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Movie Reviews

Mack Chico

By

2009/05/08 at 12:00am

Star Trek

05.8.2009 | By |

Rated: PG-13 for sci-fi action and violence, and brief sexual content.
Release Date: 2009-05-08
Starring: Roberto Orci, Alex Kurtzman
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Country: USA
Official Website: http://www.startrekmovie.com/

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Star Trek

2009’s ‘Star Trek’ is a youthful, and very entertaining modern revival of the classic and outdated TV series and movie franchise starring William Shatner and Leonard Nemoy. This new version is an all out action film that manages to balance it with some terrific casting, CGI effects and humor. Very similar to what ‘Iron Man’ as a movie offered. Star Trek has been designed with the lofty goal of keeping current fans, repatriating lapsed ones and, by re-branding the name, opening the Trek universe to millions of new viewers. J.J. Abrams‘ attempt has mostly succeeded.

 

The storyline is essentially the deep exploration of the beginnings of Captain Kirk and Spock. This allows the story to establish the origins of all the classic characters and the circumstances that brought them all together. Within this framework, Kirk and Spock meet and soon become competitive cadets-in-training. With their drastically opposite styles, one driven by passion, the other by rigorous logic, they become defiant adversaries, each going all out to be th4 captain of the U.S.S. Enterprise.

 

Leonard Nimoy (the original Spock) makes a cameo in the role that made him famous, and the connection between “new Trek” and “classic Trek” is created.  Just like Nimoy’s appearance, there are a myriad of subtle homages to the old television series and Patrick Stewart films that the true Trekkies will appreciate. Oddly enough, Shatner was nowhere to be seen.

There are some narrative cracks though. Abrams and his screenwriters, longtime Trek fans Roberto Orci and Alex Kurtzman (Transformers, Mission Impossible 3), do their best to keep things engaging despite the tremendous constraints of the “origin” format, but there are times when the material feels rushed. When considering pace, this is most definitely that anti-Star Trek: The Motion Picture. No loving, languid shots here.

Star Trek is clearly an action-oriented motion picture, with an intensity that exceeds even that of The Wrath of Khan. The pace is blistering, and the movie is littered with the eye candy of expertly realized space battles. The special effects are beyond those seen in any of the previous ten Star Trek features. In addition to the battles, there are also chases, fight scenes, and all the other staples one expects from an action movie.

The casting could not have been better Chris Pine (Kirk) and Zachary Quinto (Spock) truly embody the essence of the priginal characters. The dominican actress Zoe Saldaña plays Uhura, but with a new sexiness absent from the previous versions.

Ultimately, when the end credits roll, we’re left with the sense that Star Trek represents a good beginning. As a film tasked with getting all the characters together, re-booting a timeline, and finding a way to return a veteran actor to his beloved role, Star Trek works. There is some awkwardness here – it feels like the “hybrid” it is (or, as it has been called, “Not Your Father’s Star Trek”) but, considering how ponderous and stilted the Star Trek movie series had become, perhaps that’s not a bad thing. Still, as with any prequel/re-start, the real test will arrive with the next movie (purportedly in two years – assuming this one does not flop at the box office). The setup is complete; now it’s time to see whether the implied potential of this first entry into a new series can be realized in its sequel. If you can watch it in IMAX.

Mack Chico

By

2009/05/07 at 12:00am

Next Day Air

05.7.2009 | By |

Rated: R for pervasive language, drug content, some violence and brief sexuality.
Release Date: 2009-05-08
Starring: Blair Cobbs
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Country: USA
Official Website: http://www.nextdayair-themovie.com/

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Next Day Air

Far from the worst of Tarantino knockoffs, “Next Day Air” takes the standard formula of dimwits chasing bags of drugs to the ‘hood.

A stoned deliveryman (Donald Faison) mistakenly delivers a huge box of cocaine to the wrong address, where lowlifes Guch (Wood Harris) and Brody (Mike Epps) try to figure out what to do with it. On the couch sleeps a huge guy neither of them invited to live with them, but both of them are too afraid to ask him to leave.

