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The Latest in ShowBiz News

Alejandro Arbona

By

2008/10/14 at 12:00am

Indiana Jones and the Kingdom of the Crystal Skull

10.14.2008 | By |

Rating: 2.0

Rated: PG-13 for adventure action and violence.
Release Date: 2008-05-22
Starring: David Koepp, George Lucas
Director(s):
Distributor:
Film Genre:
Country:USA
Official Website: http://www.indianajones.com/intl/es/teaser/

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Finally, people will stop saying “Indiana Jones and the Temple of Doom” was the bad one. “Indiana Jones and the Kingdom of the Crystal Skull” opens in the thick of the cold war, with Soviet agents forcing Indiana Jones (Harrison Ford) to retrieve a mysterious artifact of great power. This early sequence and the few that follow it are when the cold war theme and anti-communist paranoia are most evident.

But shortly after, the story circles back to an extraterrestrial theme, which comes off extremely leaden here. The film briefly mentions Indy’s years of service as a colonel in World War Two, and his turn as a double agent in Berlin. I for one would have MUCH preferred to watch a movie called something like “The Treacherous Colonel Indiana Jones and the Valkyries of the Führer.” It’s not that the alien theme of this movie disappointed me, not in the least; it’s that once “Crystal Skull” sinks into that mystery, it loses the spirit of the 1950s suspense and horror movies it should be aping.

All those 50s genre movies were charged with the public’s fears: the cold war, nuclear weapons, communist subversion (or satire on the unfounded fear of that subversion), etc. Spielberg placed touches of that on the surface, but not the slightest hint of the subtext that can be explored so eloquently with that era. When only “Crystal Skull” flirts with these themes is when the Soviet Irina Spalko (Cate Blanchett) describes the power of the titular skull: mind control. I was reminded of one of the classics of cold war paranoia, “Invasion of the Body Snatchers,” albeit without the slightest subtlety. And aside from that description, we never again identify what exactly the skull’s power is – we never get to really see it in action. Spielberg breaks the first rule of the very adventure storytelling he perfected into an art form: show, don’t tell.

Mack Chico

By

2008/10/14 at 12:00am

Penélope Cruz will be honored in Santa Barbara

10.14.2008 | By |

Penélope Cruz will be honored in Santa Barbara

Penelope Cruz — who’s appearing in two current films, “Vicky Cristina Barcelona” and “Elegy” — will be honored as the outstanding performer of the year at the Santa Barbara Film Festival, which runs Jan. 22-Feb.1. Cruz will be presented with the award at the Arlington Theatre on Jan. 31.

“There are few actresses who can today be described as international movie goddesses, and this year, with her exceptional work in ‘Elegy’ and ‘Vicky Cristina Barcelona,’ Penelope Cruz has earned that description,” SBIFF executive director Roger Durling said.

Cruz was first introduced to American audiences in the Spanish films “Jamon, Jamon” and “Belle Epoque.” She frequently works with director Pedro Almodovar, appearing in his films “Live Flesh,” “All About My Mother,” “Volver,” for which she earned a best actress Academy Award nomination, and the upcoming “Los Abrazos Rotos.”

Jack Rico

By

2008/10/13 at 12:00am

Win tickets to see the world premiere of Pride and Glory!

10.13.2008 | By |

Win tickets to see the world premiere of Pride and Glory!

ShowBizCafe.com has your chance to win 2 VIP tickets to see the world premiere of “Pride and Glory”, this Wednesday, October 15th at the AMC Loews Lincoln Square at 68th st and Broadway. Edward Norton and Colin Farrell star with a great latin cast – John Ortiz, Manny Perez, Ramon Rodriguez, Rick Gonzalez, Maximiliano Hernández.

The first person to send us their name and email on the COMMENTS section below will receive 2 VIP tickets to see the world premiere of “Pride and Glory”.

Tickets will be available at the theater box office.

The tickets are only for two people and your seats will not be reserved. Please arrive early.

Pride and Glory is a saga centered on a multi-generational family of New York City Police officers. The family’s moral codes are tested when Ray Tierney (Edward Norton), investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law (Colin Farrell). For Ray, the truth is revelatory, a Pandora’s Box that threatens to upend not only the Tierney legacy but the entire NYPD.

Click here to see 7 clips from the film!

Ed Norton y Colin Farrell,

This film is rated R. Please note: Passes received through this promotion do not guarantee you a seat at the theatre. Seating is on a first come first serve basis, except for members of the reviewing press. Theatre is overbooked to ensure a full house. No admittance once screening has begun. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket, and accepts any restrictions required by ticket provider. (Studio), (agency you’re working with), (your company and any partners involved with you), and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law.

