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Movie Reviews

Jack Rico

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2013/05/04 at 12:00am

Iron Man 3 (Movie Review)

05.4.2013 | By |

Headed to the movies today? Is ‘Iron Man 3’ in IMAX 3D on your menu list? If you are 25 and under then you are going to absolutely go bonkers for it. But if you are over 30, the fireworks will be a bit more restrained. You see, when one gets older, kid jokes are only so funny. You need a much more layered joke or gag to trigger the laughs. ‘Iron Man 3’ as fun and funny as it is, will do a better job playing to the teenage and young adult crowds than the mature grown ups preferring to see another sequel of The Dark Knight. Read More

Jack Rico

By

2013/04/19 at 12:00am

Oblivion (Movie Review)

04.19.2013 | By |

From engrossingly existential to plain ol’ dumbed-down is how I would describe the trek from beginning to end in Tom Cruise’s new movie “Oblivion” from director Joseph Kosinski. Overall, “Oblivion” is a good film, but not a great film. It does possess outstanding visuals (Chilean Claudio Miranda is responsible) and another solid performance from Tom Cruise, but the script towards the end, a combination between a novela romance and contrived plot twists, drags the film from a superb movie to just a slightly better than average affair. Read More

Jack Rico

By

2013/04/05 at 12:00am

Evil Dead (Movie Review)

04.5.2013 | By |

Oceans of blood, cringing gore, clenching suspense and some good ol’ laughs for the road make the Evil Dead remake from Uruguayan writer/director Fede Alvarez the best horror movie of 2013 so far.

In this remake, the primary premise from the original has been tweaked. Five twenty-something friends become holed up in a remote cabin.  When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival. 

The basic objective for one paying to see horror movies is to experience a flood of adrenaline by way of heart-pounding scares and as much blood one can bear for the price of their ticket. But because moviegoers are exposed to a lot more horror these days many have become desensitized to it. That’s why the same ol’ formula just doesn’t cut it anymore, which is why the majority fail at it (most of the Jason and Freddy Krueger films), though some actually deliver the goods (The Strangers, Insidious, Sinister). I’m glad to say that Evil Dead is one of the fortunate cases where the above essentials are met with a combination of 21st-century technology and classic hardcore horror elements.

Sam Raimi and Bruce Campbell, the original director and star respectively, are producers this time around helping Fede Alvarez succeed in his debut. From what I saw, Alvarez has a vast knowledge of the Evil Dead universe and it made for a nostalgic yet modern cinematic experience, which should make any fan of the original trilogy proud. Critics can try and nitpick the movie all they want and even find drawbacks with the ending, but they’re so minimal that the average moviegoer will ignore the particulars.

The production quality this time around is authentic, stylish, crisp and raw. The location took place in a real forest in New Zealand with as little soundstage as possible. The film was shot in the new super high resolution 4k cameras that give it that 16mm film look. CGI was kept to a minimum as to give the movie a more realistic look and the bloody sequences were almost excessive. Jason Durey, the FX supervisor says that his shoot of “30 Days of Night,” which was quite a big, bloody, vampire film, went through 4,500 liters of blood. On this movie, they went through a whopping 25,000 liters of blood and 300 liters of vomit.

As for the acting, it is so much better than the original. I understand that fans think that the bad acting is part of the charm, but even Bruce Campbell himself thought that was one of the original’s biggest foibles. Shiloh Fernandez, of Portuguese descent, along with the rest of the cast, don’t set the world on fire, but they’re convincing, and at the end of the day that’s all you need. I bought their plight and fears and have no complaints to offer.

In regards to the director, I’m glad Hollywood is becoming culture blind. Fede Alvarez, a full fledge Uruguayan, is one of the great Hollywood stories of 2013. He went from the obscurity of a third world country in the farthest regions of the world, to directing and writing the remake of one of Hollywood’s most iconic horror films. Alvarez joins a new wave of Latino filmmakers that are giving the new crop of American helmers a run for their money. Latino filmmakers provide a different point of view on story lines, a more gritty, auteur look to their films and an enthusiasm that is evident on their projects. He is a talented filmmaker, is technically sound and knows how to put a movie together. He reminds me a lot of Robert Rodriguez, another skilled and multi-talented filmmaker who can pretty much do anything with little funding. With new and fresh Latino directors providing Hollywood with a spark for the future, it is only time until the Oscars are flooded with Latino nominees and winners. 

But as much as I enjoyed the movie, I’m not surprised to read that some critics were dissatisfied with it. Perhaps it is because they’re trying to compare it with William Friedkin’s “The Exorcist” or Stanley Kubrick’s “The Shining” or any other iconic classic. Those classic films come along once in a blue moon and are considered an exception where masterpiece cinema meets crowd-pleasing satisfaction. What they don’t get is that most horror films are done with entertainment value in mind, in other words, they amp up the gore elements audiences relish so much. Regrettably, the execution ends up being very amateurish and stale. Not with Evil Dead though. 

