The Latest in Latino Entertainment News

Jack Rico

By

2010/03/20 at 12:00am

City Island (Movie Review)

03.20.2010 | By |

City Island

‘City Island’ is one of the more charming comedies to come out in a very long time and thus far this 2010. It is a magnetically crafted indie comedy that provides jokes worth laughing at and charming characters worth liking. It’s a feel-good movie that is sure to satisfy your every need at the movies. You really wont’ regret it.

Prison guard Vince Rizzo (Andy Garcia) is a prison guard, but has one secret no one knows about. A closet actor, he lies to his lovely wife, Joyce (Julianna Margulies), about going to poker games when he’s really traveling into the city to attend an acting class presided over by the Michael Malakov (Alan Arkin). Joyce, recognizing her husband isn’t being truthful, suspects he’s having an affair. But Vince has an even bigger secret: a newly paroled prisoner (Steven Strait) who has been offered lodging on his property, isn’t just some random ex-con; he’s Vince’s son. No one knows this except Vince and Molly (Emily Mortimer), his partner at the acting class. Vince isn’t the only one with secrets. His son, Vince Jr. (Ezra Miller), has a fetish for fat women. His daughter, Vivian (Dominik Garcia-Lorido), works as a stripper.

Cuban actor Andy Garcia dishes out some of his best comedic moments here and it is truly enjoyable to watch. He has not been a part of many talked about movies the last few years, but just like Robert De Niro in ‘Everybody’s Fine,’ Garcia has once again found his form. His timing, delivery, his expressions, the nuances and reactions, it all works here. The rest of the cast are wonderfully charming. They manage to compliment Garcia without a problem.

Are there any problems with the film? Perhaps, but they’re so minimal that you won’t notice them. I barely did. City Island is a fantastic, pleasurable experience, one that I recommend highly!

Jack Rico

By

2010/03/19 at 12:00am

Repo Men (Movie Review)

03.19.2010 | By |

The first hour of the new futuristic action film Repo Men, one of the most violent and bloody films I’ve seen since Ninja Assassins, is a slow, gouge-your-eye experience that has you asking for a refund. But the second hour really picks up and it is where the true entertainment value of the film lies. The story is very compelling tied with a dose of dark comedy, but the dialogue is vacuous and there were some major miscasting calls with Jude Law and Forest Whitaker.
Read More

Namreta Kumar

By

2010/03/18 at 12:00am

Diary of a Wimpy Kid (Movie Review)

03.18.2010 | By |

Unfortunately Diary of a Wimpy Kid does not make nearly as strong of an impact as the books do. The film never seems to capture the same charm, although it does have some reminiscent moments. Read More

Namreta Kumar

By

2010/03/18 at 12:00am

3 Questions with Kristen Stewart & Dakota Fanning

03.18.2010 | By |

*Updated December 2025

ShowBizCafe.com had the opportunity to talk to Kristen Stewart and Dakota Fanning about their film The Runaways, which opened March 19, 2010. They let us in on how the music and the rock icons Joan Jett and Cherie Currie influence them today.

Read More

Jack Rico

By

2010/03/15 at 12:00am

Los Abrazos Rotos

03.15.2010 | By |

Rating: 3.0

Rated: R for sexual content, language and some drug material.
Release Date: 2009-11-20
Starring: Pedro Almodóvar
Director(s):
Distributor:
Film Genre:
Country:Spain
Official Website: http://www.pedroalmodovar.es/PAB_EN_Cap01.asp

 Go to our film page

One of Spain’s most talented sons gives cinema a new work titled ‘Broken Embraces’. Pedro Almodóvar reunites with Penélope Cruz to once again give us a visually sensual and beautiful, bold and impressive theater of the mind, but one that regrettably doesn’t break new ground. It is not his best film and thus the reason it wasn’t selected to participate in Spain’s Oscar selections for this upcoming ceremony. It is by no intention a bad film, it simply isn’t overwhelming. Were we asking for too much? Was that the problem?

The premise is interesting and very Almodovar. Harry Caine (Lluís Homar), a screenwriter/director, suffers a near fatal crash that leaves him blind. After healing from his wounds 14 years later, he finds himself directing and editing his last movie which starred his eternal love.