Rated R for strong violence, pervasive language and brief drug content.

Pride and Glory will be released October 24th.

PRIDE AND GLORY

Mack Chico

By

2008/10/13 at 12:00am

Ex-CEO of Telemundo, James M. McNamara, moves to Cine Latino

10.13.2008 | By |

Ex-CEO of Telemundo, James M. McNamara, moves to Cine Latino

Cine Latino, the leading Spanish-language premium film channel in the United States, announces the appointment of cable industry veteran James M. McNamara, former chief executive of Telemundo and founder of Panamax Films, as non-executive Chairman.

Cine Latino, co-owned by MVS Television and InterMedia Partners, offers the biggest and most current Spanish-language blockbusters and critically-acclaimed titles.  With more than 3.5 million cable and satellite subscribers, Cine Latino is the leading U.S. Spanish-language movie channel.  Cine Latino also has over 2 million subscribers throughout Latin America and Canada.

“We are very excited to have Jim on board,” says Ernesto Vargas, President of MVS Television.  “Under Jim’s leadership, Cine Latino is preparing to announce exciting and unprecedented plans to reinforce our position as the leading premium provider of Spanish-language cinema.” 

McNamara has extensive Hispanic TV experience, serving as President and CEO of Telemundo from 1999 to 2005, during which time the network sold to General Electric/NBC for $2.7 billion.

In 2005 McNamara left the top position at Telemundo to start Panamax Films, a production house aimed at producing high quality English and Spanish-language films for the U.S. Hispanic and Latin American audiences.  Panamax distributes through a distribution agreement with Lion’s Gate Entertainment.  In 2006 Panamax distributed La Mujer de Mi Hermano and in 2007 produced and distributed the hit Ladron Que Roba a Ladron.  Panamax film Sangre de mi Sangre was the first Spanish-language film to win the Grand Jury Prize at the Sundance Film Festival in 2007. 

“Jim brings both his unparalleled understanding of Spanish-language television and film and a tremendous vision to Cine Latino,” says Alan Sokol, senior investment partner of InterMedia.  “Under Jim’s direction, Cine Latino will become synonymous with the best in Spanish language cinema.”

In his new role as non-executive Chairman, McNamara will be responsible for overseeing programming, distribution, marketing and finance.  The current management will remain intact in Mexico.  As part of the channel’s effort to grow the management staff in the United States, Cine Latino has appointed Sandra Austin as Chief Financial Officer.  Austin formally served as CFO of MGM Networks Latin America.  Carolina Bilbao has been named Creative Director after previous creative positions at Telemundo, MTV Networks, and Oxygen.  Katie Hamlin joins as Public Relations Director from Edelman, before which she served as Public Relations Manager of Liberty Cablevision of Puerto Rico. 

“I am thrilled to be leading Cine Latino’s exceptional team,” says McNamara.  “The channel is committed to providing the best, most relevant contemporary Spanish-language film titles to all Latinos living in the U.S.  I look forward to leveraging my experience in Spanish-language television and film to build upon the channel’s success and strengthen our status as the ultimate Spanish-language film destination.”

McNamara holds a Masters degree from the American Graduate School of International Management.  He earned an undergraduate degree in business administration and political science from Rollins College.  He was born and raised in the Republic of Panama and currently resides in Miami with his wife and three children.

Cine Latino was founded by MVS Television, a subsidiary of Mexico City’s Grupo MVS.  Private equity firm InterMedia Partners recently acquired a 50% interest in Cine Latino.  Movie producer and industry veteran McNamara also acquired an equity interest in the channel.

Mack Chico

By

2008/10/12 at 12:00am

"Beverly Hills Chihuahua" barks up a second win!

10.12.2008 | By |

"Beverly Hills Chihuahua" barks up a second win!

This is how far movie stars have fallen in their ability to pull audiences into theaters, at least when the story revolves around Iraq and the messiness of the Middle East: A picture about talking dogs, “Beverly Hills Chihuahua,” trampled Leonardo DiCaprio and Russell Crowe at the weekend box office.

“Body of Lies,” a terrorism thriller starring Mr. DiCaprio and Mr. Crowe, sold an anemic $13.1 million in tickets at North American theaters, according to the theater tracking company Box Office Mojo. The movie’s stars are considered two of the biggest draws in the business. And the film was directed by Ridley Scott (“Blade Runner,” “American Gangster”), one of the few filmmakers who are household names.

