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The Latest in ShowBiz News

Jack Rico

By

2010/01/28 at 12:00am

EXCLUSIVE! First Look at ‘The Crazies’ TV Spot

01.28.2010 | By |

EXCLUSIVE! First Look at 'The Crazies' TV Spot

We just got a hold of the first TV spot of The Crazies before it has even hit the TV networks! It shows some never before scenes directed by George A. Romero.

The Crazies is a remake from the 1973 original that George Romero directed about the inhabitants of a small Iowa town suddenly plagued by insanity and then death after a mysterious toxin contaminates their water supply. One man, his wife, a nurse, and the sheriff try to survive this plague, but when the military are killing everyone on sight, they’re going to have to fight their way out, or die by either the plague or the military.

The film is released Feb 26th! Check it out now!

 

Namreta Kumar

By

2010/01/27 at 12:00am

Saint John of Las Vegas

01.27.2010 | By |

Saint John of Las Vegas

There are some films that you love instantly, and others that you hate; this film does not fit either category. Saint John of Las Vegas is distinctly unmemorable.

John, played by Steve Buscemi, is a “recovering” gambling addict, whose journey starts and ends in Las Vegas. The film follows John from his unexciting job in insurance, back to Vegas. Along the way we meet the typical boss, Mr. Townsend, and some particularly peculiar characters that drive along the fraud investigation of a car “accident.”

I really cannot find anything to say about this film, neither good nor bad; and unfortunately that in itself is bad. Everything about the film is mediocre. Steve Buscemi does a convincing enough job playing John, however it is nothing we haven’t seen before. The story is too reminiscent of every other film of its genre and the characters albeit quirky aren’t altogether new either.

The hundreds gambled at a gas station that form the crux, and narrate the larger story, are perhaps the best moments of the film. Luckily they are spread out intermittently to form a strong writing arc and keep the story moving. Unfortunately though it makes the feature film feel like an addition to a better short.

This character based film lacks character. First time writer/director Hue Rhodes’ attempt at creating another independent comedy of manners is grossly unoriginal. Saint John of Las Vegas is a film that can be missed for better films of the same genre.

Ted Faraone

By

2010/01/26 at 12:00am

Saw VI

01.26.2010 | By |

Rating: 2.5

Rated: R for sequences of grisly bloody violence and torture, and language.
Release Date: 2009-10-23
Starring: Marcus Dunstan, Patrick Melton
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.saw6film.com/

 Go to our film page

 

In an extraordinary move the Spanish government have restricted “Saw VI” (not surprisingly the sixth installment in the Jigsaw horror series) to the nation’s eight theaters that are allowed to show porno.  While this begs the question, “Are Spaniards really into Pay Per View?”  Your critic says that it is an over-the-top judgment call.
 
Your critic entered the screening room expecting something akin to a snuff film that would arouse men who harbor violent thoughts against women.  Fortunately such was not the case.  However, pic contains moments that those with weak stomachs should avoid.
 
“Saw VI” meets or exceeds all standards on a technical level.  Sound recording works.  Lensing is competent.  Special effects don’t look expensive, but work.  Editing delivers just the right amount of tension.  Where it falls down is in storyline and acting.  There are three thesps who turn in creditable performances:  Tobin Bell, who created the role of Jigsaw John, Betsy Russell as his wife, addiction doc Jill, and Peter Outerbridge as William, a medical insurance executive who is pic’s evil capitalist.  The rest, notably Costas Mandylor as crooked detective Hoffman, either sleepwalk through their roles or need to go back to acting school.  In Mandylor’s case, those who remember him from TV’s “Picket Fences” will be disappointed to know that he has both gained weight and lost talent.  Dialogue is subpar.  Plot leaves a ton of loose ends.  Most of them have to do with the question, “Why?”
 
While dying of a cancer for which William’s insurance company refused to cover treatment (pic is at least timely) Jigsaw John has developed a very nasty post mortem revenge plot cloaked in pseudo human decency.  He sets up William, the insurance VP who refused coverage for an experimental procedure, in a catch 22.  He has to save himself by killing others.  Instead of building suspense, plot is an excuse to string together a series of bloody vignettes.  It’s a sort of “Galaxy Quest” on acid.  Such clues as exist are telegraphed.  Surprises surprise without any credible setup.
 
