Rated: PG-13 for violence and brief strong language. Release Date: 2010-12-10 Starring: Florian Henckel von Donnersmarck Director(s): Distributor: Film Genre: Country:USA Official Website: http://www.sonypictures.com/movies/thetourist/
Who doesn’t want to go see a movie starring Angelina Jolie and Johnny Depp, two of the biggest stars of Hollywood; specially when it is the first time they encounter each other on and off the screen? Did I mention they have some of the biggest female/male followings? These give ‘The Tourist‘ a recipe for success. Unfortunately, these great actors are not enough; neither are the great sceneries or the storyline that has the potential to be #1 at the box office. It was disappointing not to see many action scenes (when Jolie is one of the best female action stars out there) and to experience so much sexual tension (no one can deny these two could deliver some steamy scenes in the right movie). Basically, this movie has everything it needs, but it didn’t reach its potential to make it worth the wait at the movie theater.
I got the pleasure of experiencing the first scenes of the movie, which are set in Paris and taking a cruise down the Seine river shows the authenticity of the set, as well as the romantic feel of it. Director Florian Henckel von Donnersmarck told me how he wanted to bring the glory days of Hollywood back on screen, which he believes to be those of films like Casablanca not films like The Transformers. He also told me how tough it was to make such a different film from The Lives of Others, he had to remind himself not to get too dark. He definitely achieved his goal, he made an elegant, sophisticated and somewhat romantic film.
The main focus of the movie is Elise Ward (Angelina Jolie), an English woman who lives a life of loneliness and luxury. She carries a day to day routine in Paris, where she is patiently waiting to hear from her lover. Her lover Alexander Pearce disappeared after stealing millions from his former employer, a gangster named Shaw (Steven Berkoff), he is also wanted by the London police for not paying back taxes; the main investigator is Acheson (Paul Bettany) who’s made it his life’s work to catch this guy. Elise finally changes her routine when she is instructed by Alexander to get on a train to Venice and choose a stranger to be him. We see men melting at Elise’s sight, but she chooses Frank Tupelo (Johnny Depp) an American math teacher who is touring around Europe to forget his past love. Frank follows Elise’s game nervously, he can’t shake off her charm and doesn’t understand why she would pick him. Elise is very self assured and starts molding Frank into what she needs quickly, she is aware of her impact on others. When the train reaches Venice they each go their separate ways only for Elise to reappear minutes later to take him into the ride of his life. She introduces him to her life of luxury, he goes along without questioning much until everyone that is after Alexander Pierce begins to think Frank is him and start following him with guns. We follow Frank to his imprisonment in Italy and the rest of the labyrinth this mysterious woman built for him. We slowly start getting to know Elise, trying to figure out whether she is “good or bad” is the rest of the story.
Frank is one of the least physically attractive characters Depp has represented, but the utter innocence and niceness is Frank’s appeal. This is one of Jolie’s most girly, elegant and sophisticated roles; her sex appeal can’t be denied here since that’s Elise’s greatest tool. Elise is meant to be tough but at the same time feminine and it’s really hard to see Jolie in a role like this; she herself told me that was the biggest challenge in this film for her, to “slow down”. Bettany has shown us what a great villain he can be in movies such as The DaVinci Code, although he’s not directly a villain here; his character’s frustration makes him one of the most real characters in the film.
The best things in the movie: the scenery, locations like Paris and Venice elevate its elegance.Also, Depp’s character, he is the hilarious part of the movie; he really is one of my favorite parts of the film. That said, this movie calls for a lot of action and if they would have let Jolie loose at least a couple of scenes that would have really helped. The romance in the film is very light, yes they wanted to keep it PG-13, but it needed some sex scenes; the sexual tension takes away from the joy of the movie. There are a couple of twists in the movie which are appreciated but the grand finale is not so grand, it is predictable more than anything.
Rated: PG-13 for sequences of intense sci-fi action and violence, some language, and brief sexual content. Release Date: 2010-11-12 Starring: Joshua Cordes, Liam O’Donnell Director(s): Distributor: Film Genre: Country:USA Official Website: http://www.iamrogue.com/skyline
Rated: PG-13 for mature thematic content, sexual material including dialogue, some nudity, drug use and language. Release Date: 2010-08-20 Starring: Allan Loeb Director(s): Distributor: Film Genre: Country:USA Official Website: http://www.theswitch-movie.com/
The premise is a good one though… A single 40-year-old woman (Aniston) turns to artificial insemination in order to become pregnant. Seven years later, she reunites with her best friend (Bateman), who has been living with a secret: he replaced her preferred donorâs sperm sample with his own.
At its best, The Switch is reminiscent of About a Boy starring Hugh Grant but it never goes deep enough to illicit a tear. If something could be praised about the film is the acting by the supporting cast. Jeff Goldblum who plays Batemanâs cynical and wise cracking friend still can deliver a funny line. I donât know why heâs not working more frequently but he is a delight on screen. And we canât forget young actor Thomas Robinson who plays Batemanâs 6 year old son Sebastian. The kid has the goods and delivers some true acting as a melancholic pessimist who thinks he has hypochondria.