Warner Brothers, the studio behind this serious, expensive movie, blamed the bad timing of an economic crisis. “The result is directly related to the dire mood of Americans,” Dan Fellman, president for domestic theatrical distribution at Warner Brothers, who flatly rejected the industry belief that the film’s megawatt stars should have garnered higher sales regardless.

Still, Warner Brothers had turned “Body of Lies” into a referendum on star power by choosing to market the film squarely on the backs of Mr. DiCaprio and Mr. Crowe, delivering scant information about the plotline in the process. And the marketing was considerable, beginning in force during the Beijing Olympics and continuing with a major billboard and television campaign. (“Body of Lies” cost an estimated $70 million to produce; the average studio film costs an average of nearly $36 million to market.)

The studio worried that selling “Body of Lies” based on its plot would be difficult. Adapted from the best-selling novel by David Ignatius, the movie centers on a C.I.A. operative who is tracking a terrorist leader, and bounces from Iraq to Turkey to the United States to Jordan. In the past few years movies focusing on the Iraq war and the fallout from 9/11 (“Rendition” and “Lions for Lambs,” for example) have generally performed terribly, even with big-name stars like Tom Cruise and Reese Witherspoon.

Escapism definitely ruled the weekend — something that should ring alarm bells for almost all the Hollywood studios as they prepare to flood the market with somber awards-driven pictures. Films like “Changeling,” starring Angelina Jolie as a mother in search of her kidnapped son, and “The Soloist,” featuring Jamie Foxx as a homeless musician, may have an extra hurdle to cross.

“Beverly Hills Chihuahua,” a Walt Disney Pictures release, sold an estimated $17.5 million in tickets over the weekend, according to Box Office Mojo. That was enough for the No. 1 slot for the second week in a row, bringing its cumulative gross to $52.5 million. Second place went to another escapist entry, this time in the horror genre: “Quarantine,” released by Sony/Screen Gems, sold about $14.2 million in tickets, drawing heavily on younger moviegoers.

“Body of Lies” was third. Fourth place went to “Eagle Eye” with $11 million (for a new total of $70.6 million). And “Nick and Norah’s Infinite Playlist” was fifth with $6.5 million ($20.8 million).

Mike Pierce

By

2008/10/10 at 12:00am

Quarantine

10.10.2008 | By |

Rated: R for bloody violent and disturbing content, terror and language.
Release Date: 2008-10-10
Starring: John Erick Dowdle, Drew Dowdle
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://www.containthetruth.com/

Go to our film page

Quarantine

Over the weekend – I went and checked out the movie Quarantine. Ohhh yeah, I get there – – sit down with my bottled water and waited.

Here’s a little plot summary:

Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, Internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

NOW…what did I think about it you ask…it was ok. I thought it was going to be better. I mean, the “zombie like people” (I’ll keep it like that so I don’t give away the TRUE story) were dope…but, that’s about it. The whole movie is played back by the camera guy – the camera jerks, moves in all directions! That was pretty annoying. Ladies, you’ll be happy – Jay Hernandez is in the movie. He was cool. Guys, if your looking for a good “date movie in October.” – – go check it out.

I give Quarantine…3 out of 5 Popcorns!

Mack Chico

By

2008/10/10 at 12:00am

Talento de Barrio

10.10.2008 | By |

Rated: R for violence, pervasive language, drug content and brief sexuality.
Release Date: 2008-10-10
Starring: George Rivera, Ángel M. Sanjurjo
Director(s):
Distributor:
Film Genre:
Country: Puerto Rico
Official Website: http://www.peliculatalentodebarrio.com/

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Talento de Barrio
Mack Chico

By

2008/10/10 at 12:00am

Body of Lies

10.10.2008 | By |

Rated: R for strong violence including some torture, and for language throughout.
Release Date: 2008-10-10
Starring: William Monahan, David Ignatius (novela)
Director(s):
Distributor:
Film Genre:
Country: USA
Official Website: http://bodyoflies.warnerbros.com/

Go to our film page

Body of Lies

 

Three years ago, Ridley Scott‘s ill-conceived epic Kingdom of Heaven implicitly asked the question, “What would a movie about the Crusades look like if everyone in it had a 21st-century ideological outlook?” (The unsurprising answer: It would look nothing at all like the Crusades.) With Body of Lies, Scott once again turns his eye to conflict in the Middle East, though this time he wisely keeps his moral and historical frames in present-day alignment. The result is a film that, while far less muddled, still doesn’t have much new to say.

