The Latest in Latino Entertainment News

Mack Chico

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2009/05/05 at 12:00am

Dom DeLuise, actor, comedian and chef, dies

05.5.2009 | By |

Dom DeLuise, actor, comedian and chef, dies

Dom DeLuise, the portly actor-comedian whose affable nature made him a popular character actor for decades with movie and TV audiences as well as directors and fellow actors, has died. He was 75.

DeLuise died Monday night, son Michael DeLuise told KTLA-TV and radio station KNX on Tuesday. The comedian died in his sleep after a long illness. Calls to his agent were not immediately returned.

The actor, who loved to cook and eat almost as much as he enjoyed acting, also carved out a formidable second career later in life as a chef of fine cuisine. He authored two cookbooks and would appear often on morning TV shows to whip up his favorite recipes.

As an actor, he was incredibly prolific, appearing in scores of movies and TV shows, in Broadway plays and voicing characters for numerous cartoon shows.

Writer-director-actor Mel Brooks particularly admired DeLuise’s talent for offbeat comedy and cast him in several of his films, including “The Twelve Chairs,” “Blazing Saddles,” “Silent Movie,” “History of the World Part I” and “Robin Hood: Men in Tights.” DeLuise was also the voice of Pizza the Hutt in Brooks’ “Star Wars” parody, “Spaceballs.”

The actor also appeared frequently in films opposite his friend Burt Reynolds. Among them, “The End,” “The Best Little Whorehouse in Texas,” ‘Smokey and the Bandit II,” “The Cannonball Run” and “Cannonball Run II.”

Another actor-friend, Dean Martin, admired his comic abilities so much that he cast DeLuise as a regular on his 1960s comedy-variety show. In 1973, he starred in a situation comedy, “Lotsa Luck,” but it proved to be short-lived.

Other TV credits included appearances on such shows as “The Munsters,” “The Girl From U.N.C.L.E.,” “Burke’s Law,” “Sabrina the Teenage Witch” and “Diagnosis Murder.”

On Broadway, DeLuise appeared in Neil Simon‘s “Last of the Red Hot Lovers” and other plays.

Because of his passion for food, the actor battled obesity throughout much of his life, his weight reaching as much as 325 pounds at one point. For years, he resisted the efforts of family members and doctors who tried to put him on various diets. He finally agreed in 1993 when he needed hip replacement surgery and his doctor refused to perform it until he lost 100 pounds.

He and his family enrolled at the Duke University Diet and Fitness Center in Durham, N.C., and DeLuise lost enough weight for the surgery, although he gained some of it back afterward.

On the positive side, his love of food resulted in two successful cookbooks, 1988’s “Eat This — It Will Make You Feel Better!” and 1997’s “Eat This Too! It’ll Also Make You Feel Good.”

At his Pacific Palisades home, DeLuise often prepared feasts for family and friends. One lunch began with turkey soup and ended with strawberry shortcake. In between, were platters of beef filet, chicken breast and sausage, a bowl of spaghetti and meatballs and a saucer of lettuce.

He strongly resembled the famed chef Paul Prudhomme and joked in a 1987 Associated Press interview that he had posed as Prudhomme while visiting his New Orleans restaurant, K-Paul’s Louisiana Kitchen.

DeLuise was appearing on Broadway in “Here’s Love” in the early 1960s when Garry Moore saw him and hired him to play the magician “Dominick the Great” on “The Garry Moore Show.”

His appearances on the hit comedy-variety program brought offers from Hollywood, and DeLuise first came to the attention of movie-goers in “Fail Safe,” a drama starring Henry Fonda. He followed with a comedy, “The Glass Bottom Boat,” starring Doris Day, and from then on he alternated between films and television.

“I was making $7,000 a week — a lot of money back then — but I didn’t even know I was rich,” he recalled in 1994. “I was just having such a great time.”

He was born Dominick DeLuise in New York City on Aug. 1, 1933, to Italian immigrants. His father, who spoke only Italian, was a garbage collector, and those humble beginnings stayed with him throughout his life.

“My dad knows everything there is to know about garbage,” one of the actor’s sons, David DeLuise, told The Associated Press in 2008. “He loves to pick up a broken chair and fix it.”

DeLuise’s introduction to acting came at age 8 when he played the title role of Peter Rabbit in a school play. He went on to graduate from New York City’s famed School of Performing Arts in Manhattan.

For five years, he sought work in theater or television with little luck. He finally decided to enroll at Tufts College and study biology, with the aim of becoming a teacher.

Acting called him back, however, and he found work at the Cleveland Playhouse, appearing in stage productions that ranged from comedies such as “Kiss Me Kate” to Shakespeare’s “Hamlet.”

