Please enable javascript to view this site.

Image Image Image Image Image Image Image Image Image

The Latest in ShowBiz News

Ted Faraone

By

2010/01/14 at 12:00am

The Spy Next Door

01.14.2010 | By |

The Spy Next Door

If Jackie Chan did not exist, it would be necessary to invent him.  His latest vehicle, “The Spy Next Door,” fits neatly into his array of comic action films suitable for children and their parents.  The 92 minute, PG-rated effort from helmer Brian Levant and screenwriters Jonathan Bernstein, James Greer, and Gregory Poirier, offers a little something for everyone.  That’s not to say that it is flawless.  It sticks pretty closely to the unassuming geek as martial arts master formula which Chan has perfected.  Add to the recipe a little “fish-out-of-water” and season with elements from the “Get Smart” series and you have a tasty frittata that should satisfy all but the most finicky.
 
Chan stars as Bob Ho, a Chinese intelligence officer on loan to the CIA.  That preposterous premise sets the tone for rest of pic’s hijinx.  His cover is a geeky, suburban pen salesman.  The “Next Door” part of the story involves Amber Valetta as Gillian, single mother of three impossible kids, and Chan’s love interest.  Plot centers on Ho’s desire to retire from spying and marry Gillian.  Her kids’ opinion of him is the first hitch.  He’s just not cool enough.  The second hitch is a sort of comic version of Al Pacino’s famous line, “Every time I try to get out they drag me back in.”
 
In this case, the drag back is a Russian plot to unleash a bacterium on all the world’s oil supply — Russia’s excepted — which consume anything made of petroleum and then vanish as quickly as they appear.
 
Pic is played over-the-top to excellent comic effect.  Magnús Scheving’s Poldark, Ho’s arch enemy, is a marvelous caricature of a bad guy.  Another standout on the Russian team is Katherine Boecher as Creel, a slinky blond sporting tight black outfits, Jimmy Choos and a mean kick.
 
What brings all the elements together and creates pic’s best action sequences — as well as most of its jokes — is a sort of contrived plot point in which Gillian leaves town to look after her injured dad and puts Bob in charge of her three unruly brats.   To Bob, this is his chance to make the kids like him.  It’s also his fish-out-of-water moment.  Spies have some learning to do where raising kids is at issue.  Of course, Bob has to win the kids over — and he does so in part by accident.  Gillian’s 11-year-old, Ian (Will Shadley) is as much a geek as Bob appears to be, a would be rocket scientist, who downloads the Russian’s secret bacterium formula from Bob’s home computer thinking it is a video game.  This puts the Russians on Bob’s tail and consequently on the kids’ tails.  The sight of Bob kickboxing Russian spies is just too cool for words.  Ian is won over.  So is four-year-old Nora (Alina Foley).  Farren (Madeline Carroll), Gillian’s 13-year-old stepdaughter, is the toughest nut, but even she cracks.  The kids join the fight against the Russians with undisguised glee in scenes reminiscent of the “Home Alone” series.  Thus far, the formula works.
 
Gillian is another story.  Furious at the revelation that Bob is a spy and that her brood has been endangered, she gives him the shove — permanently.  Since this is a comedy, however, the final reel offers a slapstick climax, which includes a Russian spy wearing a television as a hat.
 
Special mention goes to recording artist Billy Ray Cyrus as CIA good guy Colton James and comic George Lopez as the Russian’s mole in the CIA.  Choreography is as good as one has come to expect from Chan, and lensing by Dean Cundey frames it all to good effect.  Soundtrack includes familiar “Secret Agent Man” and Blondie’s “One Way Or Another”.  One nit to pick is Chan’s accent.  He can be a tad tough to understand at times, but since editor Lawrence Jordan leaves no loose ends, a lost line or two can be imputed from the context.