 

A former journalist Roger Ferris (Leonardo DiCaprio) injured in the Iraq war is hired by the CIA Ed Hoffman (Russell Crowe) to track down an Al Qaeda leader in Jordan. The movie jumps from London to Iraq to Washington to Amsterdam to Jordan, Dubai, Turkey, and Syria with box-checking diligence. There are betrayals and kidnappings and rogue operations and collateral damage. Things are not infrequently blown up. The elements of the film, in other words, will be reasonably familiar to anyone who saw Syriana or The Kingdom or Traitor or Spy Game.

 

The script, adapted by William Monaghan from a novel by Washington Post columnist David Ignatius, shrewdly sticks to shades of gray; those waiting for a stark double cross that will reveal the movie’s true villain will wait in vain. DiCaprio and Crowe deliver their customary quality, even if neither shows us anything terribly fresh. (I, for one, look forward to the next role in which DiCaprio doesn’t feel a scruffy goatee is needed to confirm his postpubescence.) But the movie’s true revelation is Syriana vet Strong, who plays head of Jordanian intelligence Hani Salaam. Trim and elegant in narrow pinstripes, Salaam is crafty, charismatic, and sophisticated, with an odd but charming insistence on referring to male colleagues as “my dear.” He is a man capable of brutality when it is required, but glad to avoid it when it is not. A scene in which he administers a carrot to an al Qaeda suspect in place of the anticipated stick is perhaps the best in the film.

 

Scott directs with characteristic panache–the rapid editing and varied camera speeds, a delight in aerial surveillance shots evidently inherited from brother Tony’s Enemy of the State— but as in Kingdom of Heaven his aesthetic and political purposes are in tension: How upset can we be about a deadly explosion when Scott has labored so mightily to make it look cool? Though evidently intended to straddle the divide between action thriller and geopolitical fable, when pushed, Body of Lies tumbles into the former genre. (Its chief bid at seriousness, a confrontational colloquy with the top terrorist near the end of the film, comes across as the awkward regurgitation of a hastily swallowed subscription to The Economist.) In the end, it is an above-average entertainment, though not a terribly memorable one. By contrast, a sequel following the exploits of spymaster Hani Salaam, the George Smiley of Jordan–now that, my dear, would be something to see.

Mack Chico

By

2008/10/09 at 12:00am

Pride and Glory – the 7 best scenes from the film

10.9.2008 | By |

Pride and Glory - the 7 best scenes from the film

Gavin O’Connor, an unproven TV director, sets out to create the next “Serpico” with Ed Norton and Colin Farrell. Sounds like fluff to us Gavin. We’re watching the film this weekend and we’ll weigh in on your remarks. Cool thing is he casted some of the better Hispanic actors to play the thugs in this film which include Manny Perez, John Ortiz, Ramon Rodriguez and Rick Gonzalez. We hope it’s at least better than “We Own The Night” with Phoenix and Wahlberg.

This movie revolves around a saga centered on a multi-generational family of New York City Police officers. The family’s moral codes are tested when Ray Tierney (Edward Norton), investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law (Colin Farrell). For Ray, the truth is revelatory, a Pandora’s Box that threatens to upend not only the Tierney legacy but the entire NYPD.

Pride and Glory is released on October 24th.

Mack Chico

By

2008/10/08 at 12:00am

George Clooney films in Puerto Rico

10.8.2008 | By |

George Clooney films in Puerto Rico

Hollywood heartthrob George Clooney is in Puerto Rico filming his new movie “Men Who Stare At Goats”. 

The executive director of the Corporation of Cinema, Luis Riefkohl, said that the shoot will be extended by three weeks and that he hopes that at some point when the filming stops, press will have some access to the set. 

Other actors in the cast are Ewan McGregor and Oscar winner Kevin Spacey, who are also in PR.

“Men Who Stare At Goats”, directed by Grant Heslov, is based on a book by British journalist Jon Ronson about a military unit with paranormal powers  fighting the anti-terrorist war.

The script is by Peter Straughan. Heslov and Clooney are partners of the Smoke House Pictures and “Men Who Stare At Goats” is the second production that they collaborate on.

The manager of the Corporation of Cinema, Cristina Caraballo, assured that Clooney wanted to film in the Island because the incentives that the government grants are the most attractive in the world.

After Puerto Rico, the production moves to Albuquerque, and then to New Mexico.

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