“I worked two years solidly on plays and moving furniture and painting scenery and playing parts,” he remarked in a 2006 interview. “It was quite an amazing learning place for me.”

While working in summer stock in Provincetown, Mass., he met a beautiful young actress, Carol Arthur, and they were soon married.

The couple’s three sons, Peter, Michael and David, all became actors and all appeared with their father in the 1990s TV series “SeaQuestDSV,” in which Peter and Michael were regulars.

Mack Chico

By

2009/05/04 at 12:00am

Andy Garcia’s ‘City Island’ wins in Tribeca Festival

05.4.2009 | By |

Andy Garcia's 'City Island' wins in Tribeca Festival

“City Island,” an ensemble pic set in a semi-obscure area of the Bronx, captured the Heineken Audience Award at the Tribeca Film Festival.

The film, which world-preemed at Tribeca, stars Andy Garcia, Julianna Margulies, Alan Arkin and Emily Mortimer. It’s a family comedy about the foibles of the Rizzo clan.

Director Raymond De Felitta will receive a cash prize of $25,000 for the audience honor.

Jack Rico

By

2009/05/01 at 12:00am

X-Men Origins: Wolverine (Movie Review)

05.1.2009 | By |

Rated: PG-13
Release Date: 2009-05-01
Starring: David Benioff
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.xmenorigins.com/

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X-Men Origins: Wolverine

Is the bootleg online version of ‘X-Men Origins: Wolverine’ better than the cinematic experience? If you already saw the illegal downloaded version, should you spend your money to watch it in a real movie theater? I personally haven’t seen the unauthorized edition, but from the feedback I’ve received from those who have and with my take from the theatrical version – yes, you should see it in theaters only if you enjoyed what you saw. It would enhance the experience that director Gavin Hood intended to originally put forth, but, if you didn’t like the story to begin with, odds are you won’t like it after you see in the big screen.

‘X-Men Origins: Wolverine’ is set prior to the events of the original X-Men films, sometime in the 1970s. It begins principally with Wolverine and partially with a few other legends of the X-Men universe. Some highlights include characters and story lines that have been long anticipated. The movie also explores Logan’s romance with Kayla Silverfox. Kayla’s fate triggers Logan’s involvement with the ominous Weapon X program, a top secret, billion-dollar military experiment, in which Wolverine obtains his indestructible metal skeleton.

The film had several problems ranging from blatant gaps in the story, underwhelming performances by new characters, to the unacceptable, second-rate CGI effects throughout the film (in particular a cameo done by a CGI Patrick Stewart). Unfortunately, these critical factors in particular, were too distracting for me to overcome. In its defense, there were many laudable moments such as Hugh Jackman’s performance of Wolverine (I can’t see anyone else ever playing him) and Liev Schrieber as his archenemy brethren, Sabretooth. Ryan Reynolds, who has been bashed by some bloggers for being casted as Deadpool, was likable in playing the wise cracking sword killer.

Overall, you have the good and the bad making ‘Wolverine’ an average film. Brett Ratner’s “X-Men: The Last Stand” turned out to be a better films on all levels. On a separate note, watch out for two clips after the credits, one scene immediately after the credits begin and the other at the very end of all the credits. These will reveal some of what may come in the next sequel.

Juan Ensuncho Bárcena

By

2009/04/30 at 12:00am

Jack Rico

By

2009/04/30 at 12:00am

The Limits of Control (Movie Review)

04.30.2009 | By |

Rated: R for graphic nudity and some language.
Release Date: 2009-05-01
Starring: Jim Jarmusch
Director(s):
Distributor:
Film Genre:
Country: Spain
Official Website: http://www.thelimitsofcontrol.com/

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The Limits of Control

The quirky Ohio film director, Jim Jarmusch, known for his abstract, philosophical and excessively drawn out scenes, uses Spain as a beautiful backdrop in his new crime thriller ‘The Limits of Control’. The movie could be summed up as a deliberate banal and phlegmatic effort. There is barely any dialogue to push the story and the ending offers very little interest or excitement.

The minimal storyline concerns an unnamed assassin (Issach De Bankolé) who spends most of the film moving from location to location throughout Spain, collecting the information and equipment he requires to complete his latest assignment, the assassination of an American corporate bigwig (Bill Murray). He meets most of his contacts in cafes, although one woman (Paz de la Huerta) spends a few days nude with him in various hotel rooms. The film is based on a William S. Burroughs essay, a Rimbaud poem and vintage crime films, particularly John Boorman’s 1967 classic “Point Blank.”

