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Movie Reviews

Ted Faraone

By

2010/01/26 at 12:00am

Saw VI

01.26.2010 | By |

Rating: 2.5

Rated: R for sequences of grisly bloody violence and torture, and language.
Release Date: 2009-10-23
Starring: Marcus Dunstan, Patrick Melton
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.saw6film.com/

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In an extraordinary move the Spanish government have restricted “Saw VI” (not surprisingly the sixth installment in the Jigsaw horror series) to the nation’s eight theaters that are allowed to show porno.  While this begs the question, “Are Spaniards really into Pay Per View?”  Your critic says that it is an over-the-top judgment call.
 
Your critic entered the screening room expecting something akin to a snuff film that would arouse men who harbor violent thoughts against women.  Fortunately such was not the case.  However, pic contains moments that those with weak stomachs should avoid.
 
“Saw VI” meets or exceeds all standards on a technical level.  Sound recording works.  Lensing is competent.  Special effects don’t look expensive, but work.  Editing delivers just the right amount of tension.  Where it falls down is in storyline and acting.  There are three thesps who turn in creditable performances:  Tobin Bell, who created the role of Jigsaw John, Betsy Russell as his wife, addiction doc Jill, and Peter Outerbridge as William, a medical insurance executive who is pic’s evil capitalist.  The rest, notably Costas Mandylor as crooked detective Hoffman, either sleepwalk through their roles or need to go back to acting school.  In Mandylor’s case, those who remember him from TV’s “Picket Fences” will be disappointed to know that he has both gained weight and lost talent.  Dialogue is subpar.  Plot leaves a ton of loose ends.  Most of them have to do with the question, “Why?”
 
While dying of a cancer for which William’s insurance company refused to cover treatment (pic is at least timely) Jigsaw John has developed a very nasty post mortem revenge plot cloaked in pseudo human decency.  He sets up William, the insurance VP who refused coverage for an experimental procedure, in a catch 22.  He has to save himself by killing others.  Instead of building suspense, plot is an excuse to string together a series of bloody vignettes.  It’s a sort of “Galaxy Quest” on acid.  Such clues as exist are telegraphed.  Surprises surprise without any credible setup.
 
It is never explained why wife Jill goes along with the bloody scheme and why crooked detective Hoffman executes it.  It’s those pesky loose ends….
 
Direction on a technical level by Kevin Greutert is good.  Screenplay by Marcus Dunstan and Patrick Melton should have been sent back for rewrites.  But “Saw” is a franchise.  It functions on a different plane from the rest of cinema.  It has a track record at the box office and a loyal audience.  Lionsgate’s marketing strategy of not showing it to crix until opening day is open to debate, but pix such as “Saw VI” tend not be affected by notices.

Jack Rico

By

2010/01/21 at 12:00am

Tooth Fairy

01.21.2010 | By |

Tooth Fairy

I didn’t really know what to expect of the latest family film ‘Tooth Fairy’ starring Dwayne ‘The Rock’ Johnson. At one point I thought it might be the same fare as his 2007 ‘The Game Plan’, which was #1 at the box office for two weeks in a row, but no, this was nowhere near as charming as that one. ‘The Tooth Fairy’ was just bad cinema. The Rock is a simpatico guy, but with a ludicrous plotline, uninspired dialogue, the worse camera editing I’ve seen in years and a paltry supporting cast, there was no way he was saving this sinking ship.

Here’s the story. A bad deed on the part of a tough minor-league hockey player (The Rock) results in an unusual sentence: He must serve one week as a real-life tooth fairy.

He wears a ballerina dress when first becoming a fairy and instead of it being a funny moment, it was a bit embarrassing. I’m wondering why he needs to be working these types of films. Could you imagine what his wrestling buddies must be saying? His body of work isn’t so bad at all. His previous roles in films such as ‘Race to Witch Mountain was great family fun potpourried with thrills, chills and action. ‘The Game Plan’ was a touching and charming movie that makes grown men cry when they see it.

Director Michael Lembeck, mostly a TV director, shouldn’t be doing movies. His camera shot selections were not flattering to the actors and showed the many audio dubbing flaws caught by the lens. Just intolerable. Adding to the demise of the movie was seeing a New York legend Billy Crystal in a pajama like costume regurgitating screenwriter Lowell Ganz’s stale and infantile dialogue.

Do not spend your money this week on ‘Tooth Fairy’. If you want the same family vibe with lots of smiles and warm, fuzzy sentiments and a tear or two, see ‘The Game Plan’ on DVD. You’ll be grateful I recommend it to you.