It is never explained why wife Jill goes along with the bloody scheme and why crooked detective Hoffman executes it.  It’s those pesky loose ends….
 
Direction on a technical level by Kevin Greutert is good.  Screenplay by Marcus Dunstan and Patrick Melton should have been sent back for rewrites.  But “Saw” is a franchise.  It functions on a different plane from the rest of cinema.  It has a track record at the box office and a loyal audience.  Lionsgate’s marketing strategy of not showing it to crix until opening day is open to debate, but pix such as “Saw VI” tend not be affected by notices.

Jack Rico

By

2010/01/25 at 12:00am

Lionsgate picks up Spanish film with Ryan Reynolds

01.25.2010 | By |

Lionsgate picks up Spanish film with Ryan Reynolds

Lionsgate announced today that it has acquired U.S. and Canadian rights to the 2010 Sundance Film Festival sensation, BURIED, directed by Rodrigo Cortés (THE CONTESTANT). A taut, inventive thriller, BURIED stars Ryan Reynolds (THE PROPOSAL, X-MEN ORIGINS: WOLVERINE) and is written by Chris Sparling (the upcoming MERCY).  The producers are Adrián Guerra and Peter Safran (NEW IN TOWN, MEET THE SPARTANS); Alejandro Miranda is executive producer, alongside Rodrigo Cortés. The director of photography is Eduard Grau (A SINGLE MAN).  The announcement was made today by Joe Drake, Lionsgate Co-Chief Operating Officer and Motion Picture Group President, and Jason Constantine, Lionsgate President of Acquisitions and Co-Productions.

Said Constantine, “BURIED is one of the tightest, most intense thrillers we’ve ever seen, and we were absolutely determined to bring it home to Lionsgate.  BURIED is a powerful reminder that all you really need for an unforgettable movie experience is a great story, inventive filmmaking and brilliant acting.  And because of the combined excellence of Rodrigo, Ryan and Chris, it’s all there in BURIED.”

“I’m very excited to be working with Lionsgate,” affirmed Cortés.  “They are consistently creative and know how to use their resources to make the strongest possible impact – which is exactly what we set out to do with BURIED.  So it’s a very natural fit.”

Commented Safran, “Making BURIED has been a deeply rewarding creative experience, and I am fortunate to have had outstanding producing partners in Adrián and Alejandro.  We are delighted to be joining forces with my good friends at Lionsgate, and look forward to making BURIED the breakout hit it deserves to be.”

The film is about Paul Conroy (Ryan Reynolds), truck driver and family man, wakes up BURIED ALIVE in an old wooden coffin.  Not knowing who might have put him there or why, his only chance to escape from this nightmare is a mysterious cell phone.  Poor reception, battery and lack of oxygen are his worst enemies in a race against time: Paul has only 90 minutes to be rescued.

Jack Rico

By

2010/01/22 at 12:00am

Exclusive interview! Jay Baruchel quits acting

01.22.2010 | By |

Exclusive interview! Jay Baruchel quits acting

I was invited by Dreamworks Studios this week to watch never before seen footage from 3 of their upcoming animated releases for 2010… one of them was ‘How To Train Your Dragon‘ starring Jay Baruchel. After the screenings, Dreamworks takes us to a restaurant called A Voce at the Time Warner Center in Manhattan to frolic and eat with peers. One of the lovely publicists at the event asks me if I could chat with Jay to get to know him better. I said sure.

Baruchel approaches me with a trucker hat, a heavy beard and a tattoo of his mother’s name on his right forearm. I ask him about it and he replies I’m going to get a few more on my body for her. He must really love his mother! We then segue into 4 films coming out this year with him as one of the lead roles: She’s Out of My League, How To Train My Dragon, The Trotsky and The Sorcerer’s Apprentice. I asked how happy was he of being in the middle of a comeback. He answers disappointingly that it doesn’t mean anything, it’s all coincidence of the release dates. (as he was cursing up a storm). He continues saying that he’s been through this notion of the IT guys before and nothing has happened, “for example, when I was in ‘Million Dollar Baby,’ everybody said watch out for this guy, he’s gonna be someone. Then when I was in ‘Knocked Up,’ people said I was in a sleeper hit, gonna need to watch that kid. Then in ‘Tropic Thunder’ I was hailed as the one to watch…again! So I say, I don’t believe in being the IT guy nor am I interested.”