Bottom line – the movie experience you get from Evil Dead is one that you will certainly enjoy. Mentally, there is already a level of excitement as soon as you sit down and eat that buttery drenched popcorn with your fried nachos in deep soggy cheese. Half way through, take a look at the people around you and you’ll notice the whole theater clinching their jaws, gripping the armrests of their chairs and young girls covering their eyes tormented as to what revolting scene is approaching with chilling suspense. Your senses are begging for a break after being exhausted for an hour and a half. The end is a welcome sight and you’ll be happy it’s over, but deep inside, you’re already asking yourself – “When is “Evil Dead 2” be coming out?”

Jack Rico

By

2013/03/29 at 12:00am

G.I. Joe: Retaliation (Movie Review)

03.29.2013 | By |

G.I. Joe: Retaliation” the best action movie of 2013 so far? The year is still too young to give a credible opinion, but “Olympus has Fallen” might take that prize. It is rated R and it is hyper-violent. We also have to wait for “Iron Man 3,” “Man of Steel” and “Pacific Rim” to make a final decision. Nevertheless, G.I. JOE 2 is a Red Bull overdose as soon as you walk into the theater. In regards to its entertainment value, it is going to be a ridiculous hit. All the violence, one-line bad jokes, and 3D action your brain can handle are all present – and I must admit it is fun! Read More

Mariana Dussan

By

2013/03/29 at 12:00am

The Host (Movie Review)

03.29.2013 | By |

After her fame with “The Twilight Saga” author Stephenie Meyers is at it again, this time with director Andrew Niccols (Gattaca), with another one of her best-selling novels, “The Host.” Now the questions lingering in everyone’s mind are: will it do as well at the box office as it did in print and will it outshine its predecessor? Read More

Karen Posada

By

2013/03/18 at 12:00am

Come Out and Play (Movie Review)

03.18.2013 | By |

Estaba emocionada de ver una película de terror producida por Canana Films, la compañía de Gael Garcia Bernal y Diego Luna, ya que el avance de ‘Come Out and Play’ o ‘Juego de Niños’ se ve interesante; pero desafortunadamente la verdad es que no lo es. Quede decepcionada por completo, por que la película crea un ambiente misterioso que fácilmente se destruye en su desarrollo y termina siendo risible y ridícula. Sinceramente esta cinta no tiene aspectos que merezcan verla por que te tendrá moviendo la cabeza por su concepto vacío y absurdo. Read More

Jack Rico

By

2013/03/12 at 12:00am

Rise of the Guardians

03.12.2013 | By |

 

Though it wasn’t even nominated in the Best Animated Feature category at the 2013 Oscars, ‘Rise of the Guardians’ in 3D is the gem of the 2012 animated movies. Its simpatico characters, wondrous-action-packed universe and crisp-immersive 3D, make this a fun and overwhelming joy to watch with adults, teens and young children, not kindergarden kids, making that clear. 

 

The story is very similar to the Avengers – a group of the most powerful childhood legends, called The Guardians (Jack Frost, Santa Claus, The Easter Rabbit, Tooth Fairy and Sandman), assemble to put an end to The Bogeyman, a villain that has attained ultimate darkness and whose mission is to erase the Guardians from existence by robbing children of their hopes and dreams. Jack Frost, a reluctant new recruit who’d rather enjoy a snow day than save the world is who the film revolves around.

 

‘Rise of the Guardians’ is an epic animation with loads of adventure, touching moments, humor, and some twists to keep you sharp. The voice actors, formed by Alec Baldwin (Santa Claus), Hugh Jackman (Easter Bunny), Chris Pine (Jack Frost), Isla Fisher (Tooth fairy) and Jude Law (Bogeyman), do a commendable job. The best voice actors are those whose voice changes enough to not discern who they are immediately. Law doesn’t quite live up to those standards, yet his is a pleasing and soothing voice worth listening to. The rest of the cast provide are enjoyable vocal performances and don’t overshadow the visuals. 

 

Speaking of visuals, this film is a 3D spectacle. I am not a technical graphics animator, but I can recognize when my eyes and mind have a psychogenic orgasm. I remember seeing ‘Avatar’ and not feeling as wowed by the 3D as James Cameron had promised, but here, for the first time in my life I felt I was actually inside a movie. The skin texture of the characters, the universe where they reside in, the color richness, lighting, and cinematography were just sublime. Perhaps the greatest cinematographer Hollywood has is Roger Deakins and he served as the visual consultant to the production in selecting and composing the shots that would best be suited to 3D. The 3D technology used here is called “Tru 3D” – it’s a standard in all DreamWorks Animation films – and is utilized here in an organic way that was integral to the story, not as a stunt or an afterthought. As a result, the movie has a sense of wonder and magic, not to mention a lustrous feel to it all. The best moments to appreciate the 3D are during Jack Frost’s scenes. The snowflakes falling from the sky feel like they’re falling inside the theater and the characters close-ups look like they’ve popped out of the screen. Just wonderful.

