The Latest in Latino Entertainment News

Jack Rico

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2012/10/11 at 12:00am

‘Argo’: Ben Affleck plays a Latino character

10.11.2012 | By |

'Argo': Ben Affleck plays a Latino character

Latinos are seriously EVERYWHERE. In Ben Affleck‘s and George Clooney‘s brand new movie ARGO, based on a true story, Affleck himself plays Latino CIA Agent, Antonio Mendez, a man with a problematic personal life, but very skilled at his professional one. The movie never acknowledges the Latino nationality in anyway besides the name and the real life picture of the man himself at the end of the credits. 

The plot for Argo goes like this: “Argo” chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis, focusing on the little-known role that the CIA and Hollywood played—information that was not declassified until many years after the event. On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. Embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of Canadian Ambassador Ken Taylor. Knowing it is only a matter of time before the six are found out and likely killed, the Canadian and American governments ask the CIA to intervene. The CIA turns to their top “exfiltration” specialist, Tony Mendez, to come up with a plan to get the six Americans safely out of the country. A plan so incredible, it could only happen in the movies.

Mendez, who was born in Eureka, Nevada in 1940, and is Latino from his father’s side, moved to Colorado as a teen and went on to study at the University of Colorado. Mendez barely speaks Spanish, but nevertheless was able to join the CIA in 1963 and worked in South Asia, Southeast Asia and Middle East. Prior to joining the agency, Mendez was an artist (worked as an illustrator and tool designer for Martin Marietta) and now works on art full time. His work in the agency frequently dealt with forging foreign documents, creating disguises and handling other graphical work related to espionage.

In today’s instant information age, it seems inconceivable that the entire operation in ARGO remained top secret until it was declassified by President Clinton in 1997. Surprisingly, even after Tony Mendez recounted the events in his 2000 book, Master of Disguise, and, later, Bearman detailed them in Wired, most people remain largely unaware of a story that even Affleck admits “sounds utterly absurd. I understand that, because it seems completely unbelievable, but the fact that it happened is what makes it even more fascinating.”

‘Argo’ is a thrilling, nail-biting film that will keep you fully entertained with its captivating storyline and nearly perfect production. This political thriller is able to captivate the audience, by injecting dry humor, some mild action and focusing on the task at hand without getting too politically confusing. I think director Ben Affleck did a fantastic job giving the film the exact feel for the time it is set in, late70’s early 80’s; everything from the shots, to the outfits, cars, colors and even music, blend in masterfully to deliver what I would call one of the best dramas of the year.

This movie has the ability to literally keep you at the edge of your seat, providing some of the most intense, nail-biting scenes I’ve ever experienced in a movie theater. Scriptwriter Chris Terrio gave such a solid compact story that Affleck was able to create a class A film, with some help from producer Grant Heslov and George Clooney. You truly feel like a part of the film, so much so that at points you want to elbow some of the characters for their actions. The film gives an inside look into a story that was classified until 1997 and that many people might remember living it. Having been part of history some may already know the outcome of the film, either way it’s all about the top-secret intense journey it takes us on. 

Karen Posada

By

2012/10/10 at 12:00am

In Montauk (Movie Review)

10.10.2012 | By |

*Updated November 2025

I got invited to see In Montauk, an independent film by Kim Cummings, in one of the coolest screening rooms I have ever been to, at the ReRun Theater in Brooklyn. Once you walk past the restaurant/bar area, you walk down the hallway leading up to the theater, which is decorated with art by local artists and the movie theater itself is painted with wonderful colors and images. It has a bar inside the theater that offers popcorn and any alcoholic or non-alcoholic drinks to enjoy while watching the movie. What tops it all are the seats, which are comfortable car backseats. This place is full of originality and is a perfect place for a very original film.