He then went on to share with me EXCLUSIVELY, that he wants to quit acting altogether. “You know, I think I’m gonna quit acting. I don’t wake up with that feeling of love for acting, for this business. I really just do it to pay my mom’s bills and take care of her.” With his beard in tow and the disappointed look, I had to ask if he was pulling a Joaquin Phoenix here. He laughed and scoffed at the notion. He says that it was embarrassing to see that and assured me it was nothing of the sort. We finally concluded with a new movie he’s currently filming called ‘Notre Dame de Grace’ which might be his last project.

Jay Baruchel

Jack Rico

By

2010/01/21 at 12:00am

Tooth Fairy

01.21.2010 | By |

Tooth Fairy

I didn’t really know what to expect of the latest family film ‘Tooth Fairy’ starring Dwayne ‘The Rock’ Johnson. At one point I thought it might be the same fare as his 2007 ‘The Game Plan’, which was #1 at the box office for two weeks in a row, but no, this was nowhere near as charming as that one. ‘The Tooth Fairy’ was just bad cinema. The Rock is a simpatico guy, but with a ludicrous plotline, uninspired dialogue, the worse camera editing I’ve seen in years and a paltry supporting cast, there was no way he was saving this sinking ship.

Here’s the story. A bad deed on the part of a tough minor-league hockey player (The Rock) results in an unusual sentence: He must serve one week as a real-life tooth fairy.

He wears a ballerina dress when first becoming a fairy and instead of it being a funny moment, it was a bit embarrassing. I’m wondering why he needs to be working these types of films. Could you imagine what his wrestling buddies must be saying? His body of work isn’t so bad at all. His previous roles in films such as ‘Race to Witch Mountain was great family fun potpourried with thrills, chills and action. ‘The Game Plan’ was a touching and charming movie that makes grown men cry when they see it.

Director Michael Lembeck, mostly a TV director, shouldn’t be doing movies. His camera shot selections were not flattering to the actors and showed the many audio dubbing flaws caught by the lens. Just intolerable. Adding to the demise of the movie was seeing a New York legend Billy Crystal in a pajama like costume regurgitating screenwriter Lowell Ganz’s stale and infantile dialogue.

Do not spend your money this week on ‘Tooth Fairy’. If you want the same family vibe with lots of smiles and warm, fuzzy sentiments and a tear or two, see ‘The Game Plan’ on DVD. You’ll be grateful I recommend it to you.

Jack Rico

By

2010/01/21 at 12:00am

‘Shrek Forever After’ – Exclusive First Review!

01.21.2010 | By |

'Shrek Forever After' - Exclusive First Review!

I was invited by Dreamworks Studios this week to watch never before seen footage from 3 of their upcoming animated releases for 2010…

– 10 minutes of the superheroe spoof comedy ‘Megamind’ starring Brad Pitt and Tina Fey
– 30 minutes of ‘Shrek Forever After’ starring the old cast
– ‘How To Train My Dragon 3D’ with America Ferrera, Gerard Butler and Jay Baruchel.

All three looked very promising, but Shrek stood out the best in my opinion. The story was the more attractive piece and it maintained its great humor. It is going to be a HUGE hit!

Here’s a breakdown of what I saw followed by some commentary (spoilers!):

Megamind:
The directors and producers took the stage to present and wow us critics with footage from their respective films. Megamind was mostly unrendered and made me wonder of their willingness to even present it. Kudos. The scene they showed us began with our hero Metro Man, voiced by Brad Pitt, at the opening of his new museum. He plays with babies, flies around in circles and cracks jokes until his ceremony is preempted by his blue archenemy Megamind voiced by Will Ferrell, which the story revolves around. They exchange various gags and more jokes until our villain tells Metroman that he is holding hostage Roxanne Ritchi (Tina Fey), the reporter and love of our heroes’ life. He flies to save her and is duped by a ruse that ends his life via a potent laser blast from the sun.