 

Worthy to mention, award-winning, Mexican filmmaker Guillermo del Toro, who collaborated with DreamWorks Animation as a creative consultant on “Megamind” and was an executive producer on “Kung Fu Panda 2” and “Puss in Boots,” returns as an executive producer for the movie. 

 

Overall, ‘Rise of the Guardians’ is an ambitious, visually stunning and sophisticated animation that has a wonderful message at its core – a quest to never stop believing in goodness. If there is one family movie to see this year it’s this movie… and in 3D

 

Karen Posada

By

2013/03/07 at 12:00am

Oz the Great and Powerful

03.7.2013 | By |

Oz the Great and Powerful

At the end of the summer 1939 audiences experienced ‘The Wizard of Oz,’ a film that became an instant classic that has been watched for generations and came from L. Frank Baum’s books. Seventy-four years later comes the prequel ‘Oz the Great and Powerful’, which tells the story of how the wizard came to be. I think most people would agree with me that the biggest fear of touching a classic is of ruining or shaming it, well fear no more! In our interview director Sam Raimi assured me that you can’t ruin a classic and I’m happy to say he carefully crafted a film that can be proud to be a prequel of such a renown movie and can maybe even become a classic itself starting with this generation, because it used all the great elements of its predecessor and extenuated some more. 

 

This prequel follows young Oscar better known as the magician (later on Wizard) Oz (James Franco) at the beginning of his struggling career as a trickster, by chance he’s taken to the magical Land of Oz where he meets three witches: Theodora (Mila Kunis), her sister Evanora (Rachel Weisz) and Glinda (Michelle Williams). Here with the help of an assistant monkey, Finley (Zach Braff) and an adorable China Girl (Joey King) Oz gets a chance to transform himself and become a better man by helping the people in this land.

 

The film does an enchanting contrast beginning with black and white in a more real setting and changing to bright colors once we reach the Land of Oz, something it took from its predecessor and it is truly magical. The 3D effects are sure to captivate the audience, adults will fall in love with Oz all over again and children will want to visit this Land more than once. One of the smartest moves is that the movie uses ingredients from the previous film such as the hot air balloon, traveling companions, the yellow brick road and many more, which set a familiarity. The script incorporated well what we know of the Land of Oz as well as new additions; it has a lot of substance and likability. Admittedly the movie really reaches its PG audience at some point and here it might get a bit childish, but hey it is a PG movie after all. The film has its flaws in that some parts feel rushed, while others prolong more than necessary and there are some smalls gaps, but that’s easy to overlook thanks to everything else it offers, including nods to the original.

 

Franco’s character is so layered and he easily goes from being a trickster, to being a decent human with ease; in my opinion he filled in the shoes well. Williams is so sweet you might get a toothache just from looking at her, that’s her character’s intent, which means she did a good job. Weisz has a great mysterious atmosphere although her performance is a little too over the top at times, but nonetheless she’s a good representation of a typical Disney character. Kunis beauty really stands out here with her innocence but that dies off once she begins to throw tantrums, which are exaggerated a bit, but her high pitch voice (á la Meg Griffin) goes along with her character development. My favorite character is Finley the flying monkey, he’s delightfully hilarious and has so much heart that he sets a tone in every scene and steals each and everyone of them. The China Girl is so pretty and cute, we are all going to want to buy one!

 

Honestly I didn’t think they were going to be able to pull it off and they completely surprised me and left me speechless because they did it! Thanks to an amazing cast, director and team this movie went beyond my expectations. There are some parts that might be scary to younger kids, so keep them close to you. As a side note if you’ve never seen ‘The Wizard of Oz’, this movie is capable of standing alone; although you might miss what some of the nods represent you can enjoy the story with ease. Even the introduction to the film in the circus setting is beautiful in 3D and the film in its entirety with its colorful gorgeous atmosphere is bewitching. Exploring the Land of Oz and walking down the yellow brick road to Emerald City once more is bound to take you back to your childhood and you’ll be happy to share this story of love and friendship with your children.

Jack Rico

By

2013/03/05 at 12:00am

Wreck-It Ralph

03.5.2013 | By |

Wreck-It Ralph is by far the best film about a video game ever done. This comment doesn’t necessarily mean that it is the best animated movie of the year – “Frankenweenie,” “Rise of the Guardians,” “Paranorman” and “Brave” might have something to say against that, but it should be amongst the favorites at the Oscars in 2013. Nevertheless, it is visually nostalgic, sensorially exuberant, vivaciously mirthful and emotionally moving.

