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Movie Reviews

Namreta Kumar

By

2010/07/01 at 12:00am

The Last Airbender

07.1.2010 | By |

The Last Airbender

M. Night Shyamalan’s The Last Airbender does not live up to any hype. Not for fans of Shyamalan or for fans of the series. Unlike M. Night Shyamalan’s other films this is an adapted concept and thus not his usual cup of tea.

It shocked me to learn how short the film was but watching the film it is obvious how an approximate twenty-hour season fit into a less than two-hour film. For those of you that do not know the story it is about Aang, played by Noah Ringer, and his journey of becoming the Avatar. The first season or Book One is about Aang taking the first step of understanding his destiny and learning the second of four elements as the Avatar: Water. The film does not cover the intricacies of the characters involved in his journey or build narrative comparatively. It seems that as a writer Shyamalan failed to capture The Last Airbender.

Some of the blame of the writing process is shared with the editing process. Whether it be editing within the screenwriting process or in post too much of the crux of the film is cut or altered making it hard to follow or enjoy. The reprise here is in M. Night Shyamalan’s direction. As the screenwriter, Shyamalan was able to control much more of his characterization and his directorial touch shines through Dev Patel, as Prince Zuko. Zuko is Aang’s antithesis and without him Aang’s destiny is not complete. M. Night Shyamalan centers a great amount of this film on establishing the base for that relationship.

Dev Patel and Noah Ringer both play their parts very well. Ringer is M. Night Shyamalan’s The Last Airbender. As Aang he does not share the same carefree attitude characteristic of his television counterpart; but he excels as Shyamalan’s troubled Aang. Patel as Prince Zuko brings the spirit of the television series with him. He is the perfect balance of the powerful, troubled, confused, but fair Prince looking for his destiny. Patel outshines the others who seem to still be finding the right niche in comparison.

With the exception of the opening credits the role that 3D plays in the film is lost on me; it is not required for a film that never develops beyond its narration. The cinematography is best on location, from there it starts to become apparent that the remainder of the film is shot on sets and the production value starts to dwindle. To much of the film relies on the authenticity of production but the audience looses that to the concept of 3D and the editing too often.

Unfortunately expectations of M. Night Shyamalan films are always high and The Last Airbender just does not live of to his other body of work. Shyamalan has a great story here and his vision is clear within his direction, but the production does not make the same impact. He clearly needed to work on the editing process of the film and focus on his storytelling strength more than the high-end production value. This does not exemplify M. Night Shyamalan’s potential but more over seems to be crushing him.

Jack Rico

By

2010/06/30 at 12:00am

The Twilight Saga: Eclipse

06.30.2010 | By |

The Twilight Saga: Eclipse

‘The Twilight Saga: Eclipse,’ directed by David Slade (30 Days of Nights), is the best film of the series and it is indisputably the most entertaining of the three movies. It has depth, a gripping and sexual tension to it, a surfeit of action, visually appealing special effects and entertaining drama. ‘Twilighters’ are going to love this second sequel and newcomers will be hooked on the tension filled decision Bella’s love life has to make.

The first sequel left us on a cliffhanger with Jacob telling Edward to watch out, he’s coming after Bella. Eclipse continues the churning novela with Bella (Kristin Stewart) once again finding herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and Victoria (Bryce Dallas Howard), a malicious vampire who is out for revenge. In the midst of it all, she is forced to choose between her love for Edward (Robert Pattinson) and her friendship with Jacob (Taylor Lautner) — knowing that her decision has the potential to ignite the struggle between vampires and werewolves. What’s it going to be Bella – Edward or Jacob? That’s been the question pop culture media has been toying with for a year now.

The film’s predecessor, New Moon, was a test of endurance in tediousness. My criticism of the aforementioned was that it lacked entertainment value. If it only had an ounce of divertissement. Subsequently, Eclipse repaired the damage done and threw me a biscuit in the process. The improvements are rooted in the insertion of several battle sequences, which provided a much-needed injection of energy to the saga, accompanied by quality-eye-candy computer generated effects. Add to that a much more interesting plot and of course, the main event, the confrontation between the films two male leads. The acting is modest, and let’s be honest, it is not exemplary. It does though behoove the genre and the style of the film.

