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ShowBizCafe.com Archives - Page 37 of 45 - ShowBizCafe.com

ShowBizCafe.com Archives - Page 37 of 45 - ShowBizCafe.com

Jack Rico

By

2010/03/30 at 12:00am

‘Manolete’ with Penelope Cruz ‘Manolete’ gets release

03.30.2010 | By |

'Manolete' with Penelope Cruz 'Manolete' gets release

In his lifetime, Manolete, the legendary bullfighter, caused a stir living with his exuberant left-wing mistress beneath the disapproving glare of staunchly Catholic, 1940s Spain. Manolete, a film about this romance starring Adrien Brody and Penelope Cruz, is raising eyebrows again – this time among the anti-bullfighting camp.

After a three-year delay, the €20m (£18m) British-Spanish production is expected to be released this week in Paris – to the outrage of animal rights activists.

“It is inadmissible to release a film in which the hero is a matador,” said the Alliance Anticorrida, a French anti-bullfighting group, in a message to its 20,000 members. “If they are properly informed, a great number of spectators will avoid this new film.”

The film, by the Dutch director Menno Meyjes, was supposed to be released as early as 2007, but has been beset with production delays, debts and a ballooning budget. Bullfighting scenes were reportedly shot without using real animals, which inflated the cost.

“Let’s thank Lola Films for making a compassionate choice for bulls,” said the US-based People for the Ethical Treatment of Animals.

In the film, a sombre Adrien Brody plays the matador from Cordoba enamoured with Penelope Cruz’s bonne vivante Mexican actress, Lupe Sino, who pines for a final glimpse of her lover after he is gored to death by the bull Islero in 1947.

The film’s producers and distributors have tried to reassure activists that the film – peppered with phrases like “I’m just your mistress; death is your wife” – is a story about love not killing. But the ever-growing anti-bullfighting movement appears unmoved. “It is forgetting a bit too quickly the images of Adrien Brody, his face and hands stained with blood in his torero costume,” the Alliance Anticorrida said.

Jack Rico

By

2010/03/26 at 12:00am

Movie Review: ‘Chloe’

03.26.2010 | By |

Movie Review: 'Chloe'

Chloe,’ Atom Egoyan’s new directorial work, is the lesbian version of Fatal Attraction. You can expect a high level of nudity and explicit, erotic sexual lesbian scenes that almost make it feel like soft core porn. The look of the film is different though and resembles more Stanley Kubrick’s artistic ‘Eyes Wide Shut.’ The pacing, cinematography and camerawork, even its musical score, ignites thoughts of the film. The acting is strong and the story, for 85% of its duration, is utterly enthralling… until it collapses at the very end in an hyperbolic mess.

A gynecologist (Julianne Moore) hires an escort (Amanda Seyfried) to seduce her husband (Liam Neeson), whom she suspects of cheating. The results will back fire on her and reveal a side of herself she didn’t know existed.

For most of the film, this erotic thriller carries a slow enjoyable pace. It never reaches the depths of boredom. Each scene is crafted carefully to develop the characters and the meat of the story. The situations they are all in are plausible, but with an edge to them. Then out of nowhere, 20 minutes before its denouement, it becomes risible and loses all cogency and believability. I don’t even want to try and figure out why that happened, but this movie could have been great.

Despite that one deficiency, the whole of the film should not be dismissed. The engrossing, sometimes transfixing artistic sensuality of the sequences will keep you glued to your seat. The premise evokes real questions that ultimately many marriages suffer from, such as – can one ever really be only with one person for their whole life?

Chloe’ has an answer for that and it’s not necessarily the one you want to hear. The movie is a bit twisted, but it is very entertaining, you can’t wait to see what happens next and am sure most of you will feel the same too.