Jack Rico

By

2010/01/14 at 12:00am

The Book of Eli

01.14.2010 | By |

The Book of Eli
Jack Rico

By

2010/01/14 at 12:00am

Mark Wahlberg to do ‘Four Brothers’ sequel

01.14.2010 | By |

Mark Wahlberg to do 'Four Brothers' sequel

I remember seeing Four Brothers and laughing so hard. I know it wasn’t a comedy, but there are some lines in that movies that are just LMAO funny! That’s when I knew that Mark Wahlberg was one of my favorite actors (see my 1:1 interview with him here).

So now I get word that he might involved in doing a sequel to it. Here’s the article we got from THR.com.

Paramount is developing a sequel to its 2005 thriller “Four Brothers,” bringing back many of the creative team for “Five Brothers.”

Mark Wahlberg, the star of “Four Brothers,” hatched the sequel idea with that film’s writers, David Elliot and Paul Lovett.

The original movie, directed by John Singleton, revolved around four adopted brothers (Wahlberg, Tyrese Gibson, Andre Benjamin and Garret Hedlund) who come together to avenge their mother’s death in what at first appears to be a random robbery. Although not a massive hit, it still grossed a tidy $74 million at the domestic box office.

Plot details are being kept under wraps, and it is not clear which of the other actors, if any, would return. Hedlund would appear to be out, as his character was killed in the first movie. Wahlberg stars in Peter Jackson’s “The Lovely Bones,” which opens nationally on Friday, and appears in the upcoming “Date Night” with Steve Carell and Tina Fey.

Jack Rico

By

2010/01/12 at 12:00am

The Burning Plain

01.12.2010 | By |

Rating: 2.5

Rated: R for sexuality, nudity and language.
Release Date: 2009-09-18
Starring: Guillermo Arriaga
Director(s):
Distributor:
Film Genre:
Country:USA, Argentina
Official Website: NULL

 Go to our film page

‘The Burning Plain’ is a bleak film which is heavy on the visceral drama and light on substance. The script isn’t compelling nor are the characters and last I heard, the idea behind creating a movie is to entertain audiences to some degree, not make one miserable and despondent.

Three stories about three women swing back and forth in time and place, gathering apparently disconnected and twisted scenes into a monotonous tale of betrayal, love and death. The film stars Charlize Theron, Kim Bassinger and a new crop of actors.

Mexican screenwriter Guillermo Arriaga, now turned director, is a magnificent pensman who creates scenes that bring the best out of actors and his director. Regrettably, as his fourth work shows, he has reached a repetitive, one dimensional plateau where he can’t seem to free himself from. Once again, Arriaga tells a story of various characters paralleling each other. He began with this structure in ‘Amores Perros’ and continued in ‘21 Grams,’ ‘Babel’ and now ‘The Burning Plain’. When I spoke to him, Arriaga contested that he felt the composition and story of this film are completely different than anything he has done before. He needs to take a closer look at his films and pick up on the recurring patterns – multi-narratives and gut wrenching, emotional dramas. There isn’t anything wrong with Arriaga continuing along this trademark path, but isn’t variety the spice of life? Versatility is where you prove yourself to be better than just one style and I am hoping to see something distinct and fresh for his next project.

This is a Hollywood indie intertwined with a Latino story. For Hispanics, the decision to watch this heavy film for the sake of supporting a fellow patriot, is ignorant. You make your decision based on the quality of the script and the acting. In this case, the script is banal, too serious and melodramatic and the acting, though arguably strong, is not compelling and lacks believability. I recommend you wait for his arch nemesis, Alejandro González Iñárritu’s new film ‘Biutiful’ starring Javier Bardem for a more enjoyable experience at the movies in December.

Namreta Kumar

By

2010/01/09 at 12:00am

Wonderful World

01.9.2010 | By |

Wonderful World

Unfortunately Wonderful World feels too much like a tired film to represent the revival at the end.  It is made memorable only by the concept of cynicism and its witty remarks. Josh Goldin’s Ben Singer (Matthew Broderick) has a thin layer of charm, however his actual cynicism begins to border on pathological at points.

Ben Singer is a divorced, failed folk singer now working a 9-5 “temp” job, he really only has Ibu, his roommate/friend, and Sandra, his daughter, to give his misery company. When it seems like life has taken a turn for the worst with the hospitalization of Ibu, it turns out it is exactly what Ben needed to change his perspective on life.