Jack Rico

By

2010/01/19 at 12:00am

Whiteout

01.19.2010 | By |

Rating: 3.0

Rated: R for violence, grisly images, brief strong language and some nudity.
Release Date: 2009-09-11
Starring: Erich Hoeber, Jon Hoeber
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: www.whiteoutmovie.com

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Before writing this criticism, I read some reviews from some major outlets spewing diatribes about this film. I just want to say their statements are greatly exaggerated. They just don’t get graphic novels. That is what ‘Whiteout’ is based on via the creative pens of Greg Rucka and Steve Lieber, This is a stomach churning action-thriller that journeys into the depths of ice hell in the Antarctica. Expect a balanced dose of action and drama, but it’s the slow, escalating tension that ultimately maintains you glued to your seat.

Carrie Stetko (Kate Beckinsale), the lone U.S. Marshal assigned to Antarctica, is investigating the continent’s first murder, which draws her into a shocking mystery. Now, with only three days until a calamitous winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.

The movie has its deficiencies such as the dialogue (“Doc, this wasn’t an accident!”) and its shoddy denouement that will leave audiences cursing, but it needs to be applauded for creating a tense filled atmosphere through slow paced and eery scenes. I appreciated the twists and turns, which I felt, were unpredictable, yet plausible. Overall that is what going to the movies is all about, experiencing something far from the realities of life.

Ted Faraone

By

2010/01/14 at 12:00am

The Spy Next Door

01.14.2010 | By |

The Spy Next Door

If Jackie Chan did not exist, it would be necessary to invent him.  His latest vehicle, “The Spy Next Door,” fits neatly into his array of comic action films suitable for children and their parents.  The 92 minute, PG-rated effort from helmer Brian Levant and screenwriters Jonathan Bernstein, James Greer, and Gregory Poirier, offers a little something for everyone.  That’s not to say that it is flawless.  It sticks pretty closely to the unassuming geek as martial arts master formula which Chan has perfected.  Add to the recipe a little “fish-out-of-water” and season with elements from the “Get Smart” series and you have a tasty frittata that should satisfy all but the most finicky.
 
Chan stars as Bob Ho, a Chinese intelligence officer on loan to the CIA.  That preposterous premise sets the tone for rest of pic’s hijinx.  His cover is a geeky, suburban pen salesman.  The “Next Door” part of the story involves Amber Valetta as Gillian, single mother of three impossible kids, and Chan’s love interest.  Plot centers on Ho’s desire to retire from spying and marry Gillian.  Her kids’ opinion of him is the first hitch.  He’s just not cool enough.  The second hitch is a sort of comic version of Al Pacino’s famous line, “Every time I try to get out they drag me back in.”
 
In this case, the drag back is a Russian plot to unleash a bacterium on all the world’s oil supply — Russia’s excepted — which consume anything made of petroleum and then vanish as quickly as they appear.
 
Pic is played over-the-top to excellent comic effect.  Magnús Scheving’s Poldark, Ho’s arch enemy, is a marvelous caricature of a bad guy.  Another standout on the Russian team is Katherine Boecher as Creel, a slinky blond sporting tight black outfits, Jimmy Choos and a mean kick.
 
What brings all the elements together and creates pic’s best action sequences — as well as most of its jokes — is a sort of contrived plot point in which Gillian leaves town to look after her injured dad and puts Bob in charge of her three unruly brats.   To Bob, this is his chance to make the kids like him.  It’s also his fish-out-of-water moment.  Spies have some learning to do where raising kids is at issue.  Of course, Bob has to win the kids over — and he does so in part by accident.  Gillian’s 11-year-old, Ian (Will Shadley) is as much a geek as Bob appears to be, a would be rocket scientist, who downloads the Russian’s secret bacterium formula from Bob’s home computer thinking it is a video game.  This puts the Russians on Bob’s tail and consequently on the kids’ tails.  The sight of Bob kickboxing Russian spies is just too cool for words.  Ian is won over.  So is four-year-old Nora (Alina Foley).  Farren (Madeline Carroll), Gillian’s 13-year-old stepdaughter, is the toughest nut, but even she cracks.  The kids join the fight against the Russians with undisguised glee in scenes reminiscent of the “Home Alone” series.  Thus far, the formula works.
 
Gillian is another story.  Furious at the revelation that Bob is a spy and that her brood has been endangered, she gives him the shove — permanently.  Since this is a comedy, however, the final reel offers a slapstick climax, which includes a Russian spy wearing a television as a hat.
 
Special mention goes to recording artist Billy Ray Cyrus as CIA good guy Colton James and comic George Lopez as the Russian’s mole in the CIA.  Choreography is as good as one has come to expect from Chan, and lensing by Dean Cundey frames it all to good effect.  Soundtrack includes familiar “Secret Agent Man” and Blondie’s “One Way Or Another”.  One nit to pick is Chan’s accent.  He can be a tad tough to understand at times, but since editor Lawrence Jordan leaves no loose ends, a lost line or two can be imputed from the context.