Namreta Kumar

By

2010/03/18 at 12:00am

3 questions with Kristen Stewart & Dakota Fanning

03.18.2010 | By |

3 questions with Kristen Stewart & Dakota Fanning

ShowBizCafe.com (SBC) had the opportunity to talk to Kristen Stewart and Dakota Fanning about their new film ‘The Runaways,” opening March 19, 2010. They let us in on how the music and the Rock icons Joan Jett and Cherie Currie influence them today:

SBC: You know what it feels like to have thousands of people screaming at you, due to your previous films, and now you are playing Rock musicians on stage. Although for a film, can you guys compare and contrast the energy that you get from fans in the two fields?

Dakota: I think it is hard comparing an actor with someone that is in music. I think it is really different, especially me just playing a musician. It is kind of a different energy that you feel than actually someone screaming for you or cheering for you personally. Also with actors, most of the time, those people are fans of whom you played and a character. They see you as that character, as appose to a musician they love YOU and who YOU are and how you project yourself onto other people; as appose to an actor, how you project your character onto other people.

Kristen: Musicians make statements. They are there to be themselves. That is just not who we are. I feel like they are much more public figures than actors almost because they are more like… she (Dakota) said it already.

SBC:How was the experience of working with Floria, and was their any real challenge to get it right for the real life people you were portraying?

Kristen: That was the whole thing. That is why the performances were the most intimidating thing, because they have very distinct styles. They’re performers and we’re… I am not a performer, so that was a new thing for me. When I first started watching Joan do these songs, she was SO full of something that I thought that I could never, that nobody could ever try to emulate because that is unique to her. Nobody else has that. When she looks into the crowd, and there are certain videos that you get lucky and there is a good shot of her because they are kind of rare, but she stares into that camera and you just think I am never going to be able to do that. So that was the hugest thing for us, because for Joan it is all about the music. Even if the movie’s story line completely fell short and people were disappointed by it, if the music was still good she would be good, people are listening.

SBC: Can you both talk about what makes them icons, beyond the obvious, what to you resonated of both characters, both people?

Kristen: Well Joan the first woman to start her own record label. She was basically told after The Runaways broke up, after such a successful extravagant, for a couple of years, time at such a young age, that she was done and that was it and she had peaked. Despite The Runaways success people still didn’t want to hear, people still didn’t like her style, people still thought she was too aggressive, and people didn’t wan to see that in a girl, she was ugly and she wasn’t girlie enough. She is not just a famous musician because she makes cool music, she makes really great music and it is filled with her. She is in her music; she says it all the time, if you want to know me read my lyrics. Or jus listen to the guitar she is playing. So what is cool is that it is not just because of that she made some headway and people should know where she came from; that is why The Runaways is so cool because I didn’t even know about The Runaways, I didn’t even know who they were.

Dakota: For Cherrie I think, what I took away, a lot form her was the sacrifice that she makes and to give up what she loves to do because she even says it today that she would have died, if she had continued on the path she was on. To watch someone give that sacrifice… I was looking at myself and I thinking to myself could I give that up myself and obviously I am not on a downward spiral like she was, but that is a really hard thing to do; and to watch the person that you are closest to become Joan Jett and to have zero resentment and to be so proud of Joan is such an amazing thing to watch in Cherrie; so she is pretty inspiring to me.

Jack Rico

By

2010/03/18 at 12:00am

Free tickets to ‘How to Train Your Dragon 3D’

03.18.2010 | By |

Free tickets to 'How to Train Your Dragon 3D'

ShowBizCafe.com invites you to see an advanced screening of the comedy ‘How to Train Your Dragon 3D’ starring the voice of America Ferrera on Saturday morning, March 20th at an undisclosed theater in Manhattan, NY.

Synopsis: A hapless young Viking who aspires to hunt dragons becomes the unlikely owner of a young dragon himself, and learns there may be more to the creatures than he assumed.

Send us your name and email to our COMMENTS section below and we will then proceed to send you the electronic ticket to attend the screening!

Good luck!

Tickets are limited and are allocated to a random sampling of respondents. Limit one (Admit-One) pass per person. Seating is first come, first served. No purchase necessary. While supplies last.

PG for sequences of intense action and some scary images, and brief mild language.

The theatrical release will be Friday, March 26th, 2010. All winners will be notified by e-mail.

http://www.howtotrainyourdragon.com/

Passes are not for sale.