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Mack Chico

By

2012/10/10 at 12:00am

First Look: Dreaming up a magical Sandman for ‘Rise of the Guardians’

10.10.2012 | By |

First Look: Dreaming up a magical Sandman for 'Rise of the Guardians'

Within the dimly lit halls of DreamWorks Animation, past the character sketches lining the walls, inside the eccentrically decorated cubicles and offices is where a group of designers, animators and special effects gurus have spent the past four years bringing life to the Sandman. The dream-inducing folkloric figure, whose roots sprouted from European fairytales, is among the immortal icons featured in the 3-D computer-generated fantasy tale “Rise of the Guardians,” based on William Joyce’s charming book series, “The Guardians of Childhood.”

The bubbly Buddha-like appearance of the film’s Sandman, is remarkably faithful to Joyce’s illustrations. Yet creating a three-dimensional, wispy-haired Sandman with oh-so-magical powers provided several technical challenges that many of DreamWorks’ animation pros had never tackled.

“He is a very different kind of character,” said production designer Patrick Hanenberger of the character probably best known from Pat Ballard’s timeless 1954 song. “He is short. He is round. His body looks like it is made out of marzipan, and his hair looks like cotton candy. He is not someone who looks like he is as powerful as he is in our story, but he is the most magical of all the Guardians _ and he does not speak.”

“Rise of the Guardians,” which premieres Wednesday at the Mill Valley Film Festival near San Francisco and is set to debut nationwide Nov. 21, centers on a carefree Jack Frost (voiced by Chris Pine) joining an Avengers-style team of mythical figures who work together to protect the world’s children with their assortment of powers and gadgets.

Frost can command wintery elements with a magical staff, but he’s invisible to everyone else in the world except the other Guardians. He teams up with a mighty Santa Claus (Alec Baldwin) covered in tattoos, a speedy Easter Bunny (Hugh Jackman) with a chip on his shoulder, an overly enthusiastic birdlike Tooth Fairy (Isla Fisher) and the silly Sandman.

When it came to convey Sandman’s personality, the heavy lifting fell to the animators and effects gurus because the character stays totally quiet. He communicates only through facial expressions and body language, as well as with his nifty ability to craft imagery out of sand. (For example, when he’s puzzled, a sandy question mark unravels over his noggin.)

Instead of launching headfirst into production, the filmmakers spent several months simply conceptualizing the Guardians, paying particular attention to the amorphous Sandman. How would he look? What are his powers? How would he move?

Gabe Hordos, the film’s head of character animation, thought the extra time in the sand box ended up being a dream.

“We often get stuck with this problem where, as animators come on, we have many ideas that kind of pollute the main idea,” he said. “Because we had nine months before we started production, we were able to iron stuff down, so once we started, we had a great idea about the characters. They changed a little less, and we played their arcs more subtly.”

The film’s villain, a boogeyman named Pitch (Jude Law), fleeces Sandman’s ability to weave objects out of strands of sand. He substitutes Sandman’s glittery gold rendition for one that’s ominously dark, but the filmmakers didn’t just want a black version of Sandman’s dust. Finding a unique but balanced aesthetic became one of the film’s biggest challenges.

The team studied sandy effects from film franchises like “The Mummy,” “Harry Potter,” “Spider-Man” and “X-Men” but wanted something different. The solution actually came by accident when visual effects supervisor David Prescott noticed how chaotic an animation of one of Sandman’s streams appeared when head of effects Yancy Lindquist played it in reverse.

“It looked trippy,” said Prescott. “When you see something running backward, it’s less predictive. We’ve all seen smoke blowing and water running. You know where it’s going even if you’re not a scientist. When it’s backwards, it’s more interesting. My question for Yancy was, `How can you run it backwards, but make it look like it’s going forwards?'”

The answer was rendering most of the strands as if they were slithering in reverse amid a few lingering forward, providing an organic but creepy counterpart to the Sandman’s dreamy waves, an already a complicated effect when combined with other animations. Lindquist and his colleagues employed both new and existing technology to fuse it all together.