It’s obvious after the first half of the film that Jarmusch intends to create a parable between the clashing of bohemianism and capitalism meant to be viewed as how corporate america has suppressed the highly intellectual culturati. The scant dialogue supports this theme by touching upon subjects as art, music, literature, cinema, science, sex, and hallucinations. Regrettably, the words are vapid and random as is the essence of the film. The resulting riddle won’t do anything to broaden the filmmaker’s loyal fan base as his many followers will be left feeling as alienated as his central character.

Noteworthy is Jarmusch’s new exploration of the Spanish and Hispanic culture. The first words uttered in the film are “Usted no habla español, verdad?†(You don’t speak Spanish, correct?) which is a phrase that is consistently used by the several diverse and bizarre characters as an introductory code when they all initially meet our protagonist.  There are also some droll scenes that are mostly spoken in Spanish, as well as a long Flamenco sequence where a Spanish song is highlighted. The Hispanic theme also permeates into the casting choices with the hiring of acclaimed Mexican actor Gael Garcia Bernal and Spanish American actress Paz de la Huerta. Bernal’s performance is not a stretch of his acting abilities, but his showing is merely a decision to work with one of his favorite directors.

‘The Limits of Control’ is tedious, excessively sober and vastly abstract for the common moviegoer. An offense that needs to stopped and that perhaps never will.

Jack Rico

By

2009/04/30 at 12:00am

The Ghosts of Girlfriends Past (Movie Review)

04.30.2009 | By |

Rated: PG-13 for sexual content throughout, some language and a drug reference.
Release Date: 2009-05-01
Starring: Jon Lucas, Scott Moore
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.ghostsofgirlfriendspastmovie.com/

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The Ghosts of Girlfriends Past

‘Ghosts of Girlfriends Past’ isn’t as bad as I thought it would be. Screenwriters Jon Lucas and Scott Moore somehow manage to salvage the film by developing two well written romantic moments into the overdone cornball premise. The film doesn’t work as a comedy, but it gets the job done in the romance department.

Celebrity photographer Connor Mead (Matthew McConaughey) is a free loving bachelor  who is the ultimate ‘playa’. Unfortunately, his childhood friend Jenny (Jennifer Garner) is the one woman in his life who has always seemed immune to his considerable charm. It all comes to a climax when three ghosts, yes a la Dickens, take him on a revealing odyssey through a lifetime of failed relationships. The purpose of this exam is to get him to redeem himself in front of his one true love – Jenny.

There is no doubts about this film being targeted to female viewers, Unfortunately, they’ll have to deal with some negatives. Most of the damage of the film exists in its overused storyline – Charles Dickens’ ‘The Christmas Carol’. That on its own should scare most moviegoers away. Adding to the barrage of detriments is the myriad of lame and unamusing gags that never go over. I don’t really remember laughing once. But halfway through the film, when Michael Douglas appears as Uncle Wayne, is when we finally experience the first engaging moment. Douglas’s detailed in-depth tutorial on picking up women to a young Connor possesses a real candor absent from similar movies of the genre. I’m sure female viewers will find it amusing if not absurd. We once again are treated to another memorable moment at the film’s climax when McConaughey himself dishes out some love wisdom of his own. These scenes mixed in with a gooey score and sufficient teary close ups will debilitate even some of the most stoic of men.

 

Apart from those likable sequences, the supporting cast is simply irrelevant and insipid. Their charms and levels of interest are nonexistent. Futhermore, McConaughey’s performance matches those of his previous uninspired works (Fools Gold, Failure to Launch, The Wedding Planner). Nevertheless, if you can get past the Dickens homage, ‘Ghosts of Girlfriends Past’ is better than most romantic fare out in theaters right now. Female viewers will enjoy a good insight into the male psyche and have a chance to see a man go from player to prince. Isn’t that what all women want?

Mack Chico

By

2009/04/30 at 12:00am

Oliver Stone to direct ‘Wall Street’ sequel

04.30.2009 | By |

Oliver Stone to direct 'Wall Street' sequel

Greed is good, once again.

After weeks of rumors, 20th Century Fox has set Oliver Stone to return as helmer of the sequel to his 1987 hit Wall Street.” Shia LaBeouf is also in the mix for “Wall Street 2.”

LaBeouf is negotiating to join Michael Douglas, who won an Oscar for his portrayal of Gordon Gekko in the original pic. The sequel will once again involve a young Wall Street trader, and the recent economic meltdown spurred by rampant greed and corruption will fit prominently into the plot.

Allan Loeb will write the script. Edward R. Pressman is back as producer.

Jack Rico

By

2009/04/29 at 12:00am

The Uninvited

04.29.2009 | By |

Rating: 2.5

Rated: PG-13 for violent and disturbing images, thematic material, sexual content, language and teen drinking.
Release Date: 2009-01-30
Starring: Craig Rosenberg, Doug Miro
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.uninvitedmovie.com/

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‘The Uninvited’ is not your prototypical horror, suspense film. It actually makes an attempt at telling a good dramatic murder story, unfortunately it falls short due to its dreadful dialogue and laughable climactic scenes… until the very end when the twist hits you like a ton of bricks. You never see it coming.