Jack Rico

By

2010/03/06 at 12:00am

‘Oscar 2010’: My Winning Predictions

03.6.2010 | By |

'Oscar 2010': My Winning Predictions

With less than 24 hours away from the 2010 Oscars, fans of this big night have their thoughts of who will be the winners of the big awards. I’ll be personally looking at the Foreign Films category because that is where I think the best films of 2009 are! Two Latin American films are nominated. My peeps are putting their share!

Here at ShowBizCafe.com, I decided to predict the winners of all the categories for that big pool you guys are planning on having Sunday night. 

Share your ideas and predict the winners along with me on Twitter on Sunday night at 8pm. I’ll be blogging live all 3-4 hours.

Without any more delays, check out my full 2010 Oscar Awards Predictions highlighted in bold:

 

 

Best Picture
The Hurt Locker (Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, producers)
Avatar (James Cameron and Jon Landau, producers)
District 9 (Peter Jackson and Carolynne Cunningham, producers)
An Education (Finola Dwyer and Amanda Posey, producers)
Inglourious Basterds (Lawrence Bender, producer)
Precious (Lee Daniels, Sarah Siegel-Magness and Gary Magness, producers)
A Serious Man (Joel Coen and Ethan Coen, producers)
Up in the Air (Daniel Dubiecki, Ivan Reitman and Jason Reitman, producers)
The Blind Side (Gil Netter, Andrew A Kosove and Broderick Johnson, producers)
Up (Jonas Rivera, producer)

Best Director
The Hurt Locker (Kathryn Bigelow)
Avatar (James Cameron)
Inglourious Basterds (Quentin Tarantino)
Up in the Air (Jason Reitman)
Precious (Lee Daniels)

Best Actress
Sandra Bullock in The Blind Side
Meryl Streep in Julie & Julia
Helen Mirren in The Last Station
Gabourey Sidibe in Precious
Carey Mulligan in An Education

Best Actor
Jeff Bridges in Crazy Heart
Colin Firth in A Single Man
George Clooney in Up in the Air
Jeremy Renner in The Hurt Locker
Morgan Freeman in Invictus

Best Supporting Actress
Mo’Nique in Precious
Vera Farmiga in Up in the Air
Penélope Cruz in Nine
Anna Kendrick in Up in the Air
Maggie Gyllenhaal in Crazy Heart

Best Supporting Actor
Christoph Waltz in Inglourious Basterds
Christopher Plummer in The Last Station
Matt Damon in Invictus
Stanley Tucci in The Lovely Bones
Woody Harrelson in The Messenger

Animated Feature Film
Up (Pete Docter and Bob Peterson)
The Princess and the Frog (Ron Clements and John Musker)
Coraline (Henry Selick)
Fantastic Mr Fox (Wes Anderson)
The Secret of Kells (Tomm Moore)

Foreign Language Film
The White Ribbon (Michael Haneke, Germany)
The Secret of Her Eyes (Juan Jose Campanella, Argentina)
A Prophet (Jacques Audiard, France)
The Milk of Sorrow (Claudia Llosa, Peru)
Ajami (Scandar Copti and Yaron Shani, Israel)

Writing (adapted screenplay)
Precious (Geoffrey Fletcher)
District 9 (Neill Blomkamp and Terri Tatchell)
An Education (Nick Hornby)
Up in the Air (Jason Reitman and Sheldon Turner)
In the Loop (Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche)

Writing (original screenplay)
Inglourious Basterds (Quentin Tarantino)
The Messenger (Alessandro Camon and Oren Moverman)
The Hurt Locker (Mark Boal)
A Serious Man (Joel and Ethan Coen)
Up (Pete Docter and Bob Petersen)

Art Direction
Avatar (art direction: Rick Carter and Robert Stromberg; set decoration: Kim Sinclair)
The Imaginarium of Doctor Parnassus (art direction: Dave Warren and Anastasia Masaro; set decoration: Caroline Smith)
Nine (art direction: John Myhre; set decoration: Gordon Sim)
Sherlock Holmes (art direction: Sarah Greenwood; set decoration: Katie Spencer)
The Young Victoria (art direction: Patrice Vermette; set decoration: Maggie Gray)