Ben’s relationship with his daughter turns into the crux of the film and proves to be the best part of it. Sandra, played by Jesse Tyler Fergusen, breathes wonder into every scene. It is through her and Ben’s relationship that Goldin shines as a director. From the set of cold moments at the start of the film through the closing moments the father-daughter relationship and the carefulness of the scenes outline a stronger composition than the rest of the film.

The core of Goldin’s film is wonderful, but unfortunately the film feels just as jaded as Ben’s point of view. Outside the father-daughter relationship, nothing seems fresh or renewed in any way. Everything is a sad reflection of the failed man at the start of the film, rather than the hopeful man at the end.
The Bottom Line is that this film just does not hit the mark, and as Josh Goldin summarized in his own film, “You understand Bottom Line you understand America.”

Jack Rico

By

2010/01/06 at 12:00am

Youth in Revolt

01.6.2010 | By |

Youth in Revolt

It’s only the second week of January, but already Puerto Rican director Miguel Arteta’s ‘Youth in Revolt’ is my favorite film of the year. The premise is simple – boy meets girl, girl meets boy and boy wrecks two cars and goes to jail for his love. But what is most appealing and absorbing is the sophisticated english dialogue written by Gustin Nash, based on C.D Payne’s – Youth in Revolt: The Journals of Nick Twisp. Michael Cera could not have been more perfectly casted as the intellectual, Frank Sinatra loving, sardonic virgin teen who comes from heavily dysfunctional parents.

The film revolves around the life of Nick Twisp (Michael Cera) – a unique, but affable teen with a taste for the finer things in life. He falls hopelessly in love with the beautiful, free-spirited Sheeni Saunders (Portia Doubleday) while on a family vacation.  But family, geography and jealous ex-lovers conspire to keep these two apart. With Sheeni’s encouragement, Nick abandons his dull, predictable life and develops a rebellious alter ego: Francois. With his ascot, his moustache and his cigarette, Francois will stop at nothing to be with Sheeni, and leads Nick on a path of destruction with unpredictable and uproarious consequences.

It is very rare nowadays to see films that dare to challenge young audiences with words through a high level rhetoric. We saw this template used originally by indie director/screenwriter Kevin Smith in ‘Clerks’. A total hit and a great way to pick up the dictionary and see how many ways you can say “let’s have sex” to a girl. This was also part of the success behind the creative strategy that screenwriter Kevin Richardson used for his television series Dawson’s Creek in the late 90’s. I personally love this take on a teen romantic film – ‘Nick and Norah’s Infinite Playlist,’ also with Cera, played with this notion to a degree as well.

The other layer that I thoroughly enjoyed is the worldly and sophisticated tastes that the two protagonists shared in music, film and poetry. Cera loves Sinatra (the first frame opens up with the 1960 album Nice ‘n’ Easy), and he invokes Fellini’s masterpiece ‘La Strada’ in a DVD store as he tries to explain it to a girl he is trying to pick up. Ms. Doubleday loves french standards from Serge Gainsbourg and has an infatuation with New Wave french actor Jean-Paul Belmondo, in particular his breakthrough film ‘Breathless’ from Jean-Luc Godard. It’s this and other highbrow idiosyncrasies that seduced me from the onset.

What didn’t seem to mix well was the roguish alter-ego of Cera’s character Francois, as well as some of the casts contributions. One highlight was that of South African actor Adhir Kalyan, who played Cera’s lascivious friend. Very funny scenes! Does today’s youth really think and act like this today? No, but one hopes it inculcates a desire to explore the arts and culture side of them.

From a Hispanic perspective, it is wonderful to know that a born talent from Puerto Rico directed this film. There is a scarcity of great movies coming from ‘La Isla del Encanto’ these days. Arteta is perhaps more of an American in culture than Puerto Rican, but nevertheless, it is gratifying to hear the sound of a Latino last name next to a good work such as this and his previous (The Good Girl, Star Maps). Actually the last good film I saw come out of Puerto Rico was ‘Maldeamores’ directed by Carlos Ruiz Ruiz. It’s a Woody Allenesque romantic tale with a caribbean twist. A definite DVD rental this weekend.