Afterwards, the director Tom McGrath gets on stage again and tells us via colored story boards that Megamind eventually ends up unhappy in the Oval Office of the White House thinking Metroman is dead. We then are shown the poster of the film which we couldn’t take pictures of. Sorry.

The story was very funny, but not enough for me to hail it innovative and fresh. It’s all recycled. At least it looked entertaining and worth a watch. Megamind opens November 5th.

Shrek Forever After:

The exclusive 30 minute scene begins with the opening of the film as a narrator recaps what has happened with the last three Shrek films. He brings us to the present time where Fiona’s Mom and Dad were about to give away their kingdom to the titular villain – Rumpelstiltskin, a dwarf  and loser of a man, desperate for attention and greed for all material goods – in exchange for the removal of the ogre spell on their daughter. He tries to get their signature on a contract but is thwarted when Shrek saves Fiona with his one true kiss. We fast forward and see Shrek with the whole family and friends crew going through their daily routine. But we see it repeated about 5 times in a row symbolizing how overwhelmed and frustrated he is with his life as a father and husband. The poop hits the fan when he screams at the top of his lungs in a kids party and walks out after an argument with Fiona who blames him for everything that’s going wrong.

He ends up meeting Rumpelstiltskin in the forest and convinces him to exchange one day of his life for being a feared and hated ogre once again. Shrek resistantly agrees and his life goes back to normal… but it isn’t normal. He notices that Rumpelstiltskin took away the day he was born, thus he never met Fiona nor does he have a family to love again. Shrek is captured by witches and is taken to Rumpelstiltskin’s new castle in Far Far Away land where he confronts him and escapes along with Donkey. Fade to black.

This was the actual half hour beginning of the film. It was very entertaining and very funny. I must’ve laughed liked 4 times before it ended. Puss in Boots needs to happen ASAP, he’s the best character of the franchise. Shrek forever After opens May 21st.

How To Train My Dragon 3D:
I won’t talk much about this one since it was shown in its entirety and will leave it as part of an official review week of release on March 26. But it was a fun film with great voice acting from Gerard Butler. The film is about the war between vikings and dragons. You can check out the trailer here (link). Overall the film has some touching moments at the end that might move some folks (it did me) and the 3D experience was standard and fun. Nothing ‘Avatar’ like.

My conversations with Jeffrey Katzenberg, Gerard Butler, Jay Baruchel

So Dreamworks takes us to a restaurant called A Voce at the Time Warner Center in Manhattan to frolic and eat with peers. While I’m there about to get a drink, Jeffrey Katzenberg is at the bar with me and I asked him about the decision of showing unfinished and unrendered movie footage so early. He replied “I don’t mind doing if it’s going to garner your attention and make the film a better buy for consumers. You know, I think there’s no reason why it should not be seen if you’re going to get excited. It’s just my thinking.” Kudos to him. This was a crux and still is for most film studios. He’s different and much respect to him for being open about it. The other film directors don’t necessarily agree with him, but do it anyway.

Jeffrey Katzenberg

Several minutes later, a publicist approaches me and says if I would like to meet Gerard Butler and have a chat with him. It was interesting to see this dynamic since it is usually the press pursuing the actors and not vice versa. We had a great chat, he looked slim and not chubby like he did in The Ugly Truth. We spoke about his career, jokes about Phantom of the Opera, the way the movie ‘How To Train My Dragon’ captured his mannerisms and essence and how this is his first feature length voiceover for animation. He’s had previous stints with voice work on television, but not like this. Butler spoke about cringing early in his career at the site of seeing himself on film. He hated it. He has no problems now with it. After some jokes were said about inane things and we moved on to Jay Baruchel.

Gerard Butler

Jay Baruchel approaches me with a trucker hat, a heavy beard and a tattoo of his mother’s name on his right forearm. I ask him about it and he replies I’m going to get a few more on my body for her. He must really love his mother! We then segue into 4 films coming out this year with him as one of the lead roles: She’s Out of My League, How To Train My Dragon, The Trotsky and The Sorcerer’s Apprentice. I asked how happy was he of being in the middle of a comeback. He answers disappointingly that it doesn’t mean anything, it’s all coincidence of the release dates. (as he was cursing up a storm). He continues saying that he’s been through this notion of the IT guys before and nothing has happened, “for example, when I was in ‘Million Dollar Baby,’ everybody said watch out for this guy, he’s gonna be someone. Then when I was in ‘Knocked Up,’ people said I was in a sleeper hit, gonna need to watch that kid. Then in ‘Tropic Thunder’ I was hailed as the one to watch…again! So I say, I don’t believe in being the IT guy nor am I interested.”