Amazingly enough, Eclipse possesses two Oscar nominated actresses in its cast: Anna Kendrick (Jessica Stanley) and Catalina Sandino Moreno. Kendrick, coming off her ‘Up in the Air’ nomination, seemed to be fulfilling contractual obligations or spoofing herself in the pic. Moreno on her part, the Colombian Oscar nominated actress for Maria Full of Grace, made a pleasant and surprising cameo. Her appearance, along with Christian Serratos (who plays Angela Weber), represented Hispanics in the film. Some of Catalina’s dialogue was in Spanish, which I must confess was a bit off brand, but welcome nevertheless. She whispered the word “chupar” in a Colombian accent and I automatically thought it was strange, yet cool to listen to within one of the most successful franchises in modern cinema. Regrettably, she went uncredited as Summit Entertainment decided not to include her in their 113 page long production notes, a document usually reserved for press to ascertain microscopic details on cast members, set designs, etc. The reasons for her exclusion in the notes is baffling since she could have served as a great Latino marketing angle for their promotional strategies. I’m glad a site like ShowBizCafe.com exists to give Ms. Moreno and Latino actors their props.

‘The Twilight Saga: Eclipse’ is a step in the right direction and it exemplifies what the film adaptations should have been like from the beginning. The intense, heavy teen romance is still there but layered with a much more entertaining ambiance of thrills and chills to it. I saw the film in standard 2D and was pleased with it. The IMAX version must be even better. I’m just glad it is not in 3D because with all sincerity, it does not need it. The fans of the books will be fanatical with it, newcomers will be entertained and drag-ons will at least be gratified with the notion that they saw the best of the series.  I hope the fourth chapter Breaking Dawn, which will be split into two parts next year, is just as good as this one.

Ted Faraone

By

2010/06/29 at 12:00am

The Crazies

06.29.2010 | By |

Rating: 1.5

Rated: R for bloody violence and language.
Release Date: 2010-02-26
Starring: Scott Kosar, Ray Wright
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thecrazies-movie.com/

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In the 37 years since helmer George A. Romero foisted on us the $275,000 sci-fi/horror flick, “Crazies,” not much has changed except the value of the Dollar.  The remake, billed as “The Crazies,” by helmer Breck Eisner, cost an estimated $12 million to make.  It’s still pretty cheesy.  And Romero gets executive producer credit.
 
Pic climaxes with an atomic bomb blast leveling an Iowa town.  Too bad that its negative was not at ground zero.  “The Crazies” is that awful.  It gets half a star for some unintentionally funny scenes.  It loses stars for telegraphing plot moves in advance, failing to build compelling characterizations, totally expected “Deus Ex Machina” resolutions when writers Scott Kosar and Ray Wright painted themselves into corners, crummy continuity, stilted dialogue, and blurry lensing.  “The Crazies” uses every cheap trick to create suspense… and fails miserably.
 
Plot adheres fairly closely to the Romero original.  Folks in a small town start going crazy, becoming homicidal maniacs.  Source of the problem is quickly traced by Sherriff David Dutton (Timothy Olyphant, whom we last saw in the atrocious “Perfect Getaway”) to a downed jet in the town’s watershed.  How a jet goes down in a small town without apparent damage and without an immediate response is beyond even the suspension of disbelief.  This jet went down a week before pic’s action takes place.  And no one save the town blowhard noticed.

We must mention pic’s funniest scene:  The local undertaker has been infected.  He goes after Sherriff Dutton with a high speed bone saw.  Dutton subdues the mad mortuarian but the saw is still running.  Propelled across the mortuary floor by its own motor, It heads straight for Dutton’s crotch until his deputy (Joe Anderson VI) steps on the power cord in one of those Deus Ex Machina moments.  One wonders why the Army didn’t also cut off the electricity.

The purpose of a pic such as “The Crazies” is to create suspense, instill fear in audiences, and have them hanging on the edge of their seats for the ending.  Fernando Meirelles did a far better job with similar subject matter in the 2008 “Blindness.”

Pic’s ending has sequel written all over it.  Ultimately it will depend on the box office that this piece of trash does.  “The Crazies,” which feels a good deal longer than its 101 minute run time, is rated “R” thanks to violence and repeated use of a four letter word for intercourse.

Jack Rico

By

2010/06/25 at 12:00am

Knight and Day

06.25.2010 | By |

Knight and Day

Tom Cruise is back and I’m loving it. I’ve been a supporter of the actor ever since I can remember, mainly because, I strongly believe he is a very good actor who knows how to pick stories that entertain a mass audience. Many still don’t regard in the same light (he’s never won an Academy Award). His latest effort is the action comedy ‘Knight and Day,’ one I believe to be the second most entertaining film of 2010 after ‘Kick-Ass.’