For those who like teen romantic comedies ‘Youth in Revolt’ is a very enjoyable film peppered with laugh out loud moments. It is rated R so be warned that the sexuality is a bit vulgar and strong.

Jack Rico

By

2010/01/06 at 12:00am

Review: Miguel Arteta’s ‘Youth in Revolt’

01.6.2010 | By |

Review: Miguel Arteta's 'Youth in Revolt'

It’s only the second week of January, but already Puerto Rican director Miguel Arteta’s ‘Youth in Revolt’ is my favorite film of the year. The premise is simple – boy meets girl, girl meets boy and boy wrecks two cars and goes to jail for his love. But what is most appealing and absorbing is the sophisticated english dialogue written by Gustin Nash, based on C.D Payne’s – Youth in Revolt: The Journals of Nick Twisp. Michael Cera could not have been more perfectly casted as the intellectual, Frank Sinatra loving, sardonic virgin teen who comes from heavily dysfunctional parents.

The film revolves around the life of Nick Twisp (Michael Cera) – a unique, but affable teen with a taste for the finer things in life. He falls hopelessly in love with the beautiful, free-spirited Sheeni Saunders (Portia Doubleday) while on a family vacation.  But family, geography and jealous ex-lovers conspire to keep these two apart. With Sheeni’s encouragement, Nick abandons his dull, predictable life and develops a rebellious alter ego: Francois. With his ascot, his moustache and his cigarette, Francois will stop at nothing to be with Sheeni, and leads Nick on a path of destruction with unpredictable and uproarious consequences.

It is very rare nowadays to see films that dare to challenge young audiences with words through a high level rhetoric. We saw this template used originally by indie director/screenwriter Kevin Smith in ‘Clerks’. A total hit and a great way to pick up the dictionary and see how many ways you can say “let’s have sex” to a girl. This was also part of the success behind the creative strategy that screenwriter Kevin Richardson used for his television series Dawson’s Creek in the late 90’s. I personally love this take on a teen romantic film – ‘Nick and Norah’s Infinite Playlist,’ also with Cera, played with this notion to a degree as well.

The other layer that I thoroughly enjoyed is the worldly and sophisticated tastes that the two protagonists shared in music, film and poetry. Cera loves Sinatra (the first frame opens up with the 1960 album Nice ‘n’ Easy), and he invokes Fellini’s masterpiece ‘La Strada’ in a DVD store as he tries to explain it to a girl he is trying to pick up. Ms. Doubleday loves french standards from Serge Gainsbourg and has an infatuation with New Wave french actor Jean-Paul Belmondo, in particular his breakthrough film ‘Breathless’ from Jean-Luc Godard. It’s this and other highbrow idiosyncrasies that seduced me from the onset.

What didn’t seem to mix well was the roguish alter-ego of Cera’s character Francois, as well as some of the casts contributions. One highlight was that of South African actor Adhir Kalyan, who played Cera’s lascivious friend. Very funny scenes! Does today’s youth really think and act like this today? No, but one hopes it inculcates a desire to explore the arts and culture side of them.

From a Hispanic perspective, it is wonderful to know that a born talent from Puerto Rico directed this film. There is a scarcity of great movies coming from ‘La Isla del Encanto’ these days. Arteta is perhaps more of an American in culture than Puerto Rican, but nevertheless, it is gratifying to hear the sound of a Latino last name next to a good work such as this and his previous (The Good Girl, Star Maps). Actually the last good film I saw come out of Puerto Rico was ‘Maldeamores’ directed by Carlos Ruiz Ruiz. It’s a Woody Allenesque romantic tale with a caribbean twist. A definite DVD rental this weekend.

For those who like teen romantic comedies ‘Youth in Revolt’ is a very enjoyable film peppered with laugh out loud moments. It is rated R so be warned that the sexuality is a bit vulgar and strong.

