that said, ‘The Possession’ was number one once again with $9.5 million dollars. This horror film is enjoying its second week in a row on top, but it surely will get bumped down a couple of spots next weekend.

Lawless’ holds its position at number two with $6 million dollars. The film staring Shia LaBeouf and Tom Hardy followed by other big names, has tried its best to earn more at the box office; but it seems like it won’t reach its goal.

Zoe Saldaña and Bradley Cooper’s ‘The Words’ opened at number three with $5 million dollars. The amount the film gathered doesn’t cover the cost of production yet, which was $6 million dollars. Surprisingly the duo didn’t have much pull at the box office.

 

The Top 10 Movies in the Box Office are:

1. The Possession – $9.5 mil

2. Lawless – $6 mil

3. The Words – $5 mil

4. The Expendables 2 – $4.8 mil

5. The Bourne Legacy – $4 mil

6. ParaNorman – $3.8 mil

7. The Odd Life of Timothy Green – $3.7 mil

8. The Campaign – $3.5 mil

9. The Dark Knight Rises – $3.3 mil

10. 2016: Obama’s America – $3.3 mil

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