The plot is simple and has been done before, but it is always about the execution. For decades, Ralph (voice of John C. Reilly) has been overshadowed by Fix-It Felix, Jr. (voice of Jack McBrayer), the good-guy star of their game who always gets to save the day. Tired of playing the role of a bad guy, Ralph takes matters into his own massive hands and sets off on a journey across the arcade through multiple generations of video games to prove he’s got what it takes to be a hero. On his quest, Ralph meets tough-as-nails Sergeant Calhoun (voice of Jane Lynch) from the first-person action game Hero’s Duty, and feisty misfit Vanellope von Schweetz (voice of Sarah Silverman) from the candy-coated cart-racing game Sugar Rush, who may just be his first real friend. But everything changes when a deadly enemy is unleashed, threatening the entire arcade and Vanellope herself. Ralph finally gets his chance to save the day—but can he do it in time?

For anyone who has ever played video games circa 1980’s and 90’s, novice film director Rich Moore, a cartoon veteran, does a magnificent job in getting his animators to reproduce the exact Nintendo and arcade images of yesteryear. It almost felt like it was 1988 in the movie and outside of the theater. He managed to capture vast inside references and minutiae like kids placing their quarters against the front border of the arcade to gesture that they were next to play, etc. It is that attention to detail that makes a difference in the emotional cinematic experience of the spectator.

The 3D is surprisingly subtle, I’d actually say too subtle for a film of this nature. Instead of seeing pixels fly out of the screen, I had to lift my glasses to make sure I wasn’t watching 2D. When the result is this uneventful, the extra investment is completely unnecessary.

This is a movie hard not to enjoy. Adults will appreciate it because it’ll remind them of their youth when they would run home from school to play ‘Q*bert,’ along with all the inside references and retro cliche’s, and kids today will have fun with it because it possesses all the color, fast paced imagery and gags they come to expect from today’s animated assemblage.

Latinos, the highest movie going demographic in the United States, love animated movies more than any one else. They’re sure to make this movie a #1 hit at the box office!

Karen Posada

By

2013/02/28 at 12:00am

Jack the Giant Slayer

02.28.2013 | By |

Jack the Giant Slayer

Hollywood has decided to recreate a number different tales from centuries ago, now is the turn of ‘Jack the Giant Slayer’, a mix of ‘Jack and the Beanstalk’ and ‘Jack the Giant Killer’; which means a little bit of innocence, adventure and violence. The film will do best with its intended audience of 13 and up; the first half is slow paced and a little dull, but finally the action picks up on the second half and that’s the kicker that makes the film fun. Watching the movie in IMAX 3D is a real treat, because it truly enhances the experience, although you have to wait for the effects to really begin after we get past the “meeting” the characters part of the movie.

 

The classic story begins with a poor farm boy named Jack (Nicholas Hoult) who is trying to get some money by selling his horse; the boy gets easily tricked into taking magic beans as payment. Back at home he laments his innocence, but when the beanstalk grows he finds himself in an adventure where he’ll fight giants that live in the sky, meet princess Isabelle (Eleanor Tomlinson), her most noble men among them Elmont (Ewan McGregor) and together they’ll try to save the world.

 

We get two similar stories between Jack and Isabelle that have their keen differences but unite into one thanks to their love for adventure. The story doesn’t become interesting until we reach the world of giants, which are fantastically gruesome, idiotic, and somewhat cavemen like and we want to know how these humans fight for their survival there. There’s conniving between the humans and giants and this part although predictable helps the story.

 

Hoult and Tomlinson play their parts fine enough, but there’s nothing that really stands out here; Hoult was much better in ‘Warm Bodies’. Stanley Tucci as the villain is instantly dislikable, but lacks mystery. McGregor is usually on point with his roles, but here his script calls for corny jokes although despite that he’s one of the most interesting characters. Of course the giants steal a lot of the focus, specially their two-headed leader Fallon (Bill Nighy). The CGI of these creatures and their world is for the most part well done and are the biggest part of the tale driving the movie forward.

 

The story saves itself because just when it starts dragging the action really picks up and here is where your money goes. The movie mainly suffers from a very weak script that is full of corny jokes, lines and predictability; all of which would deem it to fail were it not for the great CIG effects and battle in the second half of the film. There’s an unexpected interesting twist at the end, where the story tries to connect fantasy to reality and it’s a nice closing touch.

 

Here’s another classic fairytale 21st century style which though it complements the original stories, by no means is it a cinematographic wonder, but it is still a good enough film to enjoy with the family. Director Bryan Singer uses his knowledge in superhero action films and incorporates a pinch of it here, but a little more could have gone a long way. It might put younger children and adults to sleep at some point, but will eventually wake everybody up on the second half till the end.

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