To be brief, the story, based on the 2003 Korean motion picture called “Janghwa, Hongryeon “, is about a family who lost their matriarch in an action-movie-like explosion only to have their youngest daughter (Emily Browning) be committed to an asylum due to the mental and emotional scars of the occurrence. After a period of time, our young protagonist returns home to learn that her father (David Strathairn) has moved on with his life and intends to marry his dead wife’s nurse (Elizabeth Banks). Bad blood brews between the two females and the journey to unmask the true objective of the nurse begins.

The pacing of this film is rather slow, mixed in with average acting and a banal dialogue that only exists to move the story along. The films true virtue lies in its ending and it really is the only worthy element of ‘The Uninvited’. Question is can you wait until the very end?

Mack Chico

By

2009/04/29 at 12:00am

‘Mr. Big’ will return in ‘Sex and the City 2’

04.29.2009 | By |

'Mr. Big' will return in 'Sex and the City 2'

In a seven-figure deal, Chris Noth, aka Mr. Big,  has committed to “Sex and the City 2,” the sequel to be directed by Michael Patrick King for New Line Cinema.

The pic shoots in early September, and Warner Bros. has set a May 28, 2010, release date. The original grossed $412.6 million worldwide.

Noth will next be seen onscreen in “My One and Only” and will reprise his Off Broadway role in the play “Farragut North,” which opens at L.A.’s Geffen Playhouse in June and also stars Chris Pine.

Mack Chico

By

2009/04/29 at 12:00am

‘Star Trek’ postpones Mexico launch

04.29.2009 | By |

'Star Trek' postpones Mexico launch

What the hell is happening in Mexico?! This swine flu is killing financial opportunities for many companies in the entertainment industry.

Paramount is calling off the May 8 launch of “Star Trek” in Mexico because of the swine flu epidemic, while Sony is debating whether to do the same with sequel “Angels and Demons.”

J.J. Abrams‘ “Star Trek” will open day and date in other major territories May 8.

“Angels,” the follow-up to “The Da Vinci Code,” is opening around the world May 15.

Twentieth Century Fox was the studio most immediately impacted by the outbreak of the flu in Mexico, since “X-Men Origins: Wolverine” is opening day and date Friday. Studio’s international team made the decision over the weekend to cancel the opening of “Wolverine” in Mexico, along with the premiere.

The tricky part now will be deciding when to open the films without inviting too much competition.

And no one’s sure when the situation will improve. Mexico City has virtually shut down, including cinemas. Circuits also are closing theaters in other Mexican cities.

Mexico saw good results for the “X-Men” franchise and also drove plenty of business for “Da Vinci Code.”

Fox’s “X-Men: The Last Stand,” the previous installment, saw its third-best territory gross — $16.5 million — in Mexico. Pic cumed $225 million internationally and $234.4 million domestically.

Mexico also made the top 10 list of highest-grossing territories for “Da Vinci Code,” at $19.3 million. Film grossed a boffo $540.7 million internationally and $217.5 million in North America.

If the situation improves in Mexico, Fox could open “Wolverine” in two weeks. At the same time, the studio might be loathe to go up against “Angels and Demons” if Sony sticks to the May 15 date.

Like Fox and Sony, Paramount is continuing to monitor the situation, and has not yet set another date for the debut of “Star Trek.”

One reason for delaying the launches is that studios don’t want to make huge media spends in the final days before a film’s release and then have to cancel on the eve of the opening.

Fox could even decide to push back the May 22 release of “Night at the Museum: Battle of the Smithsonian” in Mexico when coming up with a new plan for “Wolverine.”

So far, studios don’t believe the flu epidemic will affect moviegoing in other territories, including the U.S. and Canada. There have been no deaths outside Mexico.

“Wolverine” is expected to do big business in its debut. The winter and spring have seen record-breaking grosses at the domestic box office, with admissions up both domestically and internationally.

Universal‘s “Fast and Furious” won at the international box office for the April 24-26 weekend, grossing $15.9 million in its fourth sesh for a foreign cume of $170.9 million and a worldwide total of $316.7 million (domestic cume is $145.8 million). Film far outperformed expectations.

DreamWorks Animation/Paramount’s 3-D toon “Monsters vs. Aliens” likewise continued its strong overseas run, grossing $10.7 million for the weekend for a foreign cume of $142.9 million and a world total of $318.2 million (domestic total is $175.3 million).

“Fast” and “Monsters” are the two top foreign earners of 2009.

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