Cinematography
Avatar (Mauro Fiore)
The White Ribbon (Christian Berger)
Harry Potter and the Half-Blood Prince (Bruno Delbonnel)
The Hurt Locker (Barry Ackroyd)
Inglourious Basterds (Robert Richardson)

Costume Design
The Young Victoria (Sandy Powell)
Coco Before Chanel (Catherine Leterrier)
Bright Star (Janet Patterson)
The Imaginarium of Doctor Parnassus (Monique Prudhomme)
Nine (Colleen Atwood)

Documentary (feature)
The Cove (Louie Psihoyos and Fisher Stevens)
Burma VJ (Anders Østergaard and Lise Lense-Møller)
Food, Inc (Robert Kenner and Elise Pearlstein)
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Judith Ehrlich and Rick Goldsmith)
Which Way Home (Rebecca Cammisa)

Documentary (short subject)
China’s Unnatural Disaster: The Tears of Sichuan Province (Jon Alpert and Matthew O’Neill)
The Last Campaign of Governor Booth Gardner (Daniel Junge and Henry Ansbacher)
The Last Truck: Closing of a GM Plant (Steven Bognar and Julia Reichert)
Music by Prudence (Roger Ross Williams and Elinor Burkett)
Rabbit à la Berlin (Bartek Konopka and Anna Wydra)

Film Editing
Avatar (Stephen Rivkin, John Refoua and James Cameron)
District 9 (Julian Clarke)
The Hurt Locker (Bob Murawski and Chris Innis)
Inglourious Basterds (Sally Menke)
Precious (Joe Klotz)

Makeup
Star Trek (Barney Burman, Mindy Hall and Joel Harlow)
Il Divo (Aldo Signoretti and Vittorio Sodano)
The Young Victoria (Jon Henry Gordon and Jenny Shircore)

Music (original score)
Up (Michael Giacchino)
Avatar (James Horner)
Fantastic Mr Fox (Alexandre Desplat)
The Hurt Locker (Marco Beltrami and Buck Sanders)
Sherlock Holmes (Hans Zimmer)

Music (original song)
The Weary Kind, from Crazy Heart, by Ryan Bingham and T Bone Burnett
Almost There, from The Princess and the Frog, by Randy Newman
Down in New Orleans, from The Princess and the Frog, by Randy Newman
Loin de Paname, from Paris 36, by Reinhardt Wagner and Frank Thomas
Take It All, from Nine, by Maury Yeston

Short Film (animated)
Logorama (Nicolas Schmerkin)
A Matter of Loaf and Death (Nick Park)
French Roast (Fabrice O Joubert)
The Lady and the Reaper (Javier Recio Gracia)
Granny O’Grimm’s Sleeping Beauty (Nicky Phelan and Darragh O’Connell)

Short Film (live action)
The Door (Juanita Wilson and James Flynn)
Miracle Fish (Luke Doolan and Drew Bailey)
Instead of Abracadabra (Patrik Eklund and Mathias Fjellström)
Kavi (Gregg Helvey)
The New Tenants (Joachim Back and Tivi Magnusson)

Sound Editing
Avatar (Christopher Boyes and Gwendolyn Yates Whittle)
The Hurt Locker (Paul NJ Ottosson)
Inglourious Basterds (Wylie Stateman)
Star Trek (Mark Stoeckinger and Alan Rankin)
Up (Michael Silvers and Tom Myers)

Sound Mixing
Avatar (Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson)
The Hurt Locker (Paul NJ Ottosson and Ray Beckett)
Inglourious Basterds (Michael Minkler, Tony Lamberti and Mark Ulano)
Star Trek (Anna Behlmer, Andy Nelson and Peter J Devlin)
Transformers: Revenge of the Fallen (Greg P Russell, Gary Summers and Geoffrey Patterson)

