The Latest in Latino Entertainment News

Jack Rico

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2009/11/06 at 12:00am

The Box (Movie Review)

11.6.2009 | By |

The Box

With such a simple title, how can ‘The Box’ end up being so convoluted? Thank director/writer Richard Kelly (the mastermind behind Southland Tales, one of the worst movies I’ve ever seen) for that costly gaffe. This film had the promise to be exceptional, marked by its beginning and ending, but the middle wrapped itself in tangled conundrums and it never managed to fully correct itself.

Norma and Arthur Lewis (Cameron Diaz and James Marsden), a suburban couple with a young child, receive a simple wooden box as a gift, which bears fatal and irrevocable consequences. A mysterious stranger (Frank Langella), delivers the message that the box promises to bestow upon its owner $1 million with the press of a button. But, pressing this button will simultaneously cause the death of another human being somewhere in the world; someone they don’t know. With just 24 hours to have the box in their possession, Norma and Arthur find themselves in the cross-hairs of a startling moral dilemma and must face the true nature of their humanity.

The message at its core is the avarice of men and how its implications will set off the cataclysmic genocide of mankind. This deep philosophical notion was not told well by Kelly. I don’t mind a mental challenge while at the movies, but at least provide me with some clarirty while you tell it. His adapted script is based on the short story ‘Button, Button’ from legendary fantasy writer Richard Matheson (I Am Legend, What Dreams May Come) and it is quite seductive and full of intrigue. Kelly’s version had the chance to be just as good if it weren’t for the occasional hiccups.

On the other hand, Ms. Diaz, of cuban ancestors, and Mr. Marsden (Enchanted, 27 Dresses) did a wonderful job of deciphering the jumbled script to give, in my opinion, strong and compelling performances. Marsden, in particular, is good every time out. Even in family fare such as ‘Enchanted’ (he was hilarious in it), Marsden can be proud of his work. Unfortunately, Langella just didn’t have enough to work from here.

Was it suspenseful? Yes. Was it interesting and compelling? Yes. Did it get so incoherent that it irrevocably lost me? Yes to that! Enjoy the film if you so choose, but remember, you’re also paying more than you should for it. It is not a bad film, but wait, wait, wait for it on DVD. 

Jack Rico

By

2009/11/06 at 12:00am

The Fourth Kind (Movie Review)

11.6.2009 | By |

The Fourth Kind

The Fourth Kind has many a scares, but it feels more like a made-for-tv movie than anything else. That doesn’t make it bad, it just makes the decision to wait for it on DVD that much easier. 

 

The film, based on ‘real events’ and shot juxtaposing documentary and reenactment footage, is a good thrill… for a few minutes. The film’s publicity and marketing material suggest that The Fourth Kind is based on actual occurrences , but the reality is that this is as “based on a true story” as Fargo was (not at all). It’s all part of a backstory that extends beyond the screen. The director, Olantunde Osunsanmi, purports include “real” footage of unexplained phenomenon that transpired in Nome, Alaska during the early years of the 21st century, but there are plenty of clues both in the footage and outside of it that debunk its veracity. One doesn’t need to be aware that no one named Abbey Tyler practiced psychology in Alaska to know this woman is not real. The makeup applied to her face during her “interviews” is not convincing and the unidentified actress playing Abbey may cause pause even for those who want to buy what Osunsanmi is selling.

 

Although it’s fascinating to dissect the movie on an intellectual level and examine what pieces and structural choices work and don’t work, I’m sure that’s not how the filmmakers intended their production to be approached. On a purely narrative level, The Fourth Kind offers the occasional “boo!” moment but is too tame (consider the PG-13 rating) to generate any lasting horror and too contrived to work on a dramatic level. The best thing I can say about it is at least it’s not another Asian horror remake.