Jack Rico

By

2010/01/05 at 12:00am

Cloudy with a Chance of Meatballs

01.5.2010 | By |

Rating: 2.5

Rated: PG for brief mild language.
Release Date: 2009-09-18
Starring: Judi Barrett, Ron Barrett
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.sonypictures.com/movies/cloudywithachanceofmeatballs/

 Go to our film page

Gluttony to the umpteenth degree is what parents should expect from this farcical 3D animation that is strictly for kids’ excessive and hyper yearnings. I’d like to say, “fun for the whole family”, but the story is too infantile for adults to be truly bothered. Watch out for Mr.T’s character throughout the film – he is hilarious for all ages.

Cloudy with a Chance of Meatballs’ is based on a children’s book from Judy and Ron Barrett which follows inventor Flint Lockwood (voice of Bill Hader) and brainy weathergirl Sam Sparks (voice of Anna Faris) as they attempt to discover why the rain in their small town has stopped while food is falling in its place. Meanwhile, lifelong bully Brent (voice of Adam Samberg) relishes in tormenting Flint just as he did when they were kids, and Mayor Shelbourne (voice of Bruce Campbell) schemes to use Flint’s latest invention–a device designed to improve everyone’s lives–for his own personal gain. Mr. T. voices by-the-books cop Earl Devereaux, and James Caan voices Flint’s technophobe father, Tim.

For those of you that might be going for the 3D animation experience, “Cloudy With a Chance of Meatballs” produces a sharp, crisp picture, with no visible imprecision between the matches of the images. There is clear definition between closer and further elements. In terms of technical quality, this is the best I’ve seen so far along with G-Force from Disney.

Mack Chico

By

2010/01/05 at 12:00am

Final Destination: Death Trip 3D

01.5.2010 | By |

Rating: 2.0

Rated: R for strong violent/gruesome accidents, language and a scene of sexuality.
Release Date: 2009-08-28
Starring: Eric Bress, Jeffrey Reddick
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.thefinaldestinationmovie.com/

 Go to our film page

Jack Rico

By

2009/12/29 at 12:00am

A Perfect Getaway

12.29.2009 | By |

Rating: 2.5

Rated: R for graphic violence, language including sexual references and some drug use.
Release Date: 2009-08-07
Starring: David Twohy
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.iamrogue.com/aperfectgetaway/

 Go to our film page

‘A Perfect Getaway’ is one of the most predictable ‘whodunnit’ thriller films of 2009. Because of this, the second half of the film isn’t as enjoyable since we already know who the killers are. Nevertheless, it is fun, but I wish writer/director David Twohy (Pitch Black) would have made it a bit more difficult for us to decipher. The complexity of figuring out who the assassins are is what makes these types of films entertaining (i.e; Memento).

The storyline is engaging. A Hawaiian honeymoon turns dangerous for two lovers (Steve Zahn and Milla Jovovich) when they discover they are being stalked by a pair of killers: Nick (Timonthy Olyphant) and Gina (Kiele Sanchez) are unmarried adventurers looking for one more destination to add to their globe-trotting resume. And Kale (Chris Hemsworth) and Cleo (Marley Shelton) are surfer/hippie types who show signs of anti-social behavior. But who could it be? (Cue the horror music).

This film begins in an amusing fashion with plenty of character development allowing the audience to attach themselves to the protagonists. This is a clever move by the director since it is a known “rule” that audiences like characters who they know well, but it backfires because Twohy tries so hard to surprise everyone that he ends up surprising no one. There is a ‘twist’ that occurs in the middle of the movie that is so expected, it makes you feel like one’s intelligence has been questioned.

I’ve never been a fan of Timothy Olyphant’s acting (‘Hitman’ was the beginning of the end for me), but it wasn’t a distraction this time around. He did a descent job as did the rest of the cast. Kiele Sanchez, the Puerto Rican actress, was a pleasing screen delight, and Zahn casted a shadow of agitation throughout the film.

All around, ‘A Perfect Getaway’ is a silly, fun time at the movies that won’t leave you bored, just expect to figure out everything out very soon and to see some dumb moments that’ll leave you scratching your head.

Select a Page