The package was supposed to be delivered to another small-timer, Jesus (Cisco Reyes), who, in between fights with his sassy girlfriend (Yasmin Deliz), is about to get killed by a drug lord if he can’t find the stash.

Routine stuff, but things move quickly, with several offhand funny moments. Mos Def is hilarious in a cameo as another delivery guy.

Jack Rico

By

2009/05/05 at 12:00am

The Curious Case of Benjamin Button

05.5.2009 | By |

Rating: 4.0

Rated: PG-13 for brief war violence, sexual content, language and smoking.
Release Date: 2008-12-25
Starring: Eric Roth, F. Scott Fitzgerald (historia)
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Country:USA
Official Website: http://wwws.warnerbros.es/benjaminbutton/?frompromo=movies_comingsoon_curioiuscaseofbenbutton

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Jack Rico

By

2009/05/01 at 12:00am

X-Men Origins: Wolverine

05.1.2009 | By |

Rated: PG-13
Release Date: 2009-05-01
Starring: David Benioff
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Country: USA
Official Website: http://www.xmenorigins.com/

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X-Men Origins: Wolverine

Is the bootleg online version of ‘X-Men Origins: Wolverine’ better than the cinematic experience? If you already saw the illegal downloaded version, should you spend your money to watch it in a real movie theater? I personally haven’t seen the unauthorized edition, but from the feedback I’ve received from those who have and with my take from the theatrical version – yes, you should see it in theaters only if you enjoyed what you saw. It would enhance the experience that director Gavin Hood intended to originally put forth, but, if you didn’t like the story to begin with, odds are you won’t like it after you see in the big screen.

‘X-Men Origins: Wolverine’ is set prior to the events of the original X-Men films, sometime in the 1970s. It begins principally with Wolverine and partially with a few other legends of the X-Men universe. Some highlights include characters and story lines that have been long anticipated. The movie also explores Logan’s romance with Kayla Silverfox. Kayla’s fate triggers Logan’s involvement with the ominous Weapon X program, a top secret, billion-dollar military experiment, in which Wolverine obtains his indestructible metal skeleton.

The film had several problems ranging from blatant gaps in the story, underwhelming performances by new characters, to the unacceptable, second-rate CGI effects throughout the film (in particular a cameo done by a CGI Patrick Stewart). Unfortunately, these critical factors in particular, were too distracting for me to overcome. In its defense, there were many laudable moments such as Hugh Jackman’s performance of Wolverine (I can’t see anyone else ever playing him) and Liev Schrieber as his archenemy brethren, Sabretooth. Ryan Reynolds, who has been bashed by some bloggers for being casted as Deadpool, was likable in playing the wise cracking sword killer.

Overall, you have the good and the bad making ‘Wolverine’ an average film. Brett Ratner’s “X-Men: The Last Stand” turned out to be a better films on all levels. On a separate note, watch out for two clips after the credits, one scene immediately after the credits begin and the other at the very end of all the credits. These will reveal some of what may come in the next sequel.

Jack Rico

By

2009/04/30 at 12:00am

The Limits of Control

04.30.2009 | By |

Rated: R for graphic nudity and some language.
Release Date: 2009-05-01
Starring: Jim Jarmusch
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Country: Spain
Official Website: http://www.thelimitsofcontrol.com/

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The Limits of Control

The quirky Ohio film director, Jim Jarmusch, known for his abstract, philosophical and excessively drawn out scenes, uses Spain as a beautiful backdrop in his new crime thriller ‘The Limits of Control’. The movie could be summed up as a deliberate banal and phlegmatic effort. There is barely any dialogue to push the story and the ending offers very little interest or excitement.

The minimal storyline concerns an unnamed assassin (Issach De Bankolé) who spends most of the film moving from location to location throughout Spain, collecting the information and equipment he requires to complete his latest assignment, the assassination of an American corporate bigwig (Bill Murray). He meets most of his contacts in cafes, although one woman (Paz de la Huerta) spends a few days nude with him in various hotel rooms. The film is based on a William S. Burroughs essay, a Rimbaud poem and vintage crime films, particularly John Boorman’s 1967 classic “Point Blank.”