“The complexity isn’t in the sand itself but in how many different ways we use it,” said Lindquist. “Sandy makes unicorns and dinosaurs and sea horses and all sorts of things out of sand, but he also has these streams of sand, and he stands on a cloud of sand. It’s a lot. Hopefully, when you watch the film, you appreciate that, but it’s not something you notice.”

Karen Posada

By

2012/10/09 at 12:00am

Rock of Ages

10.9.2012 | By |

To describe ‘Rock of Ages’ I’m going to need to use various synonyms for cheesy, because that was the main thought going through my mind while I watched the film. The music rocks, there’s no doubt about that; everything else around it wasn’t good enough to classify this as a good musical. I unfortunately haven’t seen the Broadway musical this film is based on, but I’m not afraid to guarantee that it’s probably better than this film adaptation.  

 

The film is set in 1987 in Los Angeles where a small town girl, Sherrie (Julianne Hough) comes hoping to begin her singing career, shortly after arriving she ends up in the Bourbon Room, a famous rock club where she meets Drew (Diego Boneta). Drew begs the club’s owner, Dennis Dupree (Alec Baldwin) to give Sherri a waitressing job, thanks to Lonny (Russell Brand) Dennis’ right hand he decides to give the girl a chance. The Bourbon Room is at risk when religious groups led by the Major (Bryan Cranston) and his wife, Patricia Whitmore (Catherine Zeta-Jones) threaten to close it down, specially when rock god Stacee Jaxx (Tom Cruise) shows up to perform with his group –Arsenal- one last time. With L.A. as a stage this group of people try to lead their lives surrounded by rock n roll from the likes of Def Leppard, Journey, Foreigner, etc.

 

It looked like most of the actors in this movie were just lip-synching, which whether that’s the case or not that made it hard to enjoy it as a musical. My favorite acts though were seeing Boneta on stage as well as Cruise; they rocked the house in and out of the screen. Their acting as well as everyone else’s was pretty questionable though. Cruise’s character is eccentric and entertaining with his overly macho jockstraps and tattoos, his rockstar act though might be right on, with his short attention span it was hard to follow or understand. I’m not sure if I was annoyed at Hough’s character or at herself, neither her voice nor her acting were convincing; sure she’s stunning, but that wasn’t enough. 

 

I would like to say that our young Mexican actor, Boneta, was fabulous, but except for a couple of good singing skits his acting was like seeing a puppy follow commands. Boneta is one of the main characters, so he had a glorious amount of screen time, despite of that he didn’t shine except for his first singing opening number (clip below) as well as his closing number. He definitely has potential to carry over his heartthrob skills from his Rebelde days; there is some chemistry between Hough and him, but it wasn’t exploded to the point of making believable their fairytale story.  

 

Baldwin and Brand presented some funny scenes, but their main act is actually offensive. The movie began dragging after the first act, perhaps because of the various montages; I was ready for it to finish around the first hour (It’s two hours). The corniness of the film just kept escalating until it reached a level of ridiculous.

 

I can honestly say I really enjoy musicals and was disappointed by the result of this star-studded film. Even though director Adam Shankman also made ‘Hairspray’, another Broadway hit musical into a film filled with Hollywood A-listers and was well received he didn’t achieve the same with this one. With that said I suggest you save your pennies and go see the musical on Broadway, I’m sure you will be satisfied and entertained then.

 

Karen Posada

By

2012/10/09 at 12:00am

Prometheus

10.9.2012 | By |

‘Prometheus’ is not a film for the squeamish, but if you can get past that it’s a mysterious adventure that will surely keep you glued to the screen. The 3D shots are beautiful, crisp and shocking at times; it is definitely worth the extra bucks. The film poses and teases us with intriguing questions about our origins in a semi scientific setting, without a doubt it will give you and your friends tons to talk about and discuss once it is over.