Terry Kim

By

2009/11/05 at 12:00am

The Men Who Stare at Goats (Movie Review)

11.5.2009 | By |

The Men Who Stare at Goats is based on a book by Jon Ronson of the same title, and judging by his track record—Ronson wrote books with titles like Out of the Ordinary: True Tales of Everyday Craziness and Them: Adventures With Extremists—it isn’t surprising that Heslov’s movie is an hour and a half of paranormal activity (or something like it) inside the U.S. Military. Read More

Jack Rico

By

2009/11/03 at 12:00am

The Taking of Pelham 123

11.3.2009 | By |

Rating: 3.0

Rated: R for violence and pervasive language.
Release Date: 2009-06-12
Starring: Brian Helgeland
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.catchthetrain.com/

 Go to our film page

“The Taking of Pelham 123” is good summer film fare, but it isn’t great. Not that this is a bad thing. The only reason you should go out and see this film is if you are a fan of either Denzel Washington or John Travolta, and are looking for some respectable acting. Otherwise, the action sequences are scant, and even though the premise is captivating, some implausible moments occur that deter you from investing too much of your time and brain power.

Denzel Washington stars as New York City subway dispatcher Walter Garber, whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. John Travolta stars as Ryder, the criminal mastermind who, as leader of a highly-armed gang of four, threatens to execute the train’s passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there’s one riddle Garber can’t solve: even if the thieves get the money, how can they possibly escape? That is what the film is all about.

If you ever had the chance to see the original ‘The Taking of Pelham 123’ with Walter Matthau and Robert Shaw, you’ll see in this new version that there are many changes to  the storyline. Director Tony Scott, who we spoke to in New York before the release of the film, commented how this project is not a remake but a new movie altogether. The changes do make the film better, but there is something to be said about the tone of the original that made it a good watch. Nevertheless, both stand on their own as good films, not great.

Latin actors Luis Guzman and Ramon Rodriguez played role characters and had some visible screen time, but not enough to for me to engage you in this particular review.

If I had to pick from the original and the new version to watch tonight, I’d go with the new one, because it provides more entertainment than the first. It won’t blow your mind away, but it’ll keep it from getting bored.

Namreta Kumar

By

2009/10/29 at 12:00am

Michael Jackson’s This is It (Movie Review)

10.29.2009 | By |

Like much of anything Michael Jackson this film is a landmark. This Is It will immediately capture your heart. Read More

Ted Faraone

By

2009/10/23 at 12:00am

Saw VI (Movie Review)

10.23.2009 | By |

Saw VI

In an extraordinary move the Spanish government have restricted “Saw VI†(not surprisingly the sixth installment in the Jigsaw horror series) to the nation’s eight theaters that are allowed to show porno.  While this begs the question, “Are Spaniards really into Pay Per View?â€Â  Your critic says that it is an over-the-top judgment call.
 
Your critic entered the screening room expecting something akin to a snuff film that would arouse men who harbor violent thoughts against women.  Fortunately such was not the case.  However, pic contains moments that those with weak stomachs should avoid.
 
“Saw VI†meets or exceeds all standards on a technical level.  Sound recording works.  Lensing is competent.  Special effects don’t look expensive, but work.  Editing delivers just the right amount of tension.  Where it falls down is in storyline and acting.  There are three thesps who turn in creditable performances:  Tobin Bell, who created the role of Jigsaw John, Betsy Russell as his wife, addiction doc Jill, and Peter Outerbridge as William, a medical insurance executive who is pic’s evil capitalist.  The rest, notably Costas Mandylor as crooked detective Hoffman, either sleepwalk through their roles or need to go back to acting school.  In Mandylor’s case, those who remember him from TV’s “Picket Fences†will be disappointed to know that he has both gained weight and lost talent.  Dialogue is subpar.  Plot leaves a ton of loose ends.  Most of them have to do with the question, “Why?â€
 
While dying of a cancer for which William’s insurance company refused to cover treatment (pic is at least timely) Jigsaw John has developed a very nasty post mortem revenge plot cloaked in pseudo human decency.  He sets up William, the insurance VP who refused coverage for an experimental procedure, in a catch 22.  He has to save himself by killing others.  Instead of building suspense, plot is an excuse to string together a series of bloody vignettes.  It’s a sort of “Galaxy Quest†on acid.  Such clues as exist are telegraphed.  Surprises surprise without any credible setup.
 