It’s obvious after the first half of the film that Jarmusch intends to create a parable between the clashing of bohemianism and capitalism meant to be viewed as how corporate america has suppressed the highly intellectual culturati. The scant dialogue supports this theme by touching upon subjects as art, music, literature, cinema, science, sex, and hallucinations. Regrettably, the words are vapid and random as is the essence of the film. The resulting riddle won’t do anything to broaden the filmmaker’s loyal fan base as his many followers will be left feeling as alienated as his central character.

Noteworthy is Jarmusch’s new exploration of the Spanish and Hispanic culture. The first words uttered in the film are “Usted no habla español, verdad?” (You don’t speak Spanish, correct?) which is a phrase that is consistently used by the several diverse and bizarre characters as an introductory code when they all initially meet our protagonist.  There are also some droll scenes that are mostly spoken in Spanish, as well as a long Flamenco sequence where a Spanish song is highlighted. The Hispanic theme also permeates into the casting choices with the hiring of acclaimed Mexican actor Gael Garcia Bernal and Spanish American actress Paz de la Huerta. Bernal’s performance is not a stretch of his acting abilities, but his showing is merely a decision to work with one of his favorite directors.

‘The Limits of Control’ is tedious, excessively sober and vastly abstract for the common moviegoer. An offense that needs to stopped and that perhaps never will.

Jack Rico

By

2009/04/30 at 12:00am

The Ghosts of Girlfriends Past

04.30.2009 | By |

Rated: PG-13 for sexual content throughout, some language and a drug reference.
Release Date: 2009-05-01
Starring: Jon Lucas, Scott Moore
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Country: USA
Official Website: http://www.ghostsofgirlfriendspastmovie.com/

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The Ghosts of Girlfriends Past

‘Ghosts of Girlfriends Past’ isn’t as bad as I thought it would be. Screenwriters Jon Lucas and Scott Moore somehow manage to salvage the film by developing two well written romantic moments into the overdone cornball premise. The film doesn’t work as a comedy, but it gets the job done in the romance department.

Celebrity photographer Connor Mead (Matthew McConaughey) is a free loving bachelor  who is the ultimate ‘playa’. Unfortunately, his childhood friend Jenny (Jennifer Garner) is the one woman in his life who has always seemed immune to his considerable charm. It all comes to a climax when three ghosts, yes a la Dickens, take him on a revealing odyssey through a lifetime of failed relationships. The purpose of this exam is to get him to redeem himself in front of his one true love – Jenny.

There is no doubts about this film being targeted to female viewers, Unfortunately, they’ll have to deal with some negatives. Most of the damage of the film exists in its overused storyline – Charles Dickens’ ‘The Christmas Carol’. That on its own should scare most moviegoers away. Adding to the barrage of detriments is the myriad of lame and unamusing gags that never go over. I don’t really remember laughing once. But halfway through the film, when Michael Douglas appears as Uncle Wayne, is when we finally experience the first engaging moment. Douglas’s detailed in-depth tutorial on picking up women to a young Connor possesses a real candor absent from similar movies of the genre. I’m sure female viewers will find it amusing if not absurd. We once again are treated to another memorable moment at the film’s climax when McConaughey himself dishes out some love wisdom of his own. These scenes mixed in with a gooey score and sufficient teary close ups will debilitate even some of the most stoic of men.

 

Apart from those likable sequences, the supporting cast is simply irrelevant and insipid. Their charms and levels of interest are nonexistent. Futhermore, McConaughey’s performance matches those of his previous uninspired works (Fools Gold, Failure to Launch, The Wedding Planner). Nevertheless, if you can get past the Dickens homage, ‘Ghosts of Girlfriends Past’ is better than most romantic fare out in theaters right now. Female viewers will enjoy a good insight into the male psyche and have a chance to see a man go from player to prince. Isn’t that what all women want?