Visual Effects
Avatar (Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R Jones)
District 9 (Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken)
Star Trek (Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton)

Jack Rico

By

2010/03/03 at 12:00am

Movie Review: Alice in Wonderland’

03.3.2010 | By |

Movie Review: Alice in Wonderland'

It’s finally here! Tim Burton’s new phantasmagorical Real-3D remake of ‘Alice in Wonderland’ is a bore. All that eye-popping colorful imagery was just eye candy to sidetrack us from focusing on the anemic script adaptation. Even though it is one of Burton’s most beautiful films, it is not his best. This goes to show you that story is everything. The acting performances were vacuous and the entertainment value was surprisingly subpar. Will kids like it? Yeah sure, kids like almost anything that looks like a video game.

Burton’s adaptation centers around Alice (Mia Wasikowska), a young british teenager who falls down a tree hole and rediscovers all the marvels of a surreal place called Wonderland.

There is something to be said about the director’s need to create a movie that has been filmed so many times by so many people in so many countries. Does he think his will be the definitive one? Disney might argue that. Burton is a remake master and there is a major flaw with that method of filmmaking – you are always going against the original, therefore your version will most likely always be weaker.

Alice in Wonderland is not funny or charming but a bit fatuous and insipid. It drags in various places especially in the beginning. Much of this tediousness is due to the bad acting of the female protagonist Mia Wasikowska. Talk about needing some acting classes. She was neither convincing nor surprised at anything, but rather seemed arrogant and spoiled. Mr. Eccentric himself, Johnny Depp, couldn’t hit the magical and funny strides of his predecessor Captain Jack Sparrow from ‘Pirates of the Caribbean.’ The rest of the cast was mediocre at best, so was the whole movie.

On some high notes, the cinematography is outstanding, kudos to Dariusz Wolski for hitting a home run. The 3D experience was very fun, but any 3D film that comes out after Avatar is going to pale in comparison. Nevertheless, for those of you that rarely see three dimensional movies, it’s a trip and a half. The great moments are few and the yawning moments are plenty. If you think that the 3D scenes and the colorful visuals will be enough to amuse you, think again. The glasses will start to weigh on you and the english accent will begin to annoy you. That’s what happens when a movie you think is going to be great turns out be a dud!

Jack Rico

By

2010/02/17 at 12:00am

‘Shutter Island’: The Movie Review

02.17.2010 | By |

'Shutter Island': The Movie Review

The new psychological thriller, “Shutter Island,” based on the popular novel by Dennis Lehane, comes from the dexterous and practiced hands of legendary director Martin Scorsese. The film is deluged with a plethora of twists and turns, brilliant acting by Leonardo DiCaprio and jarring scenes of suspense created and framed to perfection by its helmer. You should be excited to see this film… the entertainment value is high and the production quality is of the highest caliber. It’s definitely a must see movie!

For those of you who unfamiliar with the plotline, we’ll reveal only a succinct version.  The film adaptation tells the tale of two U.S. marshals, Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), who are summoned to a remote and barren island off the cost of Massachusetts to investigate the mysterious disappearance of a prisoner from the island’s fortress-like mental ward. Not much can else be revealed because anything more can ruin the movie experience.

One thing you will take away from this movie is Scorsese’s prowess in the visual department. Some of the camera shots seen make you wish the projectionist could pause them and play it over and over again. After seeing all of DiCaprio’s films, Shutter Island, in my humble opinion, is perhaps one of the top 3 best performances of his career (What’s Eating Gilbert Grape, Shutter Island and Basketball Diaries, in order). That is what you await at your local theater this weekend.
 
A major subtext in the movie’s theme is a question asked by all of us, at one point or another in our lives: Am I mad, or is the world around me mad? What’s real and what is not? (I’ve been there before). Just like Hitchcock, the story is constantly deviating us from our path of clarity, creating scenes that don’t really exist and submerging us into a nightmare we can’t manage to wake up from.

At first, the film seems to be just another intriguing noir detective story but it is so much more than that. The references and homages in the film are multiple, everything from “Out of the Past” to “Shock Corridor” and “The Snake Pit” to Hitchcock’s “Spellbound.”