Jack Rico

By

2010/01/14 at 12:00am

The Book of Eli

01.14.2010 | By |

The Book of Eli
Jack Rico

By

2010/01/12 at 12:00am

The Burning Plain

01.12.2010 | By |

Rating: 2.5

Rated: R for sexuality, nudity and language.
Release Date: 2009-09-18
Starring: Guillermo Arriaga
Director(s):
Distributor:
Film Genre:
Country:USA, Argentina
Official Website: NULL

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‘The Burning Plain’ is a bleak film which is heavy on the visceral drama and light on substance. The script isn’t compelling nor are the characters and last I heard, the idea behind creating a movie is to entertain audiences to some degree, not make one miserable and despondent.

Three stories about three women swing back and forth in time and place, gathering apparently disconnected and twisted scenes into a monotonous tale of betrayal, love and death. The film stars Charlize Theron, Kim Bassinger and a new crop of actors.

Mexican screenwriter Guillermo Arriaga, now turned director, is a magnificent pensman who creates scenes that bring the best out of actors and his director. Regrettably, as his fourth work shows, he has reached a repetitive, one dimensional plateau where he can’t seem to free himself from. Once again, Arriaga tells a story of various characters paralleling each other. He began with this structure in ‘Amores Perros’ and continued in ‘21 Grams,’ ‘Babel’ and now ‘The Burning Plain’. When I spoke to him, Arriaga contested that he felt the composition and story of this film are completely different than anything he has done before. He needs to take a closer look at his films and pick up on the recurring patterns – multi-narratives and gut wrenching, emotional dramas. There isn’t anything wrong with Arriaga continuing along this trademark path, but isn’t variety the spice of life? Versatility is where you prove yourself to be better than just one style and I am hoping to see something distinct and fresh for his next project.

This is a Hollywood indie intertwined with a Latino story. For Hispanics, the decision to watch this heavy film for the sake of supporting a fellow patriot, is ignorant. You make your decision based on the quality of the script and the acting. In this case, the script is banal, too serious and melodramatic and the acting, though arguably strong, is not compelling and lacks believability. I recommend you wait for his arch nemesis, Alejandro González Iñárritu’s new film ‘Biutiful’ starring Javier Bardem for a more enjoyable experience at the movies in December.

Namreta Kumar

By

2010/01/09 at 12:00am

Wonderful World

01.9.2010 | By |

Wonderful World

Unfortunately Wonderful World feels too much like a tired film to represent the revival at the end.  It is made memorable only by the concept of cynicism and its witty remarks. Josh Goldin’s Ben Singer (Matthew Broderick) has a thin layer of charm, however his actual cynicism begins to border on pathological at points.

Ben Singer is a divorced, failed folk singer now working a 9-5 “temp” job, he really only has Ibu, his roommate/friend, and Sandra, his daughter, to give his misery company. When it seems like life has taken a turn for the worst with the hospitalization of Ibu, it turns out it is exactly what Ben needed to change his perspective on life.

Ben’s relationship with his daughter turns into the crux of the film and proves to be the best part of it. Sandra, played by Jesse Tyler Fergusen, breathes wonder into every scene. It is through her and Ben’s relationship that Goldin shines as a director. From the set of cold moments at the start of the film through the closing moments the father-daughter relationship and the carefulness of the scenes outline a stronger composition than the rest of the film.

The core of Goldin’s film is wonderful, but unfortunately the film feels just as jaded as Ben’s point of view. Outside the father-daughter relationship, nothing seems fresh or renewed in any way. Everything is a sad reflection of the failed man at the start of the film, rather than the hopeful man at the end.
The Bottom Line is that this film just does not hit the mark, and as Josh Goldin summarized in his own film, “You understand Bottom Line you understand America.”

Jack Rico

By

2010/01/06 at 12:00am

Youth in Revolt

01.6.2010 | By |

Youth in Revolt

It’s only the second week of January, but already Puerto Rican director Miguel Arteta’s ‘Youth in Revolt’ is my favorite film of the year. The premise is simple – boy meets girl, girl meets boy and boy wrecks two cars and goes to jail for his love. But what is most appealing and absorbing is the sophisticated english dialogue written by Gustin Nash, based on C.D Payne’s – Youth in Revolt: The Journals of Nick Twisp. Michael Cera could not have been more perfectly casted as the intellectual, Frank Sinatra loving, sardonic virgin teen who comes from heavily dysfunctional parents.