The Switch generates some occasional cheap laughs, but it doesnât come together. It feels generic. There are two directors on the film, Josh Gordon and Will Speck, and if two people couldnât get this right, then its probably not worth the theatrical viewing. This film might play better on a Saturday night at home on DVD.
âRangoâ has got to be one of the most original, innovative and sophisticated animated comedies I have ever seen. With that said, it does possess some moments in the middle that drag. Though on the surface it might look like a film for kids, donât kid yourself, it is mainly for adults. The dialogue is way too advanced for children to follow as well as the profound existential themes it kicks around from the very beginning. This spells âboringâ for kids who have expectations to laugh and have fun.
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Gore Verbinski (The Pirates of the Caribbean series) directs and Johnny Depp lends his voice to this animated âChinatownâ meets the Old West. The story follows Rango (Depp), a sheltered chameleon living as an ordinary family pet, while facing a major identity crisis. After all, how high can you aim when your whole purpose in life is to blend in? When Rango accidentally winds up in the gritty, gun-slinging town of Dirt â a lawless outpost populated by the desert’s most wily and whimsical creatures â the less-than-courageous lizard suddenly finds he stands out. Welcomed as the last hope the town has been waiting for, new Sheriff Rango is forced to play his new role to the hilt… until, in a blaze of action-packed situations and encounters with outrageous characters, Rango starts to become the hero he once only pretended to be.
The opening sequence is as memorable as anything youâre going to see this year. The pristine visual animation and Deppâs thespian abilities bring to life a mesmerizing set of sequences that establish the artistic and high concept tone for the rest of the movie.
Pixar has theyâre job cut out for them. With animated films like âLegend of the Guardians: The Owls of GaâHoole,â âThe Illusionist,â âHow To Train Your Dragon,â and now âRango,â we are starting to see that Pixar is no longer the only source of quality movies for families, children and adults. Rango is a work of art in many ways, not just a visual masterpiece. Itâs script has a great message, the voice acting is captivating and the characters are interesting and amusing, such as the Mexican mariachi birds voiced by Latino George Del Hoyo, amongst others and Roadkill by Alfred Molina. There was defintely a Latino flavor in the film that was palpable, in particular, at the beginning.
Regarding the voice acting, the cast is one of the many stupendous aspects of âRangoâ. Itâs something to indulge in and enjoy. The cast consists of Isla Fisher, Abigail Breslin, Alfred Molina, Ray Winstone, Ned Beatty, and Bill Nighy.
If you are a parent and are wondering if âRangoâ has fun elements for your child, the answer is yes. Thereâs enough gags, action and fast paced scenes to entertain a child, just not enough to captivate them for the whole duration of the movie. Adults… looks like this oneâs for you more than it is for them.
‘Unknown,’ a “who the hell am I, who the hell are you” action thriller, is everything absurd thing you can imagine in a movie. Much of the movie is one ridiculous scene after another with plot contrivances that you just have to laugh at, but, the subject matter is so interesting, that you forgive the plausibilities of the story and give in to its over the top implausibilities. At the end of the day, you do want to entertain yourself, correct? This is one to have fun with and laugh at in disbelief. Oh, and did I mention the unbelievable plot twist at the end?
Dr. Martin Harris (Liam Neeson), an American university professor in Berlin, goes to a biotechnology conference with his young wife, Elizabeth (January Jones). When a baggage mix-up necessitates a quick return to the airport, Martin departs without a word to his wife while she is checking into the hotel. His cab is involved in a serious accident. After he awakens at the hospital after 4 days, he discovers that his wife (January Jones) suddenly doesn’t recognize him and another man (Aidan Quinn) has assumed his identity. Ignored by disbelieving authorities and hunted by assassins, he finds himself alone, tired, and on the run. On his own in a strange country, Martin seeks aid from an unlikely and reluctant source (Diane Kruger) as he plunges headlong into a deadly mystery that will force him to question his sanity, his identity, and just how far he’s willing to go to uncover the truth.
Spanish director Jaume Collet-Serra (House of Wax, Orphan) captures well the foreign feeling that James Bond films do so well. The color filters he uses are appealing and the action scenes are top notch. Jaume keeps on getting better with each passing film, but I hope he doesn’t think in anyway that this is his best work. His previous thriller ‘Orphan’ could have been one of the best films of 2009, were not it for the twisted ending.
Liam Neeson, a nominated Oscar performer, is becoming a top flight ‘Jason Statham like’ B actor. His movie Taken from 2008, was a hit and seems to be the visual basis for ‘Unknown’. They literally, look like the same film. Actress January Jones, known from her work in the TV series Mad Men, is just horrible. She’s stiff, uninvolved and deadpan. Outside of her looks, Ms. Jones shouldn’t see the lens of a camera. I have no idea of how she got this far.
There are no real dull moments to endure with ‘Unknown’. This film definitely delivers all the thrills and action, along with a fantastic storyline worth sitting through… even if it is a bit too preposterous for ones taste.
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Rated: PG-13 for sequences of action and peril, and some language. Release Date: 2010-11-12 Starring: Mark Bomback Director(s): Distributor: Film Genre: Country:USA Official Website: http://www.imparablelapelicula.es/