“Shutter Island” is a world where nothing is what it appears to be. It’s suspenseful, mysterious, ambiguous and insane. Now that sounds like a fun movie!

Jack Rico

By

2010/02/15 at 12:00am

Interview with Leonardo DiCaprio on Shutter Island!

02.15.2010 | By |

Interview with Leonardo DiCaprio on Shutter Island!

It was a cold day in New York City as I arrived at one of New York’s top hotels, Le Meridien, to attend an exclusive press conference with Martin Scorsese, Leonardo DiCaprio, author Dennis Lehane, amongst others, to discuss ‘Shutter Island‘, Scorsese’s new cinematic effort.

First off was Lehane and his crew. Every one got off questions, including me. Then Scorsese’s crew came in and only 4 questions were asked – I was one of the lucky ones to get one in.

What you will hear in the audio slide to the left to you are the questions I asked DiCaprio, Scorsese and Lehane, in order. Essentially, this audio encompasses DiCaprio’s thoughts on his acting, how difficult it was to film these scenes, along with Scorsese’s directorial style and Lehane’s thoughts on the film adaptation of the book.

Without further adieu, here is the official interview from the stars of ‘Shutter Island‘.

Jack Rico

By

2010/02/10 at 12:00am

‘Spider Man 4’ to be in 3D in 2012

02.10.2010 | By |

'Spider Man 4' to be in 3D in 2012

So we finally have a real date for what is to be the reimagining or reinvention of the new, younger Spider Man films. It also will feature the 3D technology for an ultimate movie going experience. Across our email we received the new press release from Columbia Pictures regarding the news:

Spider-Man will swing into theaters worldwide in 3D beginning July 3, 2012, it was  announced today by Jeff Blake, Chairman of Sony Pictures Worldwide Marketing & Distribution. The new film which is still untitled, will begin production later this year directed by Marc Webb from a screenplay by James Vanderbilt. Avi Arad and Laura Ziskin will produce the film from Columbia Pictures and Marvel Studios.
 
Commenting on the announcement, Blake said, “Spider-Man is the ultimate summer movie-going experience, and we’re thrilled the filmmakers are presenting the next installment in 3D.  Spider-Man is one of the most popular characters in the world, and we know audiences are eager and excited to discover Marc’s fantastic vision for Peter Parker and  the franchise.”

Jack Rico

By

2010/02/05 at 12:00am

‘Mun2’ to begin Friday night movie series

02.5.2010 | By |

'Mun2' to begin Friday night movie series

Mun2 is setting the stage for a new Friday night movie showcase.

The NBC Universal-owned cable network aimed at bicultural U.S. Latinos will bow “Have You Cine” on Feb. 5 at 7 p.m. (ET/PT) with drama Harsh Times, starring Christian Bale and Eva Longoria. Mun2 will flank the linear offering with online interviews with actors and movie makers via holamun2.com/cine.

In addition to the weekly Friday night movie showcase, the network will continue offering the exclusive, “Have You Cine Chronicles,” a weekly short-form vignette covering the biggest movies out in theaters. The capsules will premiere as part of the network’s entertainment show, The mun2 Shuffle and will run throughout the programming day within mun2’s music blocks.

“Mun2 has been committed to movies for the past few years, bringing our audience exclusive interviews with artists ranging from Hugh Jackman to Gael Garcia Bernal,” said Flavio Morales, senior vice president programming and production for mun2. “The Have You Cine‘ franchise has evolved, as do the needs of our audience, and we’re excited to not only offer them this fresh, new movie line-up, but also bring our viewers closer to their favorite stars via holamun2.com.”

The rest of the Have You Cine Friday-night lineup this month: Feb. 12, Talento de Barrio, starring Daddy Yankee;

Feb. 19, Chasing Papi, starring Sofia Vergara and Roselyn Sanchez;  and Feb. 26, Fast Lane, starring Melina Lizette and Kenyetta Lethridge.

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