 

Set in the not so distant future in 2089, a group of scientists exploring caves prompt a space exploration that takes place a few years later in 2093. On board of the amazing sculpted ship named Prometheus we meet David (Michael Fassbender), a robotic man who gives us a tour of the ship. In the journey we meet the first in command, Meredith Vickers (Charlize Theron), a controlling woman who is cold and seems to hold a grudge against all for no apparent reason. We learn that Peter Weyland (Guy Pearce) funded this trip, convinced by scientists: Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) to find an answer to humanity’s origins. The rest of the crew is: geologist Fifield (Sean Harris), Millburn (Rafe Spall), the ship’s captain Janek (Idris Elba). Together they venture into a new world searching for answers and end up finding more than they bargain for.   

 

You will be captivated not only by the storyline, but also by the images of landscapes, alien scenarios and especially of Prometheus; the ‘Star Wars’ like spaceship. One thing to remember is that this film by Ridley Scott is based indirectly on his ‘Alien’ movie, but mainly on Damon Lindelof script; this man is best known for his work in the TV series ‘Lost’, a show that kept many entertained and was an expert in posing unanswered questions. That’s said as a warning about the product these two men created together, an entertaining two hours that will leave you with more questions than answers.

 

Fassbender easily steals the film; he is such an amazing actor that has slowly, but surely shown his versatility and skills in plenty of worthwhile movies, including this one. I was a bit disappointed by Theron’s placement in the movie, as she’s mainly just a background annoyance and I know she can be so much more. Pearce’s transformation is well done, he’s also hard to identify. Finally, Rapace seems to combine some of her best acting skills into this character, but mainly more so because of her determination and actions than what comes out of her mouth.

 

There’s no denying that the script lacks in certain places, whether it’s apathy or answers; but most of all it starts getting foggy and muddled, such as with some scenes that seem random and revelations from characters that come out of nowhere and don’t seem to follow a pattern. There are also some typical movie scenes, where some characters want to be the heroes and some make poor unintelligent choices.

 

Above all that, what moves the story is the mystery behind it, which although at points it gets frustrating it somehow works; probably also thanks to the amazing imagery and well done graphics. The reason why ‘Prometheus’ is worth seeing is because any good film leaves you talking and thinking about it afterwards, and this one fulfills that job.   

Mack Chico

By

2012/10/09 at 12:00am

"Charlie Brown: The Movie" to be released Nov 15, 2015

10.9.2012 | By |

"Charlie Brown: The Movie" to be released Nov 15, 2015

It was just a matter of time before Hollywood made Charlie Brown into a film franchise. It is now officially happening. According to Deadline.com, Twentieth Century Fox Animation and Ice Age makers Blue Sky Studios will release PEANUTS the film on November 25, 2015. That date commemorates the 65th anniversary of the comic strip, and the 50th anniversary of the TV special A Charlie Brown Christmas.

For now, all that is being reported is that it will be an animation and not a live-action film like The Flintstones were. At some point, the discussion will be about who the kid voices will be – will they be unknowns or stars like Elle Fanning or Joel Courtney.

The screenplay will be written by Craig Schulz and Bryan Schulz son and grandson of Charles Schulz.

Peanuts is read daily by 355 million people in 75 countries, and has previously been adapted into TV episodes and specials.

Karen Posada

By

2012/10/08 at 12:00am

‘Taken 2’ kicks butt at the box office

10.8.2012 | By |

'Taken 2' kicks butt at the box office

Taken 2’ opened at number one with $50 million dollars, it’s the third best opening for a film in the month of October. The film has received plenty of negative reviews, but it seems like no matter what people wanted to see what the second part had to offer. The film earned past its budget and more than the original.

Hotel Transylvania’ dropped to number two with $26.3 million dollars. This is still a good figure for Sony, which apparently has no problem holding the throne in kids’ movies right now, because ‘Frankenweenie’ didn’t even become a threat.