There is beauty in his work, but I believe there was also writers block, which is why he recycled so much of his favorite films such as Elevator to the Gallows, Voyage to Italy and his own Women on the Verge of a Nervous Breakdown. Pedro took the opportunity to become Tarantino in this film and craft a class in filmmaking to us all. His new work combines amour fou, crime-noir melodrama, satirical comedy, complex structures and subplots and anything else his head could devise. He’s good but his ambition got the best of him and the construction of the story ultimately did not rise to the levels of his previous works. It looks as if his focus left the narrative and shifted to the technical aspects and look of the film. Almodovar is accountable for his own success and it burns him here.

Nonetheless, the minor imperfections do not damage his reputation as a dexterous helmer nor should it influence your decision to see the movie. Penelope Cruz gives another mesmerizing performance as the “femme fatale” but one that doesn’t rival her character in passion and charm from ‘Volver’. The rest of the cast shows why Spain is a gold mine full of talented actors.

In a broad comment, this year was specifically a great year for Spanish movies. The box office has reaped the benefits of their marvelous stories and productions and we’re all the better for it. Almodovar is being challenged by other filmmakers such as Isabel Coixet, Fernando Trueba, Daniel Sánchez Arévalo and Alejandro Aménabar (half Chilean). I hope to see their work rival his because Hollywood awaits them desperately.

Jack Rico

By

2010/03/12 at 12:00am

Green Zone (Movie Review)

03.12.2010 | By |

‘Green Zone’ is the army version of the Bourne movies. It’s a full blown political thriller a la Tom Clancy with high octane action. The acting is superb, but the action is relentless. From the tense opening scene, and then for almost two hours, it’s non stop bullet battles, zig-zagging car and helicopter chases, and enough explosions to uncomfortably increase your heart rate and blood pressure! Is it as good or better than The Hurt Locker, another action war drama? No way. But it is definitely more entertaining.  Read More

Namreta Kumar

By

2010/03/11 at 12:00am

She’s Out of My League (Movie Review)

03.11.2010 | By |

She’s Out of My League is quite possibly the best romantic-comedy out, thus far, this year. The best part about this bromance is that it is equally a chick-flick. Read More

Karen Posada

By

2010/03/11 at 12:00am

Remember Me (Movie Review)

03.11.2010 | By |

Remember Me

‘Remember Me’ does a fine job at making you part of it without you realizing it. If you are into romantic dramas you are going to love it, it is more than just romance though, the importance of family is felt strongly as well. The plot is made up of love and loss and the sense that we have to ‘live in the moments’ because we don’t know when our last day on Earth will be. It is your typical boy-meets-girl story but with a sense of reality in it and a twist of faith.

Our main character Tyler Hawkins (Robert Pattinson) is a troubled soul, who feels completely helpless, he wants to be a hero or a voice to those that need it, like his younger sister Caroline (Ruby Jerins). He had a privileged life growing up, but now wants to make it on his own, away from his workaholic father (Pierce Brosnan); who doesn’t expect anything good out of him. With his poetic boy looks and the sadness he has about him, he has a way with the ladies. His roommate Aidan (Tate Ellington) convinces Tyler to date the daughter of a police officer (Chris Cooper), to spite him for arresting them one night. Tyler has no problem sweeping Ally Craig (Emilie de Ravin) off her feet. Tyler gets lost in his own game and ends up falling for Ally’s quirky personality. She has the ability to show him through their connection by their troubled pasts, that he can live again despite of all the pain he’s felt. She brings out the best in him.

The love connection here is strong; Pattinson and de Ravin make the romance as well as their life stories very real to the audience. It’s hard not to fall in love with Pattinson in this film; he is the typical artsy passionate guy every girl would want. The quarrels among characters, especially “the big fight” between the couple is a bit ridiculous. The script tries to create drama where there really isn’t.  Admittedly the ending is the strongest part of the movie, the filmmakers took a cheap shot at the audience, but it is the reason for the ½ star. It is a cheap shot that works, without it the movie wouldn’t have an impact and it would be easy to forget. We are given subtle hints about the ending throughout the whole movie but we only connect the dots when we arrive to it, it is what will make the audience feel a stronger connection to the story.

I definitely recommend it to the hopeless romantics; it will touch your hearts and leave you a little depressed. You are left with the sense that we do need to cherish every moment and live as if today was our last day.