The plot is centered on a spy (Cruise) who bumps into a normal woman (Diaz) at an airport and involves her into his dangerous mission around the world.

So you have an idea of what you are up against, ‘Knight and Day’ is the comedy version of the Mission Impossible series. I found those films enthralling and to see Cruise in this loosely based adaptation, mixed with appealing jokes in between, gave this critic mad moments of hilarity. The pacing was intense and exciting, the jokes and gags were amusing and enjoyable and the acting was chemically divine! The film isn’t perfect, but the flaws are invisible, masked by pure summer fun action.

Both Tom Cruise and Cameron Diaz seem re-vivified here. Evident and nostalgically so are Cruise’s magical nuances that made him into the biggest box office star of the late ’80s and early ’90s. Both stars seemed to really have fun making this movie and it looks genuine on screen.

‘Knight and Day’ is what summer Hollywood movies are all about – pure high wattage entertainment with likable superstars. This one qualifies as a must see in my book.

Jack Rico

By

2010/06/25 at 12:00am

Grown Ups Movie Review

06.25.2010 | By |

Grown Ups

In the 1980’s, successful comedies seemed like a dime a dozen. Now a days, we have to settle for ‘Grown Ups,’ where the laughs are few, but the apathy is plentiful.

After their high school basketball coach (Blake Clark) passes away, five good friends (Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider) and former teammates reunite with their families for a Fourth of July holiday weekend.

There are a couple of problems that set ‘Grown Ups’ up as a disappointment for me. One of the issues I had with it was the marketing. The reputation some of the actors have are that of R rated comedians. The mere sight of Chris Rock is worth a hard R from a mile away (“tired of this sh*t, tired, tired, tired of this sh•t,” as his foul mouthed stand up routine goes). It’s easy to be misled as to why this movie looks like ‘Old School’ with Will Ferrell. Just look at the trailers, TV spots, and posters. Whenever the public is misguided to thinking they’re going to see one thing and it doesn’t deliver, there is an automatic sense of rejection. That happened to me here. I got duped.

Secondly, I had issues with the tame dialogue of the script. The stars, mostly known for their profanities and uncouth behavior in films, seemed out of their element. They show a benign side to them that is unfamiliar to me. Aside from Sandler’s ‘Bedtime Stories,’ amongst other family movies he’s starred in, the film is really a let down. I was expecting so much more from it. Such a talented cast, but no creativity in the script.

The female cast composed of Salma Hayek, Maria Bello and Maya Rudolph complemented the male leads very well. Salma didn’t necessarily showcase her Oscar nominee skills, but her ‘accented’ charm is more than ‘voluptiously’ appealing.

Overall, I thought ‘Grown Ups’ would possess grown up R humor, but instead it delivers a family movie for adults with infantile jocularity. Not what I was expecting.

[youtube id=”e01NVCveGkg”]

Alex Florez

By

2010/06/22 at 12:00am

La Nana

06.22.2010 | By |

Rating: 3.0

Rated: Not available.
Release Date: 2009-10-16
Starring: Sebastián Silva
Director(s):
Distributor:
Film Genre:
Country:Chile
Official Website: http://www.themaidmovie.com/

 Go to our film page

Namreta Kumar

By

2010/06/22 at 12:00am

She’s Out of My League

06.22.2010 | By |

Rating: 3.5

Rated: R for language and sexual content.
Release Date: 2010-03-12
Starring: Sean Anders & John Morris
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.getyourrating.com/

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She’s Out of My League is quite possibly the best romantic-comedy out, thus far, this year. The best part about this bromance is that it is equally a chick-flick.

In a nutshell she (Alice Eve) is a 10 and he (Jay Baruchel) is desperately trying to hold onto the status of 5. Essentially his family, friends, and lack of any real aspirations fail him; but she tiers of “perfection” and finds it all refreshing. The multitude of characters is what makes the film so much fun. From Kirk’s friends down to Molly’s parents everyone lends great talent and character to the film.

Kirk is more than just a five and Jay Baruchel makes this a reality. I must equally commend Jim Field Smith for this as well, because his direction gives each actor/character their shining moment.  And at the end of it all, what makes this film work are those shinning moments. Smith’s direction has created a comedic piece that every guy can enjoy, and every girl will adore.

What makes the comedy here fun and unique is that all the characters are just that, characters. All of Kirk’s friends remind you of those same guys from high school down to your office and the advice they honesty dole out to Kirk make them all the more real. On the other hand Molly’s best friend and sister make this equally a chick flick, with their own frankness about her imperfections.