Jay Baruchel

He then went on to say, and I believe this is an EXCLUSIVE, that he wants to quit acting altogether. “You know, I don’t wake up with that feeling of love for acting, for this business. I really just do it to pay my mom’s bills and take care of her.” With his beard in tow and the disappointed look, I had to ask if he was pulling a Joaquin Phoenix here. He laughed and scoffed at the notion. He says that it was embarrassing to see that and assured me it was nothing of the sort. We finally concluded with a new movie he’s currently filming called ‘Notre Dame de Grace’ which might be his last project.

Karen Posada

By

2010/01/21 at 12:00am

3 questions with Mel Gibson

01.21.2010 | By |

3 questions with Mel Gibson

ShowBizCafe.com (SBC) got a chance to talk to the actor, screenwriter, film director and producer Mel Gibson about his new film ‘The Edge of Darkness’; opening January 29th nationwide. He excitedly gave us the back story of the movie and also spoke to us about his upcoming projects.

ShowBizCafe: So Mel, how does it feel to be back in a starring role? We haven’t seen you in one since the movie ‘Signs’ in 2002. How is this role different from the other ones we’ve seen you in?

Mel Gibson: Wow 2002, that’s 8 years? Well it’s about 8 years different (laughs). Well if you haven’t been on the board for so long you make different choices, time informs that, so it’s different. [In this movie] the character is a blue collar cop who is dealing with the loss of a child and dealing with grief; he’s on the edge of a nervous breakdown. I guess I’ve been on similar territory before but this has a nice feel to it. I liked the original TV series when it was on during the 80’s, also done by the same director who decided to add something new to it. It’s kind of a harbinger; it gives a social warning of where we might be headed.

SBC: Talking about the director Martin Campbell who is behind both projects, what can people expect in the film and was there more pressure because of its association with the series?

M.G: Well it’s essentially the same, it’s a very human story involving heighten circumstances, it was changed according to the times. The original series was on during the coal miner strike, union stuff, and civil unrest; so he found a new backdrop for the movie. It resides in the healthy paranoia we all have perhaps, on what our leaders may be up to. [The script] reminded me of Jacobean tragedies from the 17th century, this film kind of has the look and feel of them, and I’ve always been a big fan of them so this was one of the things that attracted me to it. It’s about getting even, and everyone getting their justice served, nobody gets a free ride.

SBC: Are you working on any projects right now that we can look forward to seeing soon?

M.G.: Well I have 3 projects lined up – Am writing a story to be shot down in Mexico, which will be rearing its ugly head soon. I’ve also signed to work with Shane Black on his next directing effort. [Finally] I’m writing another story with Bill Monahan and Graham King who I worked with on ‘The Edge of Darkness’, I don’t think anyone has done the Viking movie right yet, I’ve seen plenty but none that do it for me; so I’m gonna make one that does it for me and everybody else, I’m gonna put the ‘V’ back in Viking. It’s the biggest punch in the balls you’ll ever get.

Jack Rico

By

2010/01/19 at 12:00am

Whiteout

01.19.2010 | By |

Rating: 3.0

Rated: R for violence, grisly images, brief strong language and some nudity.
Release Date: 2009-09-11
Starring: Erich Hoeber, Jon Hoeber
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: www.whiteoutmovie.com

 Go to our film page

Before writing this criticism, I read some reviews from some major outlets spewing diatribes about this film. I just want to say their statements are greatly exaggerated. They just don’t get graphic novels. That is what ‘Whiteout’ is based on via the creative pens of Greg Rucka and Steve Lieber, This is a stomach churning action-thriller that journeys into the depths of ice hell in the Antarctica. Expect a balanced dose of action and drama, but it’s the slow, escalating tension that ultimately maintains you glued to your seat.