Jack Rico

By

2010/03/09 at 12:00am

Up in the Air

03.9.2010 | By |

Rating: 4.0

Rated: R for language and some sexual content.
Release Date: 2009-12-04
Starring: Jason Reitman, Sheldon Turner
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.theupintheairmovie.com/

 Go to our film page

Jack Rico

By

2010/03/06 at 12:00am

‘Oscar 2010’: My Winning Predictions

03.6.2010 | By |

'Oscar 2010': My Winning Predictions

With less than 24 hours away from the 2010 Oscars, fans of this big night have their thoughts of who will be the winners of the big awards. I’ll be personally looking at the Foreign Films category because that is where I think the best films of 2009 are! Two Latin American films are nominated. My peeps are putting their share!

Here at ShowBizCafe.com, I decided to predict the winners of all the categories for that big pool you guys are planning on having Sunday night. 

Share your ideas and predict the winners along with me on Twitter on Sunday night at 8pm. I’ll be blogging live all 3-4 hours.

Without any more delays, check out my full 2010 Oscar Awards Predictions highlighted in bold:

 

 

Best Picture
The Hurt Locker (Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, producers)
Avatar (James Cameron and Jon Landau, producers)
District 9 (Peter Jackson and Carolynne Cunningham, producers)
An Education (Finola Dwyer and Amanda Posey, producers)
Inglourious Basterds (Lawrence Bender, producer)
Precious (Lee Daniels, Sarah Siegel-Magness and Gary Magness, producers)
A Serious Man (Joel Coen and Ethan Coen, producers)
Up in the Air (Daniel Dubiecki, Ivan Reitman and Jason Reitman, producers)
The Blind Side (Gil Netter, Andrew A Kosove and Broderick Johnson, producers)
Up (Jonas Rivera, producer)

Best Director
The Hurt Locker (Kathryn Bigelow)
Avatar (James Cameron)
Inglourious Basterds (Quentin Tarantino)
Up in the Air (Jason Reitman)
Precious (Lee Daniels)

Best Actress
Sandra Bullock in The Blind Side
Meryl Streep in Julie & Julia
Helen Mirren in The Last Station
Gabourey Sidibe in Precious
Carey Mulligan in An Education

Best Actor
Jeff Bridges in Crazy Heart
Colin Firth in A Single Man
George Clooney in Up in the Air
Jeremy Renner in The Hurt Locker
Morgan Freeman in Invictus

Best Supporting Actress
Mo’Nique in Precious
Vera Farmiga in Up in the Air
Penélope Cruz in Nine
Anna Kendrick in Up in the Air
Maggie Gyllenhaal in Crazy Heart

Best Supporting Actor
Christoph Waltz in Inglourious Basterds
Christopher Plummer in The Last Station
Matt Damon in Invictus
Stanley Tucci in The Lovely Bones
Woody Harrelson in The Messenger

Animated Feature Film
Up (Pete Docter and Bob Peterson)
The Princess and the Frog (Ron Clements and John Musker)
Coraline (Henry Selick)
Fantastic Mr Fox (Wes Anderson)
The Secret of Kells (Tomm Moore)

Foreign Language Film
The White Ribbon (Michael Haneke, Germany)
The Secret of Her Eyes (Juan Jose Campanella, Argentina)
A Prophet (Jacques Audiard, France)
The Milk of Sorrow (Claudia Llosa, Peru)
Ajami (Scandar Copti and Yaron Shani, Israel)

Writing (adapted screenplay)
Precious (Geoffrey Fletcher)
District 9 (Neill Blomkamp and Terri Tatchell)
An Education (Nick Hornby)
Up in the Air (Jason Reitman and Sheldon Turner)
In the Loop (Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche)

Writing (original screenplay)
Inglourious Basterds (Quentin Tarantino)
The Messenger (Alessandro Camon and Oren Moverman)
The Hurt Locker (Mark Boal)
A Serious Man (Joel and Ethan Coen)
Up (Pete Docter and Bob Petersen)