The film revolves around the life of Nick Twisp (Michael Cera) – a unique, but affable teen with a taste for the finer things in life. He falls hopelessly in love with the beautiful, free-spirited Sheeni Saunders (Portia Doubleday) while on a family vacation.  But family, geography and jealous ex-lovers conspire to keep these two apart. With Sheeni’s encouragement, Nick abandons his dull, predictable life and develops a rebellious alter ego: Francois. With his ascot, his moustache and his cigarette, Francois will stop at nothing to be with Sheeni, and leads Nick on a path of destruction with unpredictable and uproarious consequences.

It is very rare nowadays to see films that dare to challenge young audiences with words through a high level rhetoric. We saw this template used originally by indie director/screenwriter Kevin Smith in ‘Clerks’. A total hit and a great way to pick up the dictionary and see how many ways you can say “let’s have sex” to a girl. This was also part of the success behind the creative strategy that screenwriter Kevin Richardson used for his television series Dawson’s Creek in the late 90’s. I personally love this take on a teen romantic film – ‘Nick and Norah’s Infinite Playlist,’ also with Cera, played with this notion to a degree as well.

The other layer that I thoroughly enjoyed is the worldly and sophisticated tastes that the two protagonists shared in music, film and poetry. Cera loves Sinatra (the first frame opens up with the 1960 album Nice ‘n’ Easy), and he invokes Fellini’s masterpiece ‘La Strada’ in a DVD store as he tries to explain it to a girl he is trying to pick up. Ms. Doubleday loves french standards from Serge Gainsbourg and has an infatuation with New Wave french actor Jean-Paul Belmondo, in particular his breakthrough film ‘Breathless’ from Jean-Luc Godard. It’s this and other highbrow idiosyncrasies that seduced me from the onset.

What didn’t seem to mix well was the roguish alter-ego of Cera’s character Francois, as well as some of the casts contributions. One highlight was that of South African actor Adhir Kalyan, who played Cera’s lascivious friend. Very funny scenes! Does today’s youth really think and act like this today? No, but one hopes it inculcates a desire to explore the arts and culture side of them.

From a Hispanic perspective, it is wonderful to know that a born talent from Puerto Rico directed this film. There is a scarcity of great movies coming from ‘La Isla del Encanto’ these days. Arteta is perhaps more of an American in culture than Puerto Rican, but nevertheless, it is gratifying to hear the sound of a Latino last name next to a good work such as this and his previous (The Good Girl, Star Maps). Actually the last good film I saw come out of Puerto Rico was ‘Maldeamores’ directed by Carlos Ruiz Ruiz. It’s a Woody Allenesque romantic tale with a caribbean twist. A definite DVD rental this weekend.

For those who like teen romantic comedies ‘Youth in Revolt’ is a very enjoyable film peppered with laugh out loud moments. It is rated R so be warned that the sexuality is a bit vulgar and strong.

Mack Chico

By

2010/01/05 at 12:00am

Final Destination: Death Trip 3D

01.5.2010 | By |

Rating: 2.0

Rated: R for strong violent/gruesome accidents, language and a scene of sexuality.
Release Date: 2009-08-28
Starring: Eric Bress, Jeffrey Reddick
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thefinaldestinationmovie.com/

 Go to our film page

Mirna Lopez

By

2009/12/23 at 12:00am

Alvin and the Chipmunks: The Squeakquel

12.23.2009 | By |

Alvin and the Chipmunks: The Squeakquel

If you enjoyed the adventures of Alvin and the Chipmunks in 2007, be sure to feel the same with Alvin and the Chipmunks: The Squeakquel. It contains the same main characteristics from the first movie. Once again, these cute and fuzzy chipmunks will entertain you with their music. Basically, The Squekquel continues the adventures of the pop sensations Alvin and the Chipmunks.

 

The chipmunks are attending school, and it is up to them to save their school’s music program by winning $25,000 in a battle of bands. Nevertheless, now the chipmunks have competition, The Chipettes: Brittany, Eleanor and Jeanette. Adjusting to this new life style involving peer pressure, girls, and sports has become pretty difficult for Alvin, Simon and Theodore.

 

We do not hear Dave (Jason Lee) yelling “Alvin!” every few minutes, like in the first movie. His nephew Toby takes care of the chipmunks in The Squeakquel, and treats them slightly different as Dave.

 

The way everyone seems to ignore the fact that famous chipmunks are attending school, makes us wonder “why?” However, we easily make them fit into the environment, especially when another three female chipmunks arrive. Something we will have in mind throughout the entire movie is that the chipmunks are adorably cute. Being adorable is what makes the chipmunks unique and gives the special touch that both movies have.

 

Prepare yourself to see these sweet and clever chipmunks live as if they were humans. You will only enjoy “Alvin and the Chipmunks: The Squeakquel” if you already think they look adorable. Otherwise, you will not receive the same effect as everyone else, who also liked the first movie.

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