The ‘Glee’ like movie ‘Pitch Perfect’ got to the third spot with $14.7 million dollars. It already had gotten an impressive spot in the box office with the limited release the week before, so certainly many were curious to see what this melodic comedy that has received such good ratings was about.  

The Top 10 Movies in the Box Office are:

1. Taken 2 – $50 mil

2. Hotel Transylvania – $26.3 mil

3. Pitch Perfect – $14.7 mil

4. Looper – $12.2 mil

5. Frankenweenie – $11.5 mil

6. End of Watch – $4 mil

7. Trouble With the Curve -$3.9 mil

8. House at the End of the Street – $3.9 mil

9. The Master – $1.8 mil

10. Finding Nemo 3D – $1.6 mil

Karen Posada

By

2012/10/04 at 12:00am

Taken 2 (Movie Review)

10.4.2012 | By |

Taken 2

Some movies are able to better their material with a sequel, but most of the time they are unnecessary and are just a result of the studio’s greed; as is the case with ‘Taken 2’. I won’t deny that I was curious to see how this movie would turn out; I enjoyed the first one despite some of its obvious flaws, but in that one the action was on point and that helped carry it along and keep the audience entertained with an interesting storyline. This second part has an empty script, too much repetitiveness and too many flaws to consider it an upgrade from the previous one. In my opinion they should have just left the project alone instead of trying to make a couple of extra bucks with a second one.

 

In this part of the story retired CIA operative Bryan Mills (Liam Neeson) is finishing up a job in Istanbul, where his ex-wife Lenore (Famke Janssen) and daughter Kim (Maggie Grace) come to join him. They don’t get to enjoy much of their time away from home when a gang of Albanians led by Murad (Rade Serbedzija) comes after them to avenge the deaths of all the men Mill killed when his daughter was kidnapped in Paris.

 

In our interview Neeson told me that being 60 he wanted to portray a man who is getting too old for all this havoc and it shows as some of the fight sequences seemed too programed and even when he’s running he barely seems like a threat. Although Grace has shown potential as an action star in ‘Lock-out’, here she reverts to the weak girl from the previous film; where although she’s able to do more to help the situation she still is completely lost in this world her father knows so well. There’s not much to say about Janssen’s character or her acting, as it is disappointing all around.

 

The biggest problem with this film is the storyline; it feels empty because it tries to base itself on the previous film and there’s just not enough material to do that. I did enjoy the humor this one had which lacked on the first one, even though at points it’s almost mocking itself as well as the first one. Although we finally see a break where the retired CIA agent is human and is exhausted, he’s still treated too much like a hero and the scenarios are no longer believable. The action becomes too repetitive to the point where it gets dull and you know there’s nothing more that the movie will provide to wake you up.

 

 My biggest advice to the Mills family is…stay on American soil! There’s actually a hint to perhaps a third part to the franchise and I beg the studio to please leave it alone. We go to the movies to visit worlds where unbelievable things happen and even though a lot of the things here are farfetched it’s no longer new, innovative, or captivating. This has a different director from the first one; French director Olivier Megaton who recently did ‘Colombiana’ says he doesn’t consider himself an action director and took on this project despite of agreeing that there was no need for a sequel. He tried to make a movie that would stand on its own, but he certainly didn’t achieve it. For me it’s hard too see talent like the one the cast has specially Neeson be wasted in projects like this one. You would do yourself a favor by watching ‘Looper’ a second time before going to spend 91 minutes on this one.    

Mack Chico

By

2012/10/04 at 12:00am

Demían Bichir, Jude Law to star in ‘Don Hemingway’

10.4.2012 | By |

Demían Bichir, Jude Law to star in 'Don Hemingway'

Recently seen in Oliver Stone’s ‘Savages,’ Mexican actor and Oscar nominee, Demián Bichir, will play a crime boss in black comedy called “Dom Hemingway”. Richard Shepard will direct Bichir, Jude Law, Richard E. Grant, Emilia Clarke, Jumyan Hunter, Madalina Ghenea who will be making up the cast. 