She’s Out of My League is not as good as Wedding Crashers but it does equal I Love You Man. It has a lot of little laughs and plenty of charm to finally leave you satisfied with a romantic comedy this year.

Karen Posada

By

2010/06/22 at 12:00am

Remember Me

06.22.2010 | By |

Rating: 3.5

Rated: PG-13 for violence, sexual content, language and smoking.
Release Date: 2010-03-12
Starring: Will Fetters & Jenny Lumet
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.rememberme-movie.com/

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‘Remember Me’ does a fine job at making you part of it without you realizing it. If you are into romantic dramas you are going to love it, it is more than just romance though, the importance of family is felt strongly as well. The plot is made up of love and loss and the sense that we have to ‘live in the moments’ because we don’t know when our last day on Earth will be. It is your typical boy-meets-girl story but with a sense of reality in it and a twist of faith.

Our main character Tyler Hawkins (Robert Pattinson) is a troubled soul, who feels completely helpless, he wants to be a hero or a voice to those that need it, like his younger sister Caroline (Ruby Jerins). He had a privileged life growing up, but now wants to make it on his own, away from his workaholic father (Pierce Brosnan); who doesn’t expect anything good out of him. With his poetic boy looks and the sadness he has about him, he has a way with the ladies. His roommate Aidan (Tate Ellington) convinces Tyler to date the daughter of a police officer (Chris Cooper), to spite him for arresting them one night. Tyler has no problem sweeping Ally Craig (Emilie de Ravin) off her feet. Tyler gets lost in his own game and ends up falling for Ally’s quirky personality. She has the ability to show him through their connection by their troubled pasts, that he can live again despite of all the pain he’s felt. She brings out the best in him.

The love connection here is strong; Pattinson and de Ravin make the romance as well as their life stories very real to the audience. It’s hard not to fall in love with Pattinson in this film; he is the typical artsy passionate guy every girl would want. The quarrels among characters, especially “the big fight” between the couple is a bit ridiculous. The script tries to create drama where there really isn’t.  Admittedly the ending is the strongest part of the movie, the filmmakers took a cheap shot at the audience, but it is the reason for the ½ star. It is a cheap shot that works, without it the movie wouldn’t have an impact and it would be easy to forget. We are given subtle hints about the ending throughout the whole movie but we only connect the dots when we arrive to it, it is what will make the audience feel a stronger connection to the story.

I definitely recommend it to the hopeless romantics; it will touch your hearts and leave you a little depressed. You are left with the sense that we do need to cherish every moment and live as if today was our last day.

Jack Rico

By

2010/06/18 at 12:00am

I Am Love

06.18.2010 | By |

I Am Love

One of the best actresses in Hollywood, in my opinion, is Tilda Swinton.

Her new film ‘I Am Love‘ is an ambitious, complex and sumptuous melodrama, that has at its core a tragic love story of a married woman who falls for the best friend of her son and unleashes a wave of problems that will forever change her family.

This Italian film written and directed by the talented Luca Guadagnino, is spoken in three languages and is a visual opera with perhaps the best soundtrack of the year composed by John Adams. The performances are splendid and emotional, a rare treat that stays with you long after you leave the theater. The look, feel and pacing of this film is reminiscent of 1950’s italian movies, as portrayed in the popular Fellini films such as La Dolce Vita.

 

‘I Am Love’ is one of the few showpieces of 2010. It is one you need to see if you love sweeping dramas.

Jack Rico

By

2010/06/18 at 12:00am

Cyrus

06.18.2010 | By |

Cyrus

What I feel is the best of comedy of 2010, Cyrus is a gem amongst the Paul Rudd and Apatow films of the last 2 years. If you are looking to laugh heartily, I recommend Cyrus in limited release.

 The comedy style is not like Get Him To The Greek, but rather a psychological and black. The plot revolves around a recently divorced man, wonderfully played by John C. Reilly, who finally finds the woman of his dreams, played by the seductive Marisa Tomei. What our hero did not expect was having to face her 22 year old son Cyrus, played by Jonah Hill, who will do everything possible to ruin their romance.

 

Reilly’s performance is what makes Cyrus one of my favorite comedies of the year. He is truly one of the great comic actors we have in Hollywood due to the dry and serious take he brings to comedic roles. Hill on his part needs to be applauded for comprehending his range and not stretching beyond his acting limits. His role here is a good representation of it.

If you are looking for a unconventional and clever comedy with superb performances, ‘Cyrus’ will not disappoint.

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