It is never explained why wife Jill goes along with the bloody scheme and why crooked detective Hoffman executes it.  It’s those pesky loose ends….
 
Direction on a technical level by Kevin Greutert is good.  Screenplay by Marcus Dunstan and Patrick Melton should have been sent back for rewrites.  But “Saw†is a franchise.  It functions on a different plane from the rest of cinema.  It has a track record at the box office and a loyal audience.  Lionsgate’s marketing strategy of not showing it to crix until opening day is open to debate, but pix such as “Saw VI†tend not be affected by notices.

Namreta Kumar

By

2009/10/23 at 12:00am

The Wedding Song (Movie Review)

10.23.2009 | By |

For a film that is so loaded The Wedding Song does not say a lot. Karin Albou structured the film from story to acting with an intimate design in mind. Read More

Jack Rico

By

2009/10/23 at 12:00am

Amelia (Movie Review)

10.23.2009 | By |

Amelia

If you’ve seen the films ‘Aviator’ from the director Martin Scorsese and ‘Titanic’ from James Cameron, then you will have a good idea of what to expect from ‘Amelia’.
 
The film is a celluloid biography about the real life of Amelia Earhart (Hilary Swank), the first woman that attempted to fly around the world. The movie focuses on her beginnings as a pilot, her voyages in the Atlantic and Pacific, her marriage to George Putnam (Richard Gere) and eventually, her mysterious death around Hawaii in 1937.
 
‘Amelia’ is a good film but it doesn’t deserve too many praises. The cinematography of the film was great and recreated the 20’s and 30’s on point. Acting wise, Hilary Swank was once again splendid, capturing Earhart’s innocent and joyous essence. Her nomination for an Oscar is more than assured. Richard Gere on the other hand, did not move me with his acting, to be franc, he was indifferent to me. I don’t know, I think his best days as an actor are over.
 
Anyway, the film lacked the magic that ‘Titanic’ or ‘La Vie En Rose’ by Olivier Dahan had. Those are movies that you keep in your heart for months, years, even a whole life time after you’ve seen them in the movie theater. As a cinematographic piece I recommend seeing ‘Amelia’. It’s a good film but is not that special.

Jack Rico

By

2009/10/22 at 12:00am

Astro Boy (Movie Review)

10.22.2009 | By |

Astro Boy

Since I saw the preview I knew I was going to enjoy the animation. Usually I don’t get that feeling but ‘Astro Boy’ didn’t disappoint. The quality of the computer generated graphics was excellent, the voices were on par and the plot will make any parent tear more than once. Get ready.
 
The film is based on a popular manga and anime series from Osamu Tezuka. The movie tells the tale of a father (Nicolas Cage) who looses his son (Freddie Highmore) in a scientific accident and then recreates him as a super-robot. Sadly, his pain is so great he rejects him completely. The rest of the story has our hero trying to win back his father’s love.
 
Usually anime or manga films don’t have a lot of success in Hollywood but they do on T.V. such as Voltron, Pokemon, Speed Racer, etc… ‘Astro Boy’ is a risk to the Summit Entertainment company since the main character doesn’t have a fan base in the U.S. most of its reputation comes from Japan. I personally liked it and in my opinion you will too.

Alex Florez

By

2009/10/22 at 12:00am

Cirque du Freak: The Vampire’s Assistant (Movie Review)

10.22.2009 | By |

The minute a genre becomes popular, Hollywood does its very best to milk it.  To squeeze every last dime out of our pockets.  And it will continue to do it as long as there continues to be an audience for it. Read More

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