Juan Ensuncho Bárcena

By

2009/04/30 at 12:00am

The Wind Journeys

04.30.2009 | By |

Rated: Not available.
Release Date: 2009-05-01
Starring: Ciro Guerra
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Film Genre:
Country: Colombia
Official Website: http://www.losviajesdelviento.net/

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The Wind Journeys
Jack Rico

By

2009/04/29 at 12:00am

The Uninvited

04.29.2009 | By |

Rating: 2.5

Rated: PG-13 for violent and disturbing images, thematic material, sexual content, language and teen drinking.
Release Date: 2009-01-30
Starring: Craig Rosenberg, Doug Miro
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Country:USA
Official Website: http://www.uninvitedmovie.com/

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‘The Uninvited’ is not your prototypical horror, suspense film. It actually makes an attempt at telling a good dramatic murder story, unfortunately it falls short due to its dreadful dialogue and laughable climactic scenes… until the very end when the twist hits you like a ton of bricks. You never see it coming.

To be brief, the story, based on the 2003 Korean motion picture called “Janghwa, Hongryeon “, is about a family who lost their matriarch in an action-movie-like explosion only to have their youngest daughter (Emily Browning) be committed to an asylum due to the mental and emotional scars of the occurrence. After a period of time, our young protagonist returns home to learn that her father (David Strathairn) has moved on with his life and intends to marry his dead wife’s nurse (Elizabeth Banks). Bad blood brews between the two females and the journey to unmask the true objective of the nurse begins.

The pacing of this film is rather slow, mixed in with average acting and a banal dialogue that only exists to move the story along. The films true virtue lies in its ending and it really is the only worthy element of ‘The Uninvited’. Question is can you wait until the very end?

Jack Rico

By

2009/04/29 at 12:00am

Bride Wars

04.29.2009 | By |

Rating: 3.0

Rated: PG for suggestive content, language and some rude behavior.
Release Date: 2009-01-09
Starring: Greg DePaul, Casey Wilson
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Country:USA
Official Website: http://www.foxinternational.com/bridewars/

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Jack Rico

By

2009/04/23 at 12:00am

Tyson

04.23.2009 | By |

Rated: R for language including sexual references.
Release Date: 2009-04-24
Starring: James Toback
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Country: USA
Official Website: http://www.sonyclassics.com/tyson/

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Tyson

‘Tyson’ is an insightful biopic on arguably the greatest heavyweight boxer who ever lived. If you were a witness to his tumultuous personal and professional boxing career, this documentary clears up all, if not many of the rumors and debauchery he became notorious for: the biting of Evander Holyfield’s ear, the rape charges and the Don King attack to mention a few.

Indie director James Toback directs this portrait of ‘Iron’ Mike Tyson where he manages to extract, without inhibition, information about his womanizing, alcohol and drug addiction, bouts of mental instability, and criminal activity in great detail. Through a mixture of original interviews and archival footage and photographs, the film ranges from Tyson’s earliest memories of growing up on the mean streets of Brooklyn through his entry into the world of boxing, to his rollercoaster ride of worldwide fame and fortunes won and lost.

You might be surprised with the Tyson who narrates this movie. He is different from the monster built up and torn down by the media during the ’80s and ’90s. Age often brings perspective, and that would seem to be the case here. His explanations and views of the mischievous events of his dark days might not satisfy you, but what you have to appreciate is the sincerity and surrendering that Toback manages to withdraw from a man known to have a volatile and fractured mind. In terms of visual stylistics, there is a film quality that Toback directs with in contrast to the sensationalistic and over-dramatized VH-1 show ‘Behind the Music’ or Barbara Walters’ special interviews where the questions are crafted to draw tears from the interviewees. Here it is just you and him.

There are some scenes with heavy language so I wouldn’t suggest bringing children to see it. If in fact ‘Tyson’ is a spin free of publicist intervention documentary, it is a remarkable look inside the mind of a ‘killing machine’ who became a docile beast ready to welcome peace within himself. If you are a fan, you’ll enjoy it and if you’re not, it’s one informative retrospective at a living boxing legend.

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