Art Direction
Avatar (art direction: Rick Carter and Robert Stromberg; set decoration: Kim Sinclair)
The Imaginarium of Doctor Parnassus (art direction: Dave Warren and Anastasia Masaro; set decoration: Caroline Smith)
Nine (art direction: John Myhre; set decoration: Gordon Sim)
Sherlock Holmes (art direction: Sarah Greenwood; set decoration: Katie Spencer)
The Young Victoria (art direction: Patrice Vermette; set decoration: Maggie Gray)

Cinematography
Avatar (Mauro Fiore)
The White Ribbon (Christian Berger)
Harry Potter and the Half-Blood Prince (Bruno Delbonnel)
The Hurt Locker (Barry Ackroyd)
Inglourious Basterds (Robert Richardson)

Costume Design
The Young Victoria (Sandy Powell)
Coco Before Chanel (Catherine Leterrier)
Bright Star (Janet Patterson)
The Imaginarium of Doctor Parnassus (Monique Prudhomme)
Nine (Colleen Atwood)

Documentary (feature)
The Cove (Louie Psihoyos and Fisher Stevens)
Burma VJ (Anders Østergaard and Lise Lense-Møller)
Food, Inc (Robert Kenner and Elise Pearlstein)
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Judith Ehrlich and Rick Goldsmith)
Which Way Home (Rebecca Cammisa)

Documentary (short subject)
China’s Unnatural Disaster: The Tears of Sichuan Province (Jon Alpert and Matthew O’Neill)
The Last Campaign of Governor Booth Gardner (Daniel Junge and Henry Ansbacher)
The Last Truck: Closing of a GM Plant (Steven Bognar and Julia Reichert)
Music by Prudence (Roger Ross Williams and Elinor Burkett)
Rabbit à la Berlin (Bartek Konopka and Anna Wydra)

Film Editing
Avatar (Stephen Rivkin, John Refoua and James Cameron)
District 9 (Julian Clarke)
The Hurt Locker (Bob Murawski and Chris Innis)
Inglourious Basterds (Sally Menke)
Precious (Joe Klotz)

Makeup
Star Trek (Barney Burman, Mindy Hall and Joel Harlow)
Il Divo (Aldo Signoretti and Vittorio Sodano)
The Young Victoria (Jon Henry Gordon and Jenny Shircore)

Music (original score)
Up (Michael Giacchino)
Avatar (James Horner)
Fantastic Mr Fox (Alexandre Desplat)
The Hurt Locker (Marco Beltrami and Buck Sanders)
Sherlock Holmes (Hans Zimmer)

Music (original song)
The Weary Kind, from Crazy Heart, by Ryan Bingham and T Bone Burnett
Almost There, from The Princess and the Frog, by Randy Newman
Down in New Orleans, from The Princess and the Frog, by Randy Newman
Loin de Paname, from Paris 36, by Reinhardt Wagner and Frank Thomas
Take It All, from Nine, by Maury Yeston

Short Film (animated)
Logorama (Nicolas Schmerkin)
A Matter of Loaf and Death (Nick Park)
French Roast (Fabrice O Joubert)
The Lady and the Reaper (Javier Recio Gracia)
Granny O’Grimm’s Sleeping Beauty (Nicky Phelan and Darragh O’Connell)

Short Film (live action)
The Door (Juanita Wilson and James Flynn)
Miracle Fish (Luke Doolan and Drew Bailey)
Instead of Abracadabra (Patrik Eklund and Mathias Fjellström)
Kavi (Gregg Helvey)
The New Tenants (Joachim Back and Tivi Magnusson)

Sound Editing
Avatar (Christopher Boyes and Gwendolyn Yates Whittle)
The Hurt Locker (Paul NJ Ottosson)
Inglourious Basterds (Wylie Stateman)
Star Trek (Mark Stoeckinger and Alan Rankin)
Up (Michael Silvers and Tom Myers)

Sound Mixing
Avatar (Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson)
The Hurt Locker (Paul NJ Ottosson and Ray Beckett)
Inglourious Basterds (Michael Minkler, Tony Lamberti and Mark Ulano)
Star Trek (Anna Behlmer, Andy Nelson and Peter J Devlin)
Transformers: Revenge of the Fallen (Greg P Russell, Gary Summers and Geoffrey Patterson)

Visual Effects
Avatar (Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R Jones)
District 9 (Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken)
Star Trek (Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton)

Select a Page