Law plays Dom Hemingway, a larger-than-life safecracker who’s back on the streets of London after twelve years in prison and eager to collect for keeping his mouth shut. Things take a turn when he sets off to visit Bichir’s capo in the south of France. 

Lionsgate will be the US studio distributing the film. Shooting starts Oct. 15 in the south of France. Bichir will next be seen in Robert Rodriguez’ “Machete Kills” and Paul Feig’s “The Heat”

 

Karen Posada

By

2012/10/04 at 12:00am

An Enemy of the People (Broadway Review)

10.4.2012 | By |

'An Enemy of the People': Broadway Review

An Enemy of the People’ is a very interesting political thriller, which although it was written in 1882 by Norwegian playwright Henrik Ibsen it easily resonates with today’s politics and society.  The Manhattan Theatre Club’s production gave it a new spin thanks to Rebecca Lenkiewicz’s new version. The first part of the act was the most entertaining to me, as it developed what the story is about and who the characters are in a very simple but yet captivating way. The second part really deals with the core of the play giving it more dynamism and a lot more for the public to think about. This Broadway show wisely explores corruption in politics, morals, family vs. community and even democracy.

This two hour Broadway show, which had its opening night on September 27, 2012, takes place in a coastal town in southern Norway. Where Dr. Thomas Stockmann (Boyd Gaines) discovers that the biggest income to his community, which is very appealing to tourists is toxic. As an important member of his town he soon tell his brother, Mayor Peter Stockmann (Richard Thomas) who believes the news will make the town go into chaos. The difference of opinion creates a political confrontation of will and personal ethics. 

A rotating stage was used for this play; most of the scenes take place inside the house of Dr. Thomas Stockmann. As the stage rotates we get to go from the Dr.’s living room/dining room to his study, a newspaper printing press and a town hall. Director Doug Hughes Tony Award winner knows how to use the Samuel J. Friedman Theater properly as he even uses the main corridor for one of the scenes, where the public gets to be an interactive part of the play.

The main two actors: Gaines and Thomas are terrific! Gaines has the soul of a fighter and the character of a mad scientist that’s willing to put his job on the line for his ethics and beliefs. Thomas is your typical politician who isn’t afraid to step over anyone’s head as long as he gets his way. Maïté Alina (Petra Stockmann) is given the opportunity to be a strong woman in a world where very few are considered academics but certainly not equals; she gives a solid performance as a daughter and a feminist. Kathleen McNenny (Catherine Stockmann) gives the most balance to the play, since she’s torn between what’s right for her family or her community and she makes the transition quite smoothly.

John Procaccino (Hovstad) plays a very interesting role as a liberal whose ideas are shaky, he represents someone many people might know in their own lives and this is what makes him interesting. Gerry Bamman (Aslaksen) surprisingly brings a lot of comedy to the play, while at the same time representing the majority of the people.

Honestly I enjoyed the first act the most since I was easily submerged into the story and although there’s a moment where you don’t quite know what’s going on, when the act reaches its highest point it’s hard to let go. The second part has a lot more humor in it, while it is also darker and more brutal. The story is able to play with your mind and make you question your own ethics as it raises a lot of questions about what’s best for a community and the principles of democracy. It shows how easily the masses are swayed, especially under the wrong leadership. The struggle between the individual and the multitude are appealing as it is relevant in any period of human history.

I can’t say I agree with some of what is stated by the characters in the play, but I do appreciate the fact that it makes you think, because it dares to push the envelop by speaking directly to the public. It makes you look at the way our society is now, even if this is a play from 1882 written in a Scandinavian nation it fits in perfectly in any political setting in the world.

MTC’s An Enemy of the People‘ is playing in The Samuel J. Fiedman Theater for more info go to:

http://www.ilovenytheater.com/sp/show.php?show=368

http://anenemyofthepeoplebroadway.com/tickets.html

 

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