Carrie Stetko (Kate Beckinsale), the lone U.S. Marshal assigned to Antarctica, is investigating the continent’s first murder, which draws her into a shocking mystery. Now, with only three days until a calamitous winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.

The movie has its deficiencies such as the dialogue (“Doc, this wasn’t an accident!”) and its shoddy denouement that will leave audiences cursing, but it needs to be applauded for creating a tense filled atmosphere through slow paced and eery scenes. I appreciated the twists and turns, which I felt, were unpredictable, yet plausible. Overall that is what going to the movies is all about, experiencing something far from the realities of life.

Ted Faraone

By

2010/01/14 at 12:00am

The Spy Next Door

01.14.2010 | By |

The Spy Next Door

If Jackie Chan did not exist, it would be necessary to invent him.  His latest vehicle, “The Spy Next Door,” fits neatly into his array of comic action films suitable for children and their parents.  The 92 minute, PG-rated effort from helmer Brian Levant and screenwriters Jonathan Bernstein, James Greer, and Gregory Poirier, offers a little something for everyone.  That’s not to say that it is flawless.  It sticks pretty closely to the unassuming geek as martial arts master formula which Chan has perfected.  Add to the recipe a little “fish-out-of-water” and season with elements from the “Get Smart” series and you have a tasty frittata that should satisfy all but the most finicky.
 
Chan stars as Bob Ho, a Chinese intelligence officer on loan to the CIA.  That preposterous premise sets the tone for rest of pic’s hijinx.  His cover is a geeky, suburban pen salesman.  The “Next Door” part of the story involves Amber Valetta as Gillian, single mother of three impossible kids, and Chan’s love interest.  Plot centers on Ho’s desire to retire from spying and marry Gillian.  Her kids’ opinion of him is the first hitch.  He’s just not cool enough.  The second hitch is a sort of comic version of Al Pacino’s famous line, “Every time I try to get out they drag me back in.”
 
In this case, the drag back is a Russian plot to unleash a bacterium on all the world’s oil supply — Russia’s excepted — which consume anything made of petroleum and then vanish as quickly as they appear.
 
Pic is played over-the-top to excellent comic effect.  Magnús Scheving’s Poldark, Ho’s arch enemy, is a marvelous caricature of a bad guy.  Another standout on the Russian team is Katherine Boecher as Creel, a slinky blond sporting tight black outfits, Jimmy Choos and a mean kick.
 
What brings all the elements together and creates pic’s best action sequences — as well as most of its jokes — is a sort of contrived plot point in which Gillian leaves town to look after her injured dad and puts Bob in charge of her three unruly brats.   To Bob, this is his chance to make the kids like him.  It’s also his fish-out-of-water moment.  Spies have some learning to do where raising kids is at issue.  Of course, Bob has to win the kids over — and he does so in part by accident.  Gillian’s 11-year-old, Ian (Will Shadley) is as much a geek as Bob appears to be, a would be rocket scientist, who downloads the Russian’s secret bacterium formula from Bob’s home computer thinking it is a video game.  This puts the Russians on Bob’s tail and consequently on the kids’ tails.  The sight of Bob kickboxing Russian spies is just too cool for words.  Ian is won over.  So is four-year-old Nora (Alina Foley).  Farren (Madeline Carroll), Gillian’s 13-year-old stepdaughter, is the toughest nut, but even she cracks.  The kids join the fight against the Russians with undisguised glee in scenes reminiscent of the “Home Alone” series.  Thus far, the formula works.
 
Gillian is another story.  Furious at the revelation that Bob is a spy and that her brood has been endangered, she gives him the shove — permanently.  Since this is a comedy, however, the final reel offers a slapstick climax, which includes a Russian spy wearing a television as a hat.
 
Special mention goes to recording artist Billy Ray Cyrus as CIA good guy Colton James and comic George Lopez as the Russian’s mole in the CIA.  Choreography is as good as one has come to expect from Chan, and lensing by Dean Cundey frames it all to good effect.  Soundtrack includes familiar “Secret Agent Man” and Blondie’s “One Way Or Another”.  One nit to pick is Chan’s accent.  He can be a tad tough to understand at times, but since editor Lawrence Jordan leaves no loose ends, a lost line